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Peter Stevens

b. 1987 Harmonizer of "HALMONI" in Christian Science Hymnal

Lisa Redfern

Composer of "SANDRA'S MELODY" in Christian Science Hymnal

1821 - 1910 Author of "Mother's Evening Prayer" in Christian Science Hymnal (Rev. and enl.) Mary Baker Eddy (born Mary Morse Baker, July 16, 1821 – December 3, 1910) is the discoverer and founder of Christian Science, a religious movement that emerged in New England in the late 19th century. Eddy is the author of the movement’s textbook, Science and Health with Key to the Scriptures (first published in 1875), and founder of The First Church of Christ, Scientist (1892). She also founded The Christian Science Publishing Society (1898). Mary Morse Baker was born in Bow, New Hampshire, the youngest of six children of Abigail and Mark Baker. Raised a Congregationalist, she came to reject teachings such as predestination and original sin, but she loved the biblical accounts of early Christian healing. Mark Baker, Eddy’s father, firmly believed in the Congregational church’s doctrine of predestination, but Eddy couldn’t accept the idea that the loving God she knew could condemn people to eternal damnation. Eddy eventually joined the Congregational church at Sanbornton Bridge (present-day Tilton), New Hampshire, when she was seventeen. A fragile child, Eddy suffered from a number of physical complaints. Her letters from this time, now at The Mary Baker Eddy Library in Boston, Massachusetts, portray her sufferings and search for relief. In an effort to find health in her early adulthood, she tried homeopathy, dietary cures, mesmerism, hydropathy, and other popular treatments of the day. None of those methods brought lasting health. On December 10, 1843, Eddy married George Washington Glover. He died of yellow fever on June 27, 1844, a little over three months before the birth of their only child, George Washington Glover. As a single mother in poor health, Eddy wrote some political pieces for the New Hampshire Patriot, as writing was one of the few ways a woman in her position could make money. Eddy continued to struggle with poor health, and her son was put into the care of neighbors by her father and stepmother. She married Dr. Daniel Patterson, a dentist, in 1853, hoping he would adopt the young boy. Patterson signed papers to that effect on their wedding day, but failed to follow through on his promise. In 1873, Eddy divorced Daniel Patterson on the grounds of desertion. In October 1862, Eddy became a patient of Phineas Quimby, a magnetic healer from Maine. She benefited temporarily from his treatment. From 1862 to 1865 Quimby and Eddy engaged in lengthy discussions about healing methods practiced by Quimby and others. Eddy’s conclusions from her own scriptural study and healing practice differed from Quimby’s teachings. In 1866, Eddy had a substantial physical healing while reading about Jesus’ healings in the Bible, without employing any medical forms of treatment. This pivotal event showed her that Jesus’ teachings were practical throughout all time. She devoted the next three years of her life to biblical study and called her discovery Christian Science. In her autobiography, Retrospection and Introspection, Eddy writes, “I then withdrew from society about three years,—to ponder my mission, to search the Scriptures, to find the Science of Mind that should take the things of God and show them to the creature, and reveal the great curative Principle,—Deity” (pp. 24–25). Eddy became well known as a healer, and first-hand accounts state that she performed miracles similar to miracles performed by Jesus. In 1875, Eddy published her discovery in a book titled Science and Health (later retitled Science and Health with Key to the Scriptures), which she called the textbook of Christian Science. As worded in the final edition, she wrote, “In the year 1866, I discovered the Christ Science or divine laws of Life, Truth, and Love, and named my discovery Christian Science” (p. 107). During these years she taught her new ideas to hundreds of people. Many of her students became healers themselves. The final chapter of Science and Health, titled “Fruitage,” contains testimonies of people who were healed by studying her book. In 1877 she married Asa Gilbert Eddy, a student of Christian Science and an active worker in the movement. Eddy founded The Christian Science Journal in 1883, a monthly magazine “designed to put on record the divine Science of Truth” (The First Church of Christ, Scientist, and Miscellany, p. 353). Eddy founded The Christian Science Publishing Society in 1898, which became the publishing home for numerous publications launched by her and her followers. The Christian Science Sentinel, a weekly religious periodical written for a more general audience, and The Herald of Christian Science, a religious magazine with editions in many languages, were established in 1898. In 1908, at the age of 87, Eddy founded The Christian Science Monitor, a daily newspaper. These periodicals continue to be published today. Five of Eddy’s poems were set to music and included in the Christian Science Hymnal during her lifetime: “Christmas Morn,” “Mother’s Evening Prayer,” “Christ my Refuge,” “Communion Hymn,” and “Feed My Sheep.” When the hymnal was revised in 1932, two more of her poems were added: “Love” and “Satisfied.” More information about these particular poems, their original publication and inclusion in the hymnal, is available from The Mary Baker Eddy Library. Eddy died on the evening of December 3, 1910, at her home in Chestnut Hill, Massachusetts. Hundreds of tributes appeared in newspapers around the world, including The Boston Globe, which wrote, “She did a wonderful—an extraordinary— work in the world and there is no doubt that she was a powerful influence for good.” Today, there are Christian Science churches in 76 countries. This biography was written in collaboration with The Mary Baker Eddy Library and the staff of “Hymns 2016” on JSH-Online. More information about Mary Baker Eddy is available at MBELibrary.org. Submitted 8 August 2016.

E. J. Hopkins

1818 - 1901 Person Name: Edward J. Hopkins Composer of "BENEDICTION (ELLERS)" in Christian Science Hymnal (Rev. and enl.) Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England. John Perry

Anonymous

Composer of "MORECAMBE" in Christian Science Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Orlando Gibbons

1583 - 1625 Composer of "SONG 22" in Christian Science Hymnal (Rev. and enl.) Orlando Gibbons (baptised 25 December 1583 – 5 June 1625) was an English composer, virginalist and organist of the late Tudor and early Jacobean periods. He was a leading composer in the England of his day. Gibbons was born in Cambridge and christened at Oxford the same year – thus appearing in Oxford church records. Between 1596 and 1598 he sang in the Choir of King's College, Cambridge, where his brother Edward Gibbons (1568–1650), eldest of the four sons of William Gibbons, was master of the choristers. The second brother Ellis Gibbons (1573–1603) was also a promising composer, but died young. Orlando entered the university in 1598 and achieved the degree of Bachelor of Music in 1606. James I appointed him a Gentleman of the Chapel Royal, where he served as an organist from at least 1615 until his death. In 1623 he became senior organist at the Chapel Royal, with Thomas Tomkins as junior organist. He also held positions as keyboard player in the privy chamber of the court of Prince Charles (later King Charles I), and organist at Westminster Abbey. He died at age 41 in Canterbury of apoplexy, and a monument to him was built in Canterbury Cathedral. A suspicion immediately arose that Gibbons had died of the plague, which was rife in England that year. Two physicians who had been present at his death were ordered to make a report, and performed an autopsy, the account of which survives in The National Archives: We whose names are here underwritten: having been called to give our counsels to Mr. Orlando Gibbons; in the time of his late and sudden sickness, which we found in the beginning lethargical, or a profound sleep; out of which, we could never recover him, neither by inward nor outward medicines, & then instantly he fell in most strong, & sharp convulsions; which did wring his mouth up to his ears, & his eyes were distorted, as though they would have been thrust out of his head & then suddenly he lost both speech, sight and hearing, & so grew apoplectical & lost the whole motion of every part of his body, & so died. Then here upon (his death being so sudden) rumours were cast out that he did die of the plague, whereupon we . . . caused his body to be searched by certain women that were sworn to deliver the truth, who did affirm that they never saw a fairer corpse. Yet notwithstanding we to give full satisfaction to all did cause the skull to be opened in our presence & we carefully viewed the body, which we found also to be very clean without any show or spot of any contagious matter. In the brain we found the whole & sole cause of his sickness namely a great admirable blackness & syderation in the outside of the brain. Within the brain (being opened) there did issue out abundance of water intermixed with blood & this we affirm to be the only cause of his sudden death. His death was a shock to peers and the suddenness of his passing drew comment more for the haste of his burial – and of its location at Canterbury rather than the body being returned to London. His wife, Elizabeth, died a little over a year later, aged in her mid-30s, leaving Orlando's eldest brother, Edward, to care for the children left orphans by this event. Of these children only the eldest son, Christopher Gibbons, went on to become a musician. One of the most versatile English composers of his time, Gibbons wrote a quantity of keyboard works, around thirty fantasias for viols, a number of madrigals (the best-known being "The Silver Swan"), and many popular verse anthems. His choral music is distinguished by his complete mastery of counterpoint, combined with his wonderful gift for melody. Perhaps his most well known verse anthem is This is the record of John, which sets an Advent text for solo countertenor or tenor, alternating with full chorus. The soloist is required to demonstrate considerable technical facility at points, and the work at once expresses the rhetorical force of the text, whilst never being demonstrative or bombastic. He also produced two major settings of Evensong, the Short Service and the Second Service. The former includes a beautifully expressive Nunc dimittis, while the latter is an extended composition, combining verse and full sections. Gibbons's full anthems include the expressive O Lord, in thy wrath, and the Ascension Day anthem O clap your hands together for eight voices. He contributed six pieces to the first printed collection of keyboard music in England, Parthenia (to which he was by far the youngest of the three contributors), published in about 1611. Gibbons's surviving keyboard output comprises some 45 pieces. The polyphonic fantasia and dance forms are the best represented genres. Gibbons's writing exhibits full mastery of three- and four-part counterpoint. Most of the fantasias are complex, multisectional pieces, treating multiple subjects imitatively. Gibbons's approach to melody in both fantasias and dances features a capability for almost limitless development of simple musical ideas, on display in works such as Pavane in D minor and Lord Salisbury's Pavan and Galliard. In the 20th century, the Canadian pianist Glenn Gould championed Gibbons's music, and named him as his favorite composer. Gould wrote of Gibbons's hymns and anthems: "ever since my teen-age years this music ... has moved me more deeply than any other sound experience I can think of." In one interview, Gould compared Gibbons to Beethoven and Webern: ...despite the requisite quota of scales and shakes in such half-hearted virtuoso vehicles as the Salisbury Galliard, one is never quite able to counter the impression of music of supreme beauty that lacks its ideal means of reproduction. Like Beethoven in his last quartets, or Webern at almost any time, Gibbons is an artist of such intractable commitment that, in the keyboard field, at least, his works work better in one's memory, or on paper, than they ever can through the intercession of a sounding-board. To this day, Gibbons's obit service is commemorated every year in King's College Chapel, Cambridge. --wikipedia.org

Margaret Dorn

Arranger of "HALMONI" in Christian Science Hymnal

Frederick C. Atkinson

1841 - 1896 Composer of "MORECAMBE" in Christian Science Hymnal (Rev. and enl.) Born: August 21, 1841, Norwich, Norfolk, England. Died: November 30, 1896, East Dereham, Norfolk, England. As a boy Atkinson was a chorister and assistant organist at Norwich Cathedral. In 1867 he graduated with a Bachelor of Music degree from Cambridge and then served as organist and choirmaster in St. Luke's Church, Manningham, Bradford. He also held that position at Norwich Cathedral and at St. Mary's Parish Church in Lewisham. Atkinson wrote hymn tunes, anthems, and complete Anglican services, as well as songs and piano pieces. Psalter Hymnal Handbook, 1988

A. P. Berggreen

1801 - 1880 Person Name: Andreas P. Berggreen Composer of "EXPECTATION" in Christian Science Hymnal (Rev. and enl.) Andreas Peter Berggreen, born in Copenhagen, March 2, 1801. Instrumental and vocal composer; took up music as a profession after having first been compelled to study law, became organist at Trinity Church, Copenhagen, in 1838, professor of vocal music at the Metropolitan School in 1843, and inspector of the same branch in all public institutions. Works: Collection of songs, with guitar (Copenhagen, 1822-1823); Romances (1823); Ballads and Romances (1824); Variations for guitar (1825); Wedding Cantata (1829); Billedet og bustan (The Portrait and the Bust), comic opera given at Copenhagen, 1832; Songs for the use of schools (1834-39); Popular songs and national and foreign melodies, for pianoforte (1842-47); Twelve Swedish songs (1846); National songs (1848); Songs to poems of Bellmann (1850); Six Swedish songs of Runeberg (1852); Several cantatas. Cyclopedia of Music and Musicians by John Denison Camplin, Jr. and William Foster Apthorp (Charles Scribner’s Sons, 1888) https://archive.org/details/cyclopediaofmusi01cham/mode/2up

Albert F. Conant

Arranger of "MORECAMBE" in Christian Science Hymnal (Rev. and enl.) 110 years ago, Mary Baker Eddy approved the first complete Concordance to Science and Health with Key to the Scriptures. Albert F. Conant, the compiler, poured meticulous care into every detail, providing an invaluable study resource for all sincere seekers of Truth. --sentinel.christianscience.com/