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Ludvig Mathias Lindeman

1812 - 1887 Meter: 8.7.8.7.8.8 Composer of "HERRE, JEG HAR HANDLET ILLE" in The Cyber Hymnal Ludvig M. Lindeman (b. 1812; d. 1887) was a Norwegian composer and organist. Born in Trondheim, he studied theology in Oslo where he remained the rest of his life. In 1839 he succeeded his brother as the organist and cantor of Oslo Cathedral, a position he held for 48 years up until his death. Lindeman was appointed Knight of the Royal Norwegian Order of St. Olav, and was invited to both help christen the new organ in Royal Albert Hall in London, as well as compose for the coronation of King Oscar II and Queen Sophie of Sweden. In 1883, he and his son started the Organist School in Oslo. Lindeman is perhaps best known for his arrangements of Norwegiam folk tales; over the course of his life he collected over 3000 folk melodies and tunes. Laura de Jong

Johan Olof Wallin

1779 - 1839 Person Name: J. O. Wallin Meter: 8.7.8.7.8.8 Author of "To Realms Of Glory I Behold" in American Lutheran Hymnal Johan Olaf Wallin was born at Stora Tuna, in 1779, and early displayed his poetical powers. In 1805, and again in 1809, he gained the chief prize for poetry at Upsala. In the latter year he became pastor at Solna; here his ability as a preacher was so striking that he was transferred to Stockholm, in 1815, as "pastor primarius," a title for which we have no exact equivalent. In 1818 he was made Dean of Westeras, and set about the task of editing a revised hymn-book for the whole of Sweden. This task he completed in 1819, and published it as, Den Swenska Psalmboken, af Konungen gillad och stadfästad (The Swedish hymn-book, approved and confirmed by the King). To it he contributed some 150 hymns of his own, besides translations and recastings; and the book remains now in the form in which he brought it out. It is highly prized by the Swedes, and is in use everywhere. --John Julian, Dictionary of Hymnology, p. 1000 (1907)

Claude Goudimel

1514 - 1572 Person Name: Claude Goudimel, ca. 1514-1472 Meter: 8.7.8.7.8.8 Composer of "GENEVA 42" in Journeysongs (3rd ed.) The music of Claude Goudimel (b. Besançon, France, c. 1505; d. Lyons, France, 1572) was first published in Paris, and by 1551 he was composing harmonizations for some Genevan psalm tunes-initially for use by both Roman Catholics and Protestants. He became a Calvinist in 1557 while living in the Huguenot community in Metz. When the complete Genevan Psalter with its unison melodies was published in 1562, Goudimel began to compose various polyphonic settings of all the Genevan tunes. He actually composed three complete harmonizations of the Genevan Psalter, usually with the tune in the tenor part: simple hymn-style settings (1564), slightly more complicated harmonizations (1565), and quite elaborate, motet-like settings (1565-1566). The various Goudimel settings became popular throughout Calvinist Europe, both for domestic singing and later for use as organ harmonizations in church. Goudimel was one of the victims of the St. Bartholomew's Day massacre of Huguenots, which oc­curred throughout France. Bert Polman

Johann Scheffler

1624 - 1677 Person Name: J. Scheffler Meter: 8.7.8.7.8.8 Author of "Come, Follow Me, The Savior Spake" in American Lutheran Hymnal Used Angelus Silesius as a pen name. See also Angelus Silesius, 1624-1677

Arthur T. Russell

1806 - 1874 Person Name: A. T. Russell Meter: 8.7.8.7.8.8 Author of "Jesus, who for my transgression" in The Lutheran Hymnary Arthur Tozer Russell was born at Northampton, March 20, 1806. He entered S. John's College, Cambridge, in 1824, took the Hulsean Prize in 1825, and was afterwards elected to a scholarship. He was ordained Deacon in 1829, Priest in 1830, and the same year was appointed Vicar of Caxton. In 1852, he was preferred to the vicarage of Whaddon. In 1863, he removed to S. Thomas', Toxteth Park, near Liverpool, and in 1867, to Holy Trinity, Wellington, Salop. He is the editor and author of numerous publications, among them several volumes of hymns. --Annotations of the Hymnal, Charles Hutchins, 1872. ================================= Russell, Arthur Tozer , M.A. He was the son of the Rev. Thomas Clout, who later changed his surname for Russell (Gentlemen’s Magazine, 1848), an Independent or Congregational minister who won for himself a good reputation by editing the works of Tyndale, Frith, Barnes, and Dr. John Owen, &c. He was born at Northampton, March 20, 1806; educated at St. Saviour's School, Southwark, and at the Merchant Taylors' School, London. In 1822-24 he was at Manchester College, York. In 1825 he entered St. John's College, Cambridge, as a sizar, and in his freshman year gained the Hulsean Prize, its subject being, "In what respects the Law is a Schoolmaster to bring men to Christ." In 1829 he was ordained by the Bishop of Lincoln (Kaye), and licensed to the Curacy of Great Gransden, Hunts, and in 1830 was preferred to the Vicarage of Caxton, which he held till 1852. During his ministry here he published the following works: The Claims of the Church of England upon the Affections of the People (1832); Sermons for Fasts and Festivals; A Critique upon Keble's Sermon on Tradition, in opposition. About 1840 appeared his Apology of the Church of England and an Epistle to Seignor Sapio concerning the Council of Trent, translated from the original Latin of Bishop Jewell. About the same time appeared Hymn Tunes, Original and Selected from Ravenscroft and other old Musicians, In 1841 was published A Manual of Daily Prayer. In 1844 Memorials of the Works and Life of Dr. Thomas Fuller…. His first appearance as a hymnwriter was in the 3rd edition of the hymn-book published by his father (1st ed. 1813), and known amongst Congregationalists as Russet's Appendix. In 1847 followed The Christian Life. In 1851 Psalms and Hymns, partly original, partly selected, for the use of the Church of England. … In 1867 he removed to Wrockwardine Wood, Shropshire, where he remained until 1874, when he was presented to the Rectory of Southwick, near Brighton. Here he died after a long and distressing illness, on the 18th of November, 1874. In his earlier years he was an extreme High Churchman, but by the study of St. Augustine his views were changed and he became, and continued to the end, a moderate Calvinist. His original hymns are gracious and tender, thoughtful and devout. His translations on the whole are vigorous and strong, but somewhat ultra-faithful to the original metres, &c. He left behind him a History of the Bishops of England and Wales in manuscript sufficient to form three or four goodly octavos, and numerous MS. Notes on the Text of the Greek Testament; and also a large number of original chants and hymntunes in manuscripts. [Rev. A. B. Grossart, DD. LLD.] Of Russell's hymns a large number are included i Kennedy, 1863, and several also are in a few of the lesser known collections….Of his original hymns, about 140 in all, including those in Dr. Maurice's Choral Hymn Book, 1861, the following are found in a few collections:— 1. Christ is risen! O'er His foes He reigneth. Easter. 2. Give praise to God our King. Praise. 3. Great is the Lord; 0 let us raise. Ps. xlviii. 4. Hail, 0 hail, Our lowly King. Praise to Christ. 5. Hail, 0 Lord, our Consolation. Christ, the Consoler. 6. Holy Ghost, Who us instructest. Whitsuntide. 7. Holy Spirit given. Whitsuntide. 8. Hosanna, bless the Saviour's Name. Advent. 9. In the mount it shall be seen. Consolation. 10. In the tomb, behold He lies. Easter Eve. Sometimes "In the night of death, He lies." 11. Jesu, at Thy invitation. Holy Communion. 12. Jesu, Thou our pure [chief] delight. Praise for Salvation. 13. Jesu, when I think on Thee. In Afflictio. 14. Jesu, Who for my transgression. Good Friday. 15. Jesu, Lord most mighty. Lent . 16. Lift thine eyes far hence to heaven. Looking Onward. Sometimes "Lift thy longing eyes to heaven." 17. Lo, in 'mid heaven the angel flies. The Message of The Gospel. 18. Lord, be Thou our Strength in weakness. In Affliction. 19. Lord, my hope in Thee abideth. Hope in Jesus. 20. Lord, when our breath shall fail in death. Death anticipated. 21. Lord, Who hast formed me. Self-Consecration. 22. My God, to Thee I fly. In Affliction. Sometimes "Great God, to Thee we fly." 23. Night's shadows falling. Evening. 24. Now be thanks and praise ascending . Praise. 25. Now to Christ, our Life and Light. Evening. 26. 0 glorious, 0 triumphal day. Easter. 27. O God of life, Whose power benign. Trinity. In the Dalston Hymns for Public Worship, &c, 1848. 28. 0 Head and Lord of all creation. Passiontide. 29. 0 Jesu, blest is he. Consolation. 30. O Jesu! we adore Thee. Good Friday. 31. O Saviour, on the heavenly throne. The Divine Guide and Protector. 32. O Thou Who over all dost reign. Church Defence. 33. Praise and blessing, Lord, be given. Praise to Jesus. 34. Praise the Lord: praise our King. Advent. 35. The Lord unto my Lord thus said. Ps. cx. 36. The Morning [promised] Star appeareth. Christmas. 37. The night of darkness fast declineth. Missions. 38. The way to heaven Thou art, O Lord. Jesus the Way, Truth, and Life. Sometimes "Thou art the Way: Heaven's gate, O Lord." 39. Thou Who hast to heaven ascended. Ascension. 40. To Him Who for our sins was slain. Praise to Jesus, the Saviour. Written Friday, Jan. 24, 1851. 41. We praise, we bless Thee. Holy Trinity. 42. What, my spirit, should oppress thee. In Affliction. 43. What though through desert paths Thou leadest? Security and Consolation in Christ. 44. Whom shall I, my [we our] refuge making. Lent. Sometimes "Whom shall we our Refuge making." 45. Whosoe'er in Me believeth. The Resurrection. 46. Why, O why cast down, my spirit? In Affliction. 47. With awe Thy praise we sinners sing. Lent. Sometimes "With trembling awe Thy praise we sing." 48. With cheerful hope, my soul, arise. Security in God. 49. Ye hosts that His commands attend. Universal Praise of Jesus. 50. Your adoration, O earth and heaven, unite. Universal Praise to Christ. Unless otherwise stated, all the above appeared in Russell's Psalms & Hymns, 1851. The total number of original hymns contributed by him to Maurice's Choral Hymn Book was 21. --Exerpts from John Julian, Dictionary of Hymnology (1907)

William Watkins Reid

1890 - 1983 Meter: 8.7.8.7.8.8 Author of "When Suns and Planets Plunge Through Space" Reid, William Watkins, Sr. (Ballinasloe, County Galway, Ireland, October 15, 1890--February 18, 1983, Jenkins Township, Pennsylvania). Methodist. Parents were William Reid, a native of Moneymore, near Belfast, and Sarah Watkins of Londonderry. Came to the United States in 1900. Attended New York University (bachelor's degree, 1915; master's degree in journalism, 1917). Served The Hymn Society as President, Executive Director, and Editor of The Hymn from 1966 to 1976. Authored the Hymn Society's 40th anniversary history, Sing with Spirit and Understanding. Also edited The Pastor's Journal for the Methodist church and worked as its director of the News Service of the Board of Missions. Also: Caulfield, Benjamin. --From DNAH Archives ============================== William Watkins Reid, of Whitestone, Long Island, was president of the Hymn Society of America from 1942 to 1945, and is now a member of its Executive Committee. Used the title of "My God is There, Controlling," the Society has published 65 of his hymns, and several others were published in the Society's "searches", for new hymns. He is the author of the Society's history of its first forty years, and also of the added period of ten years (1962-1972). --16 New Hymns on the Stewardship of the Environment [Ecology] , 1973. Used by permission.

Christian Keimann

1607 - 1662 Person Name: Chr. Keimann Meter: 8.7.8.7.8.8 Author of "I will leave my Jesus never!" in The Lutheran Hymnary Keimann, Christian, son of Zacharias Keimann, Lutheran pastor at Pankratz, in Bohemia, and after 1616 at Ober-Ullersdorf, was born at Pankratz, Feb. 27, 1607. In the autumn of 1627 he entered the University of Wittenberg, where he graduated M.A., March 19, 1634; and in the next month was appointed by the Town Council of Zittau as Conrector of their Gymnasium, of which he became Rector in 1638. He died at Zittau, Jan. 13, 1662 (Koch, iii. 369; Allgemeine Deutsche Biographie xv. 535, &c). Keimann was a distinguished teacher. He was the author of a number of scholastic publications, of a few Scriptural plays, and of some 13 hymns. Almost all of his hymns came into church use. They take high rank among those of the 17th century, being of genuine poetic ring, fresh, strong, full of faith under manifold and heavy trials, and deeply spiritual. Two have passed into English:— i. Freuet euch, ihr Christen alle. Christmas. This beautiful hymn is included in 4 stanzas of 10 1. as No. 24 in pt. iv. of A. Hammerschmidt's Musikalische Andachten, published at Freiberg in Saxony, 1646; and is set to a tune by Hammerschmidt introduced by Hallelujah repeated twelve times. In the Unverfälschter Liedersegen, 1851, No. 34. According to Koch, viii. 25, it was composed as part of a piece written by Keimann for his scholars to perform at Christmastide, 1645, and published as Der neugeborne Jesus, at Görlitz, 1646. Stanza iv. may refer to the truce of 1645 between Saxony and Sweden. Translated as:— 0 rejoice, ye Christians, loudly. A good and full translation by Miss Winkworth, as No. 33 in her Chorale Book for England, 1863, where it is set to the original melody. ii. Meinen Jesum lass ich nicht; Weil er sich fur mien gegeben. Love to Christ. First appeared in A. Hammerschmidt's Fest- Bus- und Dancklieder, Zittau and Leipzig, 1658 (engraved title, 1659), pt. iii., No. 4, in 6 stanzas of 6 lines. It is an acrostic on the dying words uttered on Oct. 8, 1656, by the Elector Johann Georg I. of Saxony: Meinen (i.), Jesum (ii.), lass (iii.) ich (iv.) nicht (v.); st. vi. giving in the initial letters of lines 1-5 (J. G. C. Z. S.) the name, viz. Johann Georg Churfürst zu Sachsen, and then in line 6 the motto in full. Founded on the words of Jacob in Gen. xxxii. 26, it has comforted and strengthened many in life and at the hour of death; and has served as the model of many later hymns. Included as No. 131 in the Berlin Geistliche Lieder, ed. 1863. Translated as:— I will leave my Jesus never! A good translation, omitting st. iii., included as No. 448 in the Pennsylvania Lutheran Church Book, 1868, marked as Unknown translator, 1864. Other translations are:—(1) "Never will I part with Christ," by J. C. Jacobi, 1722, p. 80 (1732, p. 132), and thence in the Moravian Hymn Book, 1754 (1886 as pt. of No. 452 altered, and beginning, "Jesus will I never leave"). (2) "I will not let Jesus go," by J. S. Stallybrass in the Tonic Solfa Reporter, Dec. 1860. (3) "Jesus will I ne'er forsake," by E. Massie, 1867, p. 117. (4) "My Redeemer quit I not," by N. L. Frothingham, 1870, P, 185. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Peter Sohren

1630 - 1693 Meter: 8.7.8.7.8.8 Composer of "DIES IST DER TAG" in Small Church Music

Dale Grotenhuis

1931 - 2012 Meter: 8.7.8.7.8.8 Harmonizer of "MACHS MIT MIR" in Psalter Hymnal (Gray) Dale Grotenhuis (b. Cedar Grove, WI, 1931; d. Jenison, Mi, August 17, 2012) was a member of the 1987 Psalter Hymnal 1987 Revision Committee, and was professor of music and director of choral music at Dordt College, Sioux Center, Iowa, from 1960 until he retired in 1994 to concentrate on composition. Educated at Calvin College; Michigan State University, Lansing; and Ohio State University, Columbus; he combined teaching with composition throughout his career and was a widely published composer of choral music. He also directed the Dordt choir in a large number of recordings, including many psalm arrangements found in the 1959 edition of the Psalter Hymnal. Before coming to Dordt, Grotenhuis taught music at Christian high schools in Washington and Michigan. Under his direction, the Dordt College concert choir participated in annual tours that took members throughout the United States, Canada and Europe. He loved the church and the music of the church. His favorite song was "All Glory Be to God on High". Bert Polman (last two sentences from Joy Grotenhuis, daughter-in-law)

Ora W. Garber

Person Name: Ora W. Graber Meter: 8.7.8.7.8.8 Translator of "Count Well the Cost" in Voices Together

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