Person Results

Text Identifier:"^eternal_god_whose_power_upholds$"
In:people

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.
Showing 1 - 10 of 15Results Per Page: 102050

Samuel A. Ward

1848 - 1903 Composer of "MATERNA" in The Hymnal of The Evangelical United Brethren Church

Ralph Vaughan Williams

1872 - 1958 Person Name: R. Vaughan Williams Arranger of "FOREST GREEN" in The Hymnbook Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

William Harold Ferguson

1874 - 1950 Person Name: William Harold Ferguson, 1872-1950 Composer of "LADYWELL" in The Irish Presbyterian Hymnbook Born: January 1, 1874, Leeds, England. Died: October 18, 1950, Littlehampton, Sussex, England. Ferguson was educated at Magdalen College School, Oxford, and was a chorister in the College chapel. After graduating from Keble College, he taught at St. Edward’s School, Oxford (1896-69) and Bilton Grange, Rugby (1899-1901). He later attended Cuddesdon Theological College. After ordination, he served as assistant master, chaplain, organist and director of chapel music at Lancing College (1902-13); Warden of St. Edward’s School, Oxford (1913-25); Warden of St Peter’s College, Radley, Abingdon, Oxfordshire (1925-37); and Canon and Precentor of Salisbury Cathedral (1937-47). With Geoffrey Shaw, he was joint music editor of The Public School Hymn Book in 1919. --www.hymntime.com/tch/

Richard S. Newman

1850 - 1927 Composer of "LAND OF REST" in Hymns and Songs of Christian Comradeship

William Gawler

1750 - 1809 Person Name: William Gawler, c. 1750-1809 Composer of "ST. MARIA" in Hymnal and Liturgies of the Moravian Church Born: 1750, Lambeth, London, England. Died: March 15, 1809, London, England. Son of a schoolmaster, Gawler was an organist, teacher, and composer. His Op. 2, a collection of pieces for harpsichord or pianoforte, was published by Preston in the Strand in 1780. Harmonia Sacra, containing psalm tunes, anthems, hymns, and a voluntary, appeared in 1781. In 1784 Gawler was appointed organist (with a salary of £63l) to the Asylum for Female Orphans, Lambeth; he composed for their chapel music (Op. 16) to ‘Twelve Divine Songs’ by Isaac Watts, and collected the psalm tunes in use there in 1785; two sets of voluntaries for the organ (Grove); and some patriotic songs. He was parish clerk at Lambeth for many years, retiring in 1802. His works include: Psalms and Hymns Used at the Asylum for Female Orphans, 1785 --www.hymntime.com/tch/

George Frideric Handel

1685 - 1759 Person Name: G. F. Handel Composer of "HALIFAX" in Rejoice in the Lord George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman

Rhys Thomas

1867 - 1932 Person Name: Rhys Thomas, 1867-1932 Composer of "SARAH (Thomas)" in The Hymn Book of the Anglican Church of Canada and the United Church of Canada

Henry Hallam Tweedy

1868 - 1953 Author of "Eternal God, Whose Power Upholds" in The Hymnbook Born: Au­gust 5, 1868, Bing­ham­ton, New York. Died: Ap­ril 11, 1953, Brat­tle­bo­ro, Ver­mont. Buried: Moun­tain View Cem­e­tery, New Fair­field, Con­nec­ti­cut. Tweedy at­tend­ed Phil­lips An­do­ver Acad­e­my, Yale Un­i­ver­si­ty (BA & MA), Un­ion The­o­lo­gic­al Sem­in­ary, and the Un­i­ver­si­ty of Ber­lin. Or­dained a Con­gre­ga­tion­al­ist min­is­ter in 1898, he pas­tored at Ply­mouth Church, Uti­ca, New York (1892-1902), and South Church, Bridge­port, Con­nec­ti­cut (1902-09). He then be­came Pro­fess­or of Hom­i­le­tics at Yale Di­vin­i­ty School (1909-37). He taught lit­ur­gy, mu­sic, and the arts, and was in­ter­est­ed in re­li­gious ar­chi­tect­ure. His works in­clude: The Min­is­ter and His Hym­nal Christian Wor­ship and Praise, 1939 Lyrics: "Eternal God, Whose Pow­er Up­holds" "O Gra­cious Fa­ther of Man­kind" "O Spir­it of the Liv­ing God" --www.hymntime.com/tch

Winfred Douglas

1867 - 1944 Person Name: Charles Winfred Douglas Arranger of "HALIFAX" in Rejoice in the Lord Charles Winfred Douglas (b. Oswego, NY, 1867; d. Santa Rosa, CA, 1944), an influential leader in Episcopalian liturgical and musical life. Educated at Syracuse University and St. Andrews Divinity School, Syracuse, New York, he moved to Colorado for his health. There he studied at St. Matthew's Hall, Denver, and founded the Mission of the Transfiguration in Evergreen (1897). Ordained a priest in the Episcopal Church in 1899, he also studied in France, Germany and England, where he spent time with the Benedictines of Solesmes on the Island of Wight from 1903 to 1906. For much of his life, Douglas served as director of music at the Community of St. Mary in Peekskill, New York, and had associations with cathedrals in Denver, Colorado, and Fond du Lac, Wisconsin. He promoted chanting and plainsong in the Episcopal Church through workshops and publications such as The American Psalter (1929), the Plainsong Psalter (1932), and the Monastic Diurnal (1932). His writings include program notes for the Denver Symphony Orchestra, various hymn preludes; organ, as well as the book, Church Music in History and Practice (1937). He was editor of both the Hymnal 1916 and its significant successor, Hymnal 1940, of the Episcopal Church. Douglas's other achievements include a thorough knowledge of the life and culture of Hopi and Navajo natives, among whom he lived for a number of years. Bert Polman

C. W. Poole

1828 - 1924 Person Name: Clement William Poole, (1828-1924) Composer of "PETERSHAM" in Representative American Hymns of the Twentieth Century

Pages


Export as CSV
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.