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Lenore Harpster

Person Name: Miss L. Harpster Hymnal Number: 7 Author of "Make Them Think of Jesus" in The King of Glory

C. S. Hoover

Person Name: Mrs. C. S. Hoover Hymnal Number: 185 Author of "The Time of Harvest" in The King of Glory Early 20th Century

Newton Bundy

Person Name: N. B. Hymnal Number: 191 Author of "I Am a Soldier" in The King of Glory

Mary Bernstecher Dull

Hymnal Number: 103 Author of "He understands" in The King of Glory

1820 - 1915 Person Name: Dr. L. O. Emerson Hymnal Number: 203 Composer of "[Wake the song of gladness]" in The King of Glory Luther Orlando Emerson was born at Parsonsfield, Maine, August 3, 1820. He descended from distinguished English ancestry. His parents were quite musical, and while the family circle were together, they had a choir and orchestra of their own. The father played the violoncello, the mother was an excellent singer, the flute and violin added their sweet tones, till the quiet homestead rang with melody. Mr. Emerson's education was obtained at the district school, Parsonsfield Seminary and Effingham Academy. He was full of energy, quick and versatile, an apt scholar, and with a view to entering the profession of medicine he entered Dracut Academy, Mass. But his great love for music swerved him from that course, and now, having far better opportunities for cultivating and enjoying this taste and ability, he soon determined upon music as the profession of his choice. He accordingly commenced a course of musical instruction under the late I. B. Woodbury, then a popular teacher of music. After several years of study on the voice, piano, organ and in harmony, Mr. Emerson went to Salem, Mass., began teaching, and took charge of his first choir at a salary of one hundred dollars per year. Here he commenced the composition of music for his own choir, whiich was so popular with its members and the congregation, that Mr. Emerson was encouraged to seek a larger hearing by publishing a collection of church music. Among the tunes was that of Sessions, named after his pastor, which was destined to have a perennial popularity, and is often used in worship in the place of Old Hundred, for the Doxology. At the great Peace Jubilee it was received with applause when sung by a chorus of ten thousand voices, accompanied by an orchestra of two hundred instruments and a great pipe organ. The effect was sublime beyond expression. In 1847 occurred the marriage of Mr. Emerson to Miss Mary Gore, daughter of a prominent Boston merchant. She was a lady of much musical taste and ability. In 1853 he decided to make an effort to put his music before the public, and accordingly went to Boston in search of a publisher. Like most young and unknown authors, he met with but little encouragement, but finally found a publisher in the person of Mr. B. B. Muzzy. Thus was the Romberg Collection published. The book was not pushed — hence it found no market. After a residence of eight years in Salem, Mr. Emerson removed to Boston, accepting the position of organist and musical director at the Bulfinch Street Church, then under the pastoral care of Rev. Wm. R. Alger, which he filled for four years. He eagerly improved the rare means of culture which were once more enjoyed, meanwhile teaching and composing music. In 1857 he formed the connection with Oliver Ditson Company, of Boston, of author and publisher, which has continued to the present time with but one interruption (a single volume brought out by another firm), the Golden Wreath, which at once became popular, and sold forty thousand during the first year, this being the initial volume in the long series since brought out by these publishers. In 1858 came the Golden Harp, which was also a success. These successes gave him not only encouragement, but reputation. Mr. Emerson now entered upon a career of usefulness and popularity for which he had been preparing during the years of self-denying struggle and discipline. He was called to take charge of the music in the Second Congregational Church, Greenfield, Mass., and also of the musical department of Power's Institute, at Bernardston. Amid nature's most beautiful surroundings, he had a quiet retreat for the pursuit of his true vocation, the composition of church music. The first fruit of his genius here was the Sabbath Harmony, in 1860. This book was also a success. In 1863 followed the Harp of Judah, which had the remarkable sale of nearly fifty thousand copies in the first three months. This book probably gave Mr. Emerson his preeminence as a composer of church music, containing as it did his anthem, Guide Me, O Thou Great Jehovah, and many of his finest compositions. Having declined the solicitations of Dr. Lowell Mason to become his associate in music, Mr. Emerson started forth on his own plans, and attained the highest rank among those who loved the pure and beautiful in song. Mr. W. S. B. Mathews, a musical critic, pronounces him the best melodist of all the psalmodic writers. In 1866 the equally successful Jubilate appeared, followed by the Choral Tribute, the Standard and the Leader. In the last two Dr. I. R. Pahner was associated with him. Later on came the Salutation, Voice of Worship, Herald of Praise, etc. The diligence with which Mr. Emerson plied his pen can be estimated when one recalls the fact that he has made seventy-two collections of music, embracing music for churches, singing schools, public schools, choral societies and conventions, instruction books for voice, organ, etc. He has also composed and published scores of songs, quartets and instrumental pieces. The great amount of work this represents can only be appreciated by those who have undertaken similar labors. Some years ago the degree of Doctor of Music was conferred upon Professor Emerson by the Faculty of Findlay College, Findlay, Ohio. For many years past. Dr. Emerson has devoted his energies to the grand purpose of elevating the general character of music in our churches, and thus largely advancing the interests of true worship. He places great stress upon the mission of church music. He regards sacred music as the best expression of devotional feeling that exists. He looks upon sacred song as prayer, and believes that it inspires and intensifies prayer. With this view he has taken an active and prominent part in musical festivals and conventions, of which he has conducted over three hundred throughout the United States and Canada. As a conductor, he stands in the front rank. As a teacher. Dr. Emerson has an exceedingly happy faculty of imparting in a concise manner to his classes. His very pleasing address enables him to command the undivided attention of his pupils. As a singer, he has always held high rank, and has sung much in public. His voice is a baritone of great compass, and quite powerful. As a lecturer upon music, Dr. Emerson has attracted much attention. His most popular lecture is entitled The World of Music, in which he traces its origin and progress, and gives some excellent traits of the lives of the great composers. In this lecture he also shows the design of music, and how it has been prized in every age of the world, among all nations — its power in the Church and State, and the need of its influence in the family — in joy and sorrow — for this life and the life to come. -Biography of Gospel Song and Hymn Writers

J. M. Hunt

1855 - 1919 Hymnal Number: 253 Harmonizer of "[O for a thousand tongues to sing]" in The King of Glory As of 1885, Hunt lived in Lampasas, Texas. His works include: Harvest Bells, with William Penn Harvest Bells No. 2, with William Penn (Cincinnati, Ohio: The John Church Company, 1885) The Gospel Alarm, with Sanford Miller Brown (St. Louis, Missouri: Central Baptist, 1886) The Missionary Triumph, with Sanford Miller Brown (Cincinnati, Ohio: The John Church Company, 1889) Songs of Zion, with Sanford Miller Brown (Kansas City, Missouri: Word and Way Publishing Company, 1898) --www.hymntime.com/tch

Henry R. Bishop

1786 - 1855 Person Name: H. R. Bishop Hymnal Number: 225 Composer of "[Mid pleasures and palaces though we may roam]" in The King of Glory Bishop, Henry Rowley, was born at London, Nov. 18, 1786, and died at London, April 30, 1855. See a full notice in the Dictionary of Nat. Biog., v., 91. From 1840 he was occasional and from 1843 to 1848 sole conductor of the Antient Concerts. Of his Twelve Corales...as sung at the Concerts of Ancient Music, for which (with Words expressly written to them) they were adapted and arranged by Sir Henry R. Bishop, 1844 (B. M. copy is H. 878), some are fairly literal translations from the German, others have no connection with their nominal originals. Three were noted in this Dictionary, but their source not having been traced in 1892, we now subjoin them:— 1. Behold, how glorious is yon sky, p. 127, ii. This is from "Wie herrlich ist die neue Welt" in C. H. Graun's oratorio Der Tod Jesu, 1756 (B. M. copy, 11. 1805, catalogued as 1766), the words being by Karl Wilhelm Ramler, b. Feb. 25, 1725, at Colberg, in Pomerania; 1748, Professor of Literature at the Cadet School in Berlin; d. at Berlin, April 11, 1798. 2. God is our Refuge in distress, Our Shield, p. 325, i. 3. O let us praise the Lord, With hearts of true devotion, p. 963, ii., No. 4. The Winchester Hymn Book, 1857, alters stanza i., the original line 1. 3, 4 being:— "Whose spirit roams abroad, To calm life's troubled ocean." Another fairly close version is,"Wake, O wake! a voice is crying," from "Wachet auf," p. 805, ii. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Sidney Dyer

1814 - 1898 Hymnal Number: 101 Author of "Work, for the Night is Coming" in The King of Glory Dyer, Sidney, who served in the U. S. Army from 1831 to c. 1840, is a native of White Creek, Washington County, New York, where he was born in 1814. On leaving the army he was ordained a Baptist Minister in 1842, and acted first as a Missionary to the Choctaws, then as Pastor in Indianapolis, Indiana (1852), and as Secretary to the Baptist Publication Society, Phila. (1859). He has published sundry works, and in the Southwestern Psalmist, 1851, 16 of his hymns are found. The following are later and undated:— 1. Go, preach the blest salvation. Missions. In the Baptist Praise Book, 1871, and The Baptist Hymn & Tune Book, 1871. 2. Great Framer [Maker] of unnumbered worlds. National Humiliation. In the Boston Unitarian Hymn [and Tune] Book, 1868, and others. 3. When faint and weary toiling. Work whilst it is day. In the Baptist Praise Book, 1871. 4. Work, for the night is coming. Duty. This hymn is in wider use than the foregoing, but though often ascribed to Dyer, is really by Miss Anna L. Walker, of Canada, who published a volume of Poems, 1868. S. Dyer, in 1854, wrote a hymn on the same subject for a Sunday-school in Indianapolis, and hence the confusion between the two. In 1882 a cento beginning with the same stanza was given in Whiting's (English) Hymns for the Church Catholic, No. 366. Of this cento, stanzas i., ii. are by Miss Walker; and stanzas iii., iv. by Miss Whiting, daughter of the editor of that collection. [Rev.F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907) ================== Dyer, S., p. 317, ii. Additional hymns by Dr. Dyer are given in the Baptist Sursum Corda, Phila., 1898, with the following dates :— 1. Enter, Jesus bids thee welcome. Invitation. 1883. 2. No more with horrors veil the tomb. Burial. 1897. Dr. Dyer d. in 1898. --John Julian, Dictionary of Hymnology, New Supplement (1907) ================= Dyer, Sidney. (White Creek, New York, February 11, 1814--December 22, 1898, Philadelphia). Baptist. Indiana State University, honorary A.M. ; Bucknell University, honorary Ph.D. Missionary to the Choctaws early in his career. Pastorates at Brownsville, New York, 1842; Indianapolis, 1852-1859. District secretary of the American Baptist Publication Society, Philadelphia, 1859-1885. Author of eight religious books designed for children, two volumes of verse: Voices of Nature (Louisville, 1849), and Songs and Ballads (Indianapolis, 1857). Wrote a large number of hymns in Sunday School as well as church collections. In 1851, he published The South Western Psalmist (Louisville), which became known as Dyer's Psalmist. Of 467 hymns, 16 are by Dyer. Also wrote a prize-winning hymn "O wondrous land! thy onward march sublime" for the Jubilee of the American Baptist Home Mission Society which was help in New York in 1882. This 66-stanza hymn may be found in Baptist Home Missions in North America: Including a Full Report of the Proceedings and Address of the Jubilee Meeting . . . (New York: Baptist Home Mission Rooms, 1883). "Work, for the night is coming," written by Annie L. (Walker) Coghill, was sometimes ascribed to Dyer. The confusion arose when, in 1854, Dyer wrote a text on the same subject for a Sunday School in Indianapolis. --Deborah Carlton Loftis, DNAH Archives

Mrs. J. G. Wilson

Hymnal Number: 41 Composer of "[Sing the wondrous love of Jesus]" in The King of Glory See Wilson, Emily D. (Emily Divine), 1865-1942.

John Howard Payne

1791 - 1852 Hymnal Number: 225 Author of "Mid pleasures and palaces though we may roam" in The King of Glory Payne, John Howard. (New York, N.Y., April 1, 1791--April 1, 1852, Tunis). American actor, playwright, and diplomat. After a successful career in America, London, and Paris he was appointed American consul in Tunis in 1841. He adapted many plays, wrote a few original ones, and edited several short-lived magazines. There are several biographies. --Leonard Ellinwood, DNAH Archives