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Robert Buckley Farlee

b. 1950 Person Name: Robert Buckley Farlee (b. 1950) Hymnal Number: 777 Composer of "PIEPKORN" in Wonder, Love, and Praise Robert Buckley Farlee is Associate Pastor and Director of Music at Christ Lutheran Church in Minneapolis. Bob Farlee and his wife Jane Buckley-Farlee (pastor at Trinity Lutheran Congregation, ELCA, Minneapolis) were ordained on July 13, 1980, in St. Louis, Missouri, at Unity Lutheran Church, Bel-Nor. It was at Unity Lutheran that Bob served as music director. Then in November of 1981, Bob joined the staff at Christ Church Lutheran, Minneapolis, where he has served both as a pastor and as cantor. Buckley Farlee is a graduates of Christ Seminary-Seminex, St. Louis, Missouri. He also serves on the worship editorial staff at Augsburg Fortress Publishers, and was deeply involved in the recent publication of Evangelical Lutheran Worship, the new book of worship for the Evangelical Lutheran Church in America. They are continuing to develop its supporting materials for this resource. --metrolutheran.org/2010/07 (excerpts)

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams (1872-1958) Hymnal Number: 801 Composer of "RANDOLPH" in Wonder, Love, and Praise Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Bland Tucker

1895 - 1984 Person Name: F. Bland Tucker (1895-1984) Hymnal Number: 884 Author of "A Song of Creation (Benedicite, omnia opera Domini): Canticle 12 (metrical paraphrase)" in Wonder, Love, and Praise Francis Bland Tucker (born Norfolk, Virginia, January 6, 1895). The son of a bishop and brother of a Presiding bishop of the Episcopal Church, he was educated at the University of Virginia, B.A., 1914, and at Virginia Theological Seminary, B.D., 1920; D.D., 1944. He was ordained deacon in 1918, priest in 1920, after having served as a private in Evacuation Hospital No.15 of the American Expeditionary Forces in France during World War I. His first charge was as a rector of Grammer Parish, Brunswick County, in southern Virginia. From 1925 to 1945, he was rector of historic St. John's Church, Georgetown, Washington, D.C. Then until retirement in 1967 he was rector of John Wesley's parish in Georgia, old Christ Church, Savannah. In "Reflections of a Hymn Writer" (The Hymn 30.2, April 1979, pp.115–116), he speaks of never having a thought of writing a hymn until he was named a member of the Joint Commission on the Revision of the Hymnal in 1937 which prepared the Hymnal 1940

Delores Dufner

b. 1939 Person Name: Delores Dufner, OSB (b. 1939) Hymnal Number: 738 Author of "Day of delight and beauty unbounded" in Wonder, Love, and Praise Delores Dufner is a member of St. Benedict’s Monastery in St. Joseph, Minnesota, with Master's Degrees in Liturgical Music and Liturgical Studies. She is currently a member and a Fellow of The Hymn Society in the United States and Canada, the National Pastoral Musicians (NPM), the American Society of Composers, Authors, and Publishers (ASCAP), and the Monastic Worship Forum. Delores is a writer of liturgical, scripturally based hymn and song texts which have a broad ecumenical appeal and are contracted or licensed by 34 publishers in the United States, Canada, Great Britain, Australia, and China. She has received more than 50 commissions to write texts for special occasions or needs and has published over 200 hymns, many of which have several different musical settings and appear in several publications. She is the author of three hymn collections: Sing a New Church (1994, Oregon Catholic Press), The Glimmer of Glory in Song (2004, GIA Publications), and And Every Breath, a Song (2011, GIA Publications). Delores, the middle child of five, was born and raised on a farm in the Red River Valley of North Dakota. She attended a one-room country school in which she learned to read music and play the tonette, later studying piano and organ. Delores was a school music teacher, private piano and organ instructor, and parish organist/choir director for twelve years. She served as liturgy coordinator for her religious community of 775 members for six years and as Director of the Office of Worship for the Diocese of St. Cloud, Minnesota for fifteen years. She subsequently worked as a liturgical music consultant for the Diocese of Ballarat, Victoria in southeast Australia for fifteen months. At present, she is preparing a fourth hymn collection and assisting with liturgy planning and music leadership at the monastery. Delores Dufner

Geoffrey Anketel Studdert Kennedy

1883 - 1929 Person Name: Geoffrey Anketel Studdert-Kennedy (1883-1929) Hymnal Number: 736 Author of "When Jesus came to Golgotha" in Wonder, Love, and Praise Born with Irish heritage to the vicarage in a deprived parish in Leeds. Studdert Kennedy got into Trinity College Dublin at the age of 14, though poverty meant he did not attend until later, graduating with a First Class degree. He was a popular teacher at Calday Grange Grammar School on the Wirral Peninsula before entering the Anglican Ministry; ordained in Worcester Cathedral in 1908 and married in 1914. He worked in deprived parishes: in Rugby, with his Father in Leeds and St Paul's in Worcester. He was known for his forgetfulness, his generosity (he famously gave away the marital bed to an old lady in need recruiting his wife to help carry the mattress) and his plain speaking. He became a military chaplain (AKA the Padre) in 1915. He spent time with the men waiting to go to the Front speaking with them and offering to write letters home. He carried a large canvas sack of New Testaments and Woodbine Cigarettes to distribute, often staying on the trains up to the front well after they had left the station earning great popularity and the affectionate nickname Woodbine Willie. In 1917 he was awarded the Military Cross for fetching morphine for a first aid post on the Front while under bombardment and repeatedly going to help the wounded or bury the dead in No Man's Land. During the war his first collection of poetry "Rough Rhymes of a Padre" was published and he achieved widespread national fame. His poems did not shy from the horrors of war or questions of faith raised. He was always on the side of the 'ordinary man'. After the war he continued in parish ministry before taking an itinerant role with the Industrial Christian Fellowship (still operating) where he proclaimed the gospel and fought for the disadvantaged. He died in Liverpool 1929 intending to keep a commitment despite exhaustion. His memorial in Worcester Cathedral says "A poet: a prophet: a passionate seeker after truth: an ardent advocate of Christian fellowship." His hymns are taken from his collections of verse later anthologised in The Unutterable Beauty (1927). David L. Gent

Anonymous

Person Name: Unknown Hymnal Number: 785 Composer (melody) of "[Santo, santo, santo (Holy, holy, holy)]" in Wonder, Love, and Praise In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.