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W. Wheal

1690 - 1727 Person Name: W. Wheall Hymnal Number: 324 Composer of "BEDFORD" in University Hymns William Wheal (Weale) c. 1690-1727 was the organist at St. Paul's, Bedford. He graduated with a Bachelor's in Music from Cambridge in 1719. The tune BEDFORD appeared in the "Psalm Singer's Magazine" of 1729, but it was probably first published earlier. It appears in The Divine Musick Scholars Guide by Francis Timbrell, which has an unknown date of publication, but copies found in personal libraries have dates beginning in 1723. Dianne Shapiro, from "The Musical Times" Vol. 49, #781 (Mar. 1, 1908) pp. 165-169

Benjamin Cleveland

1733 - 1811 Hymnal Number: 205 Author of "O could I find from day to day" in University Hymns Cleveland, Benjamin. Probably a Baptist, but known only by his Hymns on Different Spiritual Subjects, in Two Parts, whereof the 4th ed. appeared in Norwich, Connecticut, 1792. He is the author of:— 0 could I find from day to day. [Longing for Christ.] This was preserved from oblivion by the Hartford Selection 1799, and is now in general use as altered and abridged to 4 stanzas by Nettleton, in his Village Hymns, 1824, No. 145. What is supposed to be the original text of the first four stanzas is found in Dr. Hatfield's Church Hymn Book, 1872, No. 876. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907) ============================ Cleveland, Benjamin. (Windham, Connecticut, August 30, 1733--March 9, 1811, Horton [now Wolfville], Nova Scotia). Baptist. Son of Benjamin Cleveland. The name is sometimes spelled "Cleavland" or "Cleaveland" in family records. He was a layman and a Baptist deacon; little else is known of his life except that of his twelve children, one, Nathan Cleveland, became a Baptist minister. He published in 1792 his Hymns on Different Subjects. In Two Parts in Norwich, Connecticut. His hymn, "O could I find from day to day," was widely reprinted through most of the nineteenth century. In his 1792 collection, it had six stanzas. Joshua Smith reprinted it in 1797, and it was altered for the Hartford Selection of 1799. Asahel Nettleton abridged it to four stanzas and altered it for his Village Hymns in 1824. It was in this form that it was widely sung; it was reprinted in the same for in Edwin Francis Hatfield's Church Hymn Book, 1872. the original first four stanzas treat the desire to "find from day to day a nearness to my God" throughout the course of life, ending in stanza 4 "Thus, till my last expiring breath, Thy goodness I'll adore . . ." --Thomas W. Hunt, DNAH Archives

Eliza Scudder

1821 - 1896 Hymnal Number: 144 Author of "Thou grace divine, encircling all" in University Hymns Scudder, Eliza , niece of Dr. E. H. Sears, (q.v.), was born in Boston, U.S.A., Nov. 14,1821, and now (1888) lives in Salem, Massachusetts. Formerly an Unitarian, she some time ago joined the Protestant Episcopal Church. Her hymns in common use are:— 1. From past regret and present[faithlessness] feebleness . Repentance. In the Quiet Hours, Boston, 1875. 2. I cannot find Thee! Still on restless pinion . Seeking after God. Appeared in Longfellow and Johnson's Unitarian Hymns of the Spirit, 1864. 3. In Thee my powers and treasures live. Faith. 4. Life of our life, and light of all our seeing! Prayer. In the Boston Quiet Hours, 1875. 5. The day is done; the weary day of thought and toil is past. Evening. In Sermons and Songs of the Christian Life, by E. H. Sears, Boston, 2nd ed.,1878, p. 296, entitled "Vesper Hymn," and dated "October, 1874." This is possibly her finest hymn. 6. Thou grace divine, encircling all . Divine Grace. Appeared in Dr. E. H. Sears's Pictures of the Olden Time, as shown in the Fortunes of a Family of Pilgrims, 1857. It was written in 1852, and included in the Boston Hymns of the Spirit, 1864. It has sometimes been taken as "An Ancient Catholic Hymn" (Universalist's Psalms & Hymns 1865), but in error. 7. Thou long disowned, reviled, oppresst. The Spirit of Truth. In the Boston Hymns of the Spirit, 1864. Of these hymns, Nos. 2, 6, and 7 are in Dr. Martineau's Hymns, 1873. Some of Miss Scudder's poetical pieces appeared in Dr. Sears's Monthly Religious Magazine. Her Hymns and Sonnets, by E. S., were published by Lockwood, Brooks & Co., Boston, 1880. From this her hymn "Thou hast gone up again" (Ascension), is taken. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907) ==================== Scudder, Eliza, pp. 1035, L, 1589, i. Miss Scudder died in 1896. Her Hymns & Sonnets, with biographical notes, &c, by Horace E. Scudder, was published by Houghton & Mifflin, 1897. In The Pilgrim Hymnal, 1904, the hymn," Thou Life within my life," begins with st. ii. of "From past regret and present [faithlessness] feebleness," p. 1035, i. 1), which was written in Feb. 1871. Another of Miss Scudder's hymns is “ Let whosoever will enquire" (New Heaven), from which "My God, I rather look to Thee," in Horder's Worship Song, 1905, is taken. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Richard Goodson

1655 - 1718 Person Name: R. Goodson Hymnal Number: C5 Composer of "[O come, let us sing unto the Lord: let us heartily rejoice in the strength of our salvation]" in University Hymns

Gioacchino A. Rossini

1792 - 1868 Person Name: Rossini Hymnal Number: 194 Composer of "MANOAH" in University Hymns Gioacchino A. Rossini; b. 1792, Pesaro; d. 1868, Ruelle near Parise Evangelical Lutheran Hymnal, 1908

Heinrich Isaac

1450 - 1517 Hymnal Number: 54 Composer of "INNSBRUCK" in University Hymns Heinrich Isaac; b. about 1450, Germany; organist in Florence, Italy; supposed to have died there abour 1517 Evangelical Lutheran Hymnal, 1908

Hugh R. Haweis

1838 - 1901 Person Name: Hugh Reginald Haweis Hymnal Number: 339 Author of "The homeland, O the homeland" in University Hymns Born: April 3, 1838, Egham, Surrey, England. Died: January 29, 1901, St. Marylebone, London, England. Haweis’ father was John Oliver Willyams Haweis, Canon of Chichester. Hugh attended Trinity College, Cambridge, and after graduation served under Garibaldi in the Italian war of independence. He was ordained in 1861 and was curate at Bethnal Green, Westminster and Stepney. In 1866, he became perpetual curate at St. James, Marylebone. His works include: Music and Morals, 1871 My Musical Life, 1884 Travel and Talk, 1897 Old Violins, 1898 --www.hymntime.com/tch

William Hayes

1706 - 1777 Person Name: W. Hayes Hymnal Number: C15 Composer of "[O be joyful in the Lord all ye lands: serve the Lord with gladness]" in University Hymns William Hayes (26 January 1708 (baptised) – 27 July 1777) was an English composer, organist, singer and conductor. Hayes was born in Gloucester. He trained at Gloucester Cathedral and spent the early part of his working life as organist of St Mary’s, Shrewsbury (1729) and Worcester Cathedral (1731). The majority of his career was spent at Oxford where he was appointed organist of Magdalen College in 1734, and established his credentials with the degrees of B.Mus in 1735 and D.Mus in 1749. (He was painted by John Cornish in his doctoral robes around 1749.) In 1741 he was unanimously elected Professor of Music and organist of the University Church. He presided over the city’s concert life for the next 30 years, and was instrumental in the building of the Holywell Music Room in Oxford in 1748, the oldest purpose-built music room in Europe. He was one of the earliest members of the Royal Society of Musicians, and in 1765 was elected a ‘privileged member’ of the Noblemen’s and Gentlemen’s Catch Club. He died in Oxford, aged 69. William Hayes was an enthusiastic Handelian, and one of the most active conductors of his oratorios and other large-scale works outside London. His wide knowledge of Handel left a strong impression on his own music, but by no means dominated it. As a composer he tended towards genres largely ignored by Handel—English chamber cantatas, organ-accompanied anthems and convivial vocal music—and his vocal works show an English preference for non-da capo aria forms. Hayes also cultivated a self-consciously ‘learned’ polyphonic style (perhaps inspired by his antiquarian interests) which can be seen in his many canons, full-anthems, and the strict fugal movements of his instrumental works. Nevertheless, several of his late trio sonatas show that he was not deaf to newly emerging Classical styles. Although he published virtually none of his instrumental music, his vocal works were extremely popular, and the printed editions were subscribed to by large numbers of amateur and professional musicians. Substantial works like his ode The Passions, the one-act oratorio The Fall of Jericho, and his Six Cantatas demonstrate that Hayes was one of the finest English composers of the eighteenth century. As a writer, his Art of Composing Music includes the first published description of aleatoric composition—music composed by chance—albeit deliberately satirical in intent. In his Remarks he reveals much about his aesthetic outlook: in particular that he valued the music of Handel and Corelli over that of Rameau, Benedetto Marcello and Geminiani. Finally, the Anecdotes offer insights into the organization of provincial music festivals in the mid-eighteenth century. Hayes bequeathed his important and wide-ranging music library to his son Philip Hayes; the manuscripts of both father and son eventually passed to the Bodleian Library, Oxford, in 1801. Sacred works The Fall of Jericho, oratorio, c. 1740–50 Sixteen Psalms (London, 1773) David, oratorio, completed by Philip Hayes around 20 anthems and service music, in Cathedral Music in Score, edited by Philip Hayes (Oxford, 1795) --en.wikipedia.org/wiki