Person Results

Switch back to the old search page.Advanced Search

Showing 21 - 30 of 127Results Per Page: 10 20 50

Leopold Franz Friedrich Lehr

1709 - 1744 Person Name: Leopold F. Lehr Scripture: Luke 15:2 Author of "My Savior Sinners Doth Receive" in The Lutheran Hymnal Lehr, Leopold Franz Friedrich, son of Johann Jakob Lehr, Hofrath at Cronenburg (Cronberg, Kronberg), near Frankfurt-am-Main, was born at Cronenburg, Sept. 3, 1709, and entered the University of Jena in 1729, In 1730 he went to Halle to study under J. J. Rambach and G. A. Francke; and here he also acted as tutor to the children of J. A. Freylinghausen, and conducted devotional meetings at the Orphanage. In July 1731 he became a tutor at Cöthen (Köthen) to the princesses of Anhalt-Cöthen, and held this post till 1740, when he was appointed diaconus of the Lutheran church at Cöthen. While on a visit to his father-in-law at Magdeburg he was seized with fever, and died there, Jan. 26, 1744. (Koch, vi. 446, &c.) Lehr's hymns are full of love to Christ and of the wonders of the redeeming grace of God. They are allied to those of Allendorf (q.v.), and were also mostly contributed to the Cöthnische Lieder (p. 50, ii.). of which he was joint editor. In 1757 they were edited along with his other poetical works as his Himlisches Vergnügen in Gott und Christo, Halle, 1757. [Wernigerode Library] by Samuel Helmich, then court preacher at Glückstadt, Holstein, who had married Lehr's widow. Those which have passed into English are:— i. Mein Heiland nimmt die Sünder an. Lent, or The Friend of Sinners. Written in 1731 or 1732 as a companion to the hymn "Jesus nimmt die Sünder an" [see Neumeister]. First published in the Einige geistreiche Lieder, Cöthen, 1733, No. 9, in 11 stanzas of 10 lines, entitled "Luke xv. 2. This Jesus receiveth sinners and eateth with them." Included in J. J. Rambach's Haus Gesang-Buch 1735, No. 264, the Berlin Geistlicher Lieder Schatz, ed. 1863, No. 114, &c. The translations are:— (1) "My Saviour sinners doth receive, Whom with sin's." This is No. 217 in the Moravian Hymn Book, 1789. In the ed. of 1886, No. 258 begins with st. viii., "Come, all that heavy laden are." (2.) "My Saviour sinners doth receive, Whom under burden," by Dr. John Ker in the United Presbyterian Juvenile Missionary Magazine, May, 1858. ii. So hab' ich nun den Pels erreichet. The Rock of Ages. 1733 as above, No. 4, in 6 stanzas of 10 lines, entitled " Is. xxvi. 4. The Lord is a rock for ever " (so Luther's version). In Rambach's Haus Gesang-Buch, 1735, No. 303, and the Berlin Geistlicher Lieder Schatz. ed. 1863. The translations are:— (1) "I now have found the Rock of Ages," by Dr. H. Mills, 1845 (1856, p. 84). (2) "I have at last attained the Rock," by Mitt Warner, 1869, p. 34. iii. Was hinket ihr, betrogne Seelen. Confirmation. An exhortation to true and whole-hearted earnestness, founded on 1 Kings xviii. 21. 1733 as above, No. 1, in 12 stanzas of 6 lines, and the refrain "Hindurch." In J. J. Rambach's Haus Gesang-Buch, 1735, No. 338, and the Unverfälschter Liedersegen 1851, No. 345. Translated as:— “Why haltest thus, deluded heart," by Miss Winkworth, 1855, p. 142 (1856, p. 143, beginning "Why halt thus, O deluded heart"). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Ronald F. Krisman

Person Name: Ronald F. Krisman, n. 1946 Scripture: Luke 15:3-6 Translator of "Corazón Santo (Heart of Christ Jesus)" in Oramos Cantando = We Pray In Song

John L. Bell

b. 1949 Person Name: John L. Bell, b. 1949 Scripture: Luke 15:1-2 Author of "Sing hey for the carpenter leaving his tools!" in Singing the Faith John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal: "I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)] That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications. Emily Brink

Graham Maule

1958 - 2019 Person Name: Graham Maule, b. 1958 Scripture: Luke 15:1-2 Author of "Sing hey for the carpenter leaving his tools!" in Singing the Faith

John Wyeth

1770 - 1858 Person Name: John Wyeth, 1770-1858 Scripture: Luke 15:3-7 Composer of "NETTLETON" in The Covenant Hymnal

Randall Keith DeBruyn

b. 1947 Person Name: Randall DeBruyn, b. 1947 Scripture: Luke 15:3-7 Arranger of "ST. COLUMBA" in Glory and Praise (3rd. ed.)

Jessie Seymour Irvine

1836 - 1887 Person Name: Jesse Seymour Irvine, 1836-1887 Scripture: Luke 15 Composer of "CRIMOND" in Common Praise (1998) Jessie Seymour Irvine United Kingdom 1836-1887. Born at Dunnottar, Kincardineshire, Scotland, the daughter of a parish minister of the Church of Scotland who served at Dunottar, Peterhead, and Crimond in Aberdeenshire, she became an organist, in training at the town of Banff. In 1871, while living in Crimond, she composed a tune for the metrical version of Psalm 23 as an exercise for a composition class. It was first performed at evening worship at Auchterless Parish Church. Not satisfied with her own work, she asked for help to reharmonize it from musician, David Grant, from Aberdeen. At the time, Grant was collaborating with associates compiling hymns and metrical Psalms from across north Scotland intending to publish them in a new hymnal. “The Northern Psalter” was published in 1872, became popular, and over 70,000 copies were sold. For years the hymn tune was credited to Grant, but Jessie’s sister wrote a letter to the hymnal editors claiming her sister wrote the tune, harmonized by Grant. She is now credited by most as the original composer. She died in Aberdeen, Scotland. She is commemorated by a set of four etched glass panels installed inside Crimond Parish Church in 2002. The hymn was played at Princess Elizabeth’s wedding (later Queen Elizabeth) to Philip Mountbatten in 1947. John Perry

T. C. L. Pritchard

1885 - 1960 Person Name: Thomas C. L. Pritchard, 1885-1960 Scripture: Luke 15 Harmonizer of "CRIMOND" in Common Praise (1998) Thomas Cuthbertson Leithead Pritchard

Horatius Bonar

1808 - 1889 Person Name: Rev. Horatius Bonar (1808-1889) Scripture: Luke 15:3-7 Author of "Lost but found" in Many Voices; or, Carmina Sanctorum, Evangelistic Edition with Tunes Horatius Bonar was born at Edinburgh, in 1808. His education was obtained at the High School, and the University of his native city. He was ordained to the ministry, in 1837, and since then has been pastor at Kelso. In 1843, he joined the Free Church of Scotland. His reputation as a religious writer was first gained on the publication of the "Kelso Tracts," of which he was the author. He has also written many other prose works, some of which have had a very large circulation. Nor is he less favorably known as a religious poet and hymn-writer. The three series of "Hymns of Faith and Hope," have passed through several editions. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 ================================ Bonar, Horatius, D.D. Dr. Bonar's family has had representatives among the clergy of the Church of Scotland during two centuries and more. His father, James Bonar, second Solicitor of Excise in Edinburgh, was a man of intellectual power, varied learning, and deop piety. Horatius Bonar was born in Edinburgh, Dec. 19th, 1808; and educated at the High School and the University of Edinburgh. After completing his studies, he was "licensed" to preach, and became assistant to the Rev. John Lewis, minister of St. James's, Leith. He was ordained minister of the North Parish, Kelso, on the 30th November, 1837, but left the Established Church at the "Disruption," in May, 1848, remaining in Kelso as a minister of the Free Church of Scotland. The University of Aberdeen conferred on him the doctorate of divinity in 1853. In 1866 he was translated to the Chalmers Memorial Church, the Grange, Edinburgh; and in 1883 he was chosen Moderator of the General Assembly of of the Free Church of Scotland. Dr. Bonar's hymns and poems were, he tells us, composed amid a great variety of circumstances; in many cases he cannot himself recall these circumstances; they also appeared in several publications, but nearly all have boen published or republished in the following:— (i) Songs for the Wilderness, 1843-4. (2) The Bible Hymn Book, 1845. (3) Hymns, Original and Selected, 1846. (4) Hymns of Faith and Hope, First Series, 1857; Second Series, 1861; Third Series, 1866. (5) The Song of the New Creation, 1872. (6) My Old Letters, a long poem, 1877. (7) Hymns of the Nativity, 1879. (8) Communion Hymns, 1881. In addition to numerous prose works, he has also edited The New Jerusalem; a Hymn of the Olden Time, 1852, &c. Dr. Bonar's poems—-including many beautiful lyrics, several psalm versions, and translations from the Greek and Latin, a large number of hymns, and a long meditative poem—-are very numerous, too numerous, perhaps, for their permanent fame as a whole. Dr. Bonar's scholarship is thorough and extensive; and his poems display the grace of style and wealth of allusion which are the fruit of ripe culture. Affected very slightly by current literary moods, still less by the influence of other religious poetry, they reveal extreme susceptibility to the emotional power which the phases of natural and of spiritual life exercise; the phases of natural life being recognised chiefly as conveying and fashioning spiritual life, used chiefly for depicting spiritual life, and handled for this purpose with greater delicacy of touch than in the Olney Hymns, and with less conscious purpose than in the Christian Year. As a result of this susceptibility, and from habitual contemplation of the Second Advent as the era of this world's true bliss, his hymns and poems are distinguished by a tone of pensive reflection, which some might call pessimism. But they are more than the record of emotion; another element is supplied by his intellectual and personal grasp of Divine truth, these truths particularly:—The gift of a Substitute, our Blessed Saviour; Divine grace, righteous, yet free and universal in offer; the duty of immediate reliance upon the privilege of immediate assurance through that grace; communion with God, especially in the Lord's Supper, respecting which he insists on the privilege of cherishing the highest conceptions which Scripture warrants; and finally, the Second Advent of our Lord: by his vigorous celebration of these and other truths as the source and strength of spiritual life, his hymns are protected from the blight of unhealthy, sentimental introspection. To sum up: Dr. Bonar's hymns satisfy the fastidious by their instinctive good taste; they mirror the life of Christ in the soul, partially, perhaps, but with vivid accuracy; they win the heart by their tone of tender sympathy; they sing the truth of God in ringing notes; and although, when taken as a whole, they are not perfect ; although, in reading them, we meet with feeble stanzas, halting rhythm, defective rhyme, meaningless Iteration; yet a singularly large number have been stamped with approval, both in literary circles and by the Church. In Great Britain and America nearly 100 of Dr. Bonar's hymns are in common use. They are found in almost all modern hymnals from four in Hymns Ancient & Modern to more than twenty in the American Songs for the Sanctuary, N. Y., 1865-72. The most widely known are, "A few more years shall roll;" "Come, Lord, and tarry not;" "Here, O my Lord, I see Thee face to face;" "I heard the Voice of Jesus say;" "The Church has waited long;" and "Thy way, not mine, O Lord." In addition to these and others which are annotated under their respective first lines, the following are also in common use:— From Songs for the Wilderness, No. 1, 1843. 1. For Thee we long and pray. Sunday Morning. 2. Holy Father, hear my cry. A Child's Prayer. 3. I thought upon my sins and I was sad. Christ our Peace. 4. Peace to the world, our Lord is come. A Millennial Song. 5. Spirit of everlasting grace. The Vision of Dry Bones. ii. From Songs for the Wilderness, No. 2,1844. 6. Ho, ye thirsty, parched and fainting. Invitation. 7. 0 'tis not what we fancied it. The world renounced. 8. Sing them, my children, sing them still. Children exhorted to Praise. 9. Time's sun is fast setting. Advent. 10. Weep, pilgrim, weep, yet 'tis not for the sorrow. Faith. 11. Yes, for me, for me He careth. Christ the Elder Brother . iii. From The Bible Hymn Book, 1845. 12. Jesus, my sorrow lies too deep. Jesus, the Great High Priest. 13. There is a Morning Star, my soul. The Morning Star. 14. This is not my place of resting. Pressing towards heaven. iv. From Hymns, Original and Selected, 1845. 15. Let there be light, Jehovah said. Creation. v. From Hymns of Faith and Hope, 1st series, 1857. 16. Be brave, my brother. The Fight of Faith. 17. Blessed be God, our God. Good Friday. 18. Everlasting praises. Doxology. 19. Go up, go up, my heart. Heavenly aspirations desired. 20. I close my heavy eye. Evening. Sometimes given as "We close our heavy eyes." 21. I see the crowd in Pilate's hall. Good Friday. 22. Jesus, while this rongh desert soil. Strength by the Way. 23. Jesus, Whom angel-hosts adore. The Word made Flesh. From "The Son of God, in mighty love." 24. Make haste, 0 man, to live. Exhortation to lay hold of Life. 25. No seas again shall sever. Heaven. 26. Oppressed with noonday's scorching heat. Shadow of the Cross. 27. Rest for the toiling hand. Burial. From "Lie down, frail body, here." 28. Shall this life of mine be wasted? Exhortation to Duty. 29. These are the crowns that we shall wear. Heaven. 30. Thy works, not mine, O Christ [Lord]. The Sin-bearer. 31. Where the faded flower shall freshen. Heaven. vi. From Hymns of Faith and Hope. 2nd series, 1861. 32. Be still, my soul, Jehovah loveth Thee. Rest in the Love of God. 33. Christ has done the mighty work. Good Friday. 34. Come, mighty Spirit, penetrate. Whitsuntide. 35. Deep down beneath the unresting surge. Burial at Sea. 36. Fear not the foe, thou flock of God [thou little flock]. Battle-Song of the Church. 37. For lack of love I languish. Lent. 38. From this bleak hill of storms. Eternal Rest desired. 39. He liveth long who liveth well. The True Life. 40. Here shall death's triumph end: the rock-barred door. Easter. From "The tomb is empty: wouldst thou have it full." 41. Jesus, Sun and Shield art Thou. Jesus the First and Last. 42. Jesus, the Christ of God. Praise to Christ. 43. Light of the world, for ever, ever shining. Christ the Light of the World. From "Why walk in darkness? Has the dear light vanished?" 44. Make use of me, my God. Duty desired. 45. Not what I am, 0 Lord, but what Thou art. The Love of God. 46. 0 Light of Light, shine in. Cry of the Weary. 47. 0 love of God, how strong and true. Love of God. 48. 0 love that casts out fear. Love of God. 49. 0 strong to save and bless. Lent. 50. 0 this soul, how dark and blind. Lent. 51. Safe across the waters. Thanksgiving at end of a journey. 52. Silent, like men in solemn haste. Pressing onwards. 53. Speak, lips of mine. Exhortation to Praise. 54. The Bridegroom comes. Advent. vii. From Hymns of Faith and Hope. 3rd series, 1866. 55. Bear Thou my burden, Thou Who bar'st my sin. Lent or Passiontide. 56. Done is the work that saves. Easter. 57. Father, our children keep. Prayer on behalf of Children. 58. Fill Thou my life, 0 Lord my God. Life's Praise. 59. Finish Thy work, the time is short. Earnest labour to the end. 60. From the Cross the blood is falling. Good Friday. 61. He called them, and they left. Obedience. 62. Help me, my [0] God to speak. Truth desired. 63. Holy Father, Mighty God. Holy Trinity. 64. How are my troubles multiplied. Ps. iii. 65. How sweetly doth He show His face Flower Service. 66. Light hath arisen, we walk in its brightness. Sustaining power of Faith. 67. Lo, God, our God has come. Christmas. 68. Lord, give me light to do Thy work. Divine guidance desired. 69. No, not despairingly. Lent. 70. Not to ourselves again. Life in Christ, or, Living unto God. 71. Now in parting, Father, bless us. Post Communion. 72. Sounds the trumpet from afar. Battle-Song of the Church. 73. Thee in the loving bloom of morn. God in all. 74. Through good report and evil, Lord. Faithfulness. 75. To Jehovah, God of might. Praise to the Father. 76. To the name of God on high. Doxology. 77. Upward, where the stars are burning. Heavenward Aspirations. 78. We take the peace which He hath won. The Gift of Peace. 79. When the weary, seeking rest. Intercession for all Conditions of Men. viii. From The Song of the New Creation,1872. 80. For the Bread and for the Wine. Holy Communion. 81. Light of life so softly shining. Light of Life. 82. Yet there is room. The Lamb's bright hall of song. Home Missions. ix. From Hymns of the Nativity, 1879. 83. Great Ruler of the land and sea. Sailors' Liturgy. From Communion Hymns, 1881. 84. Beloved, let us love. Brotherly Love. In several instances these hymns are given in an abbreviated form, and sometimes alterations are also introduced. In this latter respect however Dr. Bonar has suffered less than most modern hymn-writers. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907) ==================== Bonar, Horatius, p. 161, i. He died at Edinburgh, July 31, 1889. In 1890 his son published a posthumous volume of his poetical pieces as Until the Day Break and other Hymns and Poems left behind. The following additional hymns are in common use:— 1. Almighty Comforter and Friend. (1866.) Whitsuntide. 2. Father, make use of me. An altered form of No. 44, p. 162, ii. 3. I ask a perfect creed. (1861.) Creed not Opinions. From this is also taken "O True One, give me truth." 4. Long, long deferred, now come at last. Marriage of the Lamb. Part of "Ascend, Beloved, to the joy." (1861.) 5. Nay 'tis not what we fancied it. (1857.) Vanity of the World. 6. No blood, no altar now. (1861.) The Finished Sacrifice. 7. No shadows yonder. (1857.) Heaven Anticipated. 8. Not with the light and vain. (1857.) Godly Companionship. 9. O Love invisible, yet infinite. (1866.) Divine Love. 10. On the great love of God I lean. (1866.) Love of God our Resting-place. 11. On Thee, O Jesus, strongly leaning. (1866.) Fellowship with Christ. 12. Peace upon peace, like wave on wave. (1866.) Divine Peace. 13. Sower divine, sow the good seed in me. (1857.) Heavenly Sowing. 14. Speaketh the sinner's sin within my heart. (1866.) Ps. xxxvi. 15. Still one in life and one in death. (1857.) Communion of Saints. Part of "'Tis thus they press the hand and part." 16. Surely, yon heaven, where angels see God's face. (1857.) Heaven Anticipated. 17. That city with the jewelled crest. (1857.) Heaven. Part of "These are the crowns that we shall wear." Another cento from the same is "Yon city, with the jewelled crest." 18. That clime is not like this dull clime of ours. (1843.) Heaven. 19. The Free One makes you free: He breaks the rod. (1857.) Freedom in Christ. From "Of old they sang the song of liberty." 20. There is a Morning-star, my soul. (1357.) Christ the Morning Star. 21. This is the day of toil. (1866.) Pressing Onwards. 22. Thy thoughts are here, my God. (1866.) Holy Scripture. 23. Till the day dawn. (1857.) Life's Journey. 24. To Him Who spread the skies. (1866.) Creation's Song. 25. Trustingly, trustingly. (1866.) Trust. 26. Unto th' eternal hills. (1866.) Ps. cxxi. The above dates are: 1843, Songs in the Wilderness; 1857, Hymns of Faith and Hope, 1st Series; 1861, same, 2nd Ser. (not 1864); 1866, same, 3rd Ser. (not 1867), The dates 1857, 1864,1867, were given by Dr. Bonar, but the British Museum copies are 1857, 1861, 1866 respectively. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ============== Bonar, H., pp. 161, i.; 1554, i. The Rev. H. N. Bonar, Dr. Bonar's son, published in 1904, Hymns by Horatius Bonar, Selected and Arranged by his Son H. N. Bonar, With a brief History of some of the Hymns, &c. (London: H. Frowde). From this work we must correct the date of his Song of the New Creation to 1872. We have also enriched our pages by additional and expanded notes on several of Dr. Bonar's most widely used hymns. In his biographical notes, Mr. Bonar refers to Dr. Bonar's work as editor of the Quarterly Journal of Prophecy, begun in 1848, to which he contributed a hymn for each number. We find that the number of hymns contributed thereto is 101. With Dr. Bonar's poetical productions great difficulty has been encountered by the historian and annotator because of his absolute indifference to dates and details. It was enough for him that he had written, and that the Church of Christ approved and gladly used what, out of the fulness of his heart, he had given her. --Excerpt from John Julian, Dictionary of Hymnology, New Supplement (1907)

John Zundel

1815 - 1882 Person Name: John Zundel (1815-1882) Scripture: Luke 15:3-7 Composer of "LEBANON" in Many Voices; or, Carmina Sanctorum, Evangelistic Edition with Tunes John Zundel; b. 1815, near Stuttgart, Germany; organist in Brooklyn, N. Y., from 1847 to 1878; d. Cannstadt, Germany, 1882 Evangelical Lutheran Hymnal, 1908