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John M. Whyte

1850 - 1927 Person Name: J. M. Whyte Hymnal Number: 351 Author of "I will tell it to Jesus" in The Canadian Hymnal John M. (Marchant) Whyte. Evangelist, hymn writer, singer, b Paris, Canada West (Ontario), 8 Jun 1850, d Toronto 17 Mar 1927. He studied at the University of Toronto and devoted himself to evangelistic and temperance work. Typical of several hundred songs for which he wrote the words or the music, or both, are 'Canada Shall Yet Be Free,' 'Toronto the Good,' and 'Song of Trust.' Many songs appeared in separate editions published by Toronto News Co or Briggs. With his brother David Albert Whyte he edited Sing Out the Glad News (Briggs 1885) and Songs of Calvary (Briggs 1889). The Great Redemption (Briggs 1894), Nuggets of Gold (Briggs 1898) and Battle Songs of the Cross (1901) contain many of his own melodies. Eight of his hymns are reprinted in CMH vol 5. The editor of the reprint, John Beckwith, has concluded that 'Come Away to Jesus Now' and 'Jesus Is Calling You Now' may have enjoyed a measure of popularity. Author Helmut Kallmann Bibliography: Beckwith, John. 'Tunebooks and hymnals in Canada, 1801-1939,'. American Music, summer 1988. --http://www.thecanadianencyclopedia.com/en/article/john-m-whyte-emc/

William Vincent Wallace

1812 - 1865 Person Name: William V. Wallace Hymnal Number: 442 Composer of "SALVATION" in The Canadian Hymnal

Theodore E. Perkins

1831 - 1912 Person Name: T. E. Perkins Hymnal Number: 247 Author of "Oh, tell me, oh, tell me if I shall be there" in The Canadian Hymnal Theodore E. Perkins was born at Poughkeepsie, on the Hudson, N.Y., July 21, 1831. His father was a Baptist clergyman. The family of ten brothers and sisters sang and played various instruments, forming among themselves both choir and orchestra. His musical education began at the early age of three years. During his father's pastorate at Hamilton, N. Y., the choir rehearsals were often held at the parsonage, and the leader used to place the three-year-old on a small stool, on the table around which the choir was assembled, giving him a chance to both see and hear. Later on he played the violincello in church, standing on a stool in order to finger the instrument. The home gatherings — especially on Thanksgiving Day, are the recollections among the happiest of his childhood. His father became pastor of the Berean Baptist Church in New York City, in 1839, giving him the opportunity of studying the pianoforte, of which he became a proficient player. His fine alto voice soon gave him notoriety. At the age of nineteen while filling a position as clerk in New York, all his spare time was given to the study of voice and piano. In 1851 he went to Hamilton, N. Y., taught music in Madison University (now Colgate), and in the Female Seminary. In 1854 he went to Port Jervis, N. Y., where he taught singing school, and April 30, 1855, married Mary Frances Caskey, who was for years his soprano soloist in many musical Festivals and Conventions. Soon after marriage he removed to Salem, N. J., where his lifework as singing school teacher really began, including Bridgeton and prominent towns in southern New Jersey. During the summer of 1856 he and his wife were pupils of the Normal Academy of Music at North Reading, Mass., conducted by Drs. Lowell Mason and Geo. F. Root. During 1856-1858 he was given the position of assistant teacher and manager. His association with these two great men gave an inspiration to all his future work. In 1859 he was co-principal with Wm. B. Bradbury at the Normal Academy of Music, Geneseo, N. Y. He remained at Geneseo until 1863. Professor Perkins also held very successful schools in North Pelham Province of Ontario, Canada, and in 1864-1868 was principal in schools at Tunkhannock and Meadville, Pa. In 1860, The Olive Branch, his first book of church music, was published by F. J. Huntington, New York City, the sales reaching 100,000. Next was Oriental, which sold over 30,000. The Union, Glees and Anthems, and Sabbath Anthems followed ; then The Sacred Lute, which sold over 300,000. His Sunday-school books commenced with The Evergreen, followed by the Shining Star and New Shining Star. Then came Psalm King, which was the last of the books published by Mr. Huntington. Hallowed Songs was published by Philip Phillips; The Sunday School Banner was published by Wm. B. Bradbury. The Royal Standard was published in Toronto, Canada. The Golden Promise, Sabbath Carols, The Mount Zion Collection were published under his own supervision. His Free Sunday School Songs several times numbered over 500,000 a month. Coronation Songs with Rev. Dr. Deems as hymn editor was published by A. S. Barnes Co., who also published Psalms and Hymns and Spiritual Songs, in which Dr. C. S. Robinson was hymn editor, who with Professor Perkins edited Calvary Songs, published by the American S. S. Union. Gospel Tent Songs was evangelical. The Safe-Guard Singer was his temperance book. Mr. Perkins was musical director in the following churches in Brooklyn: The Lafayette Avenue Presbyterian Church, Rev. Dr. Cuyler; Strong Place Baptist Church, Rev. E. E. L. Taylor, D. D.; Madison Avenue Baptist Church, Rev. H. G. Weston, D. D., L. L. D.; Fifth Avenue Presbyterian Church, Rev. Dr. Rice, followed by Dr. John Hall; The Memorial Presbyterian Church, Rev. Dr. C. S. Robinson, who was his close friend; The Church of the Holy Trinity, Rev. Dr. Tyng, Jr. ; Trinity Baptist Church, Rev. Dr. J. B. Simmons, and Washington Square M. E. Church. In Philadelphia: The Fifth Baptist Church, Rev. Dr. Chase; The Eleventh Baptist Church, Rev. Dr. Colman; The Tabernacle M. E. Church, Rev. George Gaul, D. D. He was leader and singer in Evangelistic Services, at the Rink, The Old Madison Square Garden and Cooper Union, all of New York City. The music of the first great meeting of the world's Evangelical Alliance, held for ten days in New York City, was under his direction, as was the first National Sunday School convention, held in Newark, N. J. He was also conductor at the Golden Anniversary of the Female Guardian Society, leading a chorus of forty-two hundred children. In the opening chorus, Great is the Lord, by Dr. Calcott, the word "Great" was given with so much decision and power that the clergymen on the platform sprang to their feet and remained standing until the chorus was finished. He taught voice culture in Princeton and Lafayette Universities, The Union Theological Seminary, New York City; Crozer Seminary, Chester, Pa., and organized the music department of Temple University, Philadelphia, continuing in charge four years. He had charge of the children's choir of Howard Mission, New York City, for twenty-five years, and thinks that some of the happiest and most restful of the working hours were spent in teaching the poor children of the fourth and sixth wards to sing the Gospel. Mr. Sankey said to Mr. Perkins that " Jesus of Nazareth was my banner song for eight years." Jesus is Mine has been sung at the Christian's death-bed, the grave, and once as the convict was going to the scaffold. His Christmas Carol Sweetly Carol had a very large sale in this country, and was republished in England, France, Italy, and Germany. For a period of forty years he has made the study of the voice special work. The most thorough investigations of the voice and its possibilities were made with the assistance of the late John Howard, extending over a period of twenty-five years, during which he has had the care of over two thousand voices. He published a work entitled, Physiological Yoice Culture, edited by his son, the late T. Edward Perkins, M. D., physician and throat specialist of Philadelphia. Mr. Perkins also completed a method of voice culture based on the principles of John Howard's Physiology of Artistic Singing." During these years of work he has found time to edit thirty-four books of church, Sunday-school, day-school, and glee music, the larger portion having been previously mentioned. Also songs and ballads in sheet form, and a cantata entitled, The Excursion, libretto by Fanny Crosby, with whom there has existed an unbroken friendship for over forty years. -Biography of Gospel Song and hymn Writers

Lady Lucy Whitmore

1792 - 1840 Person Name: Lady Whitmore Hymnal Number: 371 Author of "Father, again in Jesus' name we meet" in The Canadian Hymnal Whitmore, Lady Lucy Elizabeth Georgina

James Cowden Wallace

1793 - 1841 Person Name: L. A. Wallace Hymnal Number: 440 Author of "There is an Eye that never sleeps" in The Canadian Hymnal Wallace, James Cowden, was born at Dudley, circa 1793. He was brother of the Rev. Robert Wallace (1791-1880), Professor of Theology in Manchester New College, and author of Antitrinitarian Biography. J. C. Wallace was Unitarian minister at Totnes, 1824, and afterwards at Brighton and Wareham. He died at Wareham in 1841. He was a prolific hymnwriter, and contributed various other poetical pieces to the Monthly Repository. In a Selection of Hymns for Unitarian Worship, by R. Wallace, Chesterfield, 1822, there are 13 of his hymns, and in the 2nd edition of the same, 1826, there are 29 more. There are also 10 of his hymns in the Dukinfield Selection of Psalms & Hymns for Christian Worship, 1822 (still in use), and 64 in Beard's Collection of Hymns, 1837. Of these hymns the following are still in common use:— 1. Is there no balm to soften grief? The Efficacy of Prayer (1837). 2. It is not rank, or power, or state. The Universality of the Gospel. 3. There's not a place in earth's vast round. God seen in Everything. 4. Through every clime God's care extends. Divine Care of All. 5. There is an eye that never sleeps. The Divine Helper in Need. [Rev. Valentine D. Davis, B.A.] -- John Julian, Dictionary of Hymnology (1907) ===================== Wallace, James Cowdan, 1793 (?>-184l. Minister at various places in the south of England, finally at Wareham, author of a considerable number of hymns, to be found in his brother Robert's Selection of Hymns for Unitarian Worship, Chesterfield, 1822, enlarged ed., 1826, and in Beard's Collection, 1837. In the Baptist Hymnal is, "There is an eye that never sleeps” (The Divine watchfulness). See "There's not a star whose trembling light.” --John Julian, Dictionary of Hymnology (1907)

S. Wesley Martin

1839 - 1939 Hymnal Number: 303 Composer of "[The gospel bells are ringing]" in The Canadian Hymnal Martin, Samuel Wesley, author of "The Gospel Bells are ringing" (The Gospel Message), was born at Plainfield, Illinois, Jan. 20, 1839. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================== Born: January 20, 1839, Plainfield, Illinois. Martin was organist and choirmaster at St. Chrysostom’s Episcopal Church, Chicago, Illinois (1896-1902). His works include: The Welcome Hour, for Use in Singing Schools, Choirs, Social Circles, Musical Conventions, Glee Clubs, Concerts, Etc., with W. H. Walter, 1877 Sources: Julian, p. 1579 http://www.hymntime.com/tch/bio/m/a/r/t/martin_sw.htm

G. W. Martin

1825 - 1881 Hymnal Number: 297 Composer of "LEOMINSTER" in The Canadian Hymnal George William Martin United Kingdom 1825-1881. Born in London, he became a chorister at St. Paul’s Cathedral under William Hawes, and also at Westminstwer Abbey at the coronation of Queen Victoria. He became a professor of music at the Normal College for Army Schoolmasters, and was from 1845-1853 resident music-master at St. John’s Training College, Battersea, and was the first organist of Christ Church, Battersea in 1849. In 1860 he established the National Choral Society which he maintained for some years at Exeter Hall, having an admirable series of oratorio performances. He edited and published cheap editions of these and other works not readily available to the public. He organized a 1000-voice choir at the 300th anniversary of Shakespeare’s birth. He had an aptitude for training children and conducted the National Schools Choral Festival at the Crystal Palace in 1859. As a composer his genius was in directing madrigal and part song, and in 1845 his prize glee “Is she not beautiful?” was published. Due to intemperance he sank from a position that gave him notoriety in the elements of musical force in the metropolis. He composed tunes, canticles, and motets. He died destitute in a hospital at Wandsworth, London. No information found regarding family. John Perry

Thomas J. Potter

1828 - 1873 Person Name: T. J. Potter Hymnal Number: 196 Author of "Brightly gleams our banner" in The Canadian Hymnal Potter, Thomas Joseph, was born at Scarborough in 1827, and joined the Roman Catholic Church in 1847, and subsequently took Holy Orders. For many years he filled the Chair of Pulpit Eloquence and English Literature in the Foreign Missionary College of All Hallows, Dublin. He published The Spoken Word; or, The Art of Extemporary Preaching; Sacred Eloquence, or, The Theory and Practice of Preaching; and The Pastor and his People; together with several tales. He translated the Vesper hymns in the Catholic Psalmist; contributed to the Holy Family Hymns, 1860; and published Legends, Lyrics, and Hymns, 1862. His most widely-known hymn is "Brightly gleams our banner" (q.v.). Several of his hymns and translations are in use in Roman Catholic hymnbooks for Missions and Schools. He died at Dublin in 1873. --John Julian, Dictionary of Hymnology (1907) ================ Potter, T. J., p. 901, ii., was b. June 9, 1828 (not in 1827), ordained 1857, and died Aug. 31, 1873. The hymn:— O! yet, once more, in Britain's isle [For the Conversion of England], in the Arundel Hymns, 1902, is stanzas 30, 31, 34, 35, 36 of a piece inhis Legends, Lyrics and Hymns, 1862. It is entitled "The Definition of the Immaculate Conception: or England and Rome," and marked as “Written several years ago .. to be spoken at the Feast of Languages, which is annually celebrated in the Propaganda College at Rome, on the Festival of the Epiphany, . . . now published for the first time." [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Mrs. E. Johnson

Hymnal Number: 53 Author of "Oh, then to the Rock let me fly" in The Canadian Hymnal

Joshua Gill

Person Name: J. Gill Hymnal Number: 38 Author of "In sorrow he's my comfort, in trouble he's my stay" in The Canadian Hymnal Late 19th Century A minister, Gill’s works include: Sacred Melodies: Nos. 1 and 2 Combined (editor with Edward Avis) (Boston, Massachusetts: McDonald & Gill, 1886) Songs of Joy and Gladness, with William McDonald, John Sweney & William Kirkpatrick (Boston, Massachusetts: McDonald & Gill, 1886) The Voice of Triumph (Boston, Massachusetts: McDonald & Gill, 1894) Songs of Redemption (Boston, Massachusetts: Christian Witness Company, 1899) Hymns of Grace & Glory, with Henry Gilmour & William Kirkpatrick (Cleveland, Ohio: Evangelical Publishing House, 1901) --www.hymntime.com/tch/