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P. H. Brown

1783 - 1861 Person Name: Mrs. Phoebe H. Brown Author of "I Love to Steal Awhile Away" in Gloria Deo Brown, Phoebe, née Hinsdale. A member of the Congregational body, born at Canaan, Columbia County, New York, May 1, 1783, she was left an orphan when two years old. At nine she fell into the hands of a relative who kept a county gaol. These, says her son, "were years of intense and cruel suffering. The tale of her early life which she has left her children is a narrative of such deprivations, cruel treatment, and toil, as it breaks my heart to read." Escaping from this bondage at 18, she was sought by kind people, and sent for three months to a common school at Claverack, N.Y., where she learned to write, and made profession of faith in Christ. In 1805 she was married to Timothy H. Brown, a painter, and subsequently lived at East Windsor and Ellington, Connecticut, Monison, Mass., and at Marshall, Henry County, Illinois. She died at the last-named place, Oct 10, 1861. Most of her hymns were written at Monison, Mass. Through a life of poverty and trial she was "a most devoted mother, wife, and Christian." Her son, the Rev. S. R. Brown, D.D. became the first American Missionary to Japan, and two of her grandchildren are now in the same mission. In addition to her hymns, two or more volumes of prose by her have been published. Her Autobiography and Poems were being prepared for publication, when the editor died, and they are yet to appear. Despite all her disadvantages, Mrs. Brown's talents and work are superior to those of any other early female hymnist of America. It is hoped that her manuscript may some day be competently examined, and selected portions from them be published. Four of her hymns appeared in Nettleton's Village Hymns, 1824, with the signature "B." 1. As once the Saviour took His seat. Penitence. 2. Go, messenger of love, and bear. Missions. 3. I love to steal awhile away. Retirement. 4. Welcome, ye hopeful heirs of heaven. Young Converts. Of these No. 2 is a Missionary hymn, written in 1817, but first published in the Village Hymns, 1824; No. 3 was written in 1818, and few hymns have a more pathetic history. It is this:— Mrs. Brown was living at Ellington with "four little children, in a small unfinished house, a sick sister in the only finished room, and not a place above or below where I could retire for devotion." Not far off stood the finest house in the neighbourhood, with a large garden. To-wards this the poor woman used to bend her steps at dusk, loving, as she writes, “to smell the fragrance of fruits and flowers, though I could not see them," and commune with Nature and God. This she did, never dreaming that she was intruding, her habits watched, or her motives misconstrued, till one day the lady of the mansion turned rudely upon her with "Mrs. Brown, why do you come up at evening so near our house, and then go back without coming in? If you want anything, why don't you come in and ask for it?" Mrs. B. adds, "There was something in her manner more than her words, that grieved me. I went home, and that evening was left alone. After my children were all in bed, except my baby, I sat down in the kitchen with my child in my arms, when the grief of my heart burst forth in a flood of tears. I took pen and paper, and gave vent to my oppressed heart." The Poem then written is headed "An Apology for my Twilight Rambles, addressed to a Lady, Aug. 1818.” The original has nine stanzas, the second beginning “I love to steal awhile away.” Years after, when Nettleton was seeking original matter for his Village Hymns (1824), this piece was abridged and altered into the present familiar form, either by Mrs. Brown herself, her pastor (Mr. Hyde), or Nettleton. Its popularity was great from the first. In 1853 it was included in the Leeds Hymn Book, and thus became known to English collections. It is found in Lyra Sacra Americana, p. 29. In 1819 Mrs. Brown wrote two hymns which were strangely overlooked by Nettleton, and did not appear till 1831 in Hastings's Spiritual Songs. These are:— 5. How sweet the melting lay. Morning. 6. 0 Lord, Thy work revive. For a Revival. Both are found in Lyra Sacra Americana, pp. 28-30. No. 6 was altered by the author for Nason's Congregational Hymn Book, 1857. This, according to Nason, is her authorized text. It is widely used in America, and is also found in a few English collections, including Reed's Hymn Book and the New Congregational Hymn Book, and sometimes is attributed in error to Hastings. 7. Great God, we would to Thee make known. This appeared in the Mother's Hymn Book, 1834. 8. We come, 0 Lord, before Thy throne. For Sailors. 9. Grant the abundance of the sea. For Sailors. Two hymns for sailors, which appeared in Linsley and Davis's Select Hymns, 1836. 10. Assembled at [round] Thine altar, Lord. Holy Communion. This also appeared in the Select Hymns, 1836, and was altered for Nason's Congregational Hymn Book, 1857. It is a good hymn, and deserves wider adoption. 11. Jesus, this mid-day hour. Noon. "Written by special request for the Fulton Street [Noon] Prayer Meeting," about 1857. In addition to the foregoing there are four hymns by her in Parish Hymns (Phila.), 1843, to which they were contributed; and there may be many others in various collections which are uncredited. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Enrique Turrall

1867 - 1953 Translator of "¿Soy yo soldado de Jesús?" in Himnos de la Iglesia Enrique S. Turrall worked in Spain. He saw a need for hymns that expressed life's emotional experiences. He wrote and translated hymns for funerals, weddings and other special occasions. Dianne Shapiro from Celebremos su Gloria (Colombia/Illinois: Libros Alianza/Celebration), 1992

Edwin Paxton Hood

1820 - 1885 Person Name: E. Paxton Hood Author of "I Love to Think, Though I Am Young" in Select Songs for the Singing Service Hood, Edwin Paxton, was born in Half-moon Street, London, Oct. 24, 1820. He was self-educated. In 1852 he became the Independent Minister at Nibley, Gloucestershire, where lie remained until 1857, when he removed to Offord Road, London. He held several charges (Brighton, Manchester, &c), the last being Falcon Square, London. He died in Paris, June 12, 1885. Mr. Hood was a striking and suggestive preacher, and one of the most voluminous writers of the age. His published works, including The Age and its Architects, 1862; Exposition of Swedenborg, 1854; Lamps of the Temple, 1856; Thomas Carlyle, 1875; Oliver Cromwell, 1882, &c, are too numerous to give in detail. He also edited (and was the chief contributor to) The Eclectic Review for 8 years, and The Preacher's Lantern for 2 years. As a hymn-writer he is best known as the author of hymns for children. These hymns have a freshness and simplicity which are attractive to children. Some of the best and most popular were written for Sunday School Anniversaries at Nibley, 1852-7. He also edited:- (1) Our Hymn Book (a similar title, but a distinct work from Mr. Spurgeon's Collection). This was published specially for the use of his own congregations, and was enlarged from time to time. 1st ed. Brighton, 1862, enlarged 1868, 1873, and 1879. The last ed. contains 47 of his hymns. (2) The Children's Choir, 1870. His hymns in common use outside of his own collections are:— 1. Angel of God, thy wings expanded. Missions. In his Our Hymn Book, 1862. 2. Bride of the Lamb, sweet spices bring. Easter. In his Our Hymn Book, 1862. 3. Earth in beauty smiles again. Summer (1852-57). 4. God, Who hath made the daisies. Early Piety (1852-57). 5. Heart-broken and weary, where'er thou may'st be. Christ's Invitation. First published at the end of the first sermon in his Dark Sayings on a Harp, 1865, and then in his Our Hymn Book, 1879. 6. I hear a sweet voice ringing clear. Divine Protection (1862). 7. I love to think, though I am young. Jesus the Holy Child. 8. 0 Jesus, Saviour, we are young. Child's Prayer for Guidance (1852-57). 9. Rest remaineth, 0 how sweet. Heaven our Rest. In his Our Hymn Book, 1862. A pathetic hymn sung at his funeral. 10. Saviour and Master, these sayings of Thine. The Sand and the Rock. Written at the Portland Breakwater, in the winter of 1858-59, and first published in his first volume of Sermons, 1860, at the close of that on "The Sand and the Rock." He says, “I walked the other day over the Great Breakwater at Portland, and there, whilst the rain descended and the floods came I thought and wrote out these verses." The hymn is in his Our Hymn Book, 1879, Horder's Congregational Hymnal, 1884, &c. It has also been printed on a fly-leaf for use in Portland Prison. 11. Sing a hymn to Jesus when the heart is faint. Consecration of Self to Jesus. Suggested by a tune heard at Vespers in Fontainbleau Church, and first published in Bye Path Meadow, 1870, and again in Our Hymn Book, 1879. 12. Sweet hallelujahs! The birds and the blossoms. Universal Praise. Written for the S. S. Anniversary, Offord Road Chapel, 1860, and published in Our Hymn Book. 13. Teach me, O Lord, where'er I move. God's Presence desired. (1852-57) 14. There is a word I fain would speak. Redemption. Written for Sunday School Anniversary at Offord Road Chapel, 1858, and published in Our Hymn Book, 1862. 15. There's a beautiful land where the rains never beat. Heaven. (1852-57.) In his Children's Choir, 1870. &c. 16. Unless the Lord the city keep. God the Pastor's Strength. Written at the request of the Deacons of Offord Road Chapel, for the Recognition Service of the Rev. J. C. Jones. In his Our Hymn Book, No. 317. 17. We love the good old Bible. Holy Scripture. (1852-57.) Given in several collections. The most popular of these hymns are Nos. 4 and 7. Nos. 3, 4, 5, 6, 7, 8, 11, 16, 17 are from the Children's Choir, 1870. These are in numerous collections. [Rev. W. Garrett Horder] -- John Julian, Dictionary of Hymnology

Thomas Gibbons

1720 - 1785 Person Name: Rev. Thomas Gibbons (1720-1785) Author of "The Gospel for all Nations" in Many Voices; or, Carmina Sanctorum, Evangelistic Edition with Tunes Gibbons, Thomas, was born at Beak, near Newmarket, May 31, 1720; educated by Dr. Taylor, at Deptford; ordained in 1742, as assistant to the Rev. Mr. Bures, at Silver Street Chapel, London; and in 1743 became minister of the Independent Church, at Haberdashers' Hall, where he remained till his death, Feb. 22, 1785. In addition to his ministerial office he became, in 1754, tutor of the Dissenting Academy at Mile End, London; and, in 1759, Sunday evening lecturer at Monkwell Street. In 1760 the College at New Jersey, U.S., gave him the degree of M.A. and in 1764 that of Aberdeen the degree of D.D. His prose works were (1) Calvinism and Nonconformity defended, 1740; (2) Sermons on various subjects, 1762; (3) Rhetoric, 1767; (4) Female Worthies, 2 vols., 1777. Three volumes of sermons were published after his death. His poetical works were:— (1) Juvenilia; Poems on various subjects of Devotion and Virtue, 1750, was published by subscription. Among the subscribers is found the name of the Rev. Mr. George Whitefield, B.A. It was dedicated to the Countess of Huntingdon, and bears her coat of arms. In this volume are included versions of six of the Psalms, and a few hymns. (2) Hymns adapted to Divine wor¬ship in two books. Book I. Derived from select passages of Holy Scriptures. Book II., Written on sacred subjects and particular occasions, partly collected front various authors, but principally composed by Thomas Gibbons, D.D., 1769. (3) Hymns adapted to Divine worship in two books. Book I. Derived from select passages of the Holy Scriptures. Book II. Written on sacred subjects and particular occasions by Thomas Gibbons, D.D., 1784. (4) The Sermons, published in 1762, included fifteen hymns, one being appended to each sermon. (5) The Christian Minister in three poetical epistles to Philander, 1772. This volume included (i.) Poetical versions of several parts of Scripture, (ii.) Translations of poems from Greek and Latin writers, (iii.) Original pieces on various occasions. (6) An English version of the Latin Epitaphs on the Nonconformist's Memorial, with a poem to the memory of the 2000 ministers ejected in 1662, 1775. (7) Select Portions of Scripture, and Remarkable Occurrences, versified for the Instruction and entertainment of Youth of both Sexes, 1781. Reprinted in America, 1805. Dr. Gibbons may be called a disciple in hymnwriting of Dr. Watts, whose life he wrote. His hymns are not unlike those of the second rank of Watts. He lacked "the vision and faculty divine," which gives life to hymns and renders them of permanent value. Hence, although several are common use in America, they are dying out of use in Great Britain. The most popular are, "Now let our souls on wings sublime"; "Great God, the nations of the earth"; "Thy goodness, Lord, our souls confess"; "To Thee, my God, whose presence fills." [Rev. W. Garrett Horder] The less important of Dr. Gibbons's hymns, which are still in common use are:— 1. And be it so that till this hour. Hope. This is No. 50 in Book ii. of his Hymns adapted to Divine Worship, &c, 1769, in 5 stanzas of 4 lines, and headed, "Encouragement against Despair; or, Hope still set before us." Originally a Sacramental hymn in Rippon's Selections, 1787, No 230, it was altered to a general hymn, with special reference to "Hope." 2. Assist us, Lord, Thy Name to praise. Life, a race. In Rippon's Baptist Selections, 1787, No. 326, in 4 stanzas of 4 lines. 3. Eternal life, how sweet the sound. Eternal Life. This is one of three hymns on Titus iii. 7, in his Hymns adapted to Divine Worship, &c, 1784, Book i., No. 156, in 5 stanzas of 4 lines. In the American Dutch Reformed Hymns of the Church, 1869, No. 843 begins with st. ii., "Eternal life, how will it reign?" 4. Father, is not Thy promise pledged? Missions. This is Pt. iii.of his hymn, "Great God, the nations of the earth" (q. v.). 5. Forgiveness, 'tis a joyful sound. Pardon. From his Hymns adapted to Divine Worship, &c, 1769. Book i., No. 69, in 5 stanzas of 4 lines into several modern collections in Great Britain and America. It is based on St. Luke, vii. 47. 6. From winter's barren clods. [Spring.] Appeared in his Hymns, &c, 1784, Book ii., No. 27, in 5 stanzas of 4 lines, and headed, "The Return of the Spring celebrated in the Powerful and Gracious Work of God." In 1787 it was repeated anonymously in Rippon's Baptist Selections, No. 499. The hymn, "Great God, at Thy command, Seasons in order rise," begins with st. iii. of this hymn. 7. Happy the men in ancient days. Public Worship. In his Hymns adapted to Public Worship, &c, 1784. 8. On Zion, his most holy mount. Gospel Feast. From his Hymns adapted for Divine Worship, &c, 1769, Book i., No. 35, in 6 stanzas of 4 lines. It was originally a Sacramental hymn, but in its abbreviated form, as in use in America, that element is eliminated. 9. Our Father, high enthroned above. Lord's Prayer. Appeared in the Bristol Baptist Collection of Ash & Evans, 1769, No. 41, in 9 stanzas of 4 lines. In 1772 it was reprinted in a revised form, and with an additional stanza, in Gibbons's Christian Minister, p. 74. 10. Thy goodness, Lord, our souls confess. Providence and Grace. Appeared in the Gospel Magazine, 1775, and in his Hymns adapted to Divine Worship, &c, 1784, Bk. ii., No. 11, in 7 stanzas of 4 lines. In Dobell's Selections, 1806, st. i.-iv., and vi. were given with alterations, which were not improvements, as No. 9. This arrangement is repeated in modern hymnbooks, including the Baptist Hymnal, 1879, and others. 11. When Jesus dwelt in mortal clay. Jesus our Example. From his Hymns adapted to Divine Worship, &c, 1784, Book i., No. 128, in 9 stanzas of 4 lines into a few American collections, including the Baptist Praise Book, 1871. The more important of Dr. Gibbons's hymns are annotated under their respective first lines. [William T. Brooke] -- John Julian, Dictionary of Hymnology (1907) ====================== Gibbons, Thomas, p. 420, i. From his Hymns, &c, of 1784, are also in common use:— 1. Lord God, omnipotent to bless. Divine Help desired. 2. Now may the God of peace and love. Close of Service. (1769. Pt. i.) 3. O what stupendous mercy shines. Benevolence. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

John Cawood

1775 - 1852 Person Name: J. Cawood Author of "Almighty God, Thy word is cast" in Augsburg Songs No. 2 John Cawood was born in 1775, at Matlock, Derbyshire, where his father carried on a small farm. He enjoyed very limited educational advantages. At the age of eighteen he occupied a menial position. But seeking every opportunity of self improvement, and aided by those who interested themselves in his behalf, he was enabled in 1797 to enter S. Edmund Hall, Oxford, and obtained his B.A. in 1801, and his M.A. in 1807. He was ordained in 1801, and most of his life in the ministry was spent as perpetual Curate of S. Ann's Chapel of Ease, Bewdley, Worcestershire. He died in 1852. He published several prose works, but no volume of hymns or poems. His son says, "My father composed about thirteen hymns, which have one by one got into print, though never published by himself, or any one representing him." --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ======================= Cawood, John, M. A., born at Matlock, Derbyshire, March 18, 1775. His parents being in humble circumstances, he received in childhood but a limited education, and at 18 was engaged in the service of the Rev. Mr. Cursham, Sutton-in-Ashfield, Notts. Three years' study, however, under careful direction, enabled him to enter St. Edmund Hall, Oxford, in 1797. Obtaining his degree in 1801, he took Holy Orders, and became successively Curate of Ribsford and Dowles, and Incumbent of St. Ann's Chapel of Ease, Bewdley, Worcestershire. He died Nov. 7, 1852. His hymns, 17 in all, were never published by himself. Of these 9 were included in Cotterill's Selection, 8th ed., 1819, Nos. 268-276. Most of these have passed into other collections. These are :— 1. Almighty God, Thy word is cast. After a Sermon. 2. Hark! what mean those holy voices? (1819.) Christmas. 3. Begin a joyful song. (1819.) Christmas. 4. Behold yon wondrous star. (1819.) Epiphany. 5. Trembling with tenderest alarms. (1816.) Finding of Moses. 6. In Israel's fane, by silent night. (1816.) Samuel. 7. King o'er all worlds the Saviour shone. (1819.) Good Friday. 8. Christians, the glorious hope ye know. (1819.1 Plea for Missions. 9. Hark! what mean those lamentations. (1819.) Missions. In addition, Dr. Rogers pub. in his Lyra Britannica, 1867, from the author's manuscript:— 10. A child of sin and wrath I'm born. (1820.) Infant's Prayer. 11. The Sou of God, in worlds on high. (1822.) Christ's Humility. 12. Blessed Father, Great Creator. (1837.) Holy Trinity. These details are from the S. MSS., amongst which there are 5 hymns yet unpublished. --John Julian, Dictionary of Hymnology (1907)

Ralph Harrison

1748 - 1810 Arranger of "ARLINGTON" in Trinity Hymnal (Rev. ed.)

Wilhelm Hey

1789 - 1854 Person Name: Wilh. Hey Author of "Christ! wenn die Armen manchesmal" in Gesangbuch der Evangelischen Gemeinschaft Hey, Johann Wilhelm, son of H. A. Hey, pastor at Leina, near Gotha, was born at Leina, March 26, 1789. He studied at the Universities of Jena and Göttingen, became in 1811 licentiate in theology, and, after varied tutorial work, was appointed in 1818 pastor at Töttelstadt, near Gotha. In 1827 he became court preacher at Gotha, where his preaching attracted large audiences, but being regarded as a Pietist, was in 1832 appointed superintendent of Ichtershausen. He died at Ichtershausen, May 19, 1854 (Koch, vii. 262-266; Allgemeine Deutsche Biographie, xii. 344-345; MS. from Pfarrer Ortlob of Leina). Hey's poems were mostly written for children. The best known are his Fabeln für Kinder, with illustrations by Otto Speckter, of which the first fifty appeared at Hamburg, 1833, the second fifty in 1837. Since then they have passed through a large number of editions in German, and have been several times translated into English. At the end of each series is a "Serious Appendix," containing religious and moral songs. The whole of these two Appendices have been translated into English as Hymns and Poems for Little Children. Translated from the German. London, 1853. Also in the Fifty Fables, 1867, and Other Fifty Fables, 1869, translated by Sophie Klingemann, and published by F. A. Perthes at Gotha. Very few of Hey's hymns are suited for Church use. Those which we have to note are:— I. Hymns for Church Use. i. Wenn auch vor deiner Thür eimnal. Christian Charity. First published in Knapp's Christoterpe, 1835, p. 68, in 9 stanzas of 4 lines, as the fifth hymn of a series on the words "Behold I stand at the door and knock," Rev. iii. 20. In Knapp's Evangelischer Lieder-Schatz, 1837, No. 2412 (1865, No. 2146), it was altered to "Christ! wenn die Armen manchesmal," and this form passed into the Württemberg Gesang-Buch 1842, and other recent collections. The only translation is, "Ah, Christian! if the needy poor," by Mrs. Findlater, in Hymns from the Land of Luther, 3rd Ser, 1858, p. 30 (1884, p. 152). ii. Wenn je du wieder zagst. Passiontide. On Christ in the Garden of Gethsemane. First published in Severin Vater's Jahrbuch für häusliche Andacht, Gotha, 1824, p. 173, as No. 9 of the "Reminiscences of the sufferings of Jesus; for the Quiet Days of the week before Easter," in 9 stanzas of 8 lines, with the motto "Not my will, but Thine be done." Included in Bunsen's Versuch, 1833; Knapp's Evangelischer Lieder-Schatz, 1850 and 1865, &c. Translated as:— Whene'er again thou sinkest. A good and full translation by Miss Winkworth in her Lyra Germanica, 2nd Ser., 1858, p. 26, and repeated, abridged, in Psalms & Hymns, Bedford, 1864, and in Holy Song, 1869. II. Hymns for Children. All those to be noted appeared in the Appendix to the 2nd Series of his Fabeln für Kinder, Hamburg, 1837. iii. Alle Jahre wieder, kommt das Christus Kind. Christmas. 1837, p. 31, in 3 st. The translations are: (1) "The blessed feast of Christmas," in Hymns & Poems, 1853, p. 81. (2) "Every year that endeth," by Sophie Klingemann, 1869, p. 31. (3) "As each happy Christmas," by Mrs. H. K. Spaeth, as No. 33 in the Little Children's Book, Philadelphia, 1885. iv. Aus dem Himmel ferne. God our Father. 1837, p. 7, in 4 stanzas. The translations are: (1) "From the glorious heav'n above," in Hymns & Poems, 1853, p. 49. (2) "From the glorious heaven," by Mrs. Sevan, 1859, p. 139. (3) “From the angels' dwelling," in Dr. F. Silcher's Song Book for the Young, Nelson, 1868, No. 1. (4) "From His heaven above," by Sophie Klingemann, 1869, p. 7. (5) "From the far blue heaven," as No. 676, in the Tribute of Praise, Boston, U.S., 1873. v. Glöcklein klingt, Vöglein singt. Thanksgiving. 1837, p. 17 (in the ed. 1886, n.d., as part of Sonnentchein, Sternelein),in 5 stanzas. The translations are: (1) "The bells they ring, The birds they sing," in Hymns & Poems, 1853, p. 63. (2) "Bells do ring, birds do sing," in Silcher's Song Book, 1868, No. 9. (3) "Bells are ringing, Birds are singing," by Sophie Klingemann, 1869, p. 17. (4) "Church bells ring," by Mrs. H. R. Spaeth, in Little Children's Book 1885, No. 72. vi. Weisst du wie viel Sternlein stehen. God's care of His creatures. 1837, p. 20, in 3 stanzas. The translations are: (1) "Canst thou sum up each brilliant star." In Hymns & Poems, 1853, p. 67. (2) "How many stars are shining," by Mrs. Bevan, 1859, p. 144. (3) "Can you tell the countless number," by Sophie Klingemann, 1869, p. 20. (4) "Canst thou count the stars that twinkle," in the Rev. C. S. Bere's Children's Choral Book, 1869, p. 4, repeated as No. 425 in the Universal Hymn Book,1885. vii. Wen Jesus liebt Der kann allein. Love of Christ. 1837, p. 37, in 4 stanzas. The translations are: (1) "They who love Jesus alone can be gay," in Hymns & Poems, 1853, p. 90. (2) "The love of Christ makes ever glad," by Sophie Klingemann, 1869, p. 37. (3) "Whom Jesus loves," by Mrs. H. R. Spaeth, in Service & Hymns for Sunday Schools (Southern Lutheran), Philadelphia, 1883, p. 178. (4) "Whom Christ holds dear," by Prof. M. H. Richards, as No. 98 in the Little Children's Book, Philadelphia, 1885. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Edwin F. Hatfield

1807 - 1883 Author of "Tis thine alone, almighty Name" in The Christian Church Hymnal Hatfield, Edwin Francis, D.D., was born at Elizabethtown, New Jersey, Jan. 9, 1807, and educated at Middlcbury College, Vermont, and at Andover. From 1832 to 1835 he was pastor of the 2nd Presbyterian Church, St. Louis. In 1835 he removed to New York, where he was at first pastor of 7th Presbyterian Church, and then of the North Presbyterian Church (1856-63) in the same city; and in 1864 he was appointed special agent to the Union Theological Seminary, New York. He also held from 1846 the appointment of Stated Clerk of the Presbyterian General Assembly. He died at Summit, New Jersey, Sept. 22, 1883. His hymnological knowledge was extensive. His publications include:— (1) Freedom's Lyre; or, Psalms, Hymns, and Sacred Songs, for the Slave and his Friends, N. Y., 1840, to which he contributed 24 hymns under the signature of “E. F. H."; (2) The Church Hymn Book for the Worship of God, N. Y., 18t2, in which are 10 of his hymns; and (3) Chapel Hymns, N. Y., 1873. (4) The Poets of the Church. Biographical Sketches of Hymn Writers, with Notes on their Hymns, New York, 1884. This was a posthumous publication, and is far from being accurate. His hymns and psalm versions in common use include:— 1. Come, bless Jehovah's name. (1837.) Psalms 134. 2. Come, let us gladly sing. (1837.) Psalms 95. 3. Hallelujah, praise the Lord. (1837.) Psalms 150. 4. How perfect is Thy law. (1837.) Psalms 19. 5. How sweetly breaks the Sabbath dawn. (1840.) Sunday. 6. My Shepherd's name is love. (1837.) Psalms 23. 7. 0 sing hallelujah, praise ye the Lord. (1837.) Psalms 146. 8. Thee, Thee, we praise, 0 God, and now. (1871.) A paraphrase of the Te Deum. 9. 'Tis Thine alone, Almighty Name. (1872.) Temperance. 10. Why, 0 God, Thy people spurn! (1837.) Psalms 60. 11. To God the Father, Son. Doxology. In Freedom's Lyre, 1840. It is widely used. These hymns and psalm versions are all in his Church Hymn Book, 1872, and the dates appended above are from that collection. No. 10 was published in his Freedom's Lyre, 1810, No. 25. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology

Henry Alline

1748 - 1784 Author of "Amazing sight, the Savior stands" in The National Baptist Hymnal Alline, Henry. (Newport, Rhode Island, January 14, 1748--January 28, 1784, Northampton, New Hampshire). Congregationalist/"New Light". In 1760 his family took up land near Hampden, Nova Scotia, far from any school or church; hence the spiritual experience which, in 1775, impelled him to begin preaching found him with the drive and magnetism, but without the solid grounding, of a Wesley or a Whitefield. His stress on the "new light," and the revival meetings which he conducted all over Nova Scotia had no connection with the American Revolution beyond coincidence in time; yet that was enough to alarm the authorities. He had sermons, tracts, and probably sheets of hymns printed at Halifax before the peace treaty of 1783 allowed him to cross the newly-drawn boundary safely; but tuberculosis felled him before he could go far. Rev. David McClure, in whose house he died, extracted verses from his manuscripts and published them (Boston, 1786) as Hymns and Spiritual Songs. These were used by Alline's Nova Scotia converts while, and after, they drifted into the Baptist orbit, as well as by the converts his associates went on to make in the United States, who eventually emerged as the Free-Will Baptists. See: Bumsted, J.M. (1971). Henry Alline, 1748-1784. --Hugh D. McKellar, DNAH Archives ============================================ Alline, Henry [Allen], born at Newport, R. I., June 14, 1748, was some time a minister at Falmouth, Nova Scotia, and died at North Hill, N.S., Feb. 7, 1784. Alline, whose name is sometimes spelt Alten, is said to have founded a sect of “Allenites," who maintained that Adam and Eve before the fall had no corporeal bodies, and denied the resurrection of the body. These peculiar views may have a place in his prose works, but they cannot be traced in his 487 Hymns and Spiritual Songs, in five books, of which the 3rd ed., now rare, was published at Dover and Boston, U.S.A., 1797, and another at Stoningtonport, Conn., 1802. Of these hymns 37 are found in Smith and Jones's Hymns for the Use of Christians, 1805, and some in later books of that body. The best of these hymns, "Amazing sight, the Saviour stands," from the first edition of Hymns and Spiritual Songs (1790?), is preserved in Hatfield's Church Hymn Book, 1872, No. 569, where it is given anonymously from Nettleton's Village Hymns, also in the Baptist Praise Book, and others. Alline's hymns are unknown to the English collections. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907) ========================

William Channing Gannett

1840 - 1923 Author of "From heart to heart, from creed to creed" in Services for Congregational Worship. The New Hymn and Tune Book Gannett, William Channing, M.A., s. of Dr. Ezra Stiles Gannett, was b. at Boston, March 13, 1840, and educated at Harvard College, 1860, and the Divinity School, Cambridge. Entered the Unitarian Ministry in 1868, and after filling several pastorates he became Pastor of the Unitarian Church at Rochester, N.Y., 1889. Mr. Gannett's hymns, mainly written for special occasions, were included in great part in The Thought of God in Hymns and Poems, Boston, 1st Series 1885,2nd Series 1894, the combined production of F. L. Hosmer (q.v.) and himself. Of Mr. Gannett's hymns the following are in common use:— 1. Bring, 0 morn, thy music [God Everlasting.] Written in 1893, and printed in A Chorus of Faith, being an account and resume of the Parliament of Religions, held in Chicago, 1893. Included in The Thought of God, 2nd Series, 1894, and again in several hymnals. 2. Clear in memory's silent reaches. [Memory.] Written in 1877 for a Free Religious Assoc. Festival, and published in The Thought of God, 1st Series, 1885. 3. Prom heart to heart, from creed to creed. [Faith.] Written in 1875 for the 150th anniversary of the First Religious Society in Newburyport, and given in The Thought of God, 1ist Series, 1885. Usually st. ii. is omitted. 4. He hides within the lily. [Divine Providence.] "Consider the lilies, how they grow." Written in 1873, and printed for use at the Free Religious Assoc. Festival, May 30th, 1873. Published in The Thought of God, &c, 1st Series, 1885, in 4 stanzas of 8 lines. The most widely used of the author's hymns. 5. I hear it often in the dark. [The Voice of God.] Written at Milwaukee, in 1870, and published in The Thought of God, &c, 1st Series, 1885. Sometimes it begins with st. iii., "0 God within, so close to me," as in Hymns for Church and Home, Boston, 1895. 6. Praise to God and thanksgiving. [ Harvest.] Written in 1872 for a Harvest Festival at St. Paul's, Minn., of which he was then Pastor, and included in The Thought of God &c, 1st Series, 1885. in the Boston Pilgrim Hymnal, 1904, it begins "Praise to God, and thanks we bring." 7. Sleep, my little Jesus. [ Christmas Carol.] Written for the Sunday School, St. Paul's, Minn., in 1882, and given in The Thought of God, 2nd Series, 1894, as "Mary's Manger Song." 8. The Lord is in His holy place. [Dedication of a Place of Worship.] Written for the Dedication of the Rev. C. W. Wendte's Church, Chicago, April 24, 1873, and pub. in The Thought of God, &c, 1st Series, 1885. It is one of the most popular and widely used of the author's hymns. 9. The morning hangs its signal. [Morning.] This is dated by the author "Chicago, July 30, 1886," and printed in Love to God and Love to Man, being No. 28 ot the Chicago "Unity Mission" series of hymns (N.D.). Also included in The Thought of God, &c, 2nd Series, 1894. Although in some sense a Morning hymn, it is adapted for use in Advent. It is usually known as “The Crowning Day." 10. The Truth is the Voice of God. In the "Unity Mission" Series, No. 28 (see above), this is given as No. 33, with the title "Truth and Righteousness and Love," in 4 stanzas of 4 lines and a refrain of 4 lines. These annotations are based upon manuscript notes kindly supplied by the author. The use made of Mr. Gannett's hymns shows that their poetic beauty and loving sympathy with all things beautiful and pure, are widely appreciated in America and to a limited extent in Great Britain also. --John Julian, Dictionary of Hymnology, New Supplement (1907)