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Francis Foster

Composer of "[O God of Bethel, by whose hand]" in Glory Songs Early 20th Century Francis Foster is a virtual unknown, except for a few facts and the words we can read of his devotion to God. He wrote a handful of songs, among them many which were published in two Sparkling Jewels collections by Samuel Beazley and James Ruebush. Whether “The Great Redeemer” was in either Sparkling Jewels is not clear, but we can be sure many worshippers at the time considered it a treasure. Another source shows the song was listed in at least 10 publications. We may not know from first- or second-hand testimony what Foster’s motivation was for writing, but his emotions are evident in the song’s words. He was ebullient, overwhelmed with what God’s atonement for him meant. No more guilt, no burden, just a ‘sunshine’-filled life. Foster must have been like so many who had come to a realization of his condition after some struggle. What was this crucible, this experience that burned into his consciousness what his destiny might have been except for the Great Redeemer? It wasn’t just a one-time episode for Foster, since he wrote about his devotion in numerous songs. It’ll have to be one among many scores of anonymous or near-anonymous biographies that we’ll hear in eternity. --http://songscoops.blogspot.com/2012/02/great-redeemer-francis-foster.html

William Dalrymple Maclagan

1826 - 1910 Person Name: Rev. Wm. Dalrymple Maclagan, 1826-1910 Composer of "PRINCE OF PEACE" in Hymnal and Liturgies of the Moravian Church Maclagan, William Dalrymple , D.D., son of David Maclagan, M.D., was born in Edinburgh, June 18, 1826. In early life he entered the army, and served for some time in India. Retiring with the rank of lieutenant, he entered St. Peter's College, Cambridge, where he graduated B.A. 1856 and M.A. in 1860. Taking Holy Orders, he was curate of St. Saviour's, Paddington, 1856-58, and St. Stephen's, Marylebone, 1858-60. He then became Secretary to the London Diocesan Church Building Society, from 1860 to 1865; curate of Enfield, 1865-69; Rector of Newington, 1869-75; and Vicar of Kensington, 1875-78. He was also Hon. Chaplain to the Queen, and Prebendary of Reculverland in St. Paul's Cathedral, London. In 1878 he was consecrated Bishop of Lichfield. Bishop Maclagan's work has been mainly of a practical character, and his publications are few. The few hymns which he has written have been received with great favour, and create a desire for more of the same kind and quality. The following are in common use.:— 1. Again the trumpet sounds. Missions. Written about 1870. Appeared in the Hymns Ancient & Modern Hymns Ancient & Modern series of Hymns for Mission Services. 1871. 2. Be still, my soul, for God is near. Holy Communion. Part ii. is “O Body, broken for my sake." Written about 1873 for St. Mary's, Newington. In Thring's Collection, 1882. 3. Holy Spirit, Lord of love. Confirmation. Written about 1873, and published in Mrs. C. Brock's Children's Hymn Book, 1884. 4. It is finished, blessed Jesus [Saviour]. Good Friday. Written for Hymns Ancient & Modern, 1875. In several collections. 5. Lord, when Thy Kingdom comes, remember me. Good Friday. Written for the 1875 ed. of Hymns Ancient & Modern. Sometimes given in two parts: Pt. ii. Beginning, “Lord, when with dying lips my prayer is said." 6. The Saints of God their conflict past. All Saints. First published in Church Bells, 1870; and again in the Society for Promoting Christian Knowledge Church Hymns, 1871. 7. What thanks and praise to Thee we owe. St. Luke. Written for the 1875 edition of Hymns Ancient & Modern These hymns are of more than usual merit, being characterized by great simplicity, tenderness, and fervour. The special season or purpose is clearly indicated, and its lessons earnestly enforced. -- John Julian, Dictionary of Hymnology (1907) ============= Maclagan, Abp. W. D., pp. 709, i.; 1578, ii. At the present time all Abp. Maclagan's hymns are in common use, and most of his tunes likewise. With regard to the latter, it is exceptional to find so many tunes by the author of popular hymns sharing the same popularity in the principal hymnals. In Church Hymnal, 1903, and Hymns Ancient & Modern, 1904, combined, there are eight of his tunes, whilst the hymns are six in all. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Rob Roy Peery

b. 1900 Person Name: Rob Roy Peery, b. 1900 Composer of "BYRD" in Service Book and Hymnal of the Lutheran Church in America

W. Wheal

1690 - 1727 Person Name: W. Wheale Composer of "BEDFORD" in Church Hymnal William Wheal (Weale) c. 1690-1727 was the organist at St. Paul's, Bedford. He graduated with a Bachelor's in Music from Cambridge in 1719. The tune BEDFORD appeared in the "Psalm Singer's Magazine" of 1729, but it was probably first published earlier. It appears in The Divine Musick Scholars Guide by Francis Timbrell, which has an unknown date of publication, but copies found in personal libraries have dates beginning in 1723. Dianne Shapiro, from "The Musical Times" Vol. 49, #781 (Mar. 1, 1908) pp. 165-169

Charles Hutcheson

1792 - 1860 Person Name: Rev. Charles Hutchison (1792-1836) Composer of "STRACATHRO" in Many Voices; or, Carmina Sanctorum, Evangelistic Edition with Tunes Born: 1792, Glasgow, Scotland. Died: January 20, 1860, Glasgow, Scotland. Hutcheson was a merchant in Glasgow, and a member of St. George’s parish church. An amateur composer and founding member of the Glasgow Diletanti Society, he published an essay on church music, and a number of hymn tunes, in Christian Vespers (1832). --www.hymntime.com/tch