Thanks for being a Hymnary.org user. You are one of more than 10 million people from 200-plus countries around the world who have benefitted from the Hymnary website in 2024! If you feel moved to support our work today with a gift of any amount and a word of encouragement, we would be grateful.

You can donate online at our secure giving site.

Or, if you'd like to make a gift by check, please make it out to CCEL and mail it to:
Christian Classics Ethereal Library, 3201 Burton Street SE, Grand Rapids, MI 49546
And may the promise of Advent be yours this day and always.

Person Results

Tune Identifier:"^sing_to_the_lord_a_new_song_carroll$"
In:people

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.
Showing 1 - 4 of 4Results Per Page: 102050

Joseph Robert Carroll

b. 1927 Person Name: J. Robert Carroll Composer (antiphon) of "[Sing to the Lord a new song]" in RitualSong

Joseph Gelineau

1920 - 2008 Person Name: Joseph Gelineau, SJ Composer (Gelineau tone) of "[Sing to the Lord a new song]" in RitualSong Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com

Laurence Bévenot

1901 - 1990 Person Name: Laurence Bevenot, OSB Composer (psalm tone) of "[Sing to the Lord a new song]" in RitualSong

Kermit Moldenhauer

b. 1949 Person Name: Kermit G. Moldenhauer Composer (tone) of "[Sing to the LORD a new song]" in Christian Worship

Export as CSV
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.