Person Results

Switch back to the old search page.Advanced Search

Showing 31 - 40 of 48Results Per Page: 10 20 50

Alexander Campbell

1788 - 1866 Hymnal Number: d120 Author of "There is a land of pleasure, Where streams of joy forever roll" in Conference Hymns, Selected and Original. 3rd ed. Campbell, Alexander. (Ballymena, County Antrim, Ireland, September 12, 1788--March 4, 1866, Bethany, West Virginai). Disciple. Grew up in the Irish branch of the splinter-group off of the Church of Scotland (Anti-burgher Seceder Church); studied a year at the University at Glasgow, while en route to the U.S. to join his father, Thomas Campbell. Both men having individually left the Seceder group (1809), and subsequently having accepted the necessity of immersion as the proper mode of baptism, they and their growing group of "Reformers" were accepted into membership in a Baptist association in the (West) Virginia-Pennsylvania-Ohio area in 1813; they were separated from the Baptists in 1830; in 1832, the Campbell group merged with a Kentucky group known simply as "Christians;" out of the Campbell-Stone merger came the mid-twentieth-century denomination know as the International Convention of Christian Churches (Disciples of Christ) as well as the non-instrumental-music Churches of Christ. Campbell compiled Psalms, Hymns, and Spiritual Songs for his followers in 1828; after the merger mentioned above he helped combine the various existing books, contributing six original hymns to the resulting Christian Hymn Book of 1835. (None of these original hymns has survived in 20th-century Disciple collections.) Elected president of the first national Disciple convention, 1849. He maintained direct control over the Brotherhood's official hymnal until 1864, when he turned it over to the Convention, with the understanding that the committee to revise the next edition (dated 1865) be approved by him and the convention. Although as a hymn-writer he seems to have had little permanent success, he must have exerted a strong stabilizing influence on the hymnody of the Disciples well beyond his own lifetime. --George Brandon, DNAH Archives

John A. Granade

1763 - 1807 Hymnal Number: d6 Author of "Arise and shine, O Zion fair" in Conference Hymns, Selected and Original. 3rd ed. Born: 1770, New Bern County, North Carolina. Died: December 6, 1807, Sumner County, Tennessee. After a period of desperate depression, Granade came to Christ in 1800 at a Presbyterian camp meeting at Desha’s Creek, Sumner County, Tennessee. Ordained a Methodist circuit riding preacher, Granade was referred to by the Nashville Banner as the "wild man of Goose Creek" (Sumner County, Tennessee) and was also variously known as "the poet of the backwoods" and "the Wild Man of Holston." Granade worked in part in the world of shape-note singing in the Shenandoah Valley, where a variety of musical sources, both sacred and profane, were at play. His works include: Pilgrim’s Songster (Lexington, Kentucky: 1804) --www.hymntime.com/tch/ ========================= Granade, John Adam (ca. 1763--1807, Wilson County, Tennessee). A Methodist circuit rider, admitted at a session of the Western Conference, 1 October 1801 at Ebenezer, Tenn. For three years he rode the Green, Holston, and Hinckstone circuits. He then settled in southwest Tennessee as a physician-farmer. He had a number of campmeeting hymns in Thomas Hinde's Pilgrim Songster (Cincinnati, 1810) whose preface states: " . . . our two western bards Mr. John A. Granade and Caleb J. Taylor, composed their songs during the great revivals of religion in the states of Kentucky and Tennessee about 1802-1804." --Leonard Ellinwood, DNAH Archives

Jonathan Evans

1748 - 1809 Hymnal Number: d39 Author of "Hark, the voice of love and mercy" in Conference Hymns, Selected and Original. 3rd ed. Evans, Jonathan, born at Coventry in 1748 or 1749. He was the son of a working man, and as a youth was employed in a ribbon manufactory. About 1778 he joined the congregation at Coventry, over which the Rev. G. Burder was pastor. He began preaching at Foleshill, near Coventry, in 1782, and in 1795 he began his stated ministry there, retaining the same to his death on Aug. 31, 1809. Two biographical notices of him appeared in the Evangelical Magazine (Oct. 1809, and March 1847), and also several of his hymns. Two of his hymns appeared in Burder's Collection, 1784, and another in the 2nd edition the same year. His best known hymns are, "Come, Thou soul-transforming Spirit,” and "Hark! the voice of love and mercy;" q.v. He published no poetical work or collection of hymns. -- John Julian, Dictionary of Hymnology (1907)

Parley Parker Pratt

1807 - 1857 Hymnal Number: d126 Author of "To leave my dear friends, and with [from] my neighbors [kindred] to depart" in Conference Hymns, Selected and Original. 3rd ed.

James Boden

1757 - 1841 Hymnal Number: d66 Author of "Jesus, dear name, how sweet it [the] sound(s)" in Conference Hymns, Selected and Original. 3rd ed. Boden, James, was born April 13, 1757, in the house at Chester long occupied by Matthew Henry, and educated for the Congregational Ministry at Homerton College. In 1784 he became the pastor of the Independent Chapel, Hanley; and, in 1796, of the Queen's Street Chapel, Sheffield. This last charge he held for nearly 43 years. He died at Chesterfield, June 4, 1841. In 1801 he assisted Dr. Williams, of the Masborough Theological College, near Sheffield, in compiling A Collection of above Six Hundred Hymns designed as a New Supplement to Dr. Watts's Psalms & Hymns, &c, Doncaster, 1801. This collection is known as Williams and Boden, and to it is traced the anonymous modern version of "Jerusalem, my happy home" (q.v.). To this collection Boden contributed, under the signature "Boden” the following hymns:— 1. Bright source of everlasting love. Charity Sermon. 2. Come, all ye saints of God. Passiontide. 3. Come death, released from dread. Death. 4. Our great High Priest we sing. Christ the H. Priest. 5. Shall sin, that cruel foe? Lent. 6. Triumphant sing ye favoured [ransom'd] saints. Jesus, all in all. 7. We come, dear Jesus, to Thy throne. Prayer Meeting. Of these hymns, No. 1 appeared in the Evangelical Magazine Aug., 1798. Most of them are still in common use, but chiefly in America. They are of no special merit. In the Gospel Magazine, 1777, there are a few hymns under the signature "J-----s B-----n, Chester." Of these, one only (8), "Ye dying sons of men" [Invitation), was given in the Williams and Boden Collection, and then, not with the full signature of "Boden," but as by “B___." On this evidence mainly the hymn has been ascribed to James Boden. It appeared in the Gospel Magazine twice in 1777, in Feb. and in Aug. It may be by our author; but seeing that it alone of the eight hymns above noted is signed "B-----," and was given in the Gospel Magazine in 1777, and that the rest are signed "Baden," and did not appear in the Gospel Magazinein 1777, or in any other year, we regard the evidence as somewhat inconclusive. It has been suggested that possibly the "J-----s B-----n, Chester," was his father. The signatures appended to the hymns in the 1st edition of Williams & Boden, 1801, were omitted from the 2nd edition, 1803, and portions of the Preface were rewritten. -- John Julian, Dictionary of Hymnology (1907)

Edmund Jones

1722 - 1765 Hymnal Number: d17 Author of "Come, humble sinner, in whose breast" in Conference Hymns, Selected and Original. 3rd ed. Jones, Edmund, son of the Rev. Philip Jones, Cheltenham, was born in 1722, and attended for a time the Baptist College at Bristol. At the age of 19 he began to preach for the Baptist Congregation at Exeter, and two years afterwards he became its pastor. In 1760 he published a volume of Sacred Poems. After a very-useful ministry he died April 15, 1765. From an old manuscript record of the Exeter Baptist Church, it appears that it was under his ministry in the year 1759, that singing was first introduced into that Church as a part of worship. As a hymn-writer he is known chiefly through:— Come, humble sinner, in whose breast. This hymn appeared in Rippon's Baptist Selection, 1181, No. 355, in 1 stanza of 4 lines, and headed, "The successful Resolve—'I will go in unto the King,' Esther iv. 16." It has undergone several changes, including:— 1. "Come, sinner, in whose guilty breast." In the Methodist Free Church Sunday School Hymn Book, 1860. 2. “Come, trembling sinner, in whose breast." This is in a great number of American hymn-books. 3. “Come, weary sinner, in whose breast." Also in American use. Miller, in his Singers & Songs of the Church, 1869, p. 333, attributes this hymn to a Welsh Baptist hymn-writer of Trevecca, and of the same name. Rippon, however, says in the first edition of his Selection that Edmund Jones, the author of No. 333, was pastor of the Baptist Church at Exon, Devon. This decides the matter. [Rev. W. R. Stevenson, M.A.] --John Julian, Dictionary of Hymnology (1907) ================ Jones, Edmund, p. 605, ii. In The Church Book, by L. W. Bacon, N. Y., 1883, No. 279 begins with stanzas ii. of Jones's hymn, "Come, humble sinner, &c," and begins:—"I'll go to Jesus, though my sin." Also note that in that article the words “author of No. 333," should read "author of No. 355." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

John Blain

1795 - 1879 Hymnal Number: d82 Author of "My Christian friends in bonds of love, whose hearts" in Conference Hymns, Selected and Original. 3rd ed. Blain, John. (Fishkill, New York, February 14, 1795--December 26, 1879, Mansfield, Massachusetts). Baptist. Studied at Fairfield (New York) and Middlebury (New York) academies. Pastored for nearly sixty years in : Auburn, New York City, York, and Syracuse, New York; Pawtucket and Central Falls, Rhode Island; New London, Connecticut; Charlestown and Mansfield, Massachusetts. He was also an evangelist and baptized about three thousand persons. He gave large sums to missions while living, and willed his property to home and foreign missions. The one hymn for which Blain is remembered is a parting hymn written in 1818, and published in the Original and Selected Reformation Hymns and Spiritual Songs (1829). Comprising twelve stanzas, the hymn begins: My Christian friends in bonds of love, Whose hearts in sweetest union prove; Your friendship's like a drawing band, Yet we must take the parting hand. A part of this hymn, altered by Rev. H.L. Hastings, later appeared in Songs of Pilgrimage (1886). Paul R. Powell (?), DNAH Archives

David Denham

1791 - 1848 Hymnal Number: d80 Author of "Mid [midst] scenes of confusion and creature complaints" in Conference Hymns, Selected and Original. 3rd ed. Denham, David, born 1791, was the son of Thos. Denham, a Baptist minister in the East of London. He began to preach when very young, and in 1810 became pastor of the Baptist Church at Horsell Common. In 1816 removed to Plymouth, in 1826 to Margate, and in 1834 to the Baptist Church in Unicorn Yard, Tooley Street, Southward. Ill-health compelled him to resign his charge in London, and he sojourned for a time at Cheltenham and Oxford. He died in 1848 at Yeovil, in Somerset, and was buried in Bunhill Fields Burial Ground, London. In 1837 he published a collection of hymns, as:— The Saints' Melody. A New Selection of upwards of One Thousand Hymns, Founded upon the Doctrines of Distinguishing Grace, and adapted to every part of the Christian's experience and devotion in the Ordinances of Christ, &c, 1837. This edition contained 1026 hymns. This number was subsequently increased to 1145 hymns. This Selection is still in common use in more than one hundred congregations in Great Britain and the colonies. Denham's hymns, all of which are signed "D. Denham," are numerous. There is also one, apparently by his wife, "Mrs. M. A. Denham." Outside of his own Selection his hymns are rarely found. The best known is "'Mid scenes of confusion and creature complaints." [Rev. W. R. Stevenson, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Richard Burdsall

1735 - 1824 Hymnal Number: d116 Author of "The voice of free grace cries escape" in Conference Hymns, Selected and Original. 3rd ed. Burdsall, Richard, for many years a Wesleyan minister, was born in 1735, and died in 1824. To his Memoirs, published at York, n.d., is appended a hymn beginning, "Now Christ He is risen, the Serpent's head is bruised." The hymn “The voice of free grace cries—'Escape to the mountain,'" begins with stanza ii. of this hymn, but with alterations. In some American hymnals, including Hatfield's Church Hymn Book, 1872, Burdsall's two stanzas are expanded into five, but by whom we cannot say. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Christian F. H. Sachse

1785 - 1860 Hymnal Number: d25 Author of "Come, trembling soul [souls] [ones], forget your fear [fears]" in Conference Hymns, Selected and Original. 3rd ed. Sachse, Christian Friedrich Heinrich, D.D., was born July 2, 1785, at Eisenberg, Sachse-Altenburg, where his father was cantor, and also master in the town school. In the years 1804-1807 he was a student at the University of Jena (D.D. from Jena 1841), and was, thereafter, for some time, a private tutor at Kleinlauchstedt, near Merseburg. In 1812 he became diaconus at Meuselwitz, near Altenburg. He was appointed, in 1823, Court preacher at Altenburg; and also, in 1831, Consistorialrath. After 1849 he had many trials to endure, for seven children and his wife predeceased him, leaving him only one daughter; while his bodily infirmities compelled him, in 1859, to give up his duties in the consistory, and, in Feb. 1860, to resign even his work as Court preacher. He died at Altenburg, Oct. 9, 1860 (Koch, vii. 22; O. Kraus, ed. 1879, p. 418, &c). By his earlier hymns, published in 1817, in connection with the Tercentenary of the Reformation, Sachse had a share in the reawakening of Churchly life among the Lutherans. The more important of his other hymns appeared in his Geistliche Gesänge zum Gebrauch bei Beerdigungen und bei der Todtenfeier, Altenburg, 1822 [Hamburg Library]; and were written, to be used at funerals, during his resi¬dence at Meuselwitz; or for use at the special service introduced there in 1819, and held in memory of the departed, on the evening of the last day of the year. A number of his later hymns, together with selections from his secular poems, were published posthumously, as his Gedicht, Altenburg, 1861. A considerable number of his hymns passed into the Hamburg Gesang-Buch, 1842, Leipzig Gesang-Buch 1844, and other German hymn-books, prior to 1870. Those of Sachse's hymns which have been translated into English are:— i. Wohlan! die Erde wartet dein. Burial. First published, 1822, as above, No. 2, p. 5, in 8 st. of 4 1., entitled, "At the Grave.” Included in Knapp's Evangelischer Lieder-Schatz, 1837, No. 3375 (1865, No. 2947), altered, and beginning, "Lebwohl! die Erde wartet dein." The translation in common use is:— Beloved and honoured, fare thee well! This is a full and good translation by Miss Borthwick, in Hymns from the Land of Lutehr, 3rd Ser., 1858, p. 56 (1884, p. 176… ii. Wohlauf, wohlauf zum letzten Gang. Burial. First published, 1822, as above, No. i., p. 3, in 17 stanzas of 5 1ines, entitled "Hymn during the funeral proces¬sion." Stanzas i.-v. seem to have been meant to be sung at the house of mourning; st. vi.-xiv., on the way to the churchyard ; and st. xv.-xvii., at the entrance to the "place of peace." It was sung at his own funeral in 1860…. Of this hymn, the late Dr. James Hamilton, in an article in the Family Treasury, 1860, pt. i., p. 116), wrote thus:— On behalf of England, we have sometimes envied the brighter hope--the look of Easter Morning-—which seems to linger still in Luther's land. With its emblems, suggestive of resurrection and heaven, its churchyard is not a Pagan burial ground, but the place where believers sleep,—-a true cemetery, to which friendship can find it pleasant to repair and meditate. At the obsequies of Christian brethren, it is not a funeral knell which strikes slowly and sternly; but from the village steeple there sheds a soft and almost cheerful requiem; and though there may be many wet eyes in the procession, there are not many of the artificial insignia of woe, as the whole parish convoys the departed to his 'bed of peaceful rest.’ Once, in the Black Forest, we accompanied to the ‘place of peace,' an old man's funeral, and there still dwells on our ear the quaint and kindly melody which the parishioners sang along the road; and we have sometimes wished that we could hear the like in our own land [Scotland], with its sombre and silent obsequies." The translation in common use is:— Come forth! come on, with solemn song. A good translation of st. i.-iii., v., xv.-xvii., by Miss Borthwick, in Hymns from the Land of Luther, 2nd Ser., 1855, p. 68 (1884, p. 126). … Other translations are: — (1) "Happy the man who seeks the prize "(st. vi.). By Dr. H. Mills, 1845 (1856, p. 236). (2) "Neighbour, accept our parting song." By Dr. James Hamilton, in the Family Treasury, p. 116, as above; and sung at his own funeral in 1867. (3) "O corpse, thy dwelling's now without." By Dr. G. Walker, 1860, p. 110. (4) “Come forth, move on, with solemn song." In the Christian Examiner, Boston, U.S., Nov. 1860, p. 414. Another hymn, partly by Sachse, is:— iii. Der Herr der Ernte winket. Burial. First published, 1822, as above, No. vi., p. 11, in 6 st. of 8 1., entitled, "At the funeral of an aged person." … [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)