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Joseph Haydn

1732 - 1809 Person Name: Franz Joseph Haydn, 1732-1809 Composer of "AUSTRIA" in The Hymnal Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman

Arthur Sullivan

1842 - 1900 Person Name: Arthur S. Sullivan Composer of "LUX EOI" in Songs of the Christian Life Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Felix Adler

1851 - 1933 Person Name: Felix Adler, 1851-1936 Author of "Sing we of the golden city" in The Hymnal Adler, Felix, Ph.D. Born in Germany in 1851; taken to New York in 1857; graduated at Columbia College 1870; and Professor of Hebrew and Oriental Literature at Cornell University, 1874-76. He published in 1877 Creed and Deed. His hymn, "Sing we of the golden city" (City of our Hopes) is in The Pilgrim Hymnal, 1904. Sometimes given as "Have you heard of the golden city?" --John Julian, Dictionary of Hymnology, New Supplement (1907)

Henry J. Gauntlett

1805 - 1876 Person Name: Henry J. Gauntlett (1806-1876) Composer of "HATFIELD" in The Pilgrim Hymnal Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extended the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

Grace Wilbur Conant

1858 - 1948 Composer of "HUNTINGTON" in Worship and Song. (Rev. ed.) Pseudonym: A. B. Ponsonby. Born: September 9, 1858, Boston, Massachusetts. Died: April 7, 1948, Malden, Massachusetts. Grace remained single all her life. Her middle name was her mother’s maiden name. She served as musical editor for the Kindergarten Review for at least six years, starting in 1908. Her works include: Songs for Little People, with Frances Weld Danielson (Boston, Massachusetts: The Pilgrim Press, 1905) Worship and Song, with Benjamin S. Winchester (Pilgrim Press, 1913) Religious Dangers of Modern Tendencies in So-Called Religious Songs, 1917 Song and Play for Children, with Frances Weld Danielson (Pilgrim Press, 1925) --The Cyber Hymnal

Theo A. Dorr

Person Name: Thoe. A. Dorr Composer of "HUNTINGTON" in Worship and Song

G. Percy Harris

Composer of "PINEWOOD" in Worship Song

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes, 1823-76 Composer of "ST. OSWALD" in Songs for the Chapel As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman