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Placide Cappeau

1808 - 1877 Scripture: Luke 2:8-11 Author of "Oh, Holy Night" in Timeless Truths Placide Cappeau France 1808-1877. Born at 8 p.m. On 10/25/1808, the son of a cooper. He may have followed in his father's business, but when eight years old, a playmate accidentally shot him in the hand with a gun he was playing with, and the hand had to be amputated. He followed an academic career instead. The shooter's father paid for half his education, and he was able to attend town school and the College Royal d'Avignon. Despite his handicap, he was awarded a first prize in drawing there. He studied literature in Nimes, and law in Paris, and was licensed to practice law in 1831. Instead, he became a merchant of wines and spirits, but his focus was really on literature. A parish priest, Father Petitjean, in Cappeau's community, asked him to write a Christmas poem to celebrate the renovation of their organ, and he agreed to do it, despite being an avowed atheist and vocal anti-cleric. He researched the book of Luke and wrote the hyrics to “O Holy night”. An opera singer, Emily Laurie, saw the text and asked a Jewish friend of hers to compose music for it, which he, remarkably, did. She sung it at a midnight mass three weeks later, and parishoners raved, but when Catholic church leaders found out it was written by an atheist, they banned it. However, its popularity only grew. Cappeau authored 5 works, the last published in 1876. He was mayor of the town, Roquemaure, and he died there. A side story: In 1906 Reginald Fessenden, a 33 year-old university professor and former chief chemist for Thomas Edison, did something thought impossible. Using a new type of generator, he spoke into a microphone and for the first time in history a voice was broadcast over the airwaves. And he read, from the book of Luke, “And it came to pass in those days, that a decree went out from Ceasar Augustus that all the world should be taxed.” He began, in a clear strong voice. Shocked radio operators on ships and wireless owners at newspapers, used to Morse code heard over tiny speakers, were interrupted by a speaking voice reading Luke and had no idea where it came from. When the professor finished his reading, he picked up his violin and played “O Holy Night”.. the first song ever played over the air waves in the whole world. Imagine the surprise of listeners everywhere, never suspecting such a thing was possible. John Perry

G. B. H.

Scripture: Luke 2:8-11 Arranger of "[Oh, holy night, the stars are brightly shining]" in Timeless Truths

William Hurn

1754 - 1829 Person Name: Hurn Scripture: Luke 2:13 Author of "Christmas Song" in The Christian Sunday School Hymnal Hurn, William, born at Breccles Hall, Norfolk, Dec. 21, 1754. His education was superior, enabling him, in 1777 to take the post of classical tutor in the Free Grammar School, Dedham, Essex. In 1779 he entered the army, but resigning his commission in 1780, he was ordained by Bishop Young of Norwich, in 1781. After holding various curacies, including Beighton Broome, Stowmarket, &c, he was presented in 1790 to the Vicarage of Debenham, Suffolk. In October, 1822, he resigned his Vicarage, and in April, 1823, undertook the pastorate of the Congregational chapel at Woodbridge, in the same county. This he retained to his death, Oct. 9, 1829. His poetical works included:— (1) Health Hill, a descriptive poem, 1777; (2) Blessings of Peace, a Lyric Poem, 1784; (3) Laughter in Death, appended to Preparation for Death (a Sermon), 1792; and (4) Psalms & Hymns, the greater part original; and the selected compositions altered with a view to purity of Doctrine and General Usefulness. By W. Hurn, Vicar of Debenham. Ipswich, J. Raw, 1813. This contained 417 hymns, and a doxology. Of these 264 were by Hurn. After seceding from the Church of England this collection was enlarged and published as Hymns and Spiritual Songs, with Metrical Versions from the Psalms: designed to teach the Christian Doctrine according to the Analogy of Scripture, by combining Knowledge and Practice, or the Duties with the Principles of the Gospel. Woodbridge, 1824. This contained 420 of his hymns. From the first edition of Hurn's collection the following hymns are in common use:— 1. Angels rejoiced and sweetly sung. Christmas. 2. Rise, gracious God, and shine. Missions. Altered in the Salisbury Hymn Book, 1857, to "Arise, O Lord, aud shine." 3. The God of truth His Church has blest. God's love of the Church. A biographical notice of Hurn was given in the Evangelical Magazine, 1829, and his Brief Memorials were published in 1831. --John Julian, Dictionary of Hymnology (1907)

S. B. Ellenberger

1831 - 1899 Scripture: Luke 2:13 Composer of "[Angels rejoiced and sweetly sung]" in The Christian Sunday School Hymnal

Martin A. Seltz

b. 1951 Scripture: Luke 2:1-20 Translator (stanzas 3, 4) of "Savior of the Nations, Come!" in Voices Together

Johann Walter

1496 - 1570 Person Name: Johann Walther Scripture: Luke 2:1-20 Arranger of "NUN KOMM, DER HEIDEN HEILAND" in Moravian Book of Worship Johann Walther (b. Kahla, Thuringia, Germany, 1496: d. Torgau, Germany, 1570) was one of the great early influences in Lutheran church music. At first he seemed destined to be primarily a court musician. A singer in the choir of the Elector of Saxony in the Torgau court in 1521, he became the court's music director in 1525. After the court orchestra was disbanded in 1530 and reconstituted by the town, Walther became cantor at the local school in 1534 and directed the music in several churches. He served the Elector of Saxony at the Dresden court from 1548 to 1554 and then retired in Torgau. Walther met Martin Luther in 1525 and lived with him for three weeks to help in the preparation of Luther's German Mass. In 1524 Walther published the first edition of a collection of German hymns, Geystliche gesangk Buchleyn. This collection and several later hymnals compiled by Walther went through many later editions and made a permanent impact on Lutheran hymnody. Bert Polman ================ Walther, Johann, was born in 1496 at a village near Cola (perhaps Kahla, or else Colleda, near Sachsenburg) in Thuringia. In 1524 we find him at Torgau, as bassist at the court of Friedrich the Wise, Elector of Saxony. The Elector Johann of Saxony made him "Sengermeister" (choirmaster) in 1526. When the Electoral orchestra (Kapelle) at Torgau was disbanded in 1530, it was reconstituted by the town, and in 1534 Walther was also appointed cantor (singing-master) to the school at Torgau. On the accession of the Elector Moritz of Saxony, in 1548, Walther went with him to Dresden as his Kapellmeister. He was pensioned by decree of Aug. 7, 1554, and soon after returned to Torgau, still retaining the title of "Sengermeister." He died at Torgau, perhaps on March 25, or at least before April 24, 1570. (Monatshefte für Musikgeschichte, 1871, p. 8, and 1878, p. 85; Archiv für Litteraturgeschichte, vol. xii., 1884, p. 185; Dr. Otto Taubert's Pflege der Musilz in Torgau, 1868, and his Gymnasial Singe-Chor zu Torgau, n.d., 1870, &c.) Walther was more distinguished as a musician than as a hymnwriter. In 1524 he spent three weeks in Luther's house at Wittenberg, helping to adapt the old church music to the Lutheran services, and harmonising the tunes in five parts for the Geystliche gesangk Bucklyn, published at Wittenberg in 1524. He was also present in the Stadtkirche at Wittenberg, when, on Oct. 29, 1525, the service for the Holy Communion, as rearranged by Luther and himself, was first used in German. His hymns appeared mostly in his Das christlich Kinderlied D. Martini Lutheri, Erhalt uns Herr, &c. Auffs new in sechs Stimmen gesetzt, und rait etlichen schönen Christlichen Texten, Lateinischen und Teutschen Gesengen gemehrt, &c, Wittenberg. Those of Walther's hymns which have passed into English are:— i. Herzlich Lieb hab ich dich, mein Gott. Trinity Sunday. First published in 1566 as above, and thence in Wackernage, iii. p. 204, in 4 stanzas of 8 lines. Translated as:— 0 God, my Rock! my heart on Thee. This is a good translation of stanza i., iii., iv., by A. T. Russell, as No. 133 in his Psalms & Hymns, 1851. ii. Herzlich thut mich erfreuen. Eternal Life. First published separately, in 33 stanzas, at Wittenberg, in 1552, entitled "A beautiful spiritual and Christian new miner's song, of the Last Day and Eternal Life" [Konigsberg Library]. Thence in Wackernagel, iii. p. 187, in 34 stanzas, stanza 33 being added from the Dresden reprint of 1557. It is set to the melody of a popular song on the Joys of Summer. It is a fresh and beautiful hymn, but is only partially available on account of its length. Translated as:— 1. Now fain my joyous heart would sing. This is a translation of stanza 1, 4, 5, 17, 33, 34, by Miss Winkworth, in her Lyra Germanica 2nd Ser., 1858, p. 223. Her translations of stanzas 1, 4, 5, were included in the English Presbyterian Psalms & Hymns, 1867, No. 325. 2. Soon will the heavenly Bridegroom come. This is by Dr. Kennedy, in his Hymn. Christanza, 1863, No. 1009, and follows the text of the Geistliche Lieder omitting stanza 16, 18, 13. It is repeated in the Laudes Domini, N. Y., 1884, &c. 3. The Bridegroom soon will call us. By Dr. M. Loy, from the Geistliche Lieder, but omitting stanzas 18, 13, as No. 24 in the Ohio Lutheran Hymnal, 1880. [Rev. James Mearns, M.A. ] --Excerpts from John Julian, Dictionary of Hymnology (1907)

John Frederick Lampe

1703 - 1751 Person Name: Johann Friedrich Lampe, 1703-1751 Scripture: Luke 2:11 Composer of "DEVONSHIRE" in CPWI Hymnal John Frederick Lampe (born Johann Friedrich Lampe; probably 1703 – 25 July 1751) was a musician. He was born in Saxony, but came to England in 1724 and played the bassoon in opera houses. His wife, Isabella Lampe, was sister-in-law to the composer Thomas Arne with whom Lampe collaborated on a number of concert seasons. John and Isabella's son, Charles John Frederick Lampe, was a successful organist and composer as well. Like Arne, Lampe wrote operatic works in English in defiance of the vogue for Italian opera popularised by George Frideric Handel and Nicola Porpora. Lampe, along with Henry Carey and J. S. Smith, founded the short-lived English Opera Project. He became a friend of Charles Wesley, and wrote several tunes to accompany Wesley's hymns. His works for the stage include the mock operas Pyramus and Thisbe (1745) and The Dragon of Wantley (1734), which ran for 69 nights, a record for the time, surpassing The Beggar's Opera. He was based for a time in Dublin and later in Edinburgh, where he died. --en.wikipedia.org/wiki/ See also in: Wikipedia

Robert Robinson

1735 - 1790 Person Name: Robinson Scripture: Luke 2:13-14 Author of "Brightness of the Father's glory" in The Voice of Praise Robert Robinson was born at Swaffham, Norfolk, in 1735. In 1749, he was apprenticed to a hairdresser, in Crutched Friars, London. Hearing a discourse preached by Whitefield on "The Wrath to Come," in 1752, he was deeply impressed, and after a period of much disquietude, he gave himself to a religious life. His own peculiar account of this change of life is as follows:--"Robertus Michaelis Marineque Robinson filius. Natus Swaffhami, comitatu Norfolciae, Saturni die Sept. 27, 1735. Renatus Sabbati die, Maii 24, 1752, per predicationem potentem Georgii Whitefield. Et gustatis doloribus renovationis duos annos mensesque septem, absolutionem plenam gratuitamque, per sanguinem pretiosum i secula seculorum. Amen." He soon after began to preach, and ministered for some time in connection with the Calvinistic Methodists. He subsequently joined the Independents, but after a short period preferred the Baptist connection. In 1761, he became pastor of a Baptist congregation at Cambridge. About the year 1780, he began to incline towards Unitarianism, and at length his people deemed it essential to procure his resignation. While arrangements for this purpose were in progress he died suddenly at Bingham, in June 1790. He wrote and published a good many works of ability. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ============================= Robinson, Robert, the author of "Come, Thou fount of every blessing," and "Mighty God, while angels bless Thee," was born at Swaffham, in Norfolk, on Sept. 27, 1735 (usually misgiven, spite of his own authority, as Jan. 8), of lowly parentage. Whilst in his eighth year the family migrated to Scarning, in the same county. He lost his father a few years after this removal. His widowed mother was left in sore straits. The universal testimony is that she was a godly woman, and far above her circumstances. Her ambition was to see her son a clergyman of the Church of England, but poverty forbade, and the boy (in his 15th year) was indentured in 1749 to a barber and hairdresser in London. It was an uncongenial position for a bookish and thoughtful lad. His master found him more given to reading than to his profession. Still he appears to have nearly completed his apprenticeship when he was released from his indentures. In 1752 came an epoch-marking event. Out on a frolic one Sunday with like-minded companions, he joined with them in sportively rendering a fortune-telling old woman drunk and incapable, that they might hear and laugh at her predictions concerning them. The poor creature told Robinson that he would live to see his children and grandchildren. This set him a-thinking, and he resolved more than ever to "give himself to reading”. Coincidently he went to hear George Whitefield. The text was St. Matthew iii. 7, and the great evangelist's searching sermon on "the wrath to come" haunted him blessedly. He wrote to the preacher six years later penitently and pathetically. For well nigh three years he walked in darkness and fear, but in his 20th year found "peace by believing." Hidden away on a blank leaf of one of his books is the following record of his spiritual experience, the Latin doubtless having been used to hold it modestly private:— "Robertus, Michaelis Mariseque Robinson filius. Natus Swaffhami, comitatu Norfolciae, Saturni die Sept. 27, 1735. Renatus Sabbati die, Maii 24,1752, per predicationem potentem Georgii Whitefield. Et gustatis doloribus renovationis duos annosque septem absolutionem plenam gratuitamque, per sanguinem pretiosum Jesu Christi, inveni (Tuesday, December 10, 1755) cui sit honor et gloria in secula seculorum. Amen." Robinson remained in London until 1758, attending assiduously on the ministry of Gill, Wesley, and other evangelical preachers. Early in this year he was invited as a Calvinistic Methodist to the oversight of a chapel at Mildenhall, Norfolk. Thence he removed within the year to Norwich, where he was settled over an Independent congregation. In 1759, having been invited by a Baptist Church at Cambridge (afterwards made historically famous by Robert Hall, John Foster, and others) he accepted the call, and preached his first sermon there on Jan. 8, 1759, having been previously baptized by immersion. The "call" was simply "to supply the pulpit," but he soon won such regard and popularity that the congregation again and again requested him to accept the full pastoral charge. This he acceded to in 1761, alter persuading the people to "open communion." In 1770 he commenced his abundant authorship by publishing a translation from Saurin's sermons, afterwards completed. In 1774 appeared his masculine and unanswerable Arcana, or the Principles of the Late Petitioners to Parliament for Relief in the matter of Subscription. In 1776 was published A Plea for the Divinity of our Lord Jesus Christ in a Pastoral Letter to a Congregation of Protestant Dissenters at Cambridge. Dignitaries and divines of the Church of England united with Nonconformists in lauding this exceptionally able, scholarly, and pungently written book. In 1777 followed his History and Mystery of Good Friday. The former work brought him urgent invitations to enter the ministry of the Church of England, but he never faltered in his Nonconformity. In 1781 he was asked by the Baptists of London to prepare a history of their branch of the Christian Church. This resulted, in 1790, in his History of Baptism and Baptists, and in 1792, in his Ecclesiastical Researches. Other theological works are included in the several collective editions of his writings. He was prematurely worn out. He retired in 1790 to Birmingham, where he was somehow brought into contact with Dr. Priestley, and Unitarians have made much of this, on exceedingly slender grounds. He died June 9, 1790. His Life has been fully written by Dyer and by William Robinson respectively, both with a bias against orthodoxy. His three changes of ecclesiastical relationship show that he was somewhat unstable and impulsive. His hymns are terse yet melodious, evangelical but not sentimental, and on the whole well wrought. His prose has all…that vehement and enthusiastic glow of passion that belongs to the orator. (Cf. Dyer and Robinson as above, and Gadsby's Memoirs of Hymn-Writers(3rd ed., 1861); Belcher's Historical Sketches of Hymns; Millers Singers and Songs of the Church; Flower's Robinson's Miscellaneous Works; Annual Review, 1805, p. 464; Eclectic Review, Sept. 1861. [Rev. A. B. Grosart, D.D., LL.D.] --John Julian, Dictionary of Hymnology (1907)

Barrie Cabena

b. 1933 Person Name: H. Barrie Cabena Scripture: Luke 2:6-20 Arranger of "UNE JEUNE PUCELLE" in Glory to God

William B. Bradbury

1816 - 1868 Person Name: Wm. B. Bradbury Scripture: Luke 2:13 Composer of "[Glory to God in the highest]" in The Christian Sunday School Hymnal William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry