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J. B. Atchinson

1840 - 1882 Person Name: Rev. J. B. Atchinson Hymnal Number: 94 Author of "Open Thou Mine Eyes" in Royal Gems Atchinson, Jonathan Bush, born at Wilson, New York, Feb. 17, 1840, and "licensed as a Methodist Preacher," Sept. 6, 1874. Of his hymns the following are the best known:— 1. Behold the stone is rolled away. [Easter.] This was Mr. Atchinson's first hymn. It appeared in the Sunday School Times, Dec. 1874. It is not in use in Great Britain. 2. Fully persuaded, Lord, I believe. [Faith.] Written in 1874 or 1875, and first published in Gospel Hymns, No. 1. It is given in I. D. Sankey's Sacred Songs & Solos, No. 149, with music by W. F. Sherwin. 3. I have read of a beautiful city. [Heaven.] Written about the same time as the former, and published in Gospel Hymns. It is given in I. D. Sankey's Sacred Songs & Solos, No. 403, with music by O. F. Presbrey. 4. O crown of rejoicing that's waiting for me. [The Reward .] This hymn is also in I. D. Sankey's Sacred Songs & Solos, No. 174, where it is set to music by P. Bliss. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

F. F. Flemming

1778 - 1813 Person Name: Flemming Hymnal Number: 141 Composer of "[High Priest above in heavenly temple shining]" in Royal Gems Friedrich Ferdinand Flemming Germany 1778-1813. Born in Neuhausen, Erzgebirge, Germany, he studied medicine at Wittenberg, 1796-1800, Jena, Vienna, and Trieste. He practiced as a physician in Berlin until his death, but, musically, is remembered for his setting of Horace's ode beginning “Integer Vitae”, from which the tune “Flemming” is adapted. He was active in musical circles and composed many songs for a male vocal ensemble, “Liedertafel”. He died in Berlin. John Perry

R. G. Staples

b. 1833 Person Name: R. G. S. Hymnal Number: 124 Author of "Nothing, Lord, Have I to Bring" in Royal Gems Robert Griffin Staples. He was born Robert Griffin on January 24, 1833 in Washington DC. Both of his parents died in a carriage accident when he was an infant; he was then adopted by his mother's sister, Mary Ann King, and her husband, Samuel Johnson Staples and he was given the name Robert Griffin Staples. He was a captain in the Union Army during the Civil War and after the war was promoted to Major. He then worked as chief clerk in the Portsmouth United States Navy Yard. Religion was an important part of his life, as well as music. He died June 20, 1891 in Portsmouth, VA. Dianne Shapiro, from Jean Brickey (great-granddaughter)

S. W. Straub

1842 - 1899 Hymnal Number: 117 Composer of "[In the shelter of the Rock]" in Royal Gems Solomon.W Straub Solomon was the brother of Maria Straub. His father Joseph was a farmer. His parents, who were of German descent. From Hymnary user, via email

D. S. Hakes

Hymnal Number: 80 Composer of "[Pearly portals swinging open]" in Royal Gems

William Hurn

1754 - 1829 Hymnal Number: 119 Author of "The River of God" in Royal Gems Hurn, William, born at Breccles Hall, Norfolk, Dec. 21, 1754. His education was superior, enabling him, in 1777 to take the post of classical tutor in the Free Grammar School, Dedham, Essex. In 1779 he entered the army, but resigning his commission in 1780, he was ordained by Bishop Young of Norwich, in 1781. After holding various curacies, including Beighton Broome, Stowmarket, &c, he was presented in 1790 to the Vicarage of Debenham, Suffolk. In October, 1822, he resigned his Vicarage, and in April, 1823, undertook the pastorate of the Congregational chapel at Woodbridge, in the same county. This he retained to his death, Oct. 9, 1829. His poetical works included:— (1) Health Hill, a descriptive poem, 1777; (2) Blessings of Peace, a Lyric Poem, 1784; (3) Laughter in Death, appended to Preparation for Death (a Sermon), 1792; and (4) Psalms & Hymns, the greater part original; and the selected compositions altered with a view to purity of Doctrine and General Usefulness. By W. Hurn, Vicar of Debenham. Ipswich, J. Raw, 1813. This contained 417 hymns, and a doxology. Of these 264 were by Hurn. After seceding from the Church of England this collection was enlarged and published as Hymns and Spiritual Songs, with Metrical Versions from the Psalms: designed to teach the Christian Doctrine according to the Analogy of Scripture, by combining Knowledge and Practice, or the Duties with the Principles of the Gospel. Woodbridge, 1824. This contained 420 of his hymns. From the first edition of Hurn's collection the following hymns are in common use:— 1. Angels rejoiced and sweetly sung. Christmas. 2. Rise, gracious God, and shine. Missions. Altered in the Salisbury Hymn Book, 1857, to "Arise, O Lord, aud shine." 3. The God of truth His Church has blest. God's love of the Church. A biographical notice of Hurn was given in the Evangelical Magazine, 1829, and his Brief Memorials were published in 1831. --John Julian, Dictionary of Hymnology (1907)

J. Denham Smith

1817 - 1889 Hymnal Number: 135 Composer of "[Yes, we part, but not forever]" in Royal Gems Smith, Joseph Denham, was born at Romsey, Hants, circa 1816. After studying for some time in the Dublin Theological Institute, he entered the Congregational Ministry in 1840. In 1849 he became Pastor of the Congregational Church at Kingstown, near Dublin, and in 1863 began a series of services at Merrion Hall, Dublin, and subsequently at other places. His Evangelistic work in England and Ireland is well known. In connection therewith he has published a large number of tracts, pamphlets, and small books. One of these, Times of Refreshing illustrated in the Present Revival of Religion, 1860, included several of his hymns which were sung during that time at his special services at Kingstown. He also published Seven Hymns for the Present Time, circa 1870-6; and The New Times of Refreshing. Hymns for General and Special Use. Compiled by J. Denham Smith. London: J. E. Hawkins, n.d. In this collection his signed hymns are 36 in all, and deal with the subjects usually associated with what are known as "Gospel Hymns." There are several also in The Enlarged London Hymn Book, 1873. His hymn "Just as Thou art—how wondrous fair" (1860) is in Spurgeon's Our Own Hymn Book, 1866, and "Yes, we part, but not for ever "(Parting), in several minor collections. Mr. Smith's hymns have not been incorporated into the leading hymnals of Great Britain or America. --John Julian, Dictionary of Hymnology (1907)

Alfred A. Graley

1813 - 1905 Person Name: Rev. A. A. Graley Hymnal Number: 92 Author of "Worthy Is the Lamb" in Royal Gems

William Cullen Bryant

1794 - 1878 Person Name: Wm. Cullen Bryant Hymnal Number: 31 Author of "The Star of Bethlehem" in Royal Gems Bryant, William Cullen. First in order of time of the great American poets, Bryant was born at Cummington, Mass., Nov. 3, 1794, and was educated at Williams College. In 1815 he'was called to the Bar, and practised for a time at Great Barrington. In 1825 he retired from the Bar, settled at New York, and devoted himself to literary pursuits, founding the New York Review, and editing for a short time the New York Evening Post. He died June 12, 1878. His poetical and other works are well known. His hymns were written at intervals during his long life. They were collected and privately printed in 1869, and number over 20. Those in common use are:— 1. Almighty, listen while we raise. Praise. This is given as "Almighty hear us,” &c, in the Unitarian Hymn and Tune Book, Boston, 1868. It was introduced into Great Britain through Beard's Collection, 1857. 2. Deem not that they are blest alone. Mourning. In this form it is in Beard's Collection, 1837. It is best known as "0 deem not they are," &c, and in this form it is No. 964 in Songs for the Sanctuary, N. Y., 1865-72, No. 452, in Dr. Martineau's Hymns of Prayer and Praise, Lond., 1873, &c. 3. Father, to Thy kind love we owe. God's Lovingkindness. This is given in several modern collections, including the Unitarian Hymn and Tune Book, Boston, 1868, Martineau, 1873, &c. 4. 0 God, whose dread and dazzling brow. Compassion desired. Is No. 57 in the Boston Hymn and Tune Book, 1868, as above. 5. When he who from the scourge of wrong. Hope of the Resurrection. This is seldom found in modern hymnals. Text in Lyra Sacra Americana, 1868. The above hymns (1-5) appeared in Dr. H. D. Sewall's (Unitarian) Psalms & Hymns for Social and Private Worship, 1820, and were written at the instance of a Miss Sedgwick. Following as near as possible the chronological order of the hymns we have next:— 6. O Thou Whose own vast temple stands. Opening of a Place of Worship. Written in 1835 for the Dedication of a Chapel in Prince Street, N. Y. This is the most widely known of this author's hymns. It was introduced into Great Britain as early as 1837, when it was included in Beard's Collection, No. 405. It is in 4 stanzas of 4 lines. Orig. text in Songs for the Sanctuary, N. Y., 1865, No. 1017, and Martineau, 1873, No. 727. Another form of the hymn is "Thou, Whose unmeasured temple stands," This is No. 569 in the American Presb. Psalms and Hymns, Richmond, 1867, Horder's Congregational Hymns, Lond. 1884, No. 747, and others. 7. All that in this wide world we see. Omnipresence. This is dated 1836. In his Collection in 1837, No. 17, Beard gives it as an original contributed thereto, thus fixing its first publication. 8. Thou unrelenting past. The Past. Dates from 1836. Also in Martineau, 1873, No. 508. 9. Not in the solitude. God in the City. Dates from 1836, and is No. 26 in Martineau, 1873. 10. Whither, midst falling dew. Divine Guidance. This, in common with Nos. 8 and 9, is more a poem than hymn. It is addressed "To a Waterfowl," and dates from 1836. In Martineau, 1873. 11. Dear ties of mutual succour bind. Charity Sermons. No. 905 in the Amer. Methodist Episcopal Hymnal, 1878. It dates from about 1836. 12. 0 Thou whose love can ne'er forget. Ordination. Given (but not as an original contributed thereto) in Beard's Collection (Eng.), 1837. 13. Mighty One, before Whose face. Ordination. This is dated 1840 (but is probably earlier), and is given in several collections, including Mr. Beecher's Plymouth Collection, 1855, and others. 14. Look from Thy sphere of endless day. Home Missions. This hymn has also attained to considerable use both in Great Britain and America. It dates from 1840. It is in the Song. for the Sanctuary, N. Y., 1865, Horder's Congregational Hymns, 1884, &c. 15. Lord, who ordainest for mankind. Thanks for a Mother's love. Written at Dr. Osgood's suggestion, and printed in his Christian Worship, 1862. It is repeated in Martineau, 1873. 16. All praise to Him of Nazareth. Holy Communion. Dr. Hatfield in his Church Hymn Bk., 1872, No. 736, gives this in 3 stanzas of 4 lines. In the Songs for the Sanctuary it is in its full form of 5 stanzas. It dates from 1864. 17. As shadows cast by cloud and sun. Epiphany. In the Methodist Episcopal Hymnal, N. Y., 1878. It was contributed to that Hymnal, 1877, but was composed for the Semi-Centennial Celebration of the Church of the Messiah, Boston, March 19, 1875. 18. When doomed to death the Apostle lay. On behalf of Drunkards. Also in the Methodist Episcopal Hymnal, 1878. In addition to the above the following hymns by Bryant are in limited use:— 19. All things that are on earth. Love of God. In Beard's Collection, 1837. 20. Close softly, fondly, while ye weep. Death. In Mr. Beecher's Plymouth Coll., 1855. 21. How shall I know thee in the sphere which keeps? The Future Life. In the Supplement to the Boston Hymns for the Church of Christ, 1853. 22. Standing forth in life's rough way. On behalf of Children. In Dr. Alton's Children's Worship, 1878; Horder's Congregational Hymns, 1884, and others. 23. When this song of praise shall cease. Death anticipated. In his Hymns, 1869, and W. R. Stevenson's School Hymnal, 1880, No 313. 24. When the blind suppliant in the way. Opening the eyes of the blind. In the Methodist Episcopal Hymnal, 1878, N. Y., No. 201. It dates from 1874. 25. Wild was the day, the wintry sea. The Pilgrim Fathers. In Hymns of the Spirit, by Longfellow and Johnson. Boston, 1864. In 1869, Hymns by W. C. Bryant, 12mo, were privately printed. In this work the texts of many of the older hymns are altered. The dates of his hymns are difficult to determine, and many of those given above are approximate only. Bryant's genius was cool, meditative, and not distinguished by lyric fire. His hymns are correct and solid, but none reach the highest rank. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)