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Hilary of Poitiers

267 - 367 Person Name: Hilary of Poitiers, 4th cent. Author (attr.) of "Hail this joyful day's return" in The Hymnal 1982 Hilary, Hilarius Pictaviensis, Saint, Bishop, and, according to St. Augustine, "the Illustrious Doctor of all the Churches," was born of heathen parents of an illustrious family and great wealth, at Poictiers early in the fourth century. He received, as a heathen, an excellent classical education, so that St. Jerome says of him that he "was brought up in the pompous school of Gaul, yet had culled the flowers of Grecian science, and became the Rhone of Latin eloquence." Early in life he married, and had a daughter named Abra, Afra, or Apra. About 350 he renounced, in company with his wife and daughter, the Pagan religion of his family, and became a devout and devoted Christian. After his baptism he so gained the respect and love of his fellow Christians, that in 353, upon a vacancy occurring in the see of his native town, he was, although married and a layman, elected to fill it, and received ordination as Deacon and Priest, and consecration as Bishop, "by accumulation," no uncommon occurrence in those days. From that time he was virtually, though not formally, separated from his wife, and lived a very ascetic life. Soon after his consecration he received a visit from St. Martin of Tours (who became thenceforward his devoted disciple), and distinguished himself by his unsparing opposition to the Arian heresy, which had gained many powerful adherents in Gaul at that time, obtaining for himself thereby the title in after years of "Malleus Arianorum," the hammer of the Arians. In 356 he was sent by the Emperor Constantius to Phrygia in exile, in consequence of a report made against his moral character by the Arian Council held at Beziers in Languedoc, over which the Arian leader, Saturninus, Bishop of Aries, presided, whose excommunication for heresy Hilary had some time before secured. His exile lasted until 362, when he returned to Poictiers by the Emperor's direction, though without his sentence of banishment being formally annulled. In spite of his consequent want of permission to do so, he left Poictiers towards the end of the same year, and spent two years in Italy, whence he was again sent back to Gaul in 364 by the new Emperor Valentinian, in consequence of his denouncing Auxentius, the Bishop of Milan, where Hilary was at that time resident, as having been insincere in his acceptance of the creed of Nicaea. Hilary lived for some three years after his final return to Poictiers, and died Jan. 13, 368, though his Saint's Day (which gives his name to the Hilary term in our Law Courts) is celebrated on the following day, in order, probably, not to trench upon the octave of the Epiphany. St. Hilary's writings, of which a large number are still extant though many have been lost, travel over a vast field of exegetical, dogmatic, and controversial theology. His principal work in importance and elaboration is his “Libri xii. de Trinitate," directed against the Arian heresy, while in his “Commentarium in Matthaeum " we have the earliest commentary on that gospel. The best edition of his works is that of Constant, originally published by the Benedictines, at Paris, in 1693, and reprinted, with some additions, at Verona, in 2 vols., by Scipio Maffei, in 1730. St. Hilary was a sacred poet as well as a theologian, though most of his writings of this character perished, probably, in his Liber Hymnorum, which is one of his books that has not come down to us. It seems to have consisted of hymns upon Apostles and Martyrs, and is highly spoken of by Isidore of Seville in his De Officio Ecclesiastico. All that we have remaining are some lines of considerable beauty on our Lord's childhood (Dom Pitra's Spicilegium Solesmense, Paris, 1862), which are attributed, probably with justice, to him, and about 8 hymns, the attribution of.which to him is more or less certainly correct; Daniel gives 7, 4 of which:— “Lucis Largitor splendide"; "Deus Pater ingenite"; "In matutinis surgimus"; and "Jam meta noctis transiit"; are morning hymns; one, "Jesus refulsit omnium," for the Epiphany; one, “Jesu quadragenariae," for Lent; and one,"Beata nobis gaudia," for Whitsuntide. Thomasius gives another as Hilary's, "Hymnum dicat turba fratrum”. Written as these hymns were in the first infancy of Latin hymnody, and before the metres of the old heathen Latin poets had been wholly banished from the Christian service of song, or the rhyming metres, which afterwards became so general and so effective, had been introduced into such compositions, they can scarcely be expected to take very high rank. At the same time they are not without a certain rugged grandeur, well befitting the liturgical purposes they were intended to serve. Containing as they also do the first germs of Latin rhymes, they have great interest for all students of hymnody, as thus inaugurating that treatment of sacred subjects in a form which was to culminate presently in the beautiful Church poetry of the 12th century. [Rev. Digby S. Wrangham, M.A.] --John Julian, Dictionary of Hymnology (1907) ==================== Hilary, St., pp. 522, i., and 1570, ii. Isidore of Seville and Jerome both speak of Hilary as a hymn writer, but it is by no means certain that any of his genuine hymns have survived. Mr. E. W. Watson, in his St. Hilary of Poitiers, Select Works, 1899 (Select Library of Nicene and Post-Nicene Fathers, vol. ix.), discusses the subject in his Introduction, pp. xlvi.-xlviii., and concludes that none are genuine. He thinks that the recently discovered Liber Hymnorum (see p. 1570, ii.) may have been compiled in Hilary's time, but that he cannot be accepted as the author of any of the surviving hymns in that collection. Canon A. J. Mason in the Journal of Theological Studies, vol. v., April, 1904, pp. 413-432, thinks that the recently discovered hymns are genuine, collects many parallel passages from the undoubted works of Hilary, and is indeed inclined to attribute also the "Lucis largitor splendide " and the "Hymnum dicat" (see pp. 522, ii.; 642, i., ii.) to St. Hilary. A later article by the Rev. A. S. Walpole (vol. vi., p. 599, July, 1905), while accepting the newly discovered hymns, and the "Hymnum dicat," adds various reasons against accepting the other hymns attributed to Hilary by Daniel (see p. 522, ii.). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

George Wither

1588 - 1667 Person Name: George Wither, 1588-1667 Author of "Come, o come, our voices raise" in The Hymnal 1982 Wither, George, or Wyther—spelled in both ways by himself, the first usually, the second occasionally, e.g. in Prince Henrie's Obsequies (1612), and erroneously Withers, was born on June 11th, 1588, at Bentworth, near Alton, Hampshire. He was the only son of George Wither, of Bentworth. His early education was at the Grammar School of Colemore or Colemere, under its celebrated master; John Greaves. After thorough training and discipline here he was entered in 1604 at Magdalen College, Oxford. His tutor was John Warner, subsequently D.D. and Bishop of Rochester. He had only been three years at the University when malicious and ignorant persons persuaded his father that more learning was not required. And so, as he modestly tells us in his Abuses Stript and Whipt (1613), he was withdrawn "without taking any degree," being now destined, as he moderately puts it, "for the plough," that is, for rustic employment on the paternal estate. This proved utterly uncongenial. He is found next at one of the Inns of Chancery, afterwards at Lincoln's Inn, and intimate with William Browne, the poet, of Britannia's Pastorals. His title-pages from 1617 to 1620 self-describe him as "Gentleman,” and as "of the Societie of Lincoln's Inne" (Fidelia (1617), and 1st Psalme (1620), and Workes (1620)). But Anthony a-Wood informs us:— "still his geng after things more smooth and delightful, he did at length make himself known to the world (after he had taken several rambles therein) by certain speci¬mens of poetry, which being dispersed in several hands, he became shortly after a public author and most admired by some in that age for his quick advancement in that faculty " (Athenae. Oxon. s. n.). How uncritical was this miserable criticism, will be understood when it is recalled that amongst these "certain specimens" was the Shepherds Hunting under the first form of "A new song of a young man's opinion of the difference between good and bad women" (Pepysian, ad Percy MS.), Prince Henries Obsequies (1612), Epithalamia (1612), and his stinging and patriotically outspoken Abuses Stript and Whipt. The last drew down upon him the wrath of the monarch (James i.) and nobles, and cast him prisoner into the Marshalsea. Four large editions within a year, and numerous others up to 1622 and continuously onward (exclusive of the reproductions in his Workes) was the answer of the People to the Upper Ten. While in prison he wrote some of the most delicious of his verse. He likewise composed A Satyre to the King (1615). The wisest fool in Christendom was shrewd enough to perceive that it would be safer to make such a subject a friend than an enemy. He had deftly signed the dedication to the king "his Majesty's most loyall Subiect, and yet Prisoner in the Marshalsey." It procured him his release. From this time onward he was perpetually printing something, now in verse and now in prose, until the aggregate exceeded a hundred of books and pamphlets. There are several fairly accurate enumerations of them, e.g. British Bibliographer, i. 174-205, 305-32,417-40; ii. 17-32,378-91; Sir Egerton Brydges' Censuria and Restituta; Hazlitt's Bibliography (1867). The Spenser Society re¬printed a large portion of the Works in prose and verse; but there was really no editing and no annotation. His successive books are the main facts of Wither's life; yet was he an active member of the nation. Spite of his hard usage and imprisonments, he was loyal as any cavalier. When Charles i. proceeded to declare and carry war into his native Scotland against the Covenanters in 1639, George Wither served his Majesty as a captain of horse and quarter-master of his regiment under the Earl of Arundel. How sorrowful the wrongheadedness of the king who compelled such a true man as Wither to forsake him and prefer the kingdom to the king, as many others who with pathetic reluctance became Roundheads! In 1641-2 he sold his hereditary estates and raised a troop of horse for the Parliament, in whose army he was promoted to be major. On his colours he carried this motto, Pro Rege, Lege, Grege. Having been taken prisoner by the Royalists, a good-humoured jest of Sir John Denham it is alleged saved his life, to wit, that "his Majesty really must not hang George Wither, for so long as he lives no one will account him [Sir John] the worst poet in England." He was set free. Not long after he was constituted by the Long Parliament a Justice of Peace in quorum for Hampshire, Surrey and Essex. This he held for six years, and afterwards was made by Cromwell Major-General of all the horse and foot in the County of Surrey. On the title-page of his Boni Ominis Votu (1656) in the British Museum there is a contemporary manuscript note, "lately made Master of the Statute Office." At the Restoration he was shamefully dealt with, and by a vote of the Convention Parlia¬ment, was committed to Newgate because of his Vox Vulgi —a noble piece of fiery and idiomatic English, and manly pleading for respect to pipular rights and liberties. For his Prisoner's Plea humbly offered (1661) he was again imprisoned, this time in the Tower. He married (Aubrey informs us) Elizabeth, eldest daughter of H. Emerson of South Lanuk, who, he says, was "a great wit and could write in verse too," and was of the same English Emersons from whom the great American Ralph Waldo Emerson descended. He had issue. He was at liberty when he died on 2nd May, 1667. Aubrey states that he was buried within the east doorway of Savoy Church in the Strand, having apparently lived near it, and either died in the church or in his own house (the phrasing being ambiguous). James Montgomery, in his admirable Lectures on Poets and Poetry, thus sums up his estimate of him and them:— "There are scattered throughout his multifarious and very unequal productions, many passages of great beauty and excellence. He was avowedly a Christian poet, though he frequently lost his Christian meekness in the heat of polemics; but his zeal carried with it every evidence of honesty; and he was a sufferer almost to martyrdom, both for his loyalty and his orthodoxy, in the troublous times in which he lived. That he was a poet can never be questioned by any reader who has taste and sensibility enough to understand and enjoy the exquisitely affecting confession of his obligations to the Muse. That he was a Christian will be as little questioned by those who are most extensively acquainted with the character of his religious compositions" (s. n.). Archbishop Trench, in annotating a charming sacred song entitledVanished Blessing ("No voice which I did more esteem, Than music in her sweetest key," &c), thus annotates:— "I have detached these two stanzas from a longer poem of which they constitute the only valuable portion[?]. George Wither (‘a most profuse pourer forth of English rhyme,' Philips calls him) was indeed so intolerable a power in verse, so overlaid his good with indifferent or bad, that one may easily forget how real a gift he possessed, and sometimes showed that he possessed" (Household Book of English Poetry, 1865). Mrs. Masson says of him—"he is remembered now-a-days as pre-eminently the Puritan poet, whose irrepressible Muse made herself hsard even amid the din of civil war" (Three Centuries of English Poetr, p. 375). She quotes his delightful "Christmas" ("So now is come our joyfullest part"), and "Of Poesy" (which Milton did not disdain to utilize), and his "Shall I, wasting in despair." With reference to the "irrepressible Muse" of Wither, it is a felicitous characterisation however regarded, inasmuch as so "irrepressible " was he that he actually set up the types and printed off at least one of his bulkier books. Withers contributions to hymnology are to be found chiefly in the following:— (a) Exercises Upon the First Psalme......(1620). At the close is a metrical paraphrase of Ecclcsiastes xii. 1-8; (b) Paraphrase on the Creed and the Lord's Prayer (in Workes 1620; separately 1688 and misasserted to be now “first printed“); (c) The Songs of the Old Testament, Translated into English Measures: preserving the Naturall Phrase and genuine Sense of the Holy Text ...... To every Song is added a new and easie Tune.....(1621); (d) The Hymnes and Songs of the Church (1623). This was published Cum Privilegio Regis Begalu . It was reprinted like c.; (e) The Psalmes of David translated as Lyrick Verse, according to the scope of the Original......(1632). Gutch had an autograph manuscript of an alleged different text of the versified Psalmes which passed into the Caesar Library; (f) A Collection of Emblemes, Ancient and Modern, quickened with Metrical Illustrations both Morall and Divine......(1635). This was a special favourite of Elia; (g) Haldviah; or Britans Second Remembrancer, bringing to Remembrance (in praisefull and poenitentiall Hymns, Spirituall Songs, and Morall-Odes......(1641). This was reprinted like c and d; (h) Three Graines of Spiritual Frankincense infused into Three Hymnes of Praise (1651). It is discreditable to the Church of England, of whom he was a devoted son to the close of his life, and to Nonconformity alike, that many, very many more of his Hymnes and Spiritual Songs have not found their way into their hymnals. A critical yet sympathetic reader would easily find a golden sheaf of musical, and well-wrought sacred song. [Rev. A. B. Grosart, D.D., LL.D.] -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Wither, G., p. 1289, i. Another of his psalm versions, "The Lord is King, and weareth" (Ps. xciii.), from his The Psalmes of David, &c, 1G32, is in the Hymn Book for the Use of Wellington College, 1902. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Jan Bender

1909 - 1994 Person Name: Jan O. Bender, 1909-94 Arranger of "SONNE DER GERECHTIGKEIT" in Lutheran Service Book Bender, Jan Oskar was born on February 3, 1909 in Haarlem, Netherlands. He moved with his mother to Lubeck Germany, to study organ and conducting and theory. He became an organist at St. Gertrude in Lubeck. Jan served in the military during World War II. After the war he served as a visiting professor and organist at Valparaiso University in Indiana, and the University of Denver. In 1960 he emigrated to the United States and settled in Seward, Nebraska, where he was a teacher. He also taught at Concordia Teachers College and Wittenberg University in Springfield Ohio. In 1976 he retired to Hanerau, Germany. In 1979 he served as visiting professor at Valparaiso University, in 1979-1981 at Gustavus Adolphus College in St Peter Minnesota, and in 1982 at Lutheran Theological Seminary in Columbia, South Carolina. Bender was very involved with hymnody. Many of his compositions use chorale tunes (and texts), both in cantatas and choral settings. He died on December 29, 1994 in Hanerau, Germany. He died on December 29, 1994 in Hanerau, Germany Holstein. NN, Hymnary. Source: http://composers-classical-music.com/b/BenderJan.htm

Otto Riethmüller

1889 - 1938 Adapter of "Sonne der Gerechtigkeit" in Antwort Finden in alten und neuen Liedern, in Worten zum Nachdenken und Beten

Robert Campbell

1814 - 1868 Person Name: R. Campbell, 1814-68 Translator of "At the Lamb's High Feast We Sing" in Evangelical Lutheran Hymnary Robert Campbell was an advocate residing in Edinburgh. He is not much known as an author, but some of his hymns have been adopted in several hymnals. He was Roman Catholic. His death occurred in 1868. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ==================== Campbell, Robert. Advocate, of Sherrington, Scotland, was born at Trochmig, Ayrshire, Dec. 19, 1814. When quite a boy he attended the University of Glasgow. Though showing from his earliest years a strong predilection for Theological studies, eventually he fixed upon the Scottish law as a profession. To this end he entered the Law Classes of the University of Edinburgh, and in due course entered upon the duties of an advocate. Originally a Presbyterian, at an early age he joined the Episcopal Church of Scotland. He became a zealous and devoted Churchman, directing his special attention to the education of the children of the poor. His classical attainments were good, and his general reading extensive. In 1848 he began a series of translations of Latin hymns. These he submitted to Dr. Neale, Dr. Mills of Ely, and other competent judges. In 1850, a selection therefrom, together with a few of his original hymns, and a limited number from other writers, was published as Hymns and Anthems for Use in the Holy Services of the Church within the United Diocese of St. Andrews, Dunkeld, and Dunblane. Edinburgh, R. Lendrum & Co. This collection, known as the St. Andrews Hymnal, received the special sanction of Bishop Torry, and was used throughout the Diocese for some years. Two years after its publication he joined the Roman Catholic Church. During the next sixteen years he devoted much time to the young and poor. He died at Edinburgh, Dec. 29, 1868. From his collection of 1850, four translations were given in Hymns Ancient & Modern, 1861, "At the Lamb's high feast we sing;" “Come, pure hearts, in sweetest measures;" "Ye Choirs of New Jerusalem;" " Ye servants of a martyr'd God" (altered). Attention was thereby directed to his translations. They are smooth, musical, and well sustained. A large number, not included in his 1850 collection, were left by him in manuscript. From these Mr. O.Shipley has printed several in his Annus Sanctus, 1884. (C. MSS.) --John Julian, Dictionary of Hymnology (1907)

Jay Macpherson

b. 1931 Person Name: J Macpherson Translator of "Sun Of Righteousness" in The Hymn Book of the Anglican Church of Canada and the United Church of Canada Macpherson, Jay. (London, England, June 13, 1931-- ). United Church. Carlton University (Ottawa), B.A., 1951; McGill University (Montreal), B.L.S., 1953; University of Toronto, M.A., 1955; Ph.D., 1964. Teacher and professor of English at Victoria College, University of Toronto, 1954-?. Published several acclaimed books of poetry, notably The Boatman and other Poems (Toronto, Oxford, 1957) before deciding to concentrate on her teaching. For The Hymn Book (1971) she was asked to provide new translations of several German hymn, including "Ein' feste Burg" and "Wachet auf." --Hugh D. McKellar, DNAH Archives

John J. Overholt

1918 - 2000 Compositer of "Sun of Righteousness, Arise!" in The Christian Hymnary. Bks. 1-4 John J. Overholt was born to an Amish family of limited means in the state of Ohio in 1918. As a child he was soon introduced to his father's personal collection of gospel songs and hymns, which was to have a marked influence on his later life. With his twin brother Joe, he early was exposed to the Amish-Mennonite tradition hymn-singing and praising worship. An early career in Christian service led to a two-year period of relief work in the country of Poland following World War II. During that interim he began to gather many European songs and hymns as a personal hobby, not realizing that these selections would become invaluable to The Christian Hymnary which was begun in 1960 and completed twelve years later in 1972, with a compilation of 1000 songs, hymns and chorales. (The largest Menn. hymnal). A second hymnal was begun simultaneously in the German language entitled Erweckungs Lieder Nr.1 which was brought to completion in 1986. This hymnal has a total of 200 selections with a small addendum of English hymns. Mr. Overholt married in 1965 to an accomplished soprano Vera Marie Sommers, who was not to be outdone by her husband's creativity and compiled a hymnal of 156 selections entitled Be Glad and Sing, directed to children and youth and first printed in 1986. During this later career of hymn publishing, Mr. Overholt also found time for Gospel team work throughout Europe. At this writing he is preparing for a 5th consecutive tour which he arranges and guides. The countries visited will be Belgium, Switzerland, France, Germany, Poland, USSR and Romania. Mr. Overholt was called to the Christian ministry in 1957 and resides at Sarasota, Florida where he is co-minister of a Beachy Amish-Mennonite Church. Five children were born to this family and all enjoy worship in song. --Letter from Hannah Joanna Overholt to Mary Louise VanDyke, 10 October 1990, DNAH Archives. Photo enclosed.

Calvin Seerveld

b. 1930 Author of "Now the Solemn Feast Is Done" in Psalter Hymnal (Gray) Calvin Seerveld (b. 1930) was professor of aesthetics at the Institute for Christian Studies in Toronto from 1972 until he retired in 1995. Educated at Calvin College, Grand Rapids, Michigan; the University of Michigan; and the Free University of Amsterdam (Ph.D.), he also studied at Basel University in Switzerland, the University of Rome, and the University of Heidelberg. Seerveld began his career by teaching at Bellhaven College in Jackson, Mississippi (1958-1959), and at Trinity Christian College in Palos Heights, Illinois (1959-1972). A fine Christian scholar, fluent in various biblical and modern languages, he is published widely in aesthetics, biblical studies, and philosophy. His books include Take Hold of God and Pull (1966), The Greatest Song: In Critique of Solomon (1967), For God's Sake, Run with Joy (1972), Rainbows for the Fallen World: Aesthetic Life and Artistic Task (1980), and On Being Human (1988). He credits the Dutch musician Ina Lohr for influencing his compositions of hymn tunes. Most of his Bible versifications and hymns were written for the Psalter Hymnal (1987), on whose revision committee he ably served. Bert Polman

Christian Gottlob Barth

1799 - 1862 Author (st. 2, 4, 5) of "Sonne der Gerechtigkeit" in Antwort Finden in alten und neuen Liedern, in Worten zum Nachdenken und Beten Barth, Christian Gottlob, son of C. F. Barth, house painter in Stuttgart, was born at Stuttgart, July 31,1799. He studied at Tubingen, where he was the principal founder of the Missionary Society, and was only restrained by his mother's entreaties from offering himself as a missionary. He became, in 1821, assistant at Neckarweihingen and Dornham, and, in 1822, curate in charge of Effringen and Schönbrunn, near Nagold. In 1824 he was appointed pastor of Möttlingen, near Calw, but resigned his charge in 1838, and settled in Calw, receiving in the same year the degree of D.D. from the University.of Greifswald. He died at Calw of apoplexy, Nov. 12, 1862. At Calw he devoted himself as a writer and preacher to children, as a preacher and writer in the cause of missions to the heathen and to the Jews, and as the founder and director of the Tract Society of Calw. One of his books, the Bible History, reached its 160th edition in 1872, and had then been translated into 24 European, 18 Asiatic, 7 African, and 3 South Sea languages. He frequently attended the meetings of the Religious Tract Society of London, and was a member of the Evangelical Alliance (Koch, vii. 199-210; Allgemeine Deutsche Biographie, ii. 94-95). Of his hymns there have been translated into English:— i. Auf einem Berg ein Baumlein stand. [Holy Scripture]. Included in his Lieder und Gedichte fur Christenkinder, Calw, 1842, p. 83, in 4 stanzas. Previously in J. Köbner's Christl. Harfentöne, Hamburg, 1840, p. 115. The translations are:— (1) "Upon a hill there stands a tree," by Dr. H. Mills, 1845 (1856, p. 25), and thence in P. Stow's Ocean Melodies, Boston, U.S., 1849. (2) "A tree grows on a mountain," by Mrs. Bevan, 1859, p. 138. (3) "A tree stood on a mountain," in Dr. H. W. Dulcken's Golden Harp, 1864, p. 22. (4) " On a hill stands a beautiful tree," in W. B. Bradbury's Fresh Laurels, N. Y., 1867, p. 15, signed "L. W." (5) " Lo, on a mount a tree doth stand," by Mrs. H. K. Spaeth, as No. 60 in the Pennsylvania Lutheran Little Children's Book, Philadelphia, 1885. ii. Erhebe dich, du Volk des Herrn. [Missions.] Written for the Basel Mission Festival, June 12, 1833, In his Christliche Gedichte, Stuttgart, 1836, p. 18, in 8 stanzas. Translated as “Ye people of the Lord, arise!" by Dr. H. Mills, 1856, p. 202. iii. Hütter, ist die Nacht verschwtinden. [Missions.] Written for the 20th anniversary, June 27,1835, of the Basel Missionary Society, and first published in the Mission Magazine for that year. In his Christliche Gedichte, Stuttgart, 1836, p. 54, in 8 stanzas. The translations are:— (1) "Ho! watchman, is the night away," by Dr. G. Walker, 1860, p. 84. (2) "Watchman! Hath the night departed," in L. Rehfuess's Church at Sea, 1868, p. 107. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Christian David

1690 - 1751 Author (st. 1, 6) of "Sonne der Gerechtigkeit" in Antwort Finden in alten und neuen Liedern, in Worten zum Nachdenken und Beten David, Christian, b. Dec. 31, 1690, at Senftleben, near Fulnek, Moravia. 1722 built the first house in Herrnhut. d. Feb. 3, 1751, at Herrnhut. --John Julian, Dictionary of Hymnology (1907)