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Tobias Clausnitzer

1619 - 1684 Hymnal Number: d18 Author of "Blessed Jesus, we are here, At thy call" in The Catholic Hymnal and Service Book. Organ ed. Clausnitzer, Tobias, born at Thum, near Annaberg, in Saxony, probably on Feb. 5,1619. After studying at various Universities, and finally at Leipzig (where he graduated M.A. in 1643), he was appointed, in 1644, chaplain to a Swedish regiment. In that capacity he preached the thanksgiving sermon in St. Thomas's Church, Leipzig, on "Reminiscere" Sunday, 1645 (ii. Sunday in Lent) on the accession of Christina as Queen of Sweden; as also the thanksgiving sermon at the field service held by command of General Wrangel, at Weiden, in the Upper Palatine, on January 1, 1649, after the conclusion of the Peace of Westphalia. In 1649 he was appointed first pastor at Weiden, and remained there (being also appointed later a member of the Consistory, and inspector of the district,) till his death, on May 7, 1684 (Koch, iii. 354, 355; Allg. Deutsche Biographie, iv. 297; Bode, p. 53; manuscript from Pastor Klinkhardt, Thum). Three hymns by him are known as follows:— i. Jesu dein betrübtes Leiden. [Passiontide.] First published in his Passions-Blume, Nürnberg, 1662, a volume containing 12 sermons on the Passion of our Lord. The hymn appears at p. 17, in 7 stanzas of 6 lines entitled, "Clausnitzer's Passion-Hymn which may be sung with each Meditation." This form is No. 496 in Burg's Gesang-Buch, Breslau, 1746. This hymn has passed into English through a recast, probably by Gensch von Breitenau, beginning, “Herr Jesu, deine Angst und Pein," in 6 stanzas of 7 lines. First published in the Vollständiges Gesang-Buch, Plöen, 1675, No. 41, repeated as No. 101 in the Unverfälschter Liedersegen 1851. The only translation in common use is:— Lord Jesu! may Thy grief and pain, a good translation of stanzas i., iii., vi., by A. T. Russell, as No. 84 in his Psalms and Hymns, 1851. ii. Liebster Jesu wir sind bier, Dion und Dein Wort anzuhören. [Public Worship .] First published in the Altdorffisches Gesang-Buchlein, 1663, No. 20, in 3 stanzas of 6 lines, as a Sunday Hymn for use before Sermon. It appeared with Clausnitzer's name in the Nürnberg Gesang-Buch, 1676, No. 891, and has since come into universal use. In the Berlin Geistliche Lieder, ed. 1863, No. 1062. Translated as:— 1. Gracious Jesu! in Thy name, a good and full translated by A. T. Russell, as No. 82 in the Dalston Hospital Hymn Book, 1848. Included as No. 454 in the ed.,1857, of Mercer's Church Psalm & Hymn Book. (Ox. ed. 1864, No. 56, considerably altered with stanza i. line 4, iii. lines 1-4, from Miss Winkworth, and a doxology added). 2. Gracious Jesu! we are here, a recast of his 1848 translation, made by A. T. Russell for his Psalms & Hymns, 1851, No. 19. 8. Saviour, in Thy house of prayer, a good and full translation as No. 13 in J. F. Thrupp's Psalms & Hymns, 1853, repeated in Maurice's Collection, 1861, No. 634. In Kennedy , 1863, No. 1251, altered and beginning, "Saviour, to Thy house of prayer." 4. Blessed Jesus, at Thy word, a full and good translation by Miss Wink worth in her Lyra Germanica, 2nd Series, 1858, p. 68, repeated in her Chorale Book for England, 1863, No. 12. Included in the English Presbyterian Psalms & Hymns,1867, and others; and in America in the Pennsylvania Lutheran Church Book, 1868; Evangelical Hymnal, N. Y., 1880, and others. 5. Dear Lord, to hear Thee and Thy word, a good translation by Mrs.L. C. Smith; included as No. 50 in Dr. Stevenson's Hymns for Church & Home, 1873. Translations not in common use:— (1) “Dearest Jesu! we are here, Thee to hear," by J. C. Jacobi (1720, p. 32; 1722, p. 43; 1732, p. 72, alt.). In the Moravian Hymn Book, 1789, No. 12 (1849, No. 3), recast by C. J. Latrobe. (2) "Dearest Jesu, we are here, for to hear," as No. 432 in pt. i. of the Moravian Hymn Book, 1754. (3) "Here in Thy presence we appear," by J. Swertner, as No. 10 in the Moravian Hymn Book, 1789 (1886, No. 9). (4) "Blessed Jesus, we are here," by Miss Manington, 1863, p, 145. (5) "Precious Jesus! here are we," in the British Herald, Nov. 1866, p. 360, repeated in Reid's Praise Book, 1872, No. 419. (6) "Dear Redeemer, we are here," by N. L. Frothingham, 1870, p. 204. iii. Wir glauben all an einen Gott, Yater, Sohn und heilgen Geist. [Trinity Sunday.] First appeared in the Culmbach-Bayreuth Gesang-Buch, 1668, p. 132, with the initials "C.A.D." With (Clausnitzer's name it was included as No. 572 in the Nürnberg Gesang-Buch, 1676, in 3 st. of 6 1. In the Bavarian Gesang-Buch, 1854. Translated as:— 1. We all believe in One true God, Father, Son and Holy Ghost, in full by Miss Winkworth in her Chorale Book for England, 1863, No. 75, and thence as No. 118 in the American Methodist Episcopal Hymnal, 1878, and the Evangelical Association Hymn Book, 1882, No. 64. 2. One true God we all confess, by E. Cronenwett, as No. 209 in the Ohio Lutheran Hymnal, 1880. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Contractus Hermannus

1013 - 1054 Hymnal Number: d48 Author of "Triumph all ye cherubim" in The Catholic Hymnal and Service Book. Organ ed. Hermannus Contractus (also known as Herimanus Augiensis or Hermann von Reichenau) was the son of Count Wolverad II von Altshausen. He was born 18 February, 1013 at Altshausen (Swabia). He was a cripple at birth, but intellectually gifted. Therefore his parents sent him to be taught by Abbot Berno on the island of Reichenau. He took his monastic vows here and died on Reichenau 21 September, 1054. He was a mathematician, astronomer, musician, chronicler, and poet, among other things. He is frequently credited as the author of "Alma Redemptoris Mater" and "Salve Regina" Dianne Shapiro, from Schlager, P. (1910). Hermann Contractus. In The Catholic Encyclopedia. New York: Robert Appleton Company. Retrieved October 13, 2014 from New Advent: http://www.newadvent.org/cathen/07266a.htm ================================== Hermannus Contraecus, so called because of his crippled condition, is also known as Hermann of Vöhringen, Hermann of Reichenau, and Hermann der Gebrechliche. He was the son of the Count of Vöhringen in Swabia, and was born on July 18, 1013. He entered the school of St. Gall, circa 1020, and soon developed, although so young, an intense interest in his studies. It is said of him that he rapidly mastered Latin, Greek, and Arabic. History, music, mathematics, philosophy, and theology engaged his attention, and in each study he attained marked success. Some go so far as to say with confidence that he translated Aristotle's Poetics and Rhetoric from the Arabic, but the statement is disputed by others. At thirty years of age he removed from St. Gall to the monastery of Reichenau, where he remained to his death, Sept. 24, 1054. His name is associated with several hymns of historical importance, and notably the following:— 1. Alma Redemptoris, Mater quae pervia coeli. 2. Rex omnipotens die hodierna. 3. Sancti Spiritus adsit nobis gratia. 4. Salve Regina. 5. Veni Sancte spiritus, Et emitte. 6. Veni Sancte spiritus: Reple. 7. Victimae Paschali. The conclusions arrived at in annotations of these hymns concerning their respective authorship will be found somewhat adverse to Hermannus's claims with regard to Nos. 2 and 4, and positively against him with respect to Nos. 3,5 and 7. Some of these conclusions will be found to be utterly opposed to those of Duffield on the same hymns in his Latin Hymn-Writers, &c, 1889, pp. 149-168. This difference of opinion arises mainly out of the fact that the manuscript at St. Gall and at the British Museum were not examined by Duffield, and are much older and more important than any of those with which he was acquainted. --Excerpts from John Julian, Dictionary of Hymnology, Appendix I (1907)

Benjamin Webb

1819 - 1885 Hymnal Number: d141 Author of "Sing we triumphant hymns of praise, new hymns" in The Catholic Hymnal and Service Book. Organ ed. Benjamin Webb (b. London, England, 1819; d. Marylebone, London, 1885) originally translated the text in eight stanzas, although six only appear in Lift Up Your Hearts. It was published in The Hymnal Noted (1852), produced by his friend John Mason Neale. Webb received his education at Trinity College, Cambridge, England, and became a priest in the Church of England in 1843. Among the parishes he served was St. Andrews, Wells Street, London, where he worked from 1862 to 1881. Webb's years there coincided with the service of the talented choir director and organist Joseph Barnby, and the church became known for its excellent music program. Webb edited The Ecclesiologist, a periodi­cal of the Cambridge Ecclesiological Society (1842-1868). A composer of anthems, Webb also wrote hymns and hymn translations and served as one of the editors of The Hymnary (1872). Bert Polman ================== Webb, Benjamin, M.A., was born in London in 1820, and was educated in St. Paul's School; whence he passed to Trinity College, Cambridge, in 1838, B.A. 1842, M.A. 1845. Ordained by the Bishop [Monk] of Gloucester and Bristol he was Assistant Curate of Kemeston in Gloucestershire, 1843-44; of Christ Church, St. Pancras, 1847-49; and of Brasted, Kent, 1849-51; at which date he was presented to the P. C. of Sheen in Staffordshire, which he held until 1862, when he became Vicar of St. Andrews, Wells Street, London. In 1881 the Bishop [Jackson] of London collated him to the Prebend of Portpool in St. Paul's Cathedral. Mr. Webb was one of the Founders of the Cambridge Camden, afterwards the Ecclesiological Society; and the Editor of the Ecclesiologist from 1842 to 1868, as well as the General Editor of the Society's publications. His first appearance in print was as joint editor of Bishop Montague's Articles of Inquiry in 184; in 1843 he was joined with Mr. J. M. Neale in An Essay on Symbolism, and A Translation of Durandus; in 1847 he put forth his valuable work on Continental Ecclesiology; in 1848 he was joint editor with Dr. Mill of Frank’s Sermons, for the Anglo-Catholic Library, and with the Rev. J. Fuller-Russell of Hierurgia Anglicana. After the decease of his father-in-law (Dr. Mill), he edited Dr. Mill's Catechetical Lectures, 1856; a second edition of Dr. Mill's Christian Advocates Publications on the Mythical Interpretation of the Gospels, 1861; and of Dr. Mill's Sermons on our Lord's Temptation, 1873. He was also one of the editors of the Burntisland reprint of the Sarum Missal. One of his most valuable works is Instructions and Prayers for Candidates for Confirmation, of which the third edition was published in 1882. Mr. Webb was one of the original editors of the Hymnal Noted, and of the sub-Committee of the Ecclesiological Society, appointed to arrange the words and the music of that book; and was also the translator of some of the hymns. In conjunction with the Rev. Canon W. Cooke he was editor of the Hymnary, 1872, for which office his habitual reconstruction and composition of the words of the anthems used at St. Andrew's, Wells Street, as well as his connection with the Hymnal Noted, eminently qualified him. His original hymns contributed to the Hymnary, 1871 and 1872, were:-- 1. Assessor to thy King. St. Bartholomew. In the Hymnary, 1872. 2. Behold He comes, thy King most holy. Advent. Originally written to be sung in St. Andrew's Church, Wells Street, as an anthem to the music of Schumann's Advent-lied, and afterwards published in the Hymnary, 1872. 3. Praise God, the Holy Trinity. Hymn of Faith. Originally written for use in St. Andrew's, Wells Street, and subsequently in the Hymnary, 1872. 4. Praise the Rock of our salvation. Dedication of a Church. Published in the Hymnary, 1872. Mr. Webb's authorised text is in the Westminster Abbey Hymn Book, 1883. 5. Ye angel hosts above. Universal Praise to God. In the Hymnary, 1872. He died in London, Nov. 27, 1885. [Rev. William Cooke, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Henry Harbaugh

1817 - 1867 Hymnal Number: d69 Author of "Jesus, I live to thee" in The Catholic Hymnal and Service Book. Organ ed. Harbaugh, Henry, D.D., born in Franklin Co., Pennsylvania, Oct. 24, 1817, was of Swiss descent. In early life he was a farmer, carpenter, and teacher; but in 1840 he entered Marshall College, Mercersburg. Entering the ministry of the German Reformed body, he became, in 1844, Pastor at Lewisburg, Lancaster and Lebanon, Pennsylvania, and in 1864 Professor in Theology at Mercersburg. He died Dec. 27, 1867. He was Editor of the Guardian and the Mercersburg Review, in which he advocated what was called "Mercersburg Theology." His published works include sundry books about Heaven; Poems, Philadelphia, 1860, and Hymns & Chants for Sunday Schools, Lebanon, 1861. This last includes his hymns. The best known and most widely used of his compositions are:— 1. Jesus, I live to Thee. [Life consecrated to Jesus.] This hymn is dated 1850. It is No. 391 in the Hymns of the Church, N. Y., 1869; No. 255 in Allon's Supplementary Hymns, London, 1868, and is also in other collections. 2. God most mighty, sovereign Lord. [National Hymn.] Appeared in his Poems, 1860, in 8 stanzas of 8 lines, and headed, "A National Litany hymn." In some collections it is abridged, as in Hatfield's Church Hymnbook, N. Y., 1872, No. 1307; and in others part of it is altered to "Christ by heavenly hosts adored," as in the Reformed Dutch Hymns of the Church, 1869, No. 935, and others. 3. Make the cross your meditation. [Passiontide.] This translation of "Recordare sanctae crucis" (q.v.) appeared in the Mercersburg Review, 1858, p. 481, and in his Poems 1860. It is worthy of more attention than it has received. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907) ================== Harbaugh, H., p. 484, ii. From No. 2, “God most mighty, &c," the cento, "Thou, by heavenly hosts adored" in the Songs of Christian Praise, N. Y., 1880, No. 658, is taken. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

J. Freeman Young

1820 - 1885 Person Name: J. F. Young Hymnal Number: d139 Author of "Silent night, holy night, all is calm, all is bright" in The Catholic Hymnal and Service Book. Organ ed. John Freeman Young (1820-1885) Born: Oc­to­ber 30, 1820, Pitts­ton, Maine. Died: No­vem­ber 15, 1885, New York Ci­ty. Buried: Old Ci­ty Cem­e­te­ry, Jack­son­ville, Flor­i­da. Young at­tend­ed Wes­ley­an Un­i­ver­si­ty, Mid­dle­town, Con­nec­ti­cut; Wes­ley­an Sem­in­a­ry, Read­field, Maine; and the Vir­gin­ia The­o­lo­gic­al Sem­in­ary, Al­ex­and­ria, Vir­gin­ia. Or­dained a Pro­test­ant Epis­co­pal min­is­ter, he served in Tex­as, Mis­sis­sip­pi, Lou­i­si­a­na, and New York, and be­came the se­cond bi­shop of Flor­i­da in 1867. His works in­clude: Carols for Christ­mas Tide (New York: Dan­i­el Da­na, Jr., 1859) Hymns and Mu­sic for the Young, 1860-61 Great Hymns of the Church (ed­it­or; pub­lished post­hu­mous­ly in 1887 by John H. Hop­kins) --www.hymntime.com/tch

Jacopone, da Todi

1230 - 1306 Person Name: Jacopone da Todi Hymnal Number: d12 Author of "At the cross her station keeping" in The Catholic Hymnal and Service Book. Organ ed. Jacobus de Benedictis, commonly known as Jacopone, was born at Todi in Umbria, early in the 13th century, his proper name being Jacopone di Benedetti. He was descended from a noble family, and for some time led a secular life. Some remarkable circumstances which attended the violent death of his wife, led him to withdraw himself from the world, and to enter the Order of St. Francis, in which he remained as a lay brother till his death, at an advanced age, in 1306. His zeal led him to attack the religious abuses of the day. This brought him into conflict with Pope Boniface VIII., the result being imprisonment for long periods. His poetical pieces were written, some in Italian, and some in Latin, the most famous of the latter being "Cur mundus militat sub vana gloria" (possibly by Walter Mapes), and the "Stabat Mater dolorosa." Archbishop Trench says of him:— “An earnest humourist, he carried the being a fool for Christ into every-day life. The things which with this intent he did, some morally striking enough, others mere extravagances and pieces of gross spiritual buffoonery—wisdom and folly, such as we often find, side by side, in the saints of the Roman Calendar—are largely reported by Wadding, the historian of the Franciscan Order, and by Lisco, in a separate monograph on the Stabat Mater, Berlin, 1843, p. 23. These often leave one in doubt whether he was indeed perfectly sound in his mind, or only a Christian Brutus, feigning folly, that he might impress his wisdom the more deeply, and utter it with more freedom." Sacred Latin Poetry, 3rd ed., 1874, p. 268. Sketches of the life and writings of Jacopone, drawn entirely from the original sources (Trench), have been published as follows:— (1) By Mohnike, Studien Stralsund, 1825, vol. i. pp. 335-406; (2) by Ozanam, Les Poétes Franciscains en Italie au Treizieme Siecle, Paris. In addition there are articles in the Biographie Universelle; Macmillan’s Magazine, Aug., 1873; and the Encyclopedia Britannica , 9th ed. --John Julian, Dictionary of Hymnology (1907) ============================ See also in: Wikipedia

Jean-Baptiste de Santeul

1630 - 1697 Person Name: Jean Baptiste de Santeuil Hymnal Number: d170 Author of "What mortal tongue can sing thy [your] praise" in The Catholic Hymnal and Service Book. Organ ed. Santeüil, Jean-Baptiste de, was born in Paris of a good family on May 12, 1630. He was one of the regular Canons of St. Victor, at Paris, and, under the name of Santolius Victorinus, was distinguished as a writer of Latin poetry. Many of his hymns appeared in the Cluniac Breviary 1686, and the Paris Breviaries 1680 and 1736, and several have been translated into English, and are in common use in Great Britain and America. He was very jocose in disposition and singular in his habits. When on a journey he died at Dijon, Aug. 5, 1697. His Hymni Sacri et Novi were published at Paris in 1689, and again, enlarged, in 1698. [George Arthur Crawford, M.A.] --John Julian, Dictionary of Hymnology (1907)

Laurence Housman

1865 - 1959 Hymnal Number: d55 Author of "He, whose confession God of old accepted" in The Catholic Hymnal and Service Book. Organ ed. Housman, Lawrence, author and artist, was born July 18, 1867, at Bromsgrove, Worcs. His devotional poetry is principally in his Spikenard, 1898, and Bethlehem, 1902. To the English Hymnal, 1906, he contributed eight translations (142, 188, 191, 228, 229, 230, 231, 234); also three original hymns, with a fourth previously published, viz.:— 1. Lord God of Hosts, within Whose hand. St. George. 2. The Maker of the sun and moon. Christmas. From Bethlehem, 1902, p. 75. 3. The Saint who first found grace to pen. St. Mark. 4. When Christ was born in Bethlehem. Holy Innocents. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907) ================== Born: July 18, 1865, Bromsgrove, Hereford, England. Died: February 20, 1959, Glastonbury, Somerset, England. Buried: St. Mary’s, Bathwick, Smallcombe, near Bath. Housman studied art at the Lambeth School of Art and the Royal College of Art. He had great success as an illustrator, but when his eyesight began to fail, he turned to writing books and plays. He wrote 80 books during his lifetime. He often seemed to fall afoul of the censors, though, for religious and political reasons. A committed socialist and pacifist, in 1907, he helped found the Men’s League for Women’s Suffrage. He was also an honorary associate of the Women Writers’ Suffrage League. His works include: Jump-to-Glory Jane, by Meredith Goblin Market, by Christiantina Rossetti, 1893 The End of Elfintown, by Jane Barlow, 1894 Spikenard, 1898 The Sensitive Plant, 1898 Bethlehem, 1902 The Blue Moon, 1904 Angels and Ministers, 1921 Little Plays of St. Francis, 1922 Victoria Regina, 1937 The Unexpected Years, 1937 (autobiography) --www.hymntime.com/tch

J. W. Cummings

1824 - 1866 Person Name: Jeremiah W. Cummings Hymnal Number: d52 Author of "Hail, virgin of virgins, thy praises we sing" in The Catholic Hymnal and Service Book. Organ ed. Cummings, Rev. Jeremiah William (Washington, D.C., April 1, 1824--January 4, 1866, New York, New York). After his ordination, he studied at the College of the Propaganda in Rome where he received his doctorate. On his return to the U.S., he was assigned to St. Patrick's Cathedral, New York, N.Y., and in 1848 was named pastor of the newly established parish of St. Stephen's, New York City. He was the author of several books on religious subjects. Of these his Songs for Schools (1860, with a second edition in 1862), contain his hymns with the exception of four or five so designated these are all original. Those in common use include: "My God whatever through thy church" is contained in St. Gregory and the La Salle hymnals. "O brightness of eternal light" in the Parochial Hymnal has unfortunately been somewhat neglected. --J. Vincent Higginson, DNAH Archives

Job Hupton

1762 - 1849 Hymnal Number: d27 Author of "Come, ye faithful, raise an anthem" in The Catholic Hymnal and Service Book. Organ ed. Hupton, Job, was born in 1762, at a small village near Burton-on-Trent. He was brought up to work at a forge, but after his conversion through the preaching of the Rev. John Bradford, one of Lady Huntingdon's ministers, whom he heard at Walsal, he began to preach; and after a few months at Trevecca College, was himself employed by Lady Huntingdon for some years as one of her itinerating ministers. Having changed his views on the subject of Baptism, he became, in 1794, pastor of the Baptist church at Claxton, in Norfolk, where he laboured with much success for many years. He died Oct. 19, 1849. Hupton wrote much both in prose and verse, his compositions appearing in the Gospel Magazine under the signatures of “Ebenezer," "Eliakini, and "J. H—n." His prose writings were collected and published in 1843, under the title The Truth as it is in Jesus. In 1861, D. Sedgwick reprinted his Hymns & Spiritual Poems, with a brief memoir. Of his 22 hymns three only are in common use:— 1. Come ye saints and raise an anthem. Praise. 2. Glorious, high, and lofty One. The Dominion of God. In Gospel Magazine, June, 1806. 3. Jesus, Omnipotent to save. Lent. The first of these, "Come ye," &c. (q.v.), in its altered form by Dr. Neale, is in extensive use, the rest ore in a few hymn-books only. Hupton had a bold and vigorous imagination and great command of language. If in early life he had enjoyed better educational advantages, he would probably have attained to eminence as a poet. [Rev. W. R. Stevenson, M. A.] -- John Julian, Dictionary of Hymnology

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