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Hymnal, Number:chss1801

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Hymnals

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Published hymn books and other collections

A Collection of Hymns and Spiritual Songs

Publication Date: 1801 Publisher: T. L. Plowman Publication Place: Philadelphia Editors: Richard Allen; T. L. Plowman

Texts

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Text

Now the Saviour stands a pleading

Appears in 151 hymnals Lyrics: 1 Now the Saviour stands a pleading At the sinners bolted heart Now in heaven is interceding, Undertaking sinner's part. Chorus: Sinners can you hate that Saviour, Can you thrust him form your arms; Once he died for your behaviour, Now he calls you to his charms. 2 Now he pleads his sweat and bloodshed, Shews his wounded hands and feet— Father save them tho' they're blood red, Raise them to an heavenly seat. [Chorus] 3 Sinners, hear your God and Saviour, Hear his gracious voice to-day; Turn from all your base behaviour, Now return, repent, and pray. [Chorus] 4 Open now your hearts before him, Bid your Saviour welcome in; Now receive, and love, adore him, Take a full discharge from sin. [Chorus] 5 Now he's waiting to be gracious, Now he stands and looks on thee; See what kindness, love, and pity, Shines around, on you and me. [Chorus] 6 Come! for all things now are ready— Yet there's room for many more. O ye blind, ye lame, and needy, Come to grace's boundless store. [Chorus]
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Come, Christian friends, and hear me tell

Appears in 2 hymnals Lyrics: 1 Come, Christian friends, and hear me tell The wonders of Immanuel, He is the light of satins below, Their strength and comfort from him flow. 2 Tho' all the world should spread its wings, And tempt them with ten thousand things, They can't forget that heav'nly love Which brought a Savior from above. 3 For us he bow'd his awful head, Down to the regions of the dead, To take away our weighty guilt, The Saviour's sacred blood was spilt. 4 Now hear his call, now hear him plead, For us he lives to intercede; He's left the tomb, ascended high Above the curtains of the sky. 5 How charming is that heav'nly call, The gospel sounding free to all. Come sinners hear— and see, and taste The joys which cannot be express'd.
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How lost was my condition

Appears in 326 hymnals Lyrics: 1 How lost was my condition, Till Jesus made me whole; There is but one physician Can cure a sin sick soul: Next door to death he found me, And pluck'd me from the grave; To tell to all around me: His wond'rous power to save! 2 Of men great skill possessing, I thought a cure to gain, But that prov'd more distressing, And added to my pain: Some said that nothing ail'd me; Some gave me up for lost Thus every refuge fail'd me, And all my hopes were cross'd. 3 At length this great physician, How matchless in his power, Accepted my petition, And undertook my cure, First gave me sight to view him, For sin my sight had seal'd, Then bid me look unto him, I look'd and I was heal'd. 4 A bleeding, dying Jesus, Seen by an eye of Faith At once from sin it frees us, And saves our souls from death! Come then to this physician, His help he'll freely give He makes no hard condition, 'Tis, only look and live.

Instances

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Published text-tune combinations (hymns) from specific hymnals
Text

As near to Calvary I pass'd

Hymnal: CHSS1801 #LX (1801) Lyrics: 1 As near to Calvary I pass'd, Methought I saw an extended cross, Where a poor victim hangs; His flesh with rugged iron tore, His limbs all stain'd with purple gore, Gasping in dying pangs. 2 Wond'ring the spectacle to see, Who can this bleeding victim be, In such exquisite pain? Why thus consign'd to woes, I cry'd? ’Tis I, the bleeding Lamb reply'd, To save a world from sin. 3 How can it be? my soul replies, Jesus for mortal rebels dies, What!Jesus die for me? Yes, saith th'expiring Son of God, I give my life, I spill my blood, For thee, poor soul for thee. 4 Lord, if thy life thou’st freely given To bring my wretched soul to heaven, And bless me with thy charms; Then at thy feet, O God, I fall, I give my life, my soul, my all; O take me in thy arms. 5 All other lover's I'll adieu, My dying lover I'll pursue, And bless the slaughter'd Lamb: My life, my breath, my strength, my days, I will devote to spread thy praise, And celebrate thy name. 6 And when my days on earth shall cease, I'll leave these mortal climes in peace, And stretch to realms above, I'll join in praise immortal strains, There where my heavenly lover reigns, And feast upon his love. Languages: English
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Come all ye weary travellers

Hymnal: CHSS1801 #LXIV (1801) Lyrics: 1 Come all ye weary travellers, Come let us join and sing The everlasting praises Of Jesus Christ our King; We've had a tedious journey, And tiresome it is true; But see how many dangers The Lord has brought us through. 2 At first when Jesus found us, He call'd us unto him; And pointed out the danger Of falling into sin; The world, the flesh and Satan, Would prove a fatal snare; Unless we did reject them, By faith and humble pray'r; 3 But by our disobedience, With sorrow we confess, We had too long to wander, In a dark wilderness; Where we might soon have fainted, In that enchanted ground; But now and then a cluster Of pleasant grapes we found. 4 The pleasant fruits of Canaan, Gives life and joy and peace; Revives our drooping spirits, And faith and love increase: Confess our Lord and master, And run at his command; And hasten on our Journey, Unto the promis'd land. 5 In faith and hope and patience, We now are going on, The pleasant way to Canaan, Where Jesus Christ is gone: In peace and consolation, We're going to rejoice; And Jesus and his people, Forever be our choice. 6 Sinners why stand ye idle, While we do march along; Has conscience never told you, That you are going wrong. Down the broad road to ruin, To bear an endless curse? Forsake your ways of sinning, And come and go with us. 7 But if you will refuse it, We bid you all farewell; We're on the road to Canaan And you the way to hell; We're sorry for to leave you, We rather you would go; Come, try a bleeding Saviour, And feel salvation flow. 8 O sinners be awaken'd To see your dismal state; Repent and be converted, Before it is too late: Turn to the Lord by praying, And daily search his word; And never rest contented, Until you find the Lord. 8 Now to the King immortal Be everlasting praise, For in his holy service We long to spend our days; Till we arrive at Canaan, The celestial world above, With everlasting praises, To sing redeeming love. Languages: English
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Dear friends farewell, I now must go

Hymnal: CHSS1801 #LXIII (1801) Lyrics: 1 Dear friends farewell, I now must go The gospel for to preach; My master calls me so to do, His people for to teach. 2 While I was here, you have been dear, And have been very kind; But now in grace, I leave this place, And leave you all behind. 3 Weep not for me for here you see, My trials have been great; And now all you I bid adieu, And wish you all success. 4 Twill not be long before the church, Will altogether be; And you that love the lord below, Shall then your Saviour see. 5 There you shall join in songs divine, God's holy name shall praise; And view his smiles, forget the toils, Of these few evils days. 6 There you shall stand at his right hand, And in his presence dwell; And him adore for evermore So brethren, now farewell. Languages: English

People

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Authors, composers, editors, etc.

John Newton

1725 - 1807 Hymnal Number: LXI Author of "In evil long I took delight" in A Collection of Hymns and Spiritual Songs John Newton (b. London, England, 1725; d. London, 1807) was born into a Christian home, but his godly mother died when he was seven, and he joined his father at sea when he was eleven. His licentious and tumul­tuous sailing life included a flogging for attempted desertion from the Royal Navy and captivity by a slave trader in West Africa. After his escape he himself became the captain of a slave ship. Several factors contributed to Newton's conversion: a near-drowning in 1748, the piety of his friend Mary Catlett, (whom he married in 1750), and his reading of Thomas à Kempis' Imitation of Christ. In 1754 he gave up the slave trade and, in association with William Wilberforce, eventually became an ardent abolitionist. After becoming a tide-surveyor in Liverpool, England, Newton came under the influence of George Whitefield and John and Charles Wesley and began to study for the ministry. He was ordained in the Church of England and served in Olney (1764-1780) and St. Mary Woolnoth, London (1780-1807). His legacy to the Christian church includes his hymns as well as his collaboration with William Cowper (PHH 434) in publishing Olney Hymns (1779), to which Newton contributed 280 hymns, including “Amazing Grace.” Bert Polman ================== Newton, John, who was born in London, July 24, 1725, and died there Dec. 21, 1807, occupied an unique position among the founders of the Evangelical School, due as much to the romance of his young life and the striking history of his conversion, as to his force of character. His mother, a pious Dissenter, stored his childish mind with Scripture, but died when he was seven years old. At the age of eleven, after two years' schooling, during which he learned the rudiments of Latin, he went to sea with his father. His life at sea teems with wonderful escapes, vivid dreams, and sailor recklessness. He grew into an abandoned and godless sailor. The religious fits of his boyhood changed into settled infidelity, through the study of Shaftesbury and the instruction of one of his comrades. Disappointing repeatedly the plans of his father, he was flogged as a deserter from the navy, and for fifteen months lived, half-starved and ill-treated, in abject degradation under a slave-dealer in Africa. The one restraining influence of his life was his faithful love for his future wife, Mary Catlett, formed when he was seventeen, and she only in her fourteenth year. A chance reading of Thomas à Kempis sowed the seed of his conversion; which quickened under the awful contemplations of a night spent in steering a water-logged vessel in the face of apparent death (1748). He was then twenty-three. The six following years, during which he commanded a slave ship, matured his Christian belief. Nine years more, spent chiefly at Liverpool, in intercourse with Whitefield, Wesley, and Nonconformists, in the study of Hebrew and Greek, in exercises of devotion and occasional preaching among the Dissenters, elapsed before his ordination to the curacy of Olney, Bucks (1764). The Olney period was the most fruitful of his life. His zeal in pastoral visiting, preaching and prayer-meetings was unwearied. He formed his lifelong friendship with Cowper, and became the spiritual father of Scott the commentator. At Olney his best works—-Omicron's Letters (1774); Olney Hymns (1779); Cardiphonia, written from Olney, though published 1781—were composed. As rector of St. Mary Woolnoth, London, in the centre of the Evangelical movement (1780-1807) his zeal was as ardent as before. In 1805, when no longer able to read his text, his reply when pressed to discontinue preaching, was, "What, shall the old African blasphemer stop while he can speak!" The story of his sins and his conversion, published by himself, and the subject of lifelong allusion, was the base of his influence; but it would have been little but for the vigour of his mind (shown even in Africa by his reading Euclid drawing its figures on the sand), his warm heart, candour, tolerance, and piety. These qualities gained him the friendship of Hannah More, Cecil, Wilberforce, and others; and his renown as a guide in experimental religion made him the centre of a host of inquirers, with whom he maintained patient, loving, and generally judicious correspondence, of which a monument remains in the often beautiful letters of Cardiphonia. As a hymnwriter, Montgomery says that he was distanced by Cowper. But Lord Selborne's contrast of the "manliness" of Newton and the "tenderness" of Cowper is far juster. A comparison of the hymns of both in The Book of Praise will show no great inequality between them. Amid much that is bald, tame, and matter-of-fact, his rich acquaintance with Scripture, knowledge of the heart, directness and force, and a certain sailor imagination, tell strongly. The one splendid hymn of praise, "Glorious things of thee are spoken," in the Olney collection, is his. "One there is above all others" has a depth of realizing love, sustained excellence of expression, and ease of development. "How sweet the name of Jesus sounds" is in Scriptural richness superior, and in structure, cadence, and almost tenderness, equal to Cowper's "Oh! for a closer walk with God." The most characteristic hymns are those which depict in the language of intense humiliation his mourning for the abiding sins of his regenerate life, and the sense of the withdrawal of God's face, coincident with the never-failing conviction of acceptance in The Beloved. The feeling may be seen in the speeches, writings, and diaries of his whole life. [Rev. H. Leigh Bennett, M.A.] A large number of Newton's hymns have some personal history connected with them, or were associated with circumstances of importance. These are annotated under their respective first lines. Of the rest, the known history of which is confined to the fact that they appeared in the Olney Hymns, 1779, the following are in common use:— 1. Be still, my heart, these anxious cares. Conflict. 2. Begone, unbelief, my Saviour is near. Trust. 3. By the poor widow's oil and meal. Providence. 4. Chief Shepherd of Thy chosen sheep. On behalf of Ministers. 5. Darkness overspreads us here. Hope. 6. Does the Gospel-word proclaim. Rest in Christ. 7. Fix my heart and eyes on Thine. True Happiness. 8. From Egypt lately freed. The Pilgrim's Song. 9. He Who on earth as man was Known. Christ the Rock. 10. How blest are they to whom the Lord. Gospel Privileges. 11. How blest the righteous are. Death of the Righteous. 12. How lost was my [our] condition. Christ the Physician. 13. How tedious and tasteless the hours. Fellowship with Christ. 14. How welcome to the saints [soul] when pressed. Sunday. 15. Hungry, and faint, and poor. Before Sermon. 16. In mercy, not in wrath, rebuke. Pleading for Mercy. 17. In themselves, as weak as worms. Power of Prayer. 18. Incarnate God, the soul that knows. The Believer's Safety. 19. Jesus, Who bought us with His blood. The God of Israel. "Teach us, 0 Lord, aright to plead," is from this hymn. 20. Joy is a [the] fruit that will not grow. Joy. 21. Let hearts and tongues unite. Close of the Year. From this "Now, through another year," is taken. 22. Let us adore the grace that seeks. New Year. 23. Mary to her [the] Saviour's tomb. Easter. 24. Mercy, 0 Thou Son of David. Blind Bartimeus. 25. My harp untun'd and laid aside. Hoping for a Revival. From this "While I to grief my soul gave way" is taken. 26. Nay, I cannot let thee go. Prayer. Sometimes, "Lord, I cannot let Thee go." 27. Now may He Who from the dead. After Sermon. 28. 0 happy they who know the Lord, With whom He deigns to dwell. Gospel Privilege. 29. O Lord, how vile am I. Lent. 30. On man in His own Image made. Adam. 31. 0 speak that gracious word again. Peace through Pardon. 32. Our Lord, Who knows full well. The Importunate Widow. Sometimes altered to "Jesus, Who knows full well," and again, "The Lord, Who truly knows." 33. Physician of my sin-sick soul. Lent. 34. Pleasing spring again is here. Spring. 35. Poor, weak, and worthless, though I am. Jesus the Friend. 36. Prepare a thankful song. Praise to Jesus. 37. Refreshed by the bread and wine. Holy Communion. Sometimes given as "Refreshed by sacred bread and wine." 38. Rejoice, believer, in the Lord. Sometimes “Let us rejoice in Christ the Lord." Perseverance. 39. Salvation, what a glorious plan. Salvation. 40. Saviour, shine and cheer my soul. Trust in Jesus. The cento "Once I thought my mountain strong," is from this hymn. 41. Saviour, visit Thy plantation. Prayer for the Church. 42. See another year [week] is gone. Uncertainty of Life. 43. See the corn again in ear. Harvest. 44. Sinner, art thou still secure? Preparation for the Future. 45. Sinners, hear the [thy] Saviour's call. Invitation. 46. Sovereign grace has power alone. The two Malefactors. 47. Stop, poor sinner, stop and think. Caution and Alarm. 48. Sweeter sounds than music knows. Christmas. 49. Sweet was the time when first I felt. Joy in Believing. 50. Ten thousand talents once I owed. Forgiveness and Peace. 51. The grass and flowers, which clothe the field. Hay-time. 52. The peace which God alone reveals. Close of Service. 53. Thy promise, Lord, and Thy command. Before Sermon. 54. Time, by moments, steals away. The New Year. 55. To Thee our wants are known. Close of Divine Service. 56. We seek a rest beyond the skies. Heaven anticipated. 57. When any turn from Zion's way. Jesus only. 58. When Israel, by divine command. God, the Guide and Sustainer of Life. 59. With Israel's God who can compare? After Sermon. 60. Yes, since God Himself has said it. Confidence. 61. Zion, the city of our God. Journeying Zionward. -- John Julian, Dictionary of Hymnology (1907) ================= Newton, J., p. 803, i. Another hymn in common use from the Olney Hymns, 1779, is "Let me dwell on Golgotha" (Holy Communion). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ----- John Newton was born in London, July 24, 1725. His mother died when he was seven years old. In his eleventh year he accompanied his father, a sea captain, on a voyage. For several years his life was one of dissipation and crime. He was disgraced while in the navy. Afterwards he engaged in the slave trade. Returning to England in 1748, the vessel was nearly wrecked in a storm. This peril forced solemn reflection upon him, and from that time he was a changed man. It was six years, however, before he relinquished the slave trade, which was not then regarded as an unlawful occupation. But in 1754, he gave up sea-faring life, and holding some favourable civil position, began also religious work. In 1764, in his thirty-ninth year, he entered upon a regular ministry as the Curate of Olney. In this position he had intimate intercourse with Cowper, and with him produced the "Olney Hymns." In 1779, Newton became Rector of S. Mary Woolnoth, in London, in which position he became more widely known. It was here he died, Dec. 21, 1807, His published works are quite numerous, consisting of sermons, letters, devotional aids, and hymns. He calls his hymns "The fruit and expression of his own experience." --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 See also in: Hymn Writers of the Church =======================

Richard Allen

1760 - 1831 Editor of "" in A Collection of Hymns and Spiritual Songs Richard Allen was born to a slave in Philadelphia, February 14, 1760. The family was later sold to Stokely Sturgis who lived near Dover, Delaware. Sturgis allowed the family to join the Methodist Society in Philadelphia. Allen taught himself to read and write and began to preach at age 22. Sturgis heard his first sermon "Thou Are Weighed in the Balance and Found Wanting" and came to believe that slavery was morally wrong, so he offered a plan for his slaves to work to buy their freedom. Allen purchased his freedom in 1780. In 1786, Allen moved back to Philadelphia, which was a center for freed blacks. He was the first ordained person of color in the Methodist Episcopal Church, which had begun dividing over the issue of slavery. He was asked to preach weekly at St. George's Methodist Church, but he also preached three or four sermon every Sunday at other churches in Philadelphia. As the number of black members grew, the white leadership of St. George's began to insist on increased segregation. This led Allen and several others to leave St. George's in 1787. Allen and Absalom Jones (later the first Black Bishop in the Episcopal Church) founded the Free African Society, a non-denominational organization to assist fugitive slaves and free blacks. Allen built the Mother Bethel African Methodist Episcopal Church, which was completed in 1794. This led to court battles between Bethel and St. George's over control of the church. 29 years after the walk out, in 1816, the Philadelphia Supreme Court declared that Allen and his church were free from Methodist Episcopal Church control, and the African Methodist Episcopal Church became a separate denomination. In 1801, Allen published a hymnal for his congregation A Collection of Spiritual Songs and Hymns" which was the first hymnal published for Blacks.The hymns were published without author attributions or any mention of melodies. Many of the hymns came from Methodist and Baptist sources, but some were written by Allen or members of his congregation. The hymnal is also notable for being the first hymnal to include refrains or choruses freely used with any hymn, rather than attached to specific hymns. This style of hymn was widely used in camp-meeting hymnals, which came a little later, and may have been used in oral traditions, but this was the first time they were published. Dianne Shapiro, from "And Are We Yet Alive? Conception, Actualization and Vitality of the African Methodist Episcopal Church" by Teresa L. Fry Brown, Ph.D. (https://oimts.files.wordpress.com/2018/11/2018-05-brown.pdf, accessed 11/6/2020) and "Hymnals of the Black Church" by Eileen Southern in The Black Perspective in Music, Vol. 17, No. 1/2 (1989) pp. 153-170

T. L. Plowman (Publisher)

Person Name: T. L. Plowman Publisher of "" in A Collection of Hymns and Spiritual Songs
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