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William Bengo Collyer

1782 - 1854 Person Name: Rev. William B. Collyer, 1782-1854 Hymnal Number: 141 Author of "Return, O wanderer, return" in The Clifton Chapel Collection of "Psalms, Hymns, and Spiritual Songs" William Bengo Collyer was born at Blackheath Hill, in 1782, and studied at Homerton College. Before completing his twentieth year he became pastor of a Congregational society at Peckham, continuing in that position through his life. He died in 1854. He received the degree of D.D. from the University of Edinburgh in 1808. For many years he was one of the most popular Dissenting ministers in London. He published many hymns and some works on theology. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. =================== Collyer, William Bengo, D.D., born at Blackheath, April 14, 1782, educated at Homerton College, where, when 16 years old, he was enrolled as a student for the ministry. At 20 he began his ministry at Peckham on Dec. 17, 1801 ordained pastor of a small church consisting of ten communicants. From 1814 to 1826 he was also pastor of a Church meeting in Salters' Hall. On June 17, 1817, a new chapel was opened for him at Peckham. There, from the time of his settlement in 1801, he laboured with great success and honour until Dec. 11, 1853, on which clay he preached for the last time. He died Jan. 8, 1854. Dr. Collyer was eminent in his day as an eloquent Evangelical preacher, when formalism in worship, and Arianism in doctrine, prevailed. He was a man of amiable disposition, polished manners, and Christian courtesy; popular with rich and poor alike. He was the author of a series of lectures on Divine Revelation, in seven volumes: Scripture Facts, Prophecies, Miracles, Parables, Doctrines, Duties, Comparisons. Dr. Collyer compiled a hymn-book with the title, Hymns partly collected and partly original, designed as a supplement to Dr. Watts's Psalms and Hymns, 1812. It was intended at first for the use of his own congregation only, and was to include many hymns composed by himself, to be sung after sermons which he had preached to them, but he was led to alter the plan. It comprises 979 hymns, 6 choruses, and 4 doxologics, arranged in groups according to their authors, and not subjects. Of this number 57 were written by Dr. Collyer, and are for the most part short descriptive or didactic poems, religious or moral essays in verse, and not hymns addressed to the Creator and Redeemer. Some of them are devoid of Christian truth, and are poems of nature or of sentiment. Some of them were written during the hard and sorrowful times of the wars of Bonaparte, and relate to famine and national calamity. Several were prepared for the public meetings of missionary and benevolent societies, which had their origin in his time. He also published Services suited to the Solemnization of Matrimony, Baptism, &c, 1837, which contained 89 of his hymns, &c.; Hymns for Israel, a Tribute of Love for God's Ancient People, 1848 (41 hymns). In Dr. Leifchild's Original Hymns, 1843, there are also 39 of his compositions. Many of his pieces appeared in the Evangelical Magazine, and were also appended to his numerous published Sermons. A few of his hymns are still in common use, including. "Another fleeting day is gone"; "Assembled at Thy great command"; "O Jesu, in this solemn hour"; "O Thou, the helpless orphan's hope"; "Return, O wanderer, return," and the fine cento, "Great God, what do I see and hear." [Rev. F. J. Faulding, D.D.] --John Julian, Dictionary of Hymnology (1907) ====================== Collyer, William Bengo, p. 243, ii. The following hymns by Dr. Collyer are also in common use:— 1. Another fleeting day is gone. Evening. (1812.) 2. 0 Jesus, in this solemn hour. Reception of Church Officers. (1842.) 3. O Thou, the helpless orphan's hope. On Behalf of Orphans. In the Evangelical Magazine, 1808, p. 48. 4. See the clouds upon the mountain. Sunday Morning. (1842.) 5. Soft be the gently breathing notes. Praise to the Redeemer. (1812.) 6. Softly the shade of evening falls. Evening. (1812.) From this, “Soon shall a darker night descend" is taken. 7. Thou Prince of glory slain for me. Good Friday. (1812.) The date 1812 is that of his Collection, and 1842 of Leifchild's Original Hymns. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

William Gaskell

1805 - 1884 Person Name: Mrs. Elizabeth C. Gaskell, 1810-1865 Hymnal Number: 11 Author of "Mighty God, the First, the Last" in The Clifton Chapel Collection of "Psalms, Hymns, and Spiritual Songs" Gaskell, William, M.A., son of Mr. William Gaskell, was born at Latchford (a suburb of Warrington, on the Cheshire side of the Mersey), 24 July, 1805. He was educated at Manchester New College and at the University of Glasgow, where he graduated M.A. in 1825. In 1828 he became co-pastor with the Rev. J. G. Robberds at Cross Street Unitarian Chapel, Manchester, a position he held until his death. Mr. Gaskell was a man of cultivated mind and considerable literary ability. His publications include Lectures on the Lancashire Dialect, 1853, a small volume of Temperance Rhymes, 1839, and various theological works. In 1832 he married Elizabeth Cleghorn Stevenson, who afterwards attained celebrity as the authoress of Mary Barton, and of other popular tales. He died June 11, 1884, and is buried at Knutsford. To the second edition, 1856, of the 1st Series of Lyra Germanica Mr. Gaskell contributed "A sure Stronghold our God is He," a translation of Luther's “ Ein' feste Burg" (q.v.), replacing a version by Miss Winkworth in the first edition. He also contributed 79 hymns to Beard's Unitarian Collection of Hymns for Public and Private Worship, 1837. [George Arthur Crawford, M.A.] The following hymns by Gaskell still in common use are found chiefly in Unitarian hymnbooks, including Martineau's Hymns, &c, 1840, and Hymns of Praise and Prayer, 1873; Hedge & Huntington's Hymns for the Church of Christ, Boston, U.S.A., 1853; Longfellow & Johnson's Book of Hymns, Boston, 1848, and their Hymns of the Spirit, Boston, 1864; and the American Unitarian Association's Hymn [& Tune] Book, &c, Boston, 1868 :— 1. Dark, dark indeed the grave would be. Death and Burial. 2. Darkness o'er the world was brooding. The Dayspring. 3. Dark were the paths our Master trod. Sympathy with Christ. 4. Father, glory be to Thee. Doxology. 5. Forth went the heralds of the cross. Power of Faith. 6. How long, O Lord, his brother's blood? In time of War. From this "O hush, great God, the sounds of war," is taken. 7. I am free, I am free, I have broken away. The New Birth. 8. In vain we thus recall to mind. Holy Communion. 9. Mighty God, the first, the last. Infinite Knowledge. 10. No more, on earth no more. Death and Heaven. 11. Not in this simple rite alone. Holy Communion. 12. Not on this day, 0 God, alone. Sunday. 13. O God, the darkness roll away. Missions. 14. O God, to Thee our hearts would pay. Old Year. 15. 0 God, who knowest how frail we are. Seeking Strength. 16. 0 not to crush with abject fear. Christ's Work. 17. Our Father, through the coining year. The original begins, "Father, throughout the coming year." 18. Press on, press on, ye sons of light. Continuance in well-doing. 19. Sleep not, soldier of the cross. Faithfulness. 20. Thanks, thanks unto God! Who in mercy hath spoken. Gratitude for the Gospel. 21. Through all this life's eventful road. Walking with God. 22. To Thee, the Lord Almighty. Doxology. 23. Unto Thy temple, God of Love. Divine Worship. 24. We join to [crave] pray with wishes kind. Holy Matrimony. 25. We would leave, 0 God, to Thee. Original: "We would cast, 0 God, on Thee." Rest in God. 26. When arise the thoughts of sin. Looking to Jesus. These hymns all appeared in Beard's Collection, 1837. In addition there are:— 27. Calmly, calmly lay him down. 28. 0 Father, [gladly] humbly we repose. 29. 0 hush, great God, the sounds of war. For Peace. The dates of these hymns we have not been able to determine. No. 27 is in Hopps's Hymns for Public Worship, 1858 ; and Nos. 28 and 29 are in Hedge & Huntington's Hymns for the Church of Christ, 1853. -- John Julian, Dictionary of Hymnology (1907)

W. McDonald

1820 - 1901 Person Name: Rev. William McDonald, 1820- Hymnal Number: 197 Author of "I am trusting, Lord, in Thee" in The Clifton Chapel Collection of "Psalms, Hymns, and Spiritual Songs" McDonald, Rev. William. (Belmont, Maine, March 1, 1820--September 11, 1901, Monrovia, California). Becoming a local preacher in the Methodist Episcopal Church in 1839 he was admitted to the Maine Conference in 1843, being transferred to that of Wisconsin in 1855 and of New England in 1859. For a number of years he was editor of the Advocate of Christian Holiness. In addition to being a writer of biographies and religious books, he compiled, or assisted in compiling, a number of song books of the gospel song type, among them being the Western Minstrel (1840), Wesleyan Minstrel (1853), Beulah Songs (1870), Tribute of Praise (1874). This last book was that which had been compiled by McDonald and L.F. Snow, and re-edited by Eben Tourjée, appeared in 1882 as the official hymnal of the Methodist Protestant Church. From 1870 he spent many years in evangelistic work before his retirement to Monrovia. Sources: Metcalf, Frank J., American Writers and Compilers of Sacred Music; Tillett, Wilbur F., Our Hymns and Their Authors; Nutter and Tillett, Hymns and Hymn Writers of the Church; McCutchan, Robert G., Our Hymnody; Benson, L.F., The English Hymn. --Robert G. McCutchan, DNAH Archives

Edward Osler

1798 - 1863 Person Name: Edward Osler, 1768-1863 Hymnal Number: 1205 Author of "O God, unseen, yet ever near" in The Clifton Chapel Collection of "Psalms, Hymns, and Spiritual Songs" Osler, Edward, was born at Falmouth in January, 1798, and was educated for the medical profession, first by Dr. Carvosso, at Falmouth, and then at Guy's Hospital, London. From 1819 to 1836 he was house surgeon at the Swansea Infirmary. He then removed to London, and devoted himself to literary pursuits. For some time he was associated with the Society for Promoting Christian Knowledge, both in London and at Bath. In 1841 he became the Editor of the Royal Cornwall Gazette, and took up his residence at Truro. He retained that appointment till his death, at Truro, March 7, 1863. For the Linnaean Society he wrote Burrowing and Boring Marine Animals. He also published Church and Bible; The Voyage: a Poem written at Sea, and in the West Indies, and Illustrated by papers on Natural History, 1830; The Life of Lord Exmouth, 1837, &c. His hymnological work is mainly connected with the Mitre Hymn Book. During 1835-36 he was associated with Prebendary W. J. Hall, the editor, in producing that collection, which was published in 1836 as Psalms and Hymns adapted to The Services of the Church of England. He resided in Mr. Hall's house during the time. From the "hall manuscript" we gather that he contributed 15 versions of the Psalms (5 being rewritten from others), and 50 hymns (a few rewritten). Most of these hymns and Psalm versions, together with others not in the Mitre Hymn Book, were afterwards given in the monthly numbers of his Church and King, from Nov. 1836 to Aug. 1837. The best known of these hymns are, “O God, unseen, yet ever near," and “Worship, honour, glory, blessing." Several of his hymns in common use are:— 1. Father, Whose love and truth fulfil. Holy Baptism. 2. Glory to God! with joyful adoration. Praise to the Father. 3. Great God, o'er earth and heaven supreme. Men the Stewards of God's Bounties. 4. Great God of hosts, our ears have heard. Ps. xliv. Based on the N. Version. 5. Great God, Whose awful mystery. Holy Trinity. 6. I hold the sacred book of God. Martyrs. 7. Jehovah hath spoken, the nations shall hear. Second Advent. 8. Lord, may the inward grace abound. Holy Baptism. 9. May we Thy precepts, Lord, fulfil. Love. 10. Mighty Saviour, gracious King. Advent. 11. 0 God, the help of all Thy Saints. Ps. x. 12. O Thou, the Lord and Life of those. Christ the Life of Men. 13. O Saviour, Who didst come. Easter. 14. Saviour, Whose love could stoop to death. Easter. 15. See, Lord, before Thy mercy seat. For Schools. 16. Set in a high and favoured place. Advent. 17. Wake frem the dead, new life begin. Lent. 18. With trembling awe we come. Lent. Several of these hymns are not in Osier's Church and King. We have ascribed them and others to him on the authority of the "hall MSS." It must be noted also that the text in the Church and King often differs from that in the Mitre. --John Julian, Dictionary of Hymnology (1907) Though not mentioned by Julian, perhaps his most enduring contribution to hymnody is the third stanza of "Praise the Lord! Ye Heavens, Adore Him", whose first two stanzas are of anonymous authorship. --Leland Bryant Ross (2019)

Maria De Fleury

? - 1794 Person Name: Miss Maria DeFleury Hymnal Number: 812 Author of "Ye angels, who stand round the throne" in The Clifton Chapel Collection of "Psalms, Hymns, and Spiritual Songs" De Fleury, Maria (died circa 1794), was an intimate friend of Dr. John Ryland (1753-1815), and resided at one time at 31 Jewin Street, Cripplegate, London. She entered very earnestly into the religious controversies of her day, and wrote several works thereon, including Unrighteous Abuses Detected and Chastised, &c, 1781, Antinomianism Unmasked, &c, 1791, and others. Several of her hymns were published in the Protestant Magazine, 1781-3: 5 in Joseph Middleton's Hymns, 1793; and 2 in Dr. Collyer's Collection, 1812. Her Divine Poems, and Essays on Various Subjects, is dated 1791. From this are taken, (1) "Thou soft flowing Kedron, by thy silver stream" (Sufferings and Glory of Christ), from which hymn the cento "O garden of Olivet, dear honour'd spot" is derived; and (2) "Ye angels who [that] stand round the throne," (Heaven Desired). These hymns have passed into modern use through Collyer's Collection, 1812. The cento "Come, saints, and adore Him, come bow at His feet" (Praise to Christ), in Bickersteth's Christian Psalmody, 1833: Spurgeon's Our Own Hymn Book, &c, is composed of (st. i.) the chorus of her hymn, "Thou soft flowing Kedron, by thy silver stream," as above in her Divine Poems, 1791, and (st. ii.) a stanza from an unknown source. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Walter Shirley

1725 - 1786 Person Name: Hon. and Rev. Walter Shirley, 1725-1786 Hymnal Number: 466 Author of "Peace, troubled soul, whose plaintive moan" in The Clifton Chapel Collection of "Psalms, Hymns, and Spiritual Songs" Walter Shirley was born in 1725. He was the friend of Whitefield and Wesley. After preaching with great success in England, he received the living of Loughrea, Ireland, where he continued to exercise his ministry for many years. His last sickness was of a lingering character, and it is related of him that when no longer able to leave his house he used to preach, seated in his chair in his drawing room, to many who gladly assembled to hear. He died in 1786. He published one volume of sermons and two poems. --Annotations of the Hymnal by The Rev. Charles L. Hutchins, M.A. (1872). =================================== Shirley, Hon. Walter, M.A., fourth son of the Hon. Laurence Shirley (son of the 1st Earl Ferrers, and cousin of the Countess of Huntingdon), was born in 1725. He was a friend of Whitefield and the Wesleys, and often preached in their chapels. He was for sometime Rector of Loughrea, county of Galway. He died April 7, 1786. A selection of his sermons was published; also two poems in 1761—-Liberty, an Ode, and The Judgment. In 1774 he assisted the Countess of Huntingdon in revising the collection of hymns used in her chapels, and therein a few of his productions are found. In the Life of Selina, Countess of Huntingdon, 1839, vol. ii., p. 291, the following note is given on Shirley's hymn-writing:— "Mr. Shirley was the author of several well-known hymns in Lady Huntingdon's collection, particularly:— ‘From heaven the loud angelic song began.' ‘Hark! in the wilderness a try.' ‘Flow fast my tears, the cause is great.' ‘Sweet as the shepherd's tuneful reed.' ‘Source of light and power divine.' “There are also some in other collections; and a few little poems scattered in various periodical publications. The lines on the departure of the Missionaries from Lady Huntingdon's College for America, in 1772, under the direction of Mr. Piercy, have been much admired; they were re-published in the Evangelical Magazine, in 1796, on the departure of the ship Duff, for the South Sea inlands.....He likewise assisted Lady Huntingdon in the Selection of hymns now in use in the congregations in her Connexion." The Missionary hymn here referred to is:— "Go, destined vessel, heavenly-freighted, go!" His hymns now in common use include:— 1. Flow fast, my tears, the cause is great. Good Friday. Published in the Countess of Huntingdon's Collection, circa 1773, p. 294, in 3 stanzas of 8 lines. It is in several modern hymn-books; and especially in America, including Hatfield's Church Hymn Book, 1872. 2. From heaven the loud angelic song began. Ascension. Also in the C. of Huntingdon's Collection, circa 1773, p. 312, in 7 stanzas of 4 lines. The hymn, "Worthy the Lamb of boundless sway," in Hatfield's Church Hymn Book, 1872, and others, is composed of st. ii. and vii. 3. Hark, in the wilderness a cry. St. John Baptist. Also in the C. of Huntingdon's Collection, circa 1773, p. 245, in 7 st. of 4 1. 4. Source of light and power divine. Before Sermon. Also in the C. of Huntingdon's Collection, circa 1773, p. 231, in 4 st. of 6 1. In Snepp's Songs of Grace & Glory, 1872, No. 812, st. i. and iv. are given in an altered form; and the first two lines of the hymn are added as a refrain. 5. Sweet as the shepherd's tuneful reed. Peace. Also in the above Collection, circa 1773, p. 126, in 4 st. of 6 1. The hymn, “Peace, troubled soul, whose plaintive moan," in Laudes Domini, N. Y., 1884, and others, is composed of stanza ii. and iii. For Shirley's popular recast, "Sweet the moments, rich in blessing," see “While my Jesus I'm possessing." -- John Julian, Dictionary of Hymnology (1907)

George Robinson

Hymnal Number: 872 Author of "One sole baptismal sign" in The Clifton Chapel Collection of "Psalms, Hymns, and Spiritual Songs" Robinson, George, contributed five hymns to J. Leifchild's Original Hymns, 1842, from which "One sole baptismal sign" (Unity), and "When to the exiled seer were given" (New Jerusalem), are taken with alterations. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Selina Hastings, Countess of Huntingdon

1707 - 1791 Person Name: Selina Shirley, Countess of Huntingdon, 1707-1791 Hymnal Number: 451 Author of "When Thou, my righteous Judge, shalt come" in The Clifton Chapel Collection of "Psalms, Hymns, and Spiritual Songs" Born: August 24, 1707, Astwell House, Nottinghamshire, England. Died: June 17, 1791, London, England. Buried: St. Helen’s Church, Ashby-de-la-Zouch, Leicester, England. Selena Huntingdon, née Shirley, Countess of, daughter of Washington, Earl Ferrers, was born Aug. 24, 1707; married to Theophilus Hastings, 9th Earl of Huntindon, June, 1728; and d. in London, June 17, 1701. At an early age she received serious religious impressions, which continued with her, and ruled her conduct through life. She was a member of the first Methodist Society, in Fetter Lane, London, and the first Methodist Conference was held at her house in June, 1744. Her sympathies, however, were with the Calvinism of G. Whitefield, and when the breach took place between Whitefield and Wesley she joined the former. Her money was freely expended in chapel building, in the founding of Trevecca College, South Wales (now Cheshunt), and in the support of her preachers. A short time before her death the Connection which is known by her name was founded; and at her death it numbered more than sixty chapels. For use in these chapels she compiled A Select Collection of Hymns. Her own part in hymn-writing is most uncertain. The hymns, "Come, Thou Fount of every blessing," and "O when my righteous Judge shall come", have been specially claimed for her, but upon insufficient testimony. No mention of these hymns as being by her is made in her Life and Times, 1839. Miller says, "although the Countess was not much known as a hymn-writer, yet it is proved beyond doubt that she was the author of a few hymns of great excellence" (Singers & Songs, 1869, p. 183): but he neither names the hymns, nor submits the evidence. It is most uncertain that she ever wrote a hymn; and it is quite clear that upon reliable evidence not one has yet been ascertained to be of her composing. Her history and that of her Connexion are elaborately set forth in The Life and Times of Selina, Countess of Huntingdon, London, Painter, 1839. --Dictionary of Hymnology, John Julian, 1907.

Ralph Wardlaw

1779 - 1853 Person Name: Rev. Ralph Wardlaw, 1779-1853 Hymnal Number: 1160 Author of "Hail, morning known among the blest" in The Clifton Chapel Collection of "Psalms, Hymns, and Spiritual Songs" Wardlaw, Ralph, D.D. This venerable and (in his generation) influential Scottish divine contributed twelve hymns to the praise of the Church Universal that are likely to live in a humble and useful way. As having so done, and besides edited several collections of hymns, he claims a place of honour in this work. Critically, and regarded as literature, his hymns have little of poetry in them; no "winged words" to lift the soul heavenward. They reflect simply and plainly the lights and shadows of everyday experiences of the spiritual life, rather than its etherialities and subtleties. His "Lift up to God the voice of praise " is the most widely known; and there is a certain inspiriting clangour about it when well sung; yet it is commonplace. His "Hail morning, known among the blest," is narrative and prosaic, though it filled a gap at the time in Sabbath morning worship. “At the time by God appointed," "Remember Thee! remember Christ!" and "Contemplate, saints, the source divine," have vanishing gleams of imaginative light and fine and tender emotion. "O how good the hallowed union," "Where the sounds of plaintive wailing," and "See the Sun of truth arise," are melodious and singable, and pleasant but shallow. “Christ of all my hopes the ground," (Pt. ii.) "When with wasting sickness worn," is much too long, but is a fairly good song of Zion. Wardlaw published in 1803 a Selection of Hymns, to displace what was called The Tabernacle Collection, 1800, that had been used by the Congregationalists of Scotland, and to which he contributed a few hymns. He was assisted in the preparation of this compilation by Dr. Charles Stuart, of Dunearn. The first edition contained 322 hymns. In 1817 a Supplement was added of 171, bringing up the number to 493. Of these eleven (or twelve strictly) were by Wardlaw. Two of these had previously appeared in the Scottish Missionary Magazine (vol. viii. 48). His hymns bear so very slight a proportion to Dr. Wardlaw's writings as a profound theologian and expositor and thoroughly-equipped controversialist on the chief problems of the period, as to make it necessary to refer the reader to his remarkable Life, by the Rev. Dr. W. L. Alexander, entitled, Memoirs of the Life and Writings of Ralph Wardlaw, D.D. (2nd ed., 1856). Wardlaw was born at Dalkeith on December 22, 1779, where he received his early education, later attending Glasgow University. His only church was in Glasgow. He died at Easterhouse near Glasgow on Dec. 17, 1853, and his public funeral is still remembered for the representative character of the vast multitude who attended it. [Rev. A. B. Grosart, D.D., LL.D.] Of Dr. Wardlaw's hymns the following are still in common use:— 1. Glad when they saw the Lord. Easter. 2. Hail, morning known amongst the blest [saints]. Sunday Morning. 3. Lift up to God the voice of praise. Praise to the Father. 4. 0 Lord our God, arise. Missions. 5. Remember Thee, remember Christ. Holy Communion. 6. See the Sun of Truth arise. Christ the Light. Of these Nos. 3-5 appeared in the Tabernacle Collection, 1800. -- John Julian, Dictionary of Hymnology (1907) ============= Wardlaw, R., p. 1232, ii. Of his hymns, Nos. 1, 2 are in his Selection, 1803, and No. 6 was added in the Supplement of 1817. This Supplement also contains "O how good the hallowed union," and "Whence the sounds of plaintive wailing," p. 1232, ii. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Bernard Barton

1784 - 1849 Person Name: Bernard Barton, 1784-1849 Hymnal Number: 885 Author of "Lamp of our feet, whereby we trace" in The Clifton Chapel Collection of "Psalms, Hymns, and Spiritual Songs" Barton, Bernard, commonly known as the "Quaker Poet," was born in London Jan. 31, 1784, and educated at a Quaker school at Ipswich. In 1798 he was apprenticed to Mr. S. Jesup, a shopkeeper at Halstead, Essex, with whom he remained until 1806, when he removed to Woodbridge, Suffolk, and entered into business with his brother, as a coal and corn merchant. On the death of his wife at the end of the first year of their married life, he proceeded to Liverpool, where he acted as a private tutor for a short time. He returned to Woodbridge in 1810, where he secured an engagement in the local bank of the Messrs. Alexander. This appointment he held for 40 years. He died at Woodbridge, Feb. 19, 1849. During the same year his daughter published his Poems and Letters, with a Memoir. His poetical works were numerous, including:— (1) Metrical Effusions , 1812; (2) Poems by an Amateur, 1818; (3) Poems , 1820; (4) Napoleon, and other Poems, 1822; (5) Poetic Vigils, 1824; (6) Devotional Verses founded on Select Texts of Scripture, 1826; (7) A Widow's Tale, 1S27; (8) New Year's Eve, 1829; (9) The Reliquary, 1836; (10) Household Verses, 1845. A complete list of his works is given in Joseph Smith's Descriptive Catalogue of Friends' Books, Lond., J. Smith, 1867, vol. i. pp. 196-200. From these works about 20 pieces have come into common use as hymns. These are found principally in the Scottish Evangelical Union Hymnal, on the one hand, and various American Unitarian collections on the other. The best known are, “Lamp of our feet, whereby we trace," and "Walk in the light, so shalt thou know." From his Devotional Poems, &c, 1826, the following have passed into the Scottish Evangelical Union Hymnal, 1878:— 1. Fear not, Zion's sons and daughters. Gracious Promises. This is part of a poem on Isaiah xliii. 1, “Fear not, Jacob, tabulated." 2. Hath the invitation ended? Invitation. 3. See we not beyond the portal? Present vision Imperfect. This is part of the poem on 1 Cor. xiii. 12, “Dim and dark our present vision." 4. Those who live in love shall know. Peace. 5. Would'st thou share this benediction! Poor in Spirit. In addition, there are also in various collections:— 6. Around Bethesda's healing wave. Consolation. This is on pp. 182-185, in his Napoleon, and other Poems, 1822, in 10 stanzas of 6 lines. A cento therefrom is given in a few American hymnals, including Mr. Beecher's Plymouth Collection, No. 746, as, "The waters of Bethesda's pool." 7. There is a life more dear. Spiritual Life. From the Devotional Verses, 1826, p. 96, into Kennedy, 1863, No. 1177, with the omission of stanza v. 8. Say not the law divine. Spiritual Law. Also from the Devotional Verses, 1826, p. 34, into various American hymnals, generally Unitarian, as the Hymn and Tune Book, Boston, 1868, No. 342, &c, where, however, it is rewritten from an irregular metre to S.M. This had previously appeared in Hedge and Huntington's Hymns for the Church of Christ, Boston, U.S., 1853. Other hymns, given in great part in American Unitarian collections, are annotated under their respective first lines. -- John Julian, Dictionary of Hymnology (1907) ====================== Barton, Bernard, p. 116, i. Other hymns in common use:— 1. God made the country, yet in scenes. Country Life. This begins with stanza iii. of a poem "Addressed to a Friend in London" in The Reliquary, 1836, p. 83. 2. Lamp of our feet! whereby we trace. Holy Scriptures, published in The Reliquary, 1836, p. 116, in 11 stanzas of 4 lines. It is in common use in its full form, and also abbreviated as (1) "Word of the ever-living God"; and (2) "Word of the everlasting God." In extensive use. 3. There is a Friend more tender, true. Jesus, the Friend. This begins with stanza iii. of "But yet, however cheerless seem," in his Poems & Letters, 1853, p. 254. 4. Walk in the light! So shalt thou know. (Walking in the Light.) Published in his Devotional Verses, 1826, p. 242, in 6 stanzas of 4 lines. It is found in many modern collections, and is one of the most popular of his hymns. 5. We journey through a vale of tears. Heaven Anticipated. In his Poems & Letters, 1853, p. 193. Of these hymns, Nos. 3, 5, are of an earlier date than the Poems & Letters of 1853; but we have failed to find them in Barton's earlier works. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)