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Melchior Teschner

1584 - 1635 Composer of "[The Church's one foundation]" in Songs of Victory Melchior Teschner (b. Fraustadt [now Wschowa, Poland], Silesia, 1584; d. Oberpritschen, near Fraustadt, 1635) studied philosophy, theology, and music at the University of Frankfurt an-der-Oder and later studied at the universities of Helmstedt and Wittenberg, Germany. From 1609 until 1614 he served as cantor in the Lutheran church in Fraustadt, and from 1614 until his death he was pastor of the church in Oberpritschen. Bert Polman

Samuel Wesley

1691 - 1739 Person Name: Samuel S. Wesley Composer of "AURELIA" in Voices Together Samuel Wesley, M.A., the younger, was the eldest child of Samuel and Susanna Wesley, and was born in or near London in 1691. He received his early education from his mother, who always took a special interest in him as her firstborn. In 1704 he went to Westminster School, where he was elected King's Scholar in 1707. Westminster had, under the mastership of Dr. Busby for 55 years, attained the highest reputation for scholarship, and Samuel Wesley, as a classical scholar, was not unworthy of his school. In 1709, Dr. Spratt, Bishop of Rochester, patronised the young scholar, and frequently invited him to Bromley. In 1711 he went with a Westminster studentship to Christ Church, Oxford, and having taken his degree, returned to Westminster as an Usher. He then received Holy Orders and became an intimate friend of Bishop Atterbury, who was then Dean of Westminster. His intimacy with this prelate was a bar to his advancement, and he was bitterly disappointed at not being appointed undermaster at Westminster when that post was vacant. But he was faithful to his friend in his adversity, and the banished prelate warmly appreciated his attachment. In 1732 he was invited, without solicitation, to accept the headmastership of the Free School at Tiverton, and here he spent the remainder of his life. He strongly disapproved of John and Charles Wesley's proceedings; but though the brothers expressed their opinions to one another with characteristic frankness, the disagreement did not cause any interruption in the friendly relations between them. Samuel Wesley was universally acknowledged to be an honest, conscientious and deeply religious man. He was a most uncompromising High Churchman both in the political and the theological sense of that term; and there is no doubt that he was the mainstay of the Wesley family at Epworth. His kindness to his father and mother was unbounded, and he acted like a father to his younger brothers and sisters. He also took a great interest in works of charity, and was one of the first promoters of the Westminster Infirmary. He died at Tiverton in the 49th year of his age, Nov. 6, 1739. His epitaph in Tiverton Churchyard does not exaggerate his merits, when it describes him as— "a man for his uncommon wit and learning, For the benevolence of his temper, and simplicity of manner, Deservedly loved and esteemed by all: An excellent Preacher; But whose best sermon Was the constant example of an edifying life: So continually and zealously employed In acts of beneficence and charity, That he truly followed His blessed Master's example In going about doing good; Of such scrupulous integrity, That he declined occasions of advancement in the world, Through fear of being involved in dangerous compliances; And avoided the usual ways to preferment As studiously as many others seek them." Samuel Wesley published in 1736 A Collection of Poems on several occasions, some of which are full of a rather coarse humour, but all of a good moral and religious tendency. This work was reprinted in 1743, and again by W. Nichols in 1862. Dr. Adam Clarke specifies eight hymns of S. Wesley's composition which were in use among the Methodists of that time (1823). The Wesleyan Hymn Book of the present day contains five, the best-known of which is "The Lord of Sabbath let us praise." Six of his hymns are in common use, and are annotated as follows:— 1. From whence these dire portents around. 2. Hail, Father, Whose creating call. 3. Hail, God the Son in glory crowned. 4. Hail, Holy Ghost, Jehovah, Third. 5. The Lord of Sabbath, let ns praise. 6. The morning flowers display their sweets. -- Excerpts from John Julian, Dictionary of Hymnology (1907)

A. L. Byers

1869 - 1952 Composer of "[The church has one foundation]" in Evening Light Songs Andrew Linnaeus Byers was born on Au­gust 26, 1869 in Al­bany, Il­li­nois. Byers’ mo­ther was song writer Nancy By­ers. In 1890 he became involved with Daniel War­ner & Bar­ney War­ren in evan­gel­is­tic work; later joined the Gos­pel Trump­et pub­lish­ing com­pa­ny as mu­sic ed­it­or for a year. He left that work because of health problems and worked as an evan­gel­ist and pastor in Ida­ho & Or­e­gon be­fore tak­ing a pas­tor­ate in Sac­ra­men­to, Cal­i­for­nia, in 1934. He died on November 9, 1952 in Sacramento, California. His works in­clude: Birth of a Reformation: The Life and La­bors of D. S. War­ner, 1922 NN, Hymnary.

J. A. P. Schulz

1747 - 1800 Person Name: J. A. P. Schulz, (1747-1800.) Composer of "IF GOD HIMSELF BE FOR ME" in Christian Hymns Johann Abraham Peter Schulz Germany 1747-1800. Born at Luneburg, Germany, son of a baker, he attended St Michaelis school in Luneburg and studied organ, then the Johanneum from 1759-1764. In 1765 he was a student of composer, Johann Kimberger, and then taught in Berlin himself. In 1768 Kimberger recommended Schulz for the position of music teacher and accompanist to the Polish Princess Sapieha Woiwodin von Smolensk. Schulz moved to Berlin and traveled with her for three years performing throughout Europe, where he came in contact with many new musical ideas. He married Catharina Maria Gercken, and they had a daughter, Celle. He served as the conductor of the French Theatre in Berlin from 1776-1780. From 1786-1787 he was the Kapellmeister of Prince Henry in Rheinsberg. He began writing operas in 1785 and became musical director of the Berlin French theatre. Schulz went on to serve as Court Kapellmeister in Copenhagen from 1787-1795 before returning to Berlin. In Copenhagen the music library burned down, and he had a breakdown in health from trying to save it. His health suffered further from the effects of a shipwreck he experienced in 1796. Schulz wrote seven operas, stage music, oratorios, and cantatas, as well as piano pieces, folk songs, and church music. He also wrote articles on music theory for Johann Georg Sulzer’s ‘Allgemeine Theorie der schonen Kunste’ in four volumes. He died at Schwedt an der Oder, Germany. John Perry

Bartholomäus Gesius

1555 - 1613 Person Name: Bartholomäus Gesius, 1555-1613 Composer of "[The Church's one foundation]" in Cantate Domino Bartholomaeus Gesius; b. 1555, Muencheberg, near Frankfort; d. 1613 or 14, Wittenberg Evangelical Lutheran Hymnal, 1908

David Clydesdale

b. 1954 Person Name: David T. Clydesdale Arranger (last stanza setting and choral ending) of "AURELIA" in The Celebration Hymnal

Eric H. Thiman

1900 - 1975 Person Name: Eric Thiman Harmonizer of "AURELIA" in The Hymnbook b. 9-12-1900, Ashford, Kent, d. 2-13-75, London; music educator, organist, and composer

Johann Steuerlein

1546 - 1613 Person Name: Johann Steurlein Composer of "WIE LIEBLICH IST DER MAIEN" in Psalms, Hymns, and Spiritual Songs Johann Steuerlein (b. Schmalkalden, Thuringia, Germany, 1546; d. Meiningen, Germany, 1613) studied law at the University of Wittenberg. From 1569 to 1589 he lived in Wasungen near Meiningen, where he served as town clerk as well as cantor and organist in the Lutheran church. From 1589 until his death he lived in Meiningen, where at various times he served as notary public, mayor, and secretary to the Elector of Saxony. A gifted poet and musician, Steurlein rhymed both the Old and New Testaments in German. A number of his hymn tunes and harmonizations were published in Geistliche Lieder (1575) and Sieben und Zwantzig Neue Geistliche Gesenge (1588). Bert Polman

Kermit Moldenhauer

b. 1949 Person Name: Kermit G. Moldenhauer, b. 1949 Composer (descant) of "AURELIA" in Christian Worship (1993)

Shelly Hamilton

b. 1954 Arranger (Last stanza setting) of "AURELIA" in Rejoice Hymns

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