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Text Identifier:"^holy_spirit_font_of_light$"
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John Webster Grant

1919 - 2006 Person Name: John Webster Grant, 1919- Translator of "Holy Spirit, Font of Light" in The Covenant Hymnal Grant, John Webster. (Truro, Nova Scotia, June 27, 1919- ). United Church. Dalhousie University (Halifax), B.A., 1938, M.A., 1941; Keble College, Oxford, D.Phil., 1948. Served as a Navy chaplain during World War II; acted as editor-in-chief of Ryerson Press (Toronto), 1959-1963; taught church history at Pine Hill Divinity School (Halifax), 1948-1949; Union College (Vancouver), 1949-1957; in South India, 1958-1959; and at Emmanuel College (Toronto), 1963-?. He published many books and articles in his field of specialty, notably The church in the Canadian era (1972). His hymn-writing began with translations and paraphrases, but even they reveal his unusual range of talent and expertise. --Hugh D. McKellar, DNAH Archives

Anonymous

Author of "Holy Spirit, font of light" in CPWI Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Samuel Webbe

1740 - 1816 Person Name: Samuel Webbe, 1740 - 1816 Composer of "VENI SANCTE SPIRITUS" in The Hymn Book of the Anglican Church of Canada and the United Church of Canada Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinet­maker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprentice­ship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818). Bert Polman

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