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I-to Loh

b. 1936 Hymnal Number: 283 Adapter of "WEN-TI" in Singing Our Faith

Ken Medema

b. 1943 Hymnal Number: 278 Author of "Good Morning, God" in Singing Our Faith Ken Medema (b. Grand Rapids, Michigan, 1943) is a song writer, composer, recording artist, and story-teller through music. Blind from birth, Ken began playing the piano at age five and studied classical music by reading Braille. He graduated from Grand Rapids Christian High School and studied music therapy at Michigan State University in Lansing, Michigan. As a music therapist in both Indiana and New Jersey, he began writing songs for hurting teenagers, an experience that helped to launch a career of writing songs on Christian life that has taken him to venues large and small all over North America and beyond. He responds to what he hears and sees in his heart at particular events, often improvising songs on the spot, offering compassion, honesty and desire for integrity in both worship and life. In 1985 he began Brier Patch Music, which continues to publish his music and recordings, including 26 CDs. Bert Polman

Thomas Ravenscroft

1592 - 1635 Person Name: Thomas Ravenscroft, c. 1582-1635 Hymnal Number: 139 Composer of "[Sing a new song]" in Singing Our Faith Thomas Ravenscroft United Kingdom 1592-1635. Born at Sussex, England, he allegedly sang in the choir at St Paul’s Cathedral. He attended music lectures at Gresham College. He was educated at Cambridge College, graduating in 1607. From 1618-1622 he was music master at Christ’s Hospital. Many of his works were aimed at pleasing a middle class lay public. He collected folk music: “Pammelia” (1609), “Deuteromelia” [includes the song “Three blind mice”](1609), “Melismata” (1611). He also published a metrical Psalter (the whole book of Psalms) in 1621. He composed 11 anthems, three motets, and four fantasies. He also wrote two treatises on music theory: “A briefe discourse of the true (but neglected) use of charact'ring the degrees” (1614), and “A treatise of musick”. He was an author, compiler, composer, editor, arranger, musician, bibliographer, contributor, antecedent, lyricist and creator. No informaton found regarding family. He died at London, England. 672 works. A reprint of his “Psalms” was published in 1844 by Canon Havergal. John Perry

Charles H. Webb

b. 1933 Person Name: Charles H. Webb Hymnal Number: 60 Transcriber of "[Heleluyan, heleluyan]" in Singing Our Faith

Leon Roberts

1950 - 1999 Person Name: LR Hymnal Number: 52 Composer of "[I will praise your name for ever, my King and my God]" in Singing Our Faith Leon began his piano studies at the age of six with a local teacher he knew as "Mr. Ben." His grandmother, Mrs. Mary Bookman, became a religious mentor in the musical growth of her grandson. Being from a family of devout Baptists, Methodists and Pentecostals, he gained an integrated understanding of faith. He first learned skills of directing congregational worship at his mother's church, the First Apostolic Fire Baptized Holiness Church of Coatesville. It was there that he also had a deep personal encounter with Jesus Christ. His talents and strong faith in God were reflected in the musical groups that he formed and directed such as the "Voices of Love" and the "Jubali Movement of Southern Pennsylvania." Leon was equally talented during his years in the Coatesville Area School District as a member of the various choral groups such as the Meistersingers and the many theatrical and musical productions. In 1968, Leon came to Washington, DC, to attend Howard University where he received a Bachelor's degree in Music Education. Later, he completed course work for the Liturgical Studies Certificate from Georgetown University. While at Howard University, he was a co-founder, pianist and composer for the 100-member Howard University Gospel Choir. Additionally, during this period, he directed the Mount Zion Baptist Church Young Adult Choir and the Library of Congress Gospel Choir. The defining event of Leon's career and life came in April 1977 when he was invited to direct the struggling Gospel choir of Saints Paul and Augustine Catholic Church in Washington, DC. Embraced and mentored by the church community, he converted to Catholicism and made his life's work the integration of the energy and emotion of African-American Gospel music with the traditions and rituals of the Catholic liturgy. From 1977 until 1994, he was the Director of Liturgical Music at the Saint Augustine Catholic Church and an instructor of choir and music appreciation at the Saint Augustine Elementary School. From 1978 until 1983, he directed the Mackin Catholic High School Choir and the Archdiocesan-wide Gospel Choir at Saint James Cathedral in Brooklyn, New York. In 1982, he founded and directed the Archdiocesan Mass Choir for the Archdiocese of Washington, DC. He also was music director of the Bishop McNamara Senior High School Gospel Choir. Leon was the co-founder and music chairperson of the REJOICE! Conference on Black Catholic Liturgy. In 1989, the REJOICE! Conference was held in Rome, Italy, and the Vatican where he spoke on "The Development of African-American Liturgical Music Since Vatican II." He was an internationally recognized African-American composer, arranger, liturgist and recording artist. The following are among his works: "Mass of Saint Augustine," published by the Gregorian Institute of America and dedicated to his late sister, Claudette Shatteen; "I Call Upon You God!-The Mass of Saint Martin de Porres," published by Leon C. Roberts and Associates of which he was president; "He Has the Power" and "Deliver the Word," recorded by the Saint Augustine Gospel Choir; "God Has Done Marvelous Things," an artistic collaboration with David Haas and Roberts' Revival; "The Coming," recorded by Roberts' Revival and published by Oregon Catholic Press; and his most recent recording, "Come Bless the Lord," a live concert recording to be released in March 1999. He was a major contributor to the first African-American Catholic hymnal, "Lead Me, Guide Me," which included twenty liturgical settings and was distributed nationally in 1987. In 1993, his psalm settings were published in the African-American hymnal of the Episcopal Church entitled "Lift Every Voice and Sing." And, he also worked with the late Sister Thea Bowman to produce her "Songs of My People" and "Round the Glory Manger." Leon's liturgical music and seminars are famous around the world. He toured with various choirs throughout the United States, Italy, Japan and the Caribbean Islands. During his tour of Rome, Italy, he directed the Saint Augustine Choir at a special audience with Pope John Paul II. In 1990, his concert tour of Japan with Roberts' Revival received critical acclaim and resulted in appearances on ABC-TV, FOX-TV and a number of radio stations. On Christmas Eve 1991, he directed the Saint Augustine Gospel Choir in a special program on "The History of Gospel Music" on ABC's Nightline. From 1994 through 1996, he and Roberts' Revival performed annually in Hawaii at the BILAC, Big Island Liturgical and Arts Conference. He was a clinician and lecturer for many organizations including the National Office of Black Catholics, the National Pastoral Musicians Conventions, the East Coast Conference for Religious Education, Notre Dame University, the Catholic University of America's Liturgical Studies program and many dioceses and archdioceses. In 1994, Leon moved to Brooklyn, New York, to become the Florence Van Keuren Artist-in-Residence at the Concord Baptist Church of Christ. He served as the director for Concord's Gospel Chorus and the Male Chorus. He also was music director of the Union Theological Seminary Gospel Choir in Manhattan. In 1998, he was honored by the Office of Black Ministry of the Archdiocese of New York. During that ceremony at Saint Patrick's Cathedral, New York's Archbishop John Cardinal O'Connor presented him with the "Special Achievement Award" for his many contributions to Black Catholic worship and the development of liturgical music. Then on Friday evening, January 22, 1999, at Providence Hospital, Leon left his earthly home to be with his heavenly Father, after being diagnosed with stomach cancer just two weeks earlier. --www.giamusic.com/

Michael Kuhn

Hymnal Number: 146 Author (Alternate verse) of "All People That on Earth Do Dwell" in Singing Our Faith

J. Freeman Young

1820 - 1885 Person Name: John F. Young, 1820-1885 Hymnal Number: 108 Translator of "Silent Night, Holy Night" in Singing Our Faith John Freeman Young (1820-1885) Born: Oc­to­ber 30, 1820, Pitts­ton, Maine. Died: No­vem­ber 15, 1885, New York Ci­ty. Buried: Old Ci­ty Cem­e­te­ry, Jack­son­ville, Flor­i­da. Young at­tend­ed Wes­ley­an Un­i­ver­si­ty, Mid­dle­town, Con­nec­ti­cut; Wes­ley­an Sem­in­a­ry, Read­field, Maine; and the Vir­gin­ia The­o­lo­gic­al Sem­in­ary, Al­ex­and­ria, Vir­gin­ia. Or­dained a Pro­test­ant Epis­co­pal min­is­ter, he served in Tex­as, Mis­sis­sip­pi, Lou­i­si­a­na, and New York, and be­came the se­cond bi­shop of Flor­i­da in 1867. His works in­clude: Carols for Christ­mas Tide (New York: Dan­i­el Da­na, Jr., 1859) Hymns and Mu­sic for the Young, 1860-61 Great Hymns of the Church (ed­it­or; pub­lished post­hu­mous­ly in 1887 by John H. Hop­kins) --www.hymntime.com/tch

James Chepponis

b. 1956 Person Name: James J. Chepponis, b. 1958 Hymnal Number: 225 Author of "With a Shepherd's Care" in Singing Our Faith

Doreen Potter

1925 - 1980 Person Name: Doreen Potter, 1925-1980 Hymnal Number: 244 Adapter of "LINSTEAD" in Singing Our Faith Doreen Potter was born in 1925 in Panama, but lived in Jamaica during her childhood. She studied music at St. Katharine's College in Liverpool, UK and at Trinity College, London. She was a violinist, pianist, and teacher. She married Philip Potter, general secretary of the World Council of Churches in Geneva. Through her husband she met Fred Kaan and composed tunes for Kaan's texts, as well as other hymn tunes. Dianne Shapiro, from biography published by Hope Publishing Company (accessed online 8/5/2020)

Pao-chên Li

1907 - 1979 Person Name: Pao-chen Li Hymnal Number: 283 Composer of "WEN-TI" in Singing Our Faith

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