Person Results

Switch back to the old search page.Advanced Search

Showing 41 - 50 of 57Results Per Page: 10 20 50

George Dyer

1755 - 1841 Hymnal Number: d47 Author of "Great Framer of unnumbered worlds" in Hymns, Selected from Various Authors, for the Use of the Unitarian Church in Washington Dyer, George, B.A., 1755-1841. Educated at Christ's Hospital and Emmanuel College, Cambridge. The friend of Charles Lamb, of Priestley and Wakefield, and biographer of Robert Robinson of Cambridge. In 1792 he moved to London, to chambers in Clifford's Inn, Fleet Street, supporting himself by private tuition and literary work. He was a contributor to the Gentleman's and the Monthly Magazine, for which he wrote the introductory Ode in 1796. From 1809 to 1830 engaged upon Valpy's edition of the Classics, in 141 vols. Author of a History of the University and Colleges of Cambridge, 1814, and of several volumes of verse. Three of his hymns are in Kippis, and frequently in other books. 1. Greatest of beings, source of life. Hymn to the Deity. 2. Greatest of beings, source of life. The same continued. 3. Great Framer of unnumbered worlds. Hymn for a Fast --John Julian, Dictionary of Hymnology (1907)

Scott

Hymnal Number: d11 Author of "Almighty Power, amazing are thy ways" in Hymns, Selected from Various Authors, for the Use of the Unitarian Church in Washington

Alexander Pope

1688 - 1744 Hymnal Number: d164 Author of "Vital spark of heavenly flame" in Hymns, Selected from Various Authors, for the Use of the Unitarian Church in Washington Alexander Pope was born in London, in 1688. His parents were Roman Catholics. He had a feeble constitution, was deformed in person, and attained the age of only fifty-six. He early acquired the means of independence by his literary gifts, and purchased his celebrated villa at Twickenham, whither he went to reside at the age of thirty. Of his many published works, his translation of the "Iliad" and "Odyssey" of Homer has given him the greatest reputation. As an English satirist, also, he stands very high. Nearly all his works, however, are imitations. He died at Tickenham, in 1744. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ======== Pope, Alexander, the poet, son of a wholesale linen merchant in Lombard Street, London, was born in Plough Court, Lombard Street, May 21, 1688. His father being a Roman Catholic, he was first placed under the charge of Father Taverner, who taught him the rudiments of Greek and Latin. Later he attended a school at Winchester, and then at Hyde Park Corner. When about twelve he retired with his parents to Binfield, in Windsor Forest, and from thenceforth his education was mainly in his own hands. His subsequent success as a writer and poet is a matter of history, and has been dealt with in detail by Dr. Johnson in his Lives of the Poets, and by others. He died May 30, 1744, and was buried in a vault in Twickenham Church. For distinct public use, so far as we are aware, Pope wrote no hymns. His "Messiah"; his "Universal Prayer"; and his "Vital Spark" (q.v.), have been made use of for congregational purposes, but as a Roman Catholic he had no object in writing a hymn in a language which, at that time, his Church would refuse to use. In modern hymn-books his name is identified with the following pieces:-- 1. Father of all, in every age. Universal Prayer. The Lord's Prayer. This Prayer was published in 1738, as a conclusion to his Essay on Man, in 13 st. of 4 1. Warburton in his Advertisement of the 1748 ed. of the Essay, says:— "Concerning the Universal Prayer which concludes the Essay, it may be proper to observe that some pas¬sages in the Essay having been unjustly suspected of a tendency towards Fate and Naturalism, the author composed that Prayer as the sum of all, to show that hi a system was founded in Freewill, and terminated in Piety: that the First Cause was as well the Lord and Governor as the Creator of the Universe; and that by submission to His will (the great principle enforced throughout the Essay) was not meant the suffering ourselves to be carried along with a blind determination; but a religious acquiescence, and confidence full of hope and immortality. To give all this the greater weight and reality, the Poet chose for his model The Lord's Prayer, which of all others best deserves the title prefixed to his Paraphrase." The title here referred to is "The Universal Prayer, Deo Opt. Max." The hymn is found in common use in the following forms:— (1.) Father of all in every age. This is an abbreviated form, and has been in use, especially in Unitarian hymnbooks, from an early date. (2.) Father of all, [and] Thou God of love. This cento was given in 6 st. of 4 1. in the 1815 edition of Cotterill's Selections, No. 2; again in the 1819 ed., 141; in Stowell's Psalms & Hymns, 1831, No. 179; and again in later collections. (3.) Not to this earth's contracted span. In Collyer's Collection 1812, No. 629, in 4 st. of 4 1., and others. (4.) Teach me to feel another's woe. Also in Collyer's Collection, 1812, No. 630, in 4 st. of 4 1., and others. (5.) Thou Great First Cause, least understood. Also in Collyer's Collection, 1812, No. 628, in 4 st. of 4 1., and later hymnals. (6.) When I am right Thy grace impart. Given in Kennedy, 1863, No. 1166. 2. Ye nymphs of Solyma! begin the song. The Messiah. In No. 378 of the Spectator for Wednesday, May 14, 1712, Addison gave this poem with the introduction :— "I will make no apology for entertaining the reader with the following poem, which is written by a great genius, a friend of mine, in the country, who is not ashamed to employ his wit in the praise of his Maker." Then follows the poem with the heading, “Messiah. A Sacred Eclogue, composed of several passages of Isaiah the Prophet. Written in imitation of Virgil's Pollio." It consists of 107 lines. When republished by Pope this heading was expanded into a paragraph as an "Advertisement." As a poem it is unknown to the hymn-book; but from it the following centos have passed into common use:-- (1.) As the Good Shepherd tends his fleecy care. This was given in Collyer's Collection, 1812, No. 626, in 6 st. of 4 1., and has been repeated in later hymnals, but usually in an abridged form. (2.) From Jesse's root, behold a branch arise No. 624 in Collyer's Collection, 1812, in 5 st. of 4 1.; and again in later hymnals. (3.) Hark! a glad voice the lonely desert cheers. No. 625 in Collyer's Collection, 1812, in 4 st. of 4 1.; in Bishop Heber's posthumous Hymns, &c, 1827, p. 106; and again in later collections. (4.) Rise crowned with light, imperial Salem rise. In the Leeds Hymn Book, 1853, No. 687, in 3 st. of 8 1., and several later collections. (5.) The Saviour comes! by ancient seers foretold. In Mercer's Church Psalm & Hymn Book, 1864, and others. It may be noted that 1. 46 of The Messiah reads in the original "He wipes the tears for ever from our eyes." This was altered by Pope at the suggestion of Steele, made to Pope in a letter dated June 1, 1712, to "From every face He wipes off every tear." This latter is the poet's authorized reading, is given in his Works, and is found also in the book form reprints of the Spectator. -- John Julian, Dictionary of Hymnology (1907)

Andrew Kippis

1725 - 1795 Hymnal Number: d50 Author of "Great God in vain man's narrow view" in Hymns, Selected from Various Authors, for the Use of the Unitarian Church in Washington Kippis, Andrew, D.D., was born at Nottingham, March 28,1725, and educated for the ministry under Dr. Doddridge at Northampton, 1741-46. After a short residence with congregations at Boston and Dorking, he settled in London in 1753, as minister of the Princes Street Chapel, Westminster. There lie remained till his death in 1795, holding rank as the leading Presbyterian minister in the metropolis. For many years he was classical tutor at the Hoxton Academy, and afterwards at the Hackney College. He contributed largely to the Gentleman's Magazine and the Monthly Review, and edited five volumes of a new edition of the Biographia Britannica, a work commenced in 1778, and interrupted by his death on Oct. 8, 1795. His Life of Captain Cook was also published separately, and to his edition of Lardner's Works (1788) a Memoir was prefixed. His degree of D.D. was con¬ferred by the University of Edinburgh in 1767. He was joint editor of A Collection of Hymns and Psalms for Public and Private Worship, selected and prepared by Andrew Kippis, D.D., &c. ; Abraham Rees, D.D., &c.; Rev. Thomas Jervis, and Rev. Thomas Mor¬gan, LL.D., London, 1795. This collection, commonly known as Kippis's, but sometimes as Kees's, passed through many editions, a Supplement being added in 1807, and was very generally used during the early decades of this century by congregations of Presbyterians and others, then become Unitarian in London and throughout the country [Unitarian Hymnody, § 9]. It contained 690 hymns. The aim of the editors in their selection was to avoid “everything of a doubtful or disputable kind," and they adopt the language of Dr. Watts in the preface to his Hymns, "The contentious and distinguishing word of sects and parties are excluded." The alterations and omissions to adapt various hymns to the standard of the editors are considerable, though very little compared to what was done by others before and after them. The tone of the collection is somewhat colourless, and it gradually gave place among Unitarians to others which contained fuller and more varied expression of distinctively Christian feeling. Two hymns by Kippis appear in this Collection. 1. Great God, in vain man's narrow view, The Incomprehensibility of God, which was generally adopted in later Unitarian books, and appears in Martineau's Hymns, 1840 and 1873. 2. How rich thy gifts, Almighty King, National Thanksgiving, which is four stanzas of the hymn, "Say, should we search the globe around," written for the thanksgiving appointed Nov. 29,1759, and appended to his Sermon on that occasion. It was given in full in Pope's Collection, 1760; and the Liverpool Octagon Collection, 1763. In Lindsey's Collection, 1774, five stanzas are given; in other early books only four, as in Kippis. The last two stanzas, somewhat altered, appear anonymously as: "With grateful hearts, with joyful tongues," in the Congregational Hymn Book, 1836, and the New Congregational Hymn Book, 1859. [Rev. Valentine. D. David, M.A.] --John Julian, Dictionary of Hymnology (1907)

S. Deacon

1746 - 1816 Hymnal Number: d100 Author of "O for a plenitude of grace" in Hymns, Selected from Various Authors, for the Use of the Unitarian Church in Washington Deacon, Samuel, born 1746, at Ratby, in Leicestershire, d. 1816 at Barton, near Market Bosworth, in the same county. He was son of Samuel Deacon, sen., one of the first preachers of the Leicestershire General Baptists; and half brother to John Deacon (q.v.) of Leicester. In 1771, S. Deacon settled at Barton, a small agricultural village, where, however, he presently established a considerable business as clock and watchmaker, and became well known for his mechanical skill. In 1779 he was invited to assist his father in ministering to the cluster of village congregations of General Baptists, of which Barton was the centre. He was popular and useful as a preacher, and continued minister of this church 37 years, receiving no pecuniary remuneration, but himself contributing liberally to various religious enterprises. In 1785 he published a volume entitled, A New Composition of Hymns & Poems chiefly on Divine Subjects; designed for the Amusement and Edification of Christians of all Denominations, more particularly them of the Baptist persuasion, Leicester: printed for the author by George Ireland. It contained 63 hymns, and 20 meditations. Subsequent editions were considerably enlarged, and the collection became known as the Barton Hymns, S. Deacon's style is very homely, and of his numerous hymns, "0 who can comprehend the rest" (Heaven), and "Ye heavy-laden souls" (Invitation), represent most, if not all, now in common use S. Deacon was also the author of several religious books, some very popular in their day, and most of them in metre, but they do not contain any of his hymns. [Rev. W. R. Stevenson, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Richard V. Yates

1785 - 1856 Hymnal Number: d102 Author of "O God, to thee my sinking soul" in Hymns, Selected from Various Authors, for the Use of the Unitarian Church in Washington Yates, Richard Vaughan, 1785-1856. A Liverpool merchant and philanthropist, author of a hymn on The Benefit of Affliction, "O God, to thee my sinking soul," in Martineau’s Hymns for the Christian Church and Home, and the enlarged edition of W. J. Fox's Collection, 1873. [Rev. Valentine D. Davis, B.A.] --John Julian, Dictionary of Hymnology (1907)

Thomas Jervis

1748 - 1833 Hymnal Number: d130 Author of "Sweet is the friendly voice which [that] speaks" in Hymns, Selected from Various Authors, for the Use of the Unitarian Church in Washington Jervis, Thomas, son of a Presbyterian Minister of the same name, was born at Ipswich in 1748, and educated for the Ministry at Hoxton. In 1770 he was appointed classical and mathematical tutor at the Exeter Academy. From 1772 to 1783 he was tutor to the sons of the Earl of Shelburne, at Bowood, where Dr. Priestley was librarian. In the latter year Jervis succeeded Dr. A. Rees at St. Thomas's Southwark, moving in 1796, after the death of Dr. Kippis, to the Princes' St. Chapel, Westminster. From 1808 to 1818 he was minister at the Mill Hill Chapel, Leeds. After his retirement he lived in the neighbourhood of London, and died there in 1833. Jervis was one of the four editors of A Collection of Hymns & Psalms for Public & Private Worship, London, 1795. He contributed 17 hymns to the 1st ed., and 4 to its Supplement, 1807. Of these several are found in later Unitarian collections in Great Britain and America, including:— 1. God to correct a guilty world. Divine Providence. 2. Great God, Thine attributes divine. Confidence in God. 3. Lord of the world's majestic frame. Praise a Duty. 4. Shall I forsake that heavenly Friend? Constancy desired. 5. Sweet is the friendly voice which [that] speaks. Peace to the Penitent. 6. Thou, Lord, in mercy wilt regard. Penitence. 7. With sacred joy we lift our eyes. Divine Worship. This is given in Laudes Domini, N.Y., 1884, as: "With joy we lift our eyes." These hymns all date from 1795, and the most popular are Nos. 4 and 6. [Rev. Valentine D. Davis, B.A.] --John Julian, Dictionary of Hymnology (1907)

John Hawkesworth

1715 - 1773 Person Name: J. Hawkesworth Hymnal Number: d69 Author of "In sleep's serene oblivion laid" in Hymns, Selected from Various Authors, for the Use of the Unitarian Church in Washington Hawkesworth, John, LL.D. (b. 1715, and d. Nov. 1773), a writer in the Gentleman's Magazine, proprietor and editor of the Adventurer, and friend of Johnson, Warton, and other literary men of note, published, in 1760, Poems and Translations, and was the author of the well-known Morning hymn "In sleep's serene oblivion laid." This hymn was composed in 1773, "about a month before his death, in a wakeful hour of the night, and dictated to his wife on rising. It appeared in the Universal Theological Magazine for March, 1802." (Miller's Singers & Songs, &c, p. 210.) It was given in Collyer's Selection, 1812; the Leeds Hymn Book, 1853; and others; and is in somewhat extensive use in America. It sometimes begins, as in the American Unitarian Hymns for the Church of Christ, 1853, with stanza ii., "Newborn, I bless the waking hour." -- John Julian, Dictionary of Hymnology

William Dodd

1729 - 1777 Hymnal Number: d46 Author of "Grateful notes and numbers bring" in Hymns, Selected from Various Authors, for the Use of the Unitarian Church in Washington William Dodd (29 May 1729 – 27 June 1777) was an English Anglican clergyman and a man of letters. He lived extravagantly, and was nicknamed the "Macaroni Parson". He dabbled in forgery in an effort to clear his debts, was caught, convicted, and, despite a public campaign for a Royal pardon, became the last person to be hanged at Tyburn for forgery. Dodd was born in Bourne in Lincolnshire, the son of the local vicar. He attended Clare Hall in the University of Cambridge from 1745 to 1750, where he achieved academic success and graduated as a wrangler.[1] He then moved to London, where his spendthrift habits soon left him in debt. He married impulsively on 15 April 1751, to Mary Perkins, daughter of a domestic servant, leaving his finances in an even more precarious position. At the urging of his concerned father, he decided to take holy orders, and was ordained a deacon in 1751 and a priest in 1753, serving as a curate in a church in West Ham, then as a preacher at St James Garlickhythe, and then at St Olave Hart Street. He became a popular and fashionable preacher, and was appointed as a chaplain in ordinary to the King in 1763. He became a prebend in Brecon, and was a tutor to Philip Stanhope, later 5th Earl of Chesterfield. He became chaplain to the King, and became a Doctor of Laws at Cambridge University in 1766. After he won £1,000 in a lottery, he became involved in schemes to build the Charlotte Chapel in Pimlico, and bought a share of the Charlotte Chapel in Bloomsbury. Despite his profession, he continued his extravagant lifestyle, and became known as the "maccaroni parson". In 1772, he became rector of Hockliffe, in Bedfordshire, and vicar of Chalgrove In 1774, in an attempt to rectify his depleted finances, he attempted to obtain the lucrative position of rector of St George's, Hanover Square. He wrote a letter to Lady Apsley, wife of the Lord Chancellor, offering her £3,000 to secure the position. The letter was traced back to Dodd, and he was dismissed from his existing posts. He became an object of public ridicule, and was taunted as Dr Simony in a play by Samuel Foote in the Haymarket Theatre. He spent two years abroad, in Geneva and France, while the scandal subsided. He returned to England in 1776. In The Luck of Barry Lyndon Thackeray has his protagonist refer to meeting 'Dr Simony' in Soho and to a friendship with Foote. In February 1777, he forged a bond for £4,200 in the name of his former pupil, the Earl of Chesterfield, to clear his debts. A banker accepted the bond in good faith, and lent him money on the strength of it. Later the banker noticed a small blot in the text and had the document re-written. When the clean copy was presented to the Earl to sign, in order to replace the old one, the forgery was discovered. Dodd immediately confessed, and begged time to make amends. He was, however, imprisoned in the Wood Street Compter pending trial. He was convicted, and sentenced to death (see the full record of the trial under External References below.) Samuel Johnson wrote several papers in his defence, and some 23,000 people signed a 37-page petition seeking a pardon. Nevertheless, Dodd was publicly hanged at Tyburn on 27 June 1777. He wrote several published works, including poems, a novel, and theological tracts. His most successful work was The Beauties of Shakespeare (1752). He also wrote a Commentary on the Bible (1765–1770), and composed the blank verse Thoughts in Prison while in Newgate Prison between his conviction and execution. --en.wikipedia.org/wiki/

Joseph Boyse

1660 - 1728 Person Name: J. Boyse Hymnal Number: d26 Author of "Come, pay the worship God requires" in Hymns, Selected from Various Authors, for the Use of the Unitarian Church in Washington Boyse, Joseph, was born at Leeds in 1660, received a good education, and in 1683 became a Presbyterian minister in Dublin, a position he maintained with honour and usefulness until his death in 1728. His prose works, chiefly sermons and controversial treatises, were collected and published by himself in two large folios, London, 1728. He was the author of two collections of hymns. The first, printed in Dublin, in 1693 (small 8vo) with another title-page (London, 1693, Thomas Parkhurst, Cheapside), is entitled as follows:— "Sacramental Hymns collected chiefly out of such passages of the New Testament as contain the most suitable matter of Divine Praises in the celebration of the Lord's Supper. To which is added one hymn relating to Baptism and another to the Ministry. By J. Boyse, with some by other hands." Those by "other hands" are 3 in number, viz. one by G. Herbert, and two by Patrick. Of the remaining 21 by Boyse himself, 18 are for use at the Lord's Supper. From the fact that in the hymn on Baptism immersion is the only mode recognized, it is pretty certain that the author was Baptist in sentiment, though Presbyterian in ecclesiastical position. The other collection by Boyse was printed at Dublin in 1691. It contains 76 hymns, in three parts, with music, and is entitled: — Family Hymn for Morning and Evening Worship, with some for the Lord's days . . . All taken out of the Psalms of David. A copy is in the Antrim Presbytery Library at Queen's College, Belfast. Boyse's hymns are interesting from their early date, but have no merit as poetry. The hymn "Come pay the worship God requires" (Divine Worship), in Martineau's Hymns, 1840, No. 42, is by this author. [Rev. W. R. Stevenson, M.A.] -- John Julian, Dictionary of Hymnology (1907)