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Eliza S. Alderson

1818 - 1889 Person Name: E. S. Alderson, 1818-89 Author of "Lord of Glory, Who Hast Bought Us" in Evangelical Lutheran Hymnary Alderson, Eliza Sibbald, née Dykes, granddaughter of the Rev. Thomas Dykes, of Hull, and sister of the Rev. Dr. Dykes, born in 1818, and married, in 1850, to the Rev. W. T. Alderson, some time chaplain to the West Riding House of Correction, Wakefield. Mrs. Alderson is the author of the following hymns, the first of which is likely to attain a commanding position:— 1. And now, beloved Lord, Thy soul resigning. [Passiontide.] A hymn of more than usual merit, in 6 stanzas of 4 lines, written in 1868 at the request of Dr. Dykes. In 1875, stanzas i., ii., v. and vi., were given in the revised edition of Hymns Ancient & Modern, No. 121, with a special tune Commendation by Dr. Dykes. The full original text is restored in Thring's Collection, 1882, No. 170. 2. Lord of glory, Who hast bought us. [Almsgiving.] Written in 1864, in 5 stanzas of 8 lines, and published in the Appendix to Hymns Ancient & Modern, 1868, No. 372, and repeated in the revised edition 1875, No. 367, Mrs. Alderson says, "It was the very strong feeling that a tithe of our income was a solemn debt to God and His poor, which inspired it." Dr. Dykes’s tune "Charitas" was composed for this hymn. --John Julian, Dictionary of Hymnology (1907) ===================== Alderson, Eliza S., p. 38, i. She was born Aug. 16, 1818, and died at Kirkthorpe, Yorkshire, Mar. 18, 1889. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams (1872-1958) Harmonizer of "HYFRYDOL" in The Christian Hymnary. Bks. 1-4 Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Rowland Hugh Prichard

1811 - 1887 Person Name: R. H. Prichard, 1811-87 Composer of "HYFRYDOL" in Evangelical Lutheran Hymnary Rowland H. Prichard (sometimes spelled Pritchard) (b. Graienyn, near Bala, Merionetshire, Wales, 1811; d. Holywell, Flintshire, Wales, 1887) was a textile worker and an amateur musician. He had a good singing voice and was appointed precentor in Graienyn. Many of his tunes were published in Welsh periodicals. In 1880 Prichard became a loom tender's assistant at the Welsh Flannel Manufacturing Company in Holywell. Bert Polman

John Bacchus Dykes

1823 - 1876 Composer of "CHARITAS" in The Cyber Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

F. E. Belden

1858 - 1945 Composer of "MESSAGE" in The Seventh-Day Adventist Hymn and Tune Book Belden was born in Battle Creek, Michigan in 1858. He began writing music in his late teenage years after moving to California with his family. For health reasons he later moved to Colorado. He returned to Battle Creek with his wife in the early 1880s, and there he became involved in Adventist Church publishing. F. E. Belden wrote many hymn tunes, gospel songs, and related texts in the early years of the Seventh-day Adventist Church. Belden was able to rapidly write both music and poetry together which enabled him to write a song to fit a sermon while it was still being delivered. He also wrote songs for evang­el­ist Bil­ly Sun­day. Though Belden’s later years were marred by misunderstandings with the church leadership over his royalties, he did donate his papers and manuscripts to the church’s seminary at his death. He died on December 2, 1945 in Battle Creek, Michigan. N.N., Hymnary. Source: http://www.hymntime.com/tch/bio/b/e/l/belden_fe.htm

J. A. P. Schulz

1747 - 1800 Person Name: fr. Schulz Arranger of "SOLNEY" in Laudes Domini Johann Abraham Peter Schulz Germany 1747-1800. Born at Luneburg, Germany, son of a baker, he attended St Michaelis school in Luneburg and studied organ, then the Johanneum from 1759-1764. In 1765 he was a student of composer, Johann Kimberger, and then taught in Berlin himself. In 1768 Kimberger recommended Schulz for the position of music teacher and accompanist to the Polish Princess Sapieha Woiwodin von Smolensk. Schulz moved to Berlin and traveled with her for three years performing throughout Europe, where he came in contact with many new musical ideas. He married Catharina Maria Gercken, and they had a daughter, Celle. He served as the conductor of the French Theatre in Berlin from 1776-1780. From 1786-1787 he was the Kapellmeister of Prince Henry in Rheinsberg. He began writing operas in 1785 and became musical director of the Berlin French theatre. Schulz went on to serve as Court Kapellmeister in Copenhagen from 1787-1795 before returning to Berlin. In Copenhagen the music library burned down, and he had a breakdown in health from trying to save it. His health suffered further from the effects of a shipwreck he experienced in 1796. Schulz wrote seven operas, stage music, oratorios, and cantatas, as well as piano pieces, folk songs, and church music. He also wrote articles on music theory for Johann Georg Sulzer’s ‘Allgemeine Theorie der schonen Kunste’ in four volumes. He died at Schwedt an der Oder, Germany. John Perry

A. H. Mann

1850 - 1929 Composer of "CHILSTON" in Church Hymns and Tunes Arthur Henry ‘Daddy’ Mann MusB MusD United Kingdom 1850-1929. Born at Norwich, Norfolk, England, he graduated from New College, Oxford. He married Sarah Ransford, and they had five children: Sarah, Francis, Arthur, John, and Mary. Arthur died in infancy. Mann was a chorister and assistant organist at Norwich Cathedral, then, after short stints playing the organ at St Peter’s, Wolverhampton (1870-71); St. Michael’s Tettenhall Parish Church (1871-75); and Beverley Minster (1875-76); he became organist at King’s College Chapel, Cambridge (1876-1929), Cambridge University organist (1897-1929), and music master and organist at the Leys School, Cambridge (1894-1922). In addition to composing an oratorio and some hymn tunes, he was music editor of the Church of England Hymnal (1894). In 1918 he directed the music and first service of “Nine lessons & carols” at King’s College Chapel. He was an arranger, author, composer, and editor. His wife, Sarah, died in 1918. He died at Cambridge, England. John Perry

Louis von Esch

1880 - 1980 Arranger of "AUTUMN" in Hymnal and Liturgies of the Moravian Church

Johann Rosenmüller

1619 - 1684 Person Name: J. Rosenmüller Composer of "[Lord of glory, Thou hast bought us]" in The Lutheran Hymnary Johann Rosenmueller, b. about 1615, Kursachsen; d. 1686, Wolfenbuettel Evangelical Lutheran Hymnal, 1908

George Jarvis Geer

1821 - 1885 Person Name: Geer Composer of "HOLY VOICES" in The Christian Hymnal Born: February 24, 1821, Waterbury, Connecticut. Died: March 16, 1885, New York. Buried: Saint Paul’s Churchyard, Manhattan, New York. Geer graduated from Trinity College, Hartford, Connecticut (1842), and the General Theological Seminary, New York (1845). He served as Rector of Christ Church, Ballston Spa, New York; Associate Rector of the Church of the Holy Apostles, New York (1859); and Rector of St. Timothy’s, New York (1866). He was the first president of the Free Church Guild of New York, and a member of the General Convention of 1874. He received the degree of S. T. D. from Columbia University, and of D.D. from Union in 1862. His works include: Tune-Book of the Protestant Episcopal Church, 1848, with Bishop Bedell & Dr. Muhlenburg The Conversion of St. Paul (New York: 1871) --www.hymntime.com/tch/

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