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Justus Gesenius

1601 - 1673 Hymnal Number: 121 Author of "Wenn mich die Sünden kränken" in Deutsches Gesangbuch Gesenius, Justus, D.D., son of Joachim Gesenius, pastor at Esbeck, near Lauenstein, Hannover; was born at Esbeck, July 6, 1601. He studied at the Universities of Helmstedt and Jena, graduating M.A at Jena in 1628. In 1629 he became pastor of St. Magnus's Church, Brunswick; in 1636 court chaplain and preacher at the Cathedral in Hildesheim; and in 1642 chief court preacher, consistorialrath, and general superintendent at Hannover. He died at Hannover, Sept. 18, 1673 (Koch, iii 230-237; Allgemeine Deutsche Biographie, ix. 87-88; Bode, p. 76, &c). Gesenius was an accomplished and influential theologian, a famous preacher, and distinguished himself by his efforts to further the catechetical instruction of the children of his district. Along with D. Denicke (q.v.) he edited the Hannoverian hymnbooks of 1646-1660. Both he and Denicke aimed at reducing the older German hymns to correctness of style according to the poetical canons of Martin Opitz; not so much interfering with the theology or making the authors speak a terminology foreign to them. Consequently their recasts, while setting a bad example, and while often destroying much of the force and freshness of the originals, were not by any means so objectionable as the recasts of the Rationalistic period, and moreover were soon widely accepted. As no authors' names are given in the Hannoverian hymnbooks, it is difficult to assign the authorship of the new hymns and recasts therein contained. The following is generally, and apparently with reason, ascribed to Gesenius: Wenn meine Sünd' mich kränken. Passiontide. His finest hymn as regards depth, warmth, and finish. First published in the Hannover Gesang-Buch 1646, No. 49, in 8 stanzas of 7 lines. It has been called a recast of the hymn "Hilf Gott, dass mir gelinge," but bears not the slightest resemblance to it. Included in Crüger's Praxis, 1656, and many later collections, as the Berlin Geistliche Lieder S., ed. 1863, No. 277. By a not unjust retribution it was soon recast, and appeared in the Lüneburg Gesang-Buch, 1661, as "Wenn mich die Sunden kränken." Translated as:— 1. When guilt and shame are raising. In full, by J. C. Jacobi, in pt. ii., 1725, of his Psalter Germanica, p. 4 (1732, p. 34). In the Moravian HymnBook of 1789, No. 106, it is altered to “O Lord, when condemnation"; and in the edition 1886, it begins with st. v., "Lord, let Thy bitter passion." A cento of stanzas ii., iii., v., from the Moravian Hymn Book, 1801, was adopted by Montgomery in his Christian Psalmist, 1825, beginning, "O wonder far exceeding," and this is in the New Zealand Hymnal. 1872. 2. 0 Lord, when my sins grieve me. A good translation of stanzas i., ii., iv., v., by A. T. Russell, as No. 81 in his Psalms & Hymns, 1851. 3. When sorrow and remorse. In full, by Miss Winkworth in her Lyra Germanica, 1st Ser., 1855, p. 74. A cento consisting of lines 1-4 of stanzas i., iv.—vi., and of stanza vii., rewritten to S.M., is in the Pennsylvanian Lutheran Church Book, 1868. 4. 0 Lord, when condemnation. A full and good translation, included as No. 84 in the 1857 ed. of Mercer's The Church Psalter and Hymnbook. Probably by Mr. Mercer, but mainly taken from the Moravian Hymnbook, 1789, and from Miss Winkworth. Repeated, abridged, in his Oxford ed., 1864, No. 149, and in the Toronto HymnBook, 1862. 5. When o'er my sins I sorrow. A good translation, based on her 1855 version, and omitting stanzas ii.—iv., by Miss Winkworth, as No. 48 in her Chorale Book for England, 1863. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Jonathan Krause

1701 - 1762 Hymnal Number: 238 Author of "Hallelujah, schöner Morgen!" in Deutsches Gesangbuch Krause, Jonathan, son of Christian Wilhelm Krause, Master of the Clothworkers and Sexton at Hirschberg, in Silesia, was born at Hirschberg, April 5, 1701. Entering the University of Leipzig in 1718, he went in 1723 to Wittenberg, where he graduated M.A. He was then for some time travelling tutor to a young Baron von Birken, and 1727-32 a tutor in the family of Baron von Nostitz, at Polgsen, near Wohlau. On Aug. 20, 1732, he was ordained as Diaconus of Probsthayn, near Liegnitz, and in 1739 became chief pastor of the Church of St. Peter and St. Paul at Liegnitz. In 1741 he was also appointed Superintendent and Assessor of the Consistory. He died at Liegnitz, Dec. 13, 1762 (S. J. Ehrhardt's Presbyteroloqie Schlesiens, 1780-89, iv. p. 280, &c). He edited the Liegnitz Gesang-Buch of 1745. His hymns appeared in his (1) Die turn Lobe Gottes eröffnete Lippen der Gläubigen, &c, Hamburg, 1732, and (2) Gnade und Wahr heit Gottes in Christo Jesu, in heiligen Liedem über alle Sonn- und Fest-Tags Evangelien und Eputeln Leipzig and Lauban, 1739. [Berlin Royal Library.] The only hymn by Krause translated into English is:-- Alleluja! schöner Morgen. Sunday Morning. This hymn, a great favourite in Southern Germany, first appeared 1739 as above, p. 487, in 9 stanzas of 6 lines, entitled "Morning-Hymn on Sunday." Repeated thus in the Liegnitz Gesang-Buch, 1745, No. 1; but in recent collections, as the Württemberg Gesang-Buch, 1842, and the Unverfälschter Liedersegen, 1851, No. 482, it begins "Hallelujah!" Sometimes erroneously ascribed to B. Schmolck. Translated as:— Hallelujah! Fairest morning. A good translation, omitting stanzas v., vii., viii., by Miss Borthwick, in Hymns from the Land of Luther, 3rd Ser., 1858, p. 28 (1884, p. 150). Included in full in the Appx. of 1869 to the Society for Promoting Christian Knowledge Psalms & Hymns; in Holy Song, 1869, and others. In the S. P. C. K. Church Hymns, 1871, the trs. of st. iii., iv. are omitted, and the rest slightly altered; and this form is followed in Laudes Domini, N. Y., 1884. In G. S. Jellicoe's Collection, 1867, it begins "Alleluia." Other translations are, (1) "Hallelujah! beauteous morning," by Miss Manington, 1863. (2) "Hallelujah! day of gladness," by R. Massie, in the Day of Rest , 1876, p. 35. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Johann Friedrich Herzog

1647 - 1699 Hymnal Number: 374 Author of "Nun sich der Tag geendet hat" in Deutsches Gesangbuch Hertzog, Johann Friedrich, LL.D., son of Johann Hertzog, diaconus of the Church of the Holy Cross, in Dresden, was born at Dresden, June 6, 1647. After the completion of his legal studies at the University of Wittenberg, he was, from 1671 to 1674, tutor to the sons of General-Lieutenant von Arnim. In 1674 he returned to Dresden to practise as an advocate, where he died March 21, 1699 (Koch, iii. 361-63; Allgemeine Deutsche Biographie, xii. 251). The only hymn by him which has been translated into English is:— Nun sich der Tag geendet hat, Und keine Sonn mehr scheint. [Evening.] Fischer, ii. 129, says that, according to the testimony of Hertzog's brother, this hymn was written one evening in 1670 while the author was still a student at Wittenberg. Stanza i. and the melody appear as No. 8 in the 1 Zehen of A. P. Krieger's News Arien. In 6 Zehen, Dresden, 1667 [Leipzig Town Library]. Hertzog seems to have adopted this stanza and added eight others, the form in 9 st. being found in Luppius's Andächtig Singender Christen-Mund, Wesel, 1692, p. 123, in 9 stanzas. Included as No. 622 in Freylinghausen's Geistreiches Gesang-Buch, 1704, with a 10th st., which, according to Fischer, first appeared in the Leipzig Gesang-Buch, 1693. Also in the Unverfälschter Liedersegen, 1851, No. 530. It speedily became popular, was often imitated, and still holds its place as one of the best German evening hymns. The translations in common use are:— 1. And now another day is gone. A good translation, omitting st. vii., by J. C. Jacobi in his Psalter Germanica, 1722, p. 1ll (ed. 1732, p. 174, altered). St. vii., "With cheerful heart I close my eyes," while parallel with the German is really stanza iv. of Watts's "And now another day is gone," in his Divine and Moral Songs. The 1732 text, slightly altered, is No. 479 in pt. i. of the Moravian Hymn Book, 1754, and stanzas i.-iii., vii., ix. altered are No. 391 in J. A. Latrobe's Collection, 1841. The form principally used is a cento beginning, "In mercy, Lord, remember me"; and being stanzas iii., vii., ix., x. slightly altered as No. 760 in the Moravian Hymn Book, 1789, and repeated, omitting st. x., in later editions (1886, No. 1183). This cento has recently been included in Windle's The Church Psalter & Hymn Book, 1862, in Dr. Thomas's Augustine Hymn Book, 1866, Dr. Martineau's Hymns of Praise & Prayer, 1873; and in America in the Methodist Episcopal Hymn Book, 1849; Hymns for the Church of Christ, Boston, 1853, &c. 2. And now another day is past. A version of stanzas i.-iv., vii.-ix., based on Jacobi, is found as No. 494 in the Appendix to the American German Reformed Psalms & Hymns, 1834, and also in the American Lutheran General Synod's Hymn Book, 1850. 3. The shades of night have banished day. A full and very good translation by Miss Dunn in her Hymns from the German, 1857, p. 16. Included, slightly altered and omitting stanzas vi., viii., in the Uppingham & Sherborne School Hymn Book, 1874, and thence in Thring's Collection, 1882. 4. Now that the sun doth shine no more. A good translation omitting stanzas iv., vi., x., by Miss Winkworth in her Chorale Book for England, 1863. 5. The day is done, the sun is set. A translation of stanzas i.-iii., vii., marked as by F. C. C, as No. 176 in Dr. Pagenstecher's Collection, 1864. 6. Since now the day hath readied its close. In full as No. 311 in the Ohio Lutheran Hymnnal, 1880, marked as a compilation. Other translations are: (1) "The waning day hath reached its close," by H. J. Buckoll, 1842, p. 84. (2) "The day is gone, and now no more," by Dr. G. Walker, 1860, p. 61. (3) "Now that the day from earth hath crept," by Miss Manington, 1863, p. 136. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Christoph Vischer

1520 - 1597 Hymnal Number: 120 Author of "Wir danken Dir, Herr Jesu Christ" in Deutsches Gesangbuch Vischer, Christoph, son of Jakob Vischer or Fischer, burgess at Joachimsthal, in Bohemia, was born at Joachimsthal in 1520. He matriculated at the University of Wittenberg in Nov. 1540 (B.A. 1544), and was ordained at Wittenberg on Feb. 10, 1544, as pastor and probst at Jüterbogk, near Wittenberg. He was then appointed (in 1552) cathedral preacher and superintendent at Schmalkalden; in 1571 pastor and general superintendent at Meiningen; in 1574 court preacher and assistant superintendent at Celle (Zelle); and in 1577 chief pastor of St. Martin's Church at Halberstadt. He returned to Celle in 1583, as general superintendent of Lüneburg, and died at Celle in October, 1597. Vischer was a somewhat voluminous writer. Rotermund gives the titles of 29 works by him. Only one hymn is known as his, viz.:— Wir danken dir, Herr Jesu Christ, Dass du für uns gestorben bist. Passiontide. This is included in pt. ii. of the Dresden Gesang-Buch, 1597 (thence in Wackernagel, v., p. 248), marked as by M. C. F., and in 4 stanzas of 4 lines, viz. st. i. as above, and ii. Und bitten dich, war Mensch und Gott. iii. Behüt uns auch für Sünd und Schand. iv. Und draus schöpffen die Zuversicht. The only portion we have been able to find in any work of Vischer's is st. ii. This occurs in hisChristliche unnd einfeltige Erklerung der gnadenreichen Historien des Leydens und Sterbens hochtröstlicher Aufferstehung und siegreicher Himelfart unsers lieben Herrn Jhesu Christi, auch der Sendung des Heiligen Geistes, &c, Schraalkalden, 1585 [British Museum]. The same stanza is found in the edition Schmalkalden, 1568 [Berlin Library]. Mützell, No. 344, prints the four stanza form from the text given by J. C. Olearius, Jena, 1710, as a reprint of the original, and as entitled “A children's hymn composed by M. Christoph Vischer for the Christian community at Schmalkalden, upon the strengthening uses of the bitter sufferings and death of Christ Jesus our Saviour." It is also in thUnerfälschter Liedersegen, 1851, No. 122. The translations are:— 1. We bless Thee, Jesus Christ our Lord; For ever be Thy name adored. This is a good and full translation by Dr. Kennedy, as No. 622 in his Hymnologia Christiana, 1863. 2. With thanks we glory in Thy Cross. This is No. 331 in pt. i. of the Moravian Hymn Book, 1754. [Rev.James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

Jodocus van Lodenstein

1620 - 1677 Person Name: Jobocus von Lodenstein Hymnal Number: 103 Author of "Heiligster Jesu, Heil'gungsquelle" in Deutsches Gesangbuch Lodenstein, Jodocus van, son of Joost Corneliss van Lodenstein, burgomaster of Delft, was born at Delft Feb. 6, 1620. After studying at the Universities of Utrecht and Franeker he was appointed in 1644 pastor at Zoetermeer and Zegwaard, near Delft; in 1650 at Sluys (Sluis, near the boundary of Flanders); and in 1653 at Utrecht. He died at Utrecht Aug. 6, 1677 (Allg. Deutsche Biog., xix. 73-75). A pastor of the Reformed Church, he was spiritually allied to the Mystics. After 1665, not being able to exclude the worldly, he ceased to dispense the Holy Communion and altered the Baptismal formula; but never separated from the Church. His hymns appeared in his Uyt-Spanningen, Behelfende eenige stigtelyke Liederen en andere Gedigten, &c, Utrecht, 1676 [Berlin], which passed through many editions. Two are translated, viz.:— 1. Hemelsch Ooge! Wilt gy dogen. [Love to God.] 1676, p. 346, in 9 st. entitled "Solitude with God." It has passed into English through Ich will einsam und gemeinsam. No. 723, in Freylinghausen's Gesang-Buch, 1705; Porst's Gesang-Buch, ed. 1855, No. 385. It is a free translation in 5 stanzas of 6 lines, and is probably by C. A. Bernstein (p. 135, ii.), certainly not by Gr. Arnold or G. Tersteegen. Translated as (1) “Quite alone and yet not lonely," in full, from the 1105, as No. 680 in pt. i. of the Moravian Hymn Book, 1754. In the Moravian Hymn Book, 1789 (1886, No. 702), the trs. of stanzas i., ii., were reduced to 8.7.8.7, and this form is also in the Bible Hymn Book, 1845. 2. Heylge Jesu! Hemelsch Voorbeeld! [Christ our Example.] 1676, p. 152, in 9 stanzas, entitled "Jesus Pattern." It has passed into English through Heiligster Jesu, Heiligungsquelle, tr. in full. This has not yet been traced earlier than G. Arnold's Göttliche Sophia, 1700, pt. ii. p. 327, where it is No. 17 of “some hitherto unknown poems, mostly composed by others.” As it is found in this section it is perhaps more probably by B. Crasselius (q. v.). Koch, vi. 6, and viii. 437, characterises it as "a pearl in the Evangelical Treasury of Song and a genuine Christian moral hymn, of more importance than a hundred of the so-called moral hymns in the second half of the eighteenth cen¬tury." In the Berlin

Novalis

1772 - 1801 Hymnal Number: 516 Author of "Ich sag' es jedem, daß Er lebt" in Deutsches Gesangbuch Pseudonym of Georg Friedrich Phillip von Hardenberg.

Christian Friedrich Daniel Schubart

1739 - 1791 Person Name: Christian F.D. Schubart Hymnal Number: 274 Author of "Urquell aller Seligkeiten" in Deutsches Gesangbuch Schubart, Christian Friedrich Daniel, son of Johann Jakob Schubart, schoolmaster and assistant clergyman at Obersontheim near Hall, in Württemberg (after 1740, at Aalen), was born at Obersontheim, March 26, 1739, and in 1758 entered the University of Erlangen as a student of theology. Thereafter he was for some time a private tutor at Königsbronn. In 1764 he was appointed organist and schoolmaster at Geisslingen, near Ulm. In 1768 he became organist and music-director at Ludwigsburg; but, in 1772, on account of misconduct, he was deprived of his office. After that, he led for some time a wandering life, and then settled down in Ulm, where he edited a political newspaper, entitled the Deutsche Chronik, with success. By his scurrilous attacks on the clergy, especially on the Eoman Catholics, and in particular upon the Jesuits, and by a satirical poem on the Duke of Württemberg, he made himself obnoxious. Unsuspectingly accepting an invitation to Blaubeuren, he was handed over to the Duke's adjutant, and, on Jan. 23, 1777, was imprisoned in the castle of Hohenasperg, where he remained, without even the shadow of a trial, till May 11, 1787. As a recompense for his long imprisonment, the Duke made him Court and theatre poet at Stuttgart, where he died of fever, Oct. 10, 1791 (Koch, vi. 376; K. H. Jördens's Lexicon deutscher Dichter und Prosaisten, vol. iv. 1809, p. 639). Schubart was a man of versatile genius, who might have attained distinction in half a dozen lines of life, had he only stuck to any of them. He was a man who could make himself most popular, spite of the fact that he possessed hardly any tact. His moral principles were anything but strong; and the Ten Commandments (especially the seventh) seemed to have little restraining influence over him. As a writer of secular poems, especially of lyrics, he displayed vigour and spirit; but his literary workmanship was often very careless. His hymns, over 130 in all, were written during the two periods when he led an orderly and Christian life, viz., in the years 1764-66, immediately after his marriage, and in the years 1777-87, during his enforced absence from temptation. His captive state, his reading of the devotional books in the commandant's library, and the visits which he then received from P. M. Hahn, pastor at Kornwestheim, awakened in him a repentance, sincere if not altogether lifelong; one of the principal results being the series of hymns included in his so-called Gedichte aus dem Kerker (Zürich, 1785). These were composed at a time when he was deprived of writing materials, and were dictated through a wall to a fellow prisoner in the next cell. They were published without his knowledge or supervision. In self defence he asked the Duke's permission to pubish an authorised edition of his poems; and this appeared at Stuttgart, in 2 vols., 1785-86, as his Sämmtliche Gedicht (a number of copies, printed beyond the subscription, bear the date 1787, and the name of a Frankfurt publisher, e.g. the copy in the British Museum); and this also included most of those in his Todesgesänge, originally published at Ulm in 1767. Being printed at the Ducal print¬ing office at Stuttgart, the poems were subjected to an official revision. Schubart meant to issue a genuine author's edition, but did not live to do so; and that published by his son, as his father's Gedichte, in two parts, at Frankfurt, 1802, is really a selection, and contains only about half of his hymns. The best of Schubart's hymns are those first published in 1785, which are more genuine and spiritual than his earlier productions. A considerable number became popular, and passed into the Württemberg Gesang-Buch, 1791, and other collections, up to 1850; and a few still con¬tinue in common use. They are, however, too personal and subjective, and not sufficiently natural in style for general use. Of Schubart's hymns the following have been translated into English, viz.:— i. Urquell aller Seligkeiten. Supplication for Spiritual Blessings. This fine hymn was written about 1780, and first pub. in his Gedichte aus dem Kerker, Zurich, 1785, p. 102, in 16 stanzas of 4 lines, entitled, "Supplication." The full text is in Koch, 2nd ed., vol. iv., p. 740. Translated as:— Though by sorrows overtaken. This can hardly be called a translation, but is rather a hymn suggested by the German, and is in 6 st. of 4 1. It appeared in A. R. Reinagle's Collection of Psalm and Hymn Tunes as sung in the Parish Church of St. Peter in the East, Oxford, published at Oxford in 1840, p. 138…. Other hymns by Schubart are:— ii. Alles ist euer! 0 Worte des ewigen Lebens. Thanksgiving. Translated as, "All things are yours! O sweet message of mercy divine." By Miss Borthwick, in Hymns from the Land of Luther, 1855, p. 5. iii. Der Trennung Last liegt schwer auf mien. Reunion in Heaven. On the sorrow of parting with friends whom one hopes to meet in heaven. Tr. as, “I die and grieve from those to go." By Dr. G. Walker, 1860, p. 58. iv, Hier stand ein Mensch! Hier fieler nieder. Sudden death of a Sinne. Translated as, “Now one in health Death, instant, crushes." By Dr. H. Mills, 1845. v. Kommt heut an eurem Stabe. For the Aged. On the Presentation in the Temple; and founded on St. Luke ii. 22 -32. Tr. as, "Ye who with years are sinking." By Dr. H. Mills, 1845 (1856, p. 275). [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

Carl Friedrich Hartmann

1743 - 1815 Hymnal Number: 353 Author of "Endlich bricht der heisse Tiegel" in Deutsches Gesangbuch

Johann Adam Lehmus

1707 - 1788 Person Name: Joh. Ad. Lehmus Hymnal Number: 380 Author of "Wo der Herr das Haus nicht bauet" in Deutsches Gesangbuch

Martin Behm

1557 - 1622 Person Name: Martin Behm (Behemb) Hymnal Number: 452 Author of "O Jesu Christ, mein's Lebens Licht" in Deutsches Gesangbuch Behm, Martin, son of Hans Behm [Bohme, Boehm, Behemb, Behem, Boheim, Bohemus or Bohemius], town-overseer of Lauban in Silesia, was born at Lauban, Sept. 16, 1557. During a protracted famine, 1574, Dr. Paul Fabricius, royal physician at Vienna, a distant kinsman, took him to Vienna, where he acted as a private tutor for two years, and then went to Strassburg, where, from Johann Sturm, Rector of the newly founded University, he received much kindness. Returning home at his mother's request after his father's death, May, 1580, he was, at Easter, 1581, appointed assistant in the Town School, and on Sept. 20, ordained diaconus of the Holy Trinity Church. After his senior had been promoted to Breslau the Town Council kept the post nominally vacant for two years, and then, in June, 1586, appointed Behm chief pastor. For 36 years ho held this post, renowned as a preacher, as a faithful pastor in times of trouble (famine 1590, pestilence 1613, war 1619), and as a prolific author. After preaching on the tenth Sunday after Trinity, 1621, he was seized with illness, and after he had lain for twenty-four weeks on a sick bed, there was ministered to him, on Feb. 5, 1622, the abundant entrance of which he sings in his hymn, "O Jesu Christ, meins Lebenslichtr” (Koch, ii. 227-234; Allg. Deutsche Biographie,ii. 282). He was one of the best hymn-writers of his time. His hymns are true and deep in feeling, dwelling specially on the Passion of Our Lord. They speedily passed into the hymn-books, and long held their place therein. Of about 480 hymns which he composed, the most important appeared in his:— (1) Centuria precationum rhythmicarum, Wittenberg, 1606 (2nd ed., 1611). (2) Centuria secunda precationum rhythmicarum, Wittenberg, 1608 (2nd ed., 1611). (3) Centuria precationum rhythmicarum, "Wittenberg, 1615 (complete edition of the Three Centuries, Jena and Breslau, 1658). A selection of 79 Hymns, ed., with an introduction, by W. Noldeke, appeared at Halle in 1857. Four of his hymns have been translated into English, three being in English common use:— i. O Heilige Dreifaltigkeit. [Morning.] First published in his Kriegesman, Leipzig, 1593, in 7 st. of unequal length, repeated in 1608, as above, in 8 stanzas of 4 lines. Both forms are in Wackernagel, v. p. 197; and the second in Noldeke, 1857, p. 53; and, omitting stanzas vi.-viii., as No. 1126 in the Berlin G. L. S., ed. 1863. In 1593 it was entitled " The ancient Sancta Trinitas et adoranda (Jnitas in German;" but it is rather a versification of the Prayer for Wednesday evening in J. Habermann's Gebet Buck (Wittenberg, 1567). The translations in common use, both of the second form, are:— 1. O Thou most Holy Trinity. A very good translation of stanzas i., iii.-v., by A. T. Russell, as No. 2 in his Ps. and Hys., 1851, and thence in Kennedy, 1863, and Dr. Thomas's Augustine H. Bk., 1866. 2. O holy, blessed Trinity, Divine. A good translation of stanzas i.-v. by Dr. C. H. L. Schuette, as No. 295 in the Ohio Luth. Hymnal, 1880. 3. O holy, holy, holy Three, by H. J. Bucholl, 1842, p. 21. ii. O Jesu Christ, meins Lebens Licht. [For the Dying.] His finest hymn. First pub.lished in a collection entitled Christliche Gebet, 1610, and then in his Zehen Sterbegebet, appended to his Centuria secunda, 1611 (see above), in 14 stanzas of 4 1., entitled " Prayer fora happy journey home, founded upon the sufferings of Christ." Thence in Wackernagel, v. p. 235, Noldeke, 1857, p. 79, and the Unv. L. S., 1851, No. 835. The translations in common use are:— 1. Lord Jesus Christ, my Life, my Light. A very good translation by Miss Winkworth in her Lyra Ger., 2nd Series, 1858, p. 213, st. v., x. being omitted and viii., ix. combined as one stanza. In her Chorale Book for England, 1863, No. 190, she omitted her stanzas v., vi., and united her stanzas iv., vii. as iv. This translation is included more or less abridged in Wilson's Service of Praise, 1865, and in America in the Baptist Hymn Book, Phil, 1871, the Methodist Episcopal Hymnal, 1878/and the Ohio Lutheran Hymnal, 1880, &c. 2. Lord Jesus Christ, my soul's desire. A good and full translation by Dr. John Ker in the Juv. Miss. Mag. of the U. P. Church, May, 1858, p. 25. Stanzas i., iii, v., vii. form No. 49 in the Ibrox Hymnal, 1871. Other translations are:— (l) "Lord Jesu, fountain of my life." by J. C. Jacobi, 1725, p. 52 (1732, p. 195), and repeated in the Moravian hymn books combined in 1826 with J. Cennick's "Though I'm in body full of pain." (2) "Jesu, my light and sure defence," as No. 54 in the Moravian Hymn Book 1742. (3) “O Jesu, life-light of my way," by Miss Warner, 1858 (ed. 1861, p. 176). iii. O Konig aller Ehren. [Epiphany.] Founded on St. Matthew ii., and first published 1606 as above, in 6 stanzas of 8 lines. Thence in Wackernagel, v. p. 210, Noldeke, 1857, p. 31, and the Unv. Leidersegen, 1851, No. 79. The translations in common use are:— 1. O King of Glory, David's Son. A double C. M. version of stanzas i., ii., v., vi. by Miss Winkworth in her Lyra Germanica, 2nd Series, 1858, p. 20, and thence in Dr. Pagenstecher's Collection, 1864, No. 33. Her 2nd translation:— 2. O Jesu, King of Glory, No. 37 in her Chorale Book for England, 1863, is the above version rewritten to the original metre. In the Ohio Lutheran Hymnal, 1880, No. 54, with translation of st. iii., iv. added. iv. Das wait Gott Vater und Gott Sohn. [Morning Prayer.] First published 1608 as above, in 11 st., and thence in Wackernagel, v. p. 215, in Noldeke, 1857, p. 51. Translated as "O God Almighty, Father, Son," by H. J. Buckoll, 1842, p. 15. -John Julian, Dictionary of Hymnology (1907)