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Sarah Doudney

1841 - 1926 Person Name: Sarah Doudney, 1842- Hymnal Number: 52 Author of "We sing a loving Jesus" in The Sunday School Hymnal Doudney, Sarah, daughter of Mr. George E. Doudney, of Cosham, Hants, was born near Portsmouth, but removed into a remote village in Hampshire at an early age. Her first efforts in literature were made when she was quite young, her poem, "The Lessons of the Water-Mill," a popular song, especially in America, having been written when she was only fifteen. Known mainly to the reading public through her stories, A Woman's Glory, Stepping Stones, and others, and through her contributions to the Sunday Magazine, Good Words, and other serials, her works, including fiction, and sacred and secular poems, have been widely read and appreciated. Her sacred poems are the least numerous of her writings. Some of these, as, "The Master hath come, and He calls us to follow," and "Saviour, now the day is ending," for use at the close of Evening Service, and of more than usual merit, create the desire for more of a like kind. Greater use, however, may be made of what she has written than has been done. By being buried in magazine literature, her hymns are somewhat difficult to trace. Her Psalms of Life was published by Houlston in 1871. In the Sunday School Union Songs of Gladness, 1871, the following were given;— 1. He hath gone into His garden. The Vineyard of the Lord. 2. In Thy holy garden ground. The Vineyard of the Lord. 3. Land of peace, and love, and brightness. Heaven. 4. Saviour, now the day is ending. Sunday Evening. 5. The Master hath come, and He calls us to follow. Jesus and Mary of Bethany. 6. We praise our Lord to-day. Sunday. 7. We sing a loving Jesus. Praise of Jesus. Of these, Nos. 1, 2, 3, are in her Psalms of Life, 1871, and all have passed from the Songs of Gladness into other collections. Her:— 8. Room for the wanderer, room. Christ's Invitation. is in W. B. Stevenson's School Hymnal, 1880. -- John Julian, Dictionary of Hymnology (1907) ================== Doudney, Sarah, p. 307, i. Other hymns in common use:— 1. For all Thy care we bless Thee. Morning. 2. Lord of the golden harvest. Harvest. 3. Now the solemn shadows darken. Evening. Nos. 1, 2, are from Miss Doudney's Psalms of Life, 1871, and No. 3 is in Mrs. Brock's Children's Hymn Book, 1881. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Edwin A. Bedell

1854 - 1908 Person Name: Edwin A. Bedell, (1854- ) Hymnal Number: 104 Composer of "LAUDATE DOMINUM" in The Sunday School Hymnal

Mary C. Seward

1839 - 1919 Person Name: M. C. Seward Hymnal Number: 261 Composer of "SURSE" in The Sunday School Hymnal Born: July 9, 1839, New London, Connecticut. Died: Circa September 1919, on a train going to Buffalo, New York. [Pseudonym: Agnes Burney.] Daughter of William H. and Sarah Latham Ashbey Coggeshall, Mary was educated at the Female Academy in Norwich, Connecticut, and married composer Theodore Seward in 1860. She belonged to the International Sunshine Society; the Sorosis Club of New York City; the Woman’s Club of Orange, New Jersey; was twice president of the National Society of New England Women; and was president of the Blind Babies’ Hospital in Summit, New Jersey. As of 1914, she was living in East Orange, New Jersey. --www.hymntime.com/tch/

Benjamin Gough

1805 - 1877 Person Name: Benjamin Gough, 1805-1877 Hymnal Number: 38 Author of "The joyful morn is breaking" in The Sunday School Hymnal Gough, Benjamin, was born at Southborough, Kent, in 1805, and died Nov. 28,1877. He was engaged in mercantile pursuits in London for some years. After retiring from business he resided at Mountfield, Faversham. He was a member and lay preacher of the Wesleyan denomination. His poetical works include:— (1) Lyra Sabbatica, Lon., 1865; (2) Kentish Lyrics, London, 1867; (3) Hymns of Prayer and Praise, London, 1875; and several minor publications, the most important being (4) Protestant Hymns & Songs for the Million, Lon., 1878; (5) Songs from the Woodlands, and Other Poems, Lon., 1872; and (6) Christmas Carols and New Year's Songs, Lon. (n.d.). Of Mr. Gough's hymns, about 20 are in common use in Great Britain and America, and of these the most popular and widely used is "Awake, awake, O Zion," q.v. Although possessing many features of popularity, his hymns do not rank high as literary productions. His works are also marred by numerous and feeble imitations of the great lyrics of the Church. Many of his earlier hymns were rewritten for his Hymns of Prayer & Praise, very much to their disadvantage. In addition to those which are annotated under their first lines the following are in common use:— 1. Be thou faithful unto death. Faithfulness. Appeared in his Lyra Sabbatica, &c, 1865, p. 77, in 3 stanzas of 8 lines, and entitled "Christian Fidelity." In 1867 it was transferred to the People's Hymnal, and again, in 1875, to the New Mitre-Hymnal, No. 151. 2. Blessed are the dead who die. Burial. Appeared in his Lyra Sabbatica, 1865, p. 89, in 4 stanzas of 8 lines and headed "For the dead in Christ." In Hatfield's Church Hymn Book, N. Y., 1872, it is slightly altered. 3. Christ is risen from the dead. Easter. In Lyra Sabbatica, 1865, p. 96, in 6 stanzas of 8 lines, as "An Easter Carol;" but in his Hymns of Prayer & Praise, 1875, p. 49, this is changed to "An Easter Hymn." In the New Mitre-Hymnal, 1875, stanzas iv., v. are omitted. 4. Come, children, and join with ardour divine. Missions. In his Lyra Sabbatica, 1865, p. 159, in 9 stanzas of 3 lines, and entitled, "Children's Missionary Hymn" and the Hymns of Prayer & Praise, 1875, No. 39, in 4 stanzas of 6 lines. In the latter work it is rewritten, very much to its disadvantage. The 1865 text is followed in the Methodist Sunday School Hymn Book, 1879, No. 562. 5. Come to Bethlehem and see. Christmas. Appeared in his Christmas Carols, &c, n.d., p. 21, in 5 stanzas of 8 lines. In the New Mitre-Hymnal, 1875, No. 26, it is dated 1873. 6. For all the [Thy] saints in heaven and earth. All Saints. From his Lyra Sabbatica, 1865, p. 119, in stanzas of 8 lines into Snepp's Songs of Grace & Glory, 1872, No. 148. 7. God the Father, full of grace. Holy Trinity, or Public Worship. Appeared in his Kentish Lyrics, 1867, p. 97, in 4 stanzas of 6 lines; and rewritten in a far less acceptable form, in his Hymns of Prayer & Praise, 1875, p. 80, in 4 stanzas of 6 lines. No. 8 in the Methodist Sunday School Hymn Book, 1879, is from the 1867 text. 8. Ho, every one that thirsteth. Invitation. Published in his Lyra Sabbatica, 1865, p. 83, in 5 stanzas of 8 lines; and, altered to its disadvantage, in his Hymns of Prayer & Praise. 1875, p. 33, in 5 stanzas of 8 lines. No. 291 in Methodist Sunday School Hymn Book, 1879 is from the 1865 text. 9. How beauteous on the mountains. Missions. In Lyra Sabbatica, 1865, p. 23, in 5 stanzas of 8 lines; and his Hymns of Prayer & Praise, 1875, p. 20. In Hatfield's Church Hymn Book, N. Y., 1872, No. 1246, is composed of stanzas i.-iii. 10. In Thy temple we adore Thee, gentle, pure, and holy Child. Christmas. In his Christmas Carols, &c, n.d., p. 39, in 3 stanzas of 4 double lines. In the New Mitre-Hymnal, 1875, No. 30, it is dated 1873, and begins, “In Thy cradle we adore Thee." 11. Jesus, full of love divine. Love of Jesus. Written in 1874, and published in the New Mitre-Hymnal, 1875, No. 84. 12. Lift the gospel banner. Missions. This is attributed to B. Gough, on the authority of Mrs. Gough. It is not in his published works, and its first appearance is unknown. In the Methodist Sunday School Hymn Book, 1879, No. 394, it is in 4 stanzas of 8 lines. 13. 0 Jesus, behold the lambs of Thy fold. Sunday. From his Lyra Sabbatica, 1865, p. 103, in 9 stanzas of 3 lines into the Methodist Sunday School Hymn Book, 1879, No. 511, with the omission of stanza ii. 14. Quicken, Lord, Thy Church and me. Whitsuntide. Appeared in his Lyra Sabbatica, 1865, p. 16, in 6 stanzas of 6 lines; and in his Hymns of Prayer & Praise, 1875, p. 6; and headed "For another Pentecost." It is No. 363, in Snepp's Songs of Grace & Glory, 1872. 15. Sing we merrily to God. Praise. Appeared in his Lyra Sabbatica, 1865, p. 65, in 5 stanzas of 8 lines, and his Hymns of Prayer & Praise, 1875, p. 27. In the New Mitre-Hymnal, 1875, No. 138, st. iii. is omitted. 16. There is a land of rest. Heaven. From his Lyra Sabbatica, 1865, p. 105, in 4 stanzas of 8 lines into the New Mitre-Hymnal, 1875, No. 155, where it is appointed for St. Mark's Day. 17. There is no condemnation. Peace. In his Lyra Sabbatica, 1865, p. 25, and his Hymns of Prayer & Praise, 1875, p. 22, in 3 stanzas of 8 lines, and headed "No Condemnation." In Snepp's Songs of Grace & Glory, 1872, it is No. 682. 18. Uplift the blood-red banner. Missions. In his Lyra Sabbatica, 1865, p. 155, and his Hymns of Prayer & Praise, 1875, p. 37, in 4 stanzas of 8 lines, and headed “For the Conversion of the World." It is No. 408 in the People's Hymnal, 1867; No. 88 in the New Mitre-Hymnal, 1875, &c. -- John Julian, Dictionary of Hymnology (1907)

Cyril Bowdler

1839 - 1918 Hymnal Number: 257 Composer of "[I love to hear the story]" in The Sunday School Hymnal Bowdler was an English organist and composer. --www.hymntime.com/tch/

Thomas Gardiner

Hymnal Number: 163 Composer of "[Go when the morning shineth]" in The Sunday School Hymnal

William Augustus Muhlenberg

1796 - 1877 Person Name: Rev. William Augustus Muhlenberg, 1796-1877 Hymnal Number: 39 Author of "Shout the glad tidings, exultingly sing" in The Sunday School Hymnal Mühlenberg, William Augustus, D.D., son of the Rev. Dr. Mühlenberg, and grandson of Henry Melchior Mühlenberg, the patriarch of Lutheranism in America, was born in Philadelphia Sept. 16, 1796. He graduated at the University of Pennsylvania in 1814. Entering Holy Orders in 1817, he was successively Assistant Rector of St. James's Lancaster, 1823; Rector of the Church of the Holy Communion, New York, 1843; St. Paul's College, Flushing (1828); St. Luke's Hospital, New York (1855); St. John's and Long Island (1865), were established by him. He died April 6, 1877. His poetical gift was genuine, but not largely used. In 1826 he contributed four hymns to the Prayer Book Collection (of which he was one of the Committee). His Poems appeared in 1859. He had previously published Church Poetry, 1823; and The People's Psalter, 1858. I would not live alway followed in 1859 (revised in 1871). This last contains 26 pieces, the hymns in the Prayer Book Collection, 1826, with the exception of "I would not live alway," being omitted. The following are his principal lyrics:— 1. Carol, brothers, carol. Christmas Carol. "Made for the boys of St. Paul's College—-the Chorus adapted from one of the Rev.[Bishop] A.C. Coxe's Christian Ballads"-—in 1840. 2. How short the race our friend has run. Death of a Young Person. Contributed to the Prayer Book Collection, 1826. 3. I would not live alway. Eternal rest desired. Four texts of this poem are extant: 1st the Original; 2nd the version given in the Prayer Book Collection, 1826; 3rd the author's revised version of 1859; and 4th his rewritten text of 1871, the second of these being that known to the hymnbooks. The history of the poem is somewhat complicated. We quote it here as given by us in the History of the American Episcopal Church, 1885, p.637, as we have nothing further to add thereto:-— "The most famous of these (Dr. Mühlenberg's hymns) was probably first written. 'I will not live alway' has an intricate history, which was not simplified by the author's lapse of memory in his later years. In his brief ‘story of the hymn,' printed with its ‘evangelized’ text in 1871, every date is wrong by two or three years; and his assertion, ‘The legend that it was written on an occasion of private grief is a fancy,' hardly agrees with the clear and minute recollections of persons of the highest character, still living, and who knew the circumstances thoroughly. The date of composition assigned, 1824, is probably (not certainly) correct; it was written at Lancaster, in a lady's album, and began:— I would not live alway; no, no, holy man, Not a day, not an hour, should lengthen my span.' In this shape it seems to have had six eight-line stanzas. The album was still extant in 1876, at Pottstown, Pa., and professed to contain the original manuscript. Said the owner's sister, ‘It was au impromptu. He had no copy, and, wanting it for some occasion, he sent for the album.' In 1826 he entrusted his copy to a friend, who called on him on the way from Harrisburg to Philadelphia, to carry to the Episcopal Recorder, and in that paper it appeared June 3, 1826 (not 1824). For these facts we have the detailed statement of Dr. John B. Clemson, of Claymont, Del., the Ambassador mentioned, who also chances to have preserved that volume of the paper. Thus appearing (without name) it was adopted by the sub-committee [of the Prayer Book Collection, 1826]. When their report was presented to the entire committee in 1826—-not 1829, as Dr. Mühlenberg had it—-'each of the hymns was passed upon. When this came up one of the members remarked that it was very sweet and pretty, but rather sentimental, upon which it was unanimously thrown out. Not suspected as the author, I voted against myself. That, I supposed, was the end of it.’ The committee, which sat until late at night at the house of Bishop White, agreed upon their report to the Convention, and adjourned. But the next morning Dr. Onderdonk (who was not one of their number, but who, on invitation, had acted with the sub-committee, which in fact consisted of him and myself), called on me to inquire what had been done. Upon my telling him that among the rejected hymns was this one of mine, he said, 'That will never do,' and went about among the members of the committee soliciting them to restore the hymn in their report, which accordingly they did; so that to him is due the credit of giving it to the Church.' As thus adopted it was a small and altered selection from the original lines, made by Dr. Onderdonk ‘with some revision' by the author. He was never satisfied with these texts, but revised the poem in 1859, and re¬wrote it in 1871….The authorship of this, as of many another popular lyric, has been disputed. The claim of Henry Ward, a printer of Lichfield, Conn., has been vehemently urged, and revived but a few years ago. Of course it is unsupported by adequate evidence. When Dr. Mühlenberg was asked to assure ‘some of his brethren, editors of Church papers,' of his paternity, his manly reply was, ‘If they thought I was capable of letting the work of another pass for so many years as my own, they would not be sure of anything I might say.'" 4. Jesus' Name shall ever be. The Holy Name, Jesus. This is entitled "The Blessed Name of Jesus. An Evangelical Rosary." It was written in 1842, and revised for Schaff's Christ in Song in Aug., 1868. 5. King of kings, and wilt Thou deign. Submission to Jesus. Appeared in his Poems, 1859. 6. Like Noah's weary dove. The Ark of the Church. Contributed to the Prayer Book Collection, 1826, No. 24, in 5 st. of 4 1. It sometimes begins with st. ii., "0 cease, my wandering soul;" and again with st. in., "Behold the Ark of God." 7. Saviour, Who Thy flock art feeding. Holy Baptism. This is the most widely known of Dr. Mühlenberg's hymns. It was contributed to the Prayer Book Collection, 1826, No. 86, in 4 st. of 4 1. It is sometimes given as "Jesus, Who Thy flock art feeding." 8. Shout the glad tidings, exultingly sing. Christmas. Contributed to the Prayer Book Collection, 1826, No. 46, in 3 st. of 4 1., with the chorus :— "Shout the glad tidings, exultingly sing, Jerusalem triumphs, Messiah is King;" the opening lines, followed by the first stanza, and a repetition of the chorus, and so on to the end. Sometimes the hymn opens with st. i.: "Zion, the marvellous story be telling," or as “Sion the marvellous story be telling," instead of the chorus. Dr. Mühlenberg says that the hymn was written— "at the particular request of Bishop Hobart, who wanted something that would go to the tune by Avison, then popular, to the words of Moore, ‘Sound the loud timbrel,' &c. He liked the verses I made so well that he had them struck off before the hymns (Prayer Book Collection] were published, and sung in Trinity Church on Christmas day." 9. Since o'er Thy footstool here below. Earth and Heaven. Appeared in the Episcopal Register, 1824, and in his Poems, 1859. 10. The mellow eve is gliding. Evening. Dated 1825 (?) and published in his Poems, 1859. 11. The throne of his glory—-as snow it is white. Advent. Dated 1839, and published in his Poems, 1859. 12. Thine handmaid,Saviour, can it be? Admission of a Nursing Sister. Written on the words, "Come, follow me," for the reception of a Sister at St. Luke's Hospital, New York, 1859. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907) See also in: Hymn Writers of the Church

Alice Jean Cleator

1871 - 1926 Hymnal Number: 307 Author of "Heavenly Father, as we bow before thee" in The Sunday School Hymnal Alice Jean Cleator, 1871-1926 Born: Circa 1871, Andreas, Isle of Man, England. Died: Circa April 27, 1926, Cleveland, Ohio. Cleator’s family evidently emigrated to America in the 1870’s. She was living in Claridon, Ohio, in 1880, & Geauga County, Ohio, in 1900, 1910, & 1920. She taught school in New York City, retiring some time before 1915. --hymntime.com/tch/