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Hymnal, Number:hop2015

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Hymns of Promise

Publication Date: 2015 Publisher: Hope Publishing Company Publication Place: Carol Stream, IL Editors: Jane Holstein; Hope Publishing Company

Texts

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There's a Wideness in God's Mercy

Author: Frederick William Faber, 1814-1863 Meter: 8.7.8.7 D Appears in 910 hymnals Lyrics: 1 There's a wideness in God's mercy, like the wideness of the sea. There's a kindness in God's justice, which is more than liberty. There is no place where earth's sorrows are more felt than up in heaven. There is no place where earth's failings have such kindly judgment given. 2 For the love of God is broader than the measures of the mind. And the heart of the Eternal is most wonderfully kind. If our love were but more faithful, we would gladly trust God's Word, and our lives reflect thanksgiving for the goodness of our Lord. Topics: Praise to God Used With Tune: IN BABILONE
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Trust and Obey

Author: John H. Sammis, 1846-1919 Meter: 6.6.8 D with refrain Appears in 461 hymnals First Line: When we walk with the Lord Lyrics: 1 When we walk with the Lord in the light of his Word, what a glory he sheds on our way! While we do his good will, he abides with us still, and with all who will trust and obey. Refrain: Trust and obey, for there's no other way to be happy in Jesus, but to trust and obey. 2 Not a burden we bear, not a sorrow we share, but our toil he will richly repay; not a grief nor a loss, not a frown nor a cross, but is blest if we trust and obey. [Refrain] 3 But we never can prove the delights of his love until all on the altar we lay; for the favor he shows and the joy he bestows are for them who will trust and obey. [Refrain] 4 Then in fellowship sweet we will sit at his feet, or we'll walk by his side in the way; what he says we will do, where he sends we will go never fear, only trust and obey. [Refrain] Topics: Walking in Faith Used With Tune: TRUST AND OBEY
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Come, Thou Fount of Every Blessing

Author: Robert Robinson, 1735-1790 Meter: 8.7.8.7 D Appears in 2,226 hymnals Lyrics: 1 Come, thou Fount of every blessing, tune my heart to sing thy grace; streams of mercy, never ceasing, call for songs of loudest praise. Teach me some melodious sonnet, sung by flaming tongues above; praise his name-- I'm fixed upon it-- name of God's redeeming love. 2 Here I raise to thee an altar, hither by thy help I've come; and I hope, by thy good pleasure, safely to arrive at home. Jesus sought me when a stranger, wandering from the fold of God; he, to rescue me from danger, bought me with his precious blood. 3 O to grace how great a debtor daily I'm constrained to be! Let thy goodness, like a fetter, bind my wandering heart to thee; prone to wander, Lord, I feel it, prone to leave the God I love; here's my heart, O, take and seal it; seal it for thy courts above. Topics: Praise to Christ Used With Tune: NETTLETON

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BRADBURY

Meter: 8.7.8.7 D Appears in 535 hymnals Composer and/or Arranger: William B. Bradbury, 1816-1868 Tune Key: D Flat Major Incipit: 33323 45153 23465 Used With Text: Savior, Like a Shepherd Lead Us
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GLORIA

Meter: 7.7.7.7 with refrain Appears in 242 hymnals Tune Sources: French carol Tune Key: F Major Incipit: 33355 43323 53213 Used With Text: Angels We Have Heard on High
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HAMBURG

Meter: 8.8.8.8 Appears in 951 hymnals Composer and/or Arranger: Lowell Mason, 1792-1872 Tune Key: E Flat Major Incipit: 11232 34323 33343 Used With Text: When I Survey the Wondrous Cross

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Hymn of Promise

Author: Natalie Sleeth, 1930-1992 Hymnal: HOP2015 #1 (2015) Meter: 8.7.8.7 D First Line: In the bulb there is a flower Lyrics: 1 In the bulb there is a flower; in the seed, an apple tree; in cocoons, a hidden promise: butterflies will soon be free! In the cold and snow of winter there’s a spring that waits to be, unrevealed until its season, something God alone can see. 2 There’s a song in every silence, seeking word and melody; there’s a dawn in every darkness bringing hope to you and me. From the past will come the future; what it holds, a mystery, unrevealed until its season, something God alone can see. 3 In our end is our beginning; in our time, infinity; in our doubt there is believing; in our life, eternity; In our death, a resurrection; at the last, a victory, unrevealed until its season, something God alone can see. Topics: Praise to God Languages: English Tune Title: PROMISE

How Great Thou Art

Author: Stuart K. Hine, 1899-1989 Hymnal: HOP2015 #2 (2015) Meter: 11.10.11.0.1 with refrain First Line: O Lord my God, when I in awesome wonder Refrain First Line: Then sings my soul, my Savior God to thee Topics: Praise to God Languages: English Tune Title: HOW GREAT THOU ART
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O God, Our Help in Ages Past

Author: Isaac Watts, 1674-1748 Hymnal: HOP2015 #3 (2015) Meter: 8.6.8.6 Lyrics: 1 O God, our help in ages past, our hope for years to come, our shelter from the stormy blast, and our eternal home. 2 Under the shadow of your throne your saints have dwelt secure; sufficient is your arm alone, and our defense is sure. 3 Before the hills in order stood or earth received her frame, from everlasting you are God, to endless years the same. 4 A thousand ages in your sight are like an evening gone, short as the watch that ends the night before the rising sun. 5 O God, our help in ages past, our hope for years to come, be now our guide while life shall last, and our eternal home. Topics: Praise to God Scripture: Psalm 90 Languages: English Tune Title: ST. ANNE

People

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Authors, composers, editors, etc.

Robert Grant

1779 - 1838 Person Name: Robert Grant, 1779-1838 Hymnal Number: 14 Paraphraser of "O Worship the King" in Hymns of Promise Robert Grant (b. Bengal, India, 1779; d. Dalpoorie, India, 1838) was influenced in writing this text by William Kethe’s paraphrase of Psalm 104 in the Anglo-Genevan Psalter (1561). Grant’s text was first published in Edward Bickersteth’s Christian Psalmody (1833) with several unauthorized alterations. In 1835 his original six-stanza text was published in Henry Elliott’s Psalm and Hymns (The original stanza 3 was omitted in Lift Up Your Hearts). Of Scottish ancestry, Grant was born in India, where his father was a director of the East India Company. He attended Magdalen College, Cambridge, and was called to the bar in 1807. He had a distinguished public career a Governor of Bombay and as a member of the British Parliament, where he sponsored a bill to remove civil restrictions on Jews. Grant was knighted in 1834. His hymn texts were published in the Christian Observer (1806-1815), in Elliot’s Psalms and Hymns (1835), and posthumously by his brother as Sacred Poems (1839). Bert Polman ======================== Grant, Sir Robert, second son of Mr. Charles Grant, sometime Member of Parliament for Inverness, and a Director of the East India Company, was born in 1785, and educated at Cambridge, where he graduated in 1806. Called to the English Bar in 1807, he became Member of Parliament for Inverness in 1826; a Privy Councillor in 1831; and Governor of Bombay, 1834. He died at Dapoorie, in Western India, July 9, 1838. As a hymnwriter of great merit he is well and favourably known. His hymns, "O worship the King"; "Saviour, when in dust to Thee"; and "When gathering clouds around I view," are widely used in all English-speaking countries. Some of those which are less known are marked by the same graceful versification and deep and tender feeling. The best of his hymns were contributed to the Christian Observer, 1806-1815, under the signature of "E—y, D. R."; and to Elliott's Psalms & Hymns, Brighton, 1835. In the Psalms & Hymns those which were taken from the Christian Observer were rewritten by the author. The year following his death his brother, Lord Glenelg, gathered 12 of his hymns and poems together, and published them as:— Sacred Poems. By the late Eight Hon. Sir Robert Grant. London, Saunders & Otley, Conduit Street, 1839. It was reprinted in 1844 and in 1868. This volume is accompanied by a short "Notice," dated "London, Juno 18, 1839." ===================== Grant, Sir R., p. 450, i. Other hymns are:— 1. From Olivet's sequester'd scats. Palm Sunday. 2. How deep the joy, Almighty Lord. Ps. lxxxiv. 3. Wherefore do the nations wage. Ps. ii. These are all from his posthumous sacred Poems, 1839. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Folliott Sandford Pierpoint

1835 - 1917 Person Name: Folliott S. Pierpoint, 1835-1917 Hymnal Number: 25 Author of "For the Beauty of the Earth" in Hymns of Promise In the spring of 1863, Folliott S. Pierpoint (b. Bath, Somerset, England, 1835; d. Newport, Monmouthshire, England, 1917) sat on a hilltop outside his native city of Bath, England, admiring the country view and the winding Avon River. Inspired by the view to think about God's gifts in creation and in the church, Pierpont wrote this text. Pierpont was educated at Queen's College, Cambridge, England, and periodically taught classics at Somersetshire College. But because he had received an inheritance, he did not need a regular teaching position and could afford the leisure of personal study and writing. His three volumes of poetry were collected in 1878; he contributed hymns to The Hymnal Noted (1852) and Lyra Eucharistica (1864). "For the Beauty of the Earth" is the only Pierpont hymn still sung today. Bert Polman ================== Pierpoint, Folliott Sandford, M.A., son of William Home Pierpoint of Bath, was born at Spa Villa, Bath, Oct. 7, 1835, and educated at Queen's College, Cambridge, graduating in classical honours in 1871. He has published The Chalice of Nature and Other Poems, Bath, N.D. This was republished in 1878 as Songs of Love, The Chalice of Nature, and Lyra Jesu. He also contributed hymns to the Churchman's Companion (London Masters), the Lyra Eucharistica, &c. His hymn on the Cross, "0 Cross, O Cross of shame," appeared in both these works. He is most widely known through:— "For the beauty of the earth." Holy Communion, or Flower Service. This was contributed to the 2nd edition of Orby Shipley's Lyra Eucharistica, 1864, in 8 stanzas of 6 lines, as a hymn to be sung at the celebration of Holy Communion. In this form it is not usually found, but in 4, or sometimes in 5, stanzas, it is extensively used for Flower Services and as a Children's hymn. --John Julian, Dictionary of Hymnology (1907)

Thomas Andrew Dorsey

1899 - 1993 Person Name: Thomas A. Dorsey, 1899-1993 Hymnal Number: 93 Author of "Precious Lord, Take My Hand" in Hymns of Promise Thomas Andrew Dorsey was born in Villa Rica, a small rural town near Atlanta, Georgia. In 1919 he moved to Chicago. Most of his musical training was in the church, but he also studied and played jazz and blues. He later combined jazz and blues with religious texts, giving birth to gospel music. In 1931, along with Magnolia Lewis-Butts and Theodore Roosevelt Frye, he established the first gospel choir at Ebenezer Baptist Church in Chicago. He went on to lead the gospel choir at Pilgrim Baptist Church, which he led for 60 years. Dorsey was also instrumental in founding the National Convention of Gospel Choirs and Choruses (NCGCC) in 1933. The convention taught choirs all over the country how to sing gospel music. Dianne Shapiro, from "Gospel" in Encyclopedia of Chicago (accessed 8/12/2020)
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