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The Methodist Hymnal
Publication Date: 1905 Publisher: The Methodist Book Concern Publication Place: New York / Cincinnati Editors: The Methodist Book Concern
The Methodist Hymnal
And are we yet alive
Author: Charles Wesley Appears in 219 hymnals Used With Tune: DENNIS
And are we yet alive
I know that my Redeemer lives
Author: Samuel Medley Appears in 473 hymnals Used With Tune: TRURO
I know that my Redeemer lives
Begin my tongue some heavenly theme
Author: Isaac Watts Appears in 300 hymnals Used With Tune: MAKER
Begin my tongue some heavenly theme
O for a thousand tongues to sing
Author: Charles Wesley Hymnal: MHOH1905 #1 (1905) Languages: English Tune Title: AZMON
O for a thousand tongues to sing
Come, thou almighty King
Author: Charles Wesley Hymnal: MHOH1905 #2 (1905) Languages: English Tune Title: ITALIAN HYMN
Come, thou almighty King
Come sound his praise abroad
Author: Isaac Watts Hymnal: MHOH1905 #3 (1905) Languages: English Tune Title: SILVER STREET
Come sound his praise abroad
George Kirbye
1565 - 1634 Person Name: G. Kirbye Hymnal Number: 181 Composer of "WINCHESTER OLD" in The Methodist Hymnal George Kirbye (c. 1565 – buried October 6, 1634) was an English composer of the late Tudor period and early Jacobean era. He was one of the members of the English Madrigal School, but also composed sacred music.
Little is known of the details of his life, though some of his contacts can be inferred. He worked at Rushbrooke Hall near Bury St Edmunds, evidently as a tutor to the daughters of Sir Robert Jermyn. In 1598 he married Anne Saxye, afterwards moving to Bury St Edmunds. Around this time he probably made the acquaintance of John Wilbye, a much more famous madrigalist, who lived and worked only a few miles away, and whose style he sometimes approaches. In 1626 his wife died, and he is known to have been a churchwarden during the next several years until his death.
Kirbye's most significant musical contributions were the psalm settings he wrote for East's psalter in 1592, the madrigals he wrote for the Triumphs of Oriana (1601), the famous collection dedicated to Elizabeth I, and an independent set of madrigals published in 1597. Stylistically his madrigals have more in common with the Italian models provided by Marenzio than do many of the others by his countrymen: they tend to be serious, in a minor mode, and show a careful attention to text setting; unlike Marenzio, however, he is restrained in his specific imagery.
Kirbye avoided the light style of Morley, which was hugely popular, and brought into the madrigal serious style of pre-madrigal English music. He is not as often sung as Morley, Weelkes or Wilbye, but neither was he as prolific; still, some of his madrigals appear in modern collections.
--en.wikipedia.org/wiki/
George Kirbye
Robert Simpson
1790 - 1832 Hymnal Number: 242 Composer of "BALERMA" in The Methodist Hymnal Robert Simpson, of Scotland; b. 1790; d. 1832
Evangelical Lutheran Hymnal, 1908
Robert Simpson
Richard Baxter
1615 - 1691 Hymnal Number: 470 Author of "Lord, it belongs not to my care" in The Methodist Hymnal Baxter, Richard. Only s. of Richard Baxter, yeoman, Eaton Constantine, Shropshire, b. at Rowton, Shropshire, Nov. 12,1615. He was educated at Wroxeter School, and for a time held the Mastership of the Dudley Grammar School. On taking Holy Orders, he became, in 1640, Ourate of Kidderminster. Subsequently he was for some time chaplain to one of Cromwell's regiments. Through weakness he had to take an enforced rest, during which he wrote his Saints’ Everlasting Rest. On regaining his health he returned to Kidderminster, where he remained until 1660, when he removed to London. At the Restoration he became chaplain to Charles II and was offered the bishopric of Hereford, which he refused. On the passing of the Act of Uniformity, he retired from active duty as a Minister of the Church of England. In or about 1673 he took out a licence as a Nonconformist Minister and commenced lecturing in London. He d. Dec. 8, 1691. His prose works are very numerous. His poetical are :—
(1) Poetical Fragments: Heart Imployment with God and Itself; The Concordant Discord of a Broken-healed Heart, tendon, Printed by T. Snowdon for B. Simmons, at the 3 Golden Cocks, &c, 1681 (2nd ed. 1689; 3rd ed. 1699). It consists of accounts of his religious experiences in verse, and is dated "London, at the Door of Eternity; Rich. Baxter, Aug. 1, 1681." (2) Additions to the Poetical Fragments of Rich. Baxter, written for himself, and Communicated to such as are more for serious Verse than smooth, London, Printed for B. Simmons at the Three Golden Cocks at the Westend of St. Pauls, 1683. (3) A Paraphrase on the Psalms, With other Hymns Left fitted for the Press, pub. the year following his death (1692). [Early English Hymnody, x., and English Psalters, 6 xii.] The Poetical Fragments were republished by Pickering, Lond., 1821. From this work his well-known hymn, " Now [Lord] it belongs not to my care," is taken (see "My whole, though broken, heart, O Lord.")
-John Julian, Dictionary of Hymnology (1907)
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Hymn Writers of the Church
Richard Baxter
