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Frederick William Faber

1814 - 1863 Person Name: Rev. Frederick W. Faber Hymnal Number: 223 Author of "Where loyal hearts and true stand ever in the light" in Gloria Raised in the Church of England, Frederick W. Faber (b. Calverly, Yorkshire, England, 1814; d. Kensington, London, England, 1863) came from a Huguenot and strict Calvinistic family background. He was educated at Balliol College, Oxford, and ordained in the Church of England in 1839. Influenced by the teaching of John Henry Newman, Faber followed Newman into the Roman Catholic Church in 1845 and served under Newman's supervision in the Oratory of St. Philip Neri. Because he believed that Roman Catholics should sing hymns like those written by John Newton, Charles Wesley, and William Cowpe, Faber wrote 150 hymns himself. One of his best known, "Faith of Our Fathers," originally had these words in its third stanza: "Faith of Our Fathers! Mary's prayers/Shall win our country back to thee." He published his hymns in various volumes and finally collected all of them in Hymns (1862). Bert Polman ================= Faber, Frederick William, D.D., son of Mr. T. H. Faber, was born at Calverley Vicarage, Yorkshire, June 28, 1814, and educated at Balliol College, Oxford, graduating B.A. in 1836. He was for some time a Fellow of University College, in the same University. Taking Holy Orders in 1837, he became Rector of Elton, Huntingdonshire, in 1843, but in 1846 he seceded to the Church of Rome. After residing for some time at St. Wilfrid's, Staffordshire, he went to London in 1849, and established the London "Oratorians," or, "Priests of the Congregation of St. Philip Neri," in King William Street, Strand. In 1854 the Oratory was removed to Brompton. Dr. Faber died Sept. 26, 1863. Before his secession he published several prose works, some of which were in defence of the Church of England; and afterwards several followed as Spiritual Conferences, All for Jesus, &c. Although he published his Cherwell Waterlily and Other Poems, 1840; The Styrian Lake, and Other Poems, 1842; Sir Lancelot, 1844; and The Rosary and Other Poems, 1845; and his Lives of the Saints, in verse, before he joined the Church of Rome, all his hymns were published after he joined that communion. They were included in his:— (1) A small book of eleven Hymns1849, for the School at St. Wilfrid's, Staffordshire. (2) Jesus and Mary: or, Catholic Hymns for Singing and Reading, London 1849. In 1852 the 2nd edition was published with an addition of 20 new hymns. (3) Oratory Hymns, 1854; and (4) Hymns, 1862, being a collected edition of what he had written and published from time to time. Dr. Faber's account of the origin of his hymn-writing is given in his Preface to Jesus & Mary. After dwelling on the influence, respectively, of St. Theresa, of St. Ignatius, and of St. Philip Neri, on Catholicism; and of the last that "sanctity in the world, perfection at home, high attainments in common earthly callings…was the principal end of his apostolate," he says:— “It was natural then that an English son of St. Philip should feel the want of a collection of English Catholic hymns fitted for singing. The few in the Garden of the Soul were all that were at hand, and of course they were not numerous enough to furnish the requisite variety. As to translations they do not express Saxon thought and feelings, and consequently the poor do not seem to take to them. The domestic wants of the Oratory, too, keep alive the feeling that something of the sort was needed: though at the same time the author's ignorance of music appeared in some measure to disqualify him for the work of supplying the defect. Eleven, however, of the hymns were written, most of them, for particular tunes and on particular occasions, and became very popular with a country congregation. They were afterwards printed for the Schools at St. Wilfrid's, and the very numerous applications to the printer for them seemed to show that, in spite of very glaring literary defects, such as careless grammar and slipshod metre, people were anxious to have Catholic hymns of any sort. The manuscript of the present volume was submitted to a musical friend, who replied that certain verses of all or nearly all of the hymns would do for singing; and this encouragement has led to the publication of the volume." In the same Preface he clearly points to the Olney Hymns and those of the Wesleys as being the models which for simplicity and intense fervour he would endeavour to emulate. From the small book of eleven hymns printed for the schools at St. Wilfrid's, his hymn-writing resulted in a total of 150 pieces, all of which are in his Hymns, 1862, and many of them in various Roman Catholic collections for missions and schools. Few hymns are more popular than his "My God, how wonderful Thou art," "O come and mourn with me awhile," and "Sweet Saviour, bless us ere we go." They excel in directness, simplicity, and pathos. "Hark, hark, my soul, angelic songs are swelling," and "O Paradise, O Paradise," are also widely known. These possess, however, an element of unreality which is against their permanent popularity. Many of Faber's hymns are annotated under their respective first lines; the rest in common use include:— i. From his Jesus and Mary, 1849 and 1852. 1. Fountain of love, Thyself true God. The Holy Ghost. 2. How shalt thou bear the Cross, that now. The Eternal Years. 3. I come to Thee, once more, O God. Returning to God. 4. Joy, joy, the Mother comes. The Purification. 5. My soul, what hast thou done for God? Self-Examination 6. O how the thought of God attract. Holiness Desired. 7. O soul of Jesus, sick to death. Passiontide. Sometimes this is divided into two parts, Pt. ii. beginning, “My God, my God, and can it be." ii. From his Oratory Hymns, 1854. 8. Christians, to the war! Gather from afar. The Christian Warfare. 9. O come to the merciful Saviour that calls you. Divine Invitation. In many collections. 10. O God, Thy power is wonderful. Power and Eternity of God. 11. O it is sweet to think, Of those that are departed. Memory of the Dead. 12. O what are the wages of sin? The Wages of Sin. 13. O what is this splendour that beams on me now? Heaven. 14. Saint of the Sacred Heart. St. John the Evangelist. iii. From his Hymns, 1862. 15. Father, the sweetest, dearest Name. The Eternal Father. 16. Full of glory, full of wonders, Majesty Divine. Holy Trinity. 17. Hark ! the sound of the fight. Processions. 18. How pleasant are thy paths, 0 death. Death Contemplated. 19. O God, Whose thoughts are brightest light. Thinking no Evil. 20. O why art thou sorrowful, servant of God? Trust in God. 21. Souls of men, why will ye scatter? The Divine Call. 22. The land beyond the sea. Heaven Contemplated. 23. The thought of God, the thought of thee. Thoughts of God. 24. We come to Thee, sweet Saviour. Jesus, our Rest. In addition to these there are also several hymns in common use in Roman Catholic hymn-books which are confined to those collections. In the Hymns for the Year, by Dr. Rawes, Nos. 77, 110, 112, 117, 120, 121, 122, 125, 127, 128, 131, 140, 152, 154,169, 170, 174, 179, 180, 192, 222, 226, 230, 271, 272, are also by Faber, and relate principally to the Blessed Virgin Mary. Several of these are repeated in other Roman Catholic collections. --John Julian, Dictionary of Hymnology (1907 ================== Faber, Frederick William, p. 361, i. To this article the following additions have to be made:— 1. Blood is the price of heaven. Good Friday. (1862.) 2. Exceeding sorrowful to death. Gethsemane. This in the Scottish Ibrox Hymnal, 1871, is a cento from "O soul of Jesus, sick to death," p. 362, i., 7. 3. From pain to pain, from woe to woe. Good Friday. (1854.) 4. I wish to have no wishes left. Wishes about death. (1862.) 5. Why is thy face so lit with smiles? Ascension. (1849.) The dates here given are those of Faber's works in which the hymns appeared. In addition to these hymns there are also the following in common use:— 6. Dear God of orphans, hear our prayer. On behalf of Orphans. This appeared in a miscellaneous collection entitled A May Garland, John Philip, n.d. [1863], No. 1, in 7 stanzas of 4 lines. In the Roman Catholic Parochial Hymn Book, 1880, it begins, "O God of orphans, hear our prayer." 7. Sleep, sleep my beautiful babe. Christmas Carol. This carol we have failed to trace. 8. By the Archangel's word of love. Pt. i. Life of our Lord. This, and Pt. ii., “By the blood that flowed from Thee"; Pt. iii., "By the first bright Easter day"; also, "By the word to Mary given"; "By the name which Thou didst take"; in The Crown Hymn Book and other Roman Catholic collections, we have seen ascribed to Dr. Faber, but in the Rev. H. Formby's Catholic Hymns, 1853, they are all signed "C. M. C," i.e. Cecilia M. Caddell (p. 200, i.). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ====================== Faber, F. W., pp. 361, i.; 1562, ii. We are informed by members of Dr. Faber's family that his father was Mr. Thomas Henry Faber, sometime Lay Secretary of the Bishop of Durham. In addition to his hymns already noted in this Dictionary, the following are found in various Roman Catholic collections, viz.:— i. From St. Wilfrid's Hymns, 1849:— 1. Dear Father Philip, holy Sire. S. Philip Neri. 2. Hail, holy Joseph, hail. S. Joseph. 3. Mother of Mercy, day by day. Blessed Virgin Mary. ii. Jesus and Mary, 1849:— 4. Ah ! dearest Lord! I cannot pray. Prayer. 5. Dear Husband of Mary. S. Joseph. 6. Dear Little One, how sweet Thou art. Christmas. 7. Father and God! my endless doom. Predestination. 8. Hail, holy Wilfrid, hail. S. Wilfrid. 9. O Jesus, if in days gone by. Love of the World. 10. O turn to Jesus, Mother, turn. B. V. M. 11. Sing, sing, ye angel bands. Assum. B. V. M. iii. Jesus and Mary, 1852:— 12. All ye who love the ways of sin. S. Philip Neri. 13. Day set on Rome! its golden morn. S. Philip Neri. 14. Hail, bright Archangel! Prince of heaven. S. Michael. 15. Hail, Gabriel, hail. S. Gabriel. 16. O Flower of Grace, divinest Flower. B. V. M. 17. Saint Philip! 1 have never known. S. Philip Neri. 18. Sweet Saint Philip, thou hast won us. S. Philip Neri. Previously in the Rambler, May, 1850, p. 425. iv. Oratory Hymns, 1854:— 19. Day breaks on temple roofs and towers. Expect. of B. V. M. 20. How gently flow the silent years. S. Martin and S. Philip. 21. How the light of Heaven is stealing. Grace. 22. Like the dawning of the morning. Expect. of B. V. M. 23. Mother Mary ! at thine altar. For Orphans. 24. My God! Who art nothing but mercy and kindness. Repentance. 25. O blessed Father! sent by God. S. Vincent of Paul. 26. O do you hear that voice from heaven? Forgiveness. 27. The chains that have bound me. Absolution. 28. The day, the happy day, is dawning. B. V. M. 29. The moon is in the heavens above. B. V. M. 30. Why art thou sorrowful, servant of God? Mercy. v. Hymns, 1862:— 31. At last Thou art come, little Saviour. Christmas. 32. By the spring of God's compassions. S. Raphael. 33. Fair are the portals of the day. B. V. M. 34. Father of many children. S. Benedict. 35. From the highest heights of glory. S. Mary Magdalene. 36. Like the voiceless starlight falling. B. V. M. 37. Mary! dearest mother. B. V. M. 38. Mother of God, we hail thy heart. B. V. M. 39. O Anne! thou hadst lived through those long dreary years. S. Anne. Previously in Holy Family Hymns, 1860. 40. O balmy and bright as moonlit night. B. V. M. 41. O Blessed Trinity! Thy children. Holy Trinity. 42. O dear Saint Martha, busy saint. S. Martha 43. O Mother, will it always be. B. V. M. 44. O vision bright. B. V. M. 45. Summer suns for ever shining. B. V. M. 46. There are many saints above. S. Joseph. Previously in Holy Family Hymns, 1860. vi. Centos and altered forms:— 47. Confraternity men to the fight. From "Hark the sound of the fight," p. 362, i. 48. Hail, sainted Mungo, hail. From No. 8. 49. I bow to Thee, sweet will of God. From "I worship Thee," p. 559, ii. 50. They whom we loved on earth. From "0 it is sweet to think," p. 362, i. 51. Vincent! like Mother Mary, thou. From No. 25. When Dr. Faber's hymns which are in common use are enumerated, the total falls little short of one hundred. In this respect he outnumbers most of his contemporaries. [Rev. James Mearns] --John Julian, Dictionary of Hymnology, New Supplement (1907) -------------- See also in: Hymn Writers of the Church

S. J. Stone

1839 - 1900 Person Name: Rev. Samuel J. Stone Hymnal Number: 235 Author of "The Church's one foundation" in Gloria Stone, Samuel John, a clergyman of the Church of England, the son of Rev. William Stone, was born at Whitmore, Staffordshire, April 25, 1839. He was educated at Pembroke College, Oxford, where he was graduated B.A. in 1862. Later he took orders and served various Churches. He succeeded his father at St. Paul's, Haggerstown, in 1874. He was the author of many original hymns and translations, which were collected and published in 1886. His hymns are hopeful in spirit and skillfully constructed. He published several poetic volumes. He died November 19, 1900 --Hymn Writers of the Church, 1915 (Charles Nutter) ============================ Stone, Samuel John, M.A., son of the Rev. William Stone, M.A., was born at Whitmore, Staffordshire, April 25, 1839, and educated at the Charterhouse; and at Pembroke College, Oxford, B.A. 1862; and M.A. 1872. On taking Holy Orders he became Curate of Windsor in 1862, and of St. Paul's, Haggerston, 1870. In 1874 he succeeded his father, at St. Paul's, Haggerston. Mr. Stone's poetical works are (1) Lyra Fidelium, 1866; (2) The Knight of Intercession and Other Poems, 1872, 6th edition, 1887; (3) Sonnets of the Christian Year, first printed in the Leisure Hour, and then published by the R. T. Society, 1875; (4) Hymns, a collection of his original pieces and translations, 1886. He has also published Order of The Consecutive Church Service for Children, with Original Hymns, 1883. Mr. Stone's hymns, most of which are in common use, and several of which have a wide popularity, include:— 1. A sower went to sow his seed. The Sower. In his Hymns, 1886, the author says this hymn was ”Written specially in allusion to the sixteen years' work of the first Vicar [his Father] of St. Paul's, Haggerston, to whom the Parish was given in 1858, without Church, or School, or "Vicarage, or Endowment." 2. Bear the troubles of thy life. Patience. A translation of Thomas a Kempis's “Ad versa mundi tolera" (p. 23, ii.) made for the Rev. S. Kettlewell's Thomas á Kempis, 1882. 3. By Paul at war in Gentile lands. St. Mark. Written at Windsor in 1870, and published in his Knight of Intercession, 1872. 4. By Shepherds first was heard. Carol. Written in 1885, and published in the Parochial Magazine, 1885. 5. By Thy love which shone for aye. Litany of the Love of God. Written at Haggerston in 1883, and printed in the Monthly Packet, 1884. 6. Christ the Wisdom and the Power. For Church Workers. Written for the Church Society of St. Paul's, Haggerston in 1812, and published in The Knight of Intercession, 1872. 7. Dark is the sky that overhangs my soul. Sorrow succeeded by Joy. Written at Windsor in 1869 for the Monthly Packet, and printed therein 1869. Published in The Knight of Intercession, 1872, under the title of "Light at Eventide." 8. Deeply dark and deeply still. The Transfiguration. Written in 1871 and published in The Knight of Intercession, 1872. 9. Eastward, ever eastward. Processional for Sunday Morning. Written at Haggerston in 1876, and published in the Monthly Packet, 1884. 10. Faith, who sees beyond the portal. Faith, Hope, and Charity. Written at Windsor in 1869, and published in the Monthly Packet, 1869, and The Knight of Intercession, 1872. 11. Far off our brethren's voices. Missions. Written for the First Day of Intercession for Foreign Missions, 1871, and published in The Knight of Intercession, 1872. "For Colonial Missions." 12. Give the word, Eternal King. Missions. Written for the First Day of Intercession for Foreign Missions, 1871. 13. Glory in heaven to God. Christmas Carol. Written in 1882 for G. H. Leslie's Cantata The First Christmas Morn, 1882. 14. God the Father, All, and One. For Unity. Written in 1883 for Canon G. Venables's Service for Unity, and appeared in the Monthly Packet, 1884. 15. God the Father's Only Son. Offices of Christ. Published in his Lyra Fidelium, 1866, on Article ii.of the Apostles' Creed, "And in Jesus Christ His Only Son our Lord." 16. God the Spirit, we adore Thee. The Holy Ghost. Published in his Lyra Fidelium, 1866, or) Article viii. of the Apostles' Creed, "I believe in the Holy Ghost." 17. Great Captain of God's armies. For Purity. Written in 1884 for the Church of England Purity Society, and printed in Church Bells, April 10, 1885. 18. Homeward we pass in peace. Close of Divine Service. Written in 1884 at Haggerston; and included in the author's Hymns, 1886, as a "Hymn after Benediction." 19. How can we praise Thee, Father? For the Fatherless. Written by request for "The Church of England Central Home for Waifs and Strays," 1882, and printed in the Monthly Packet, 1884. 20. Is there no hope for those who lie? Missions. Written in 1870 for the Monthly Packet; and also included in The Knight of Intercession, 1872. 21. Jesu, to my heart most precious. Jesus, All in All. A translation of Thomas á Kempis's "De dulcedine Jesu," made for the Rev. S. Kettlewell's Thomas á Kempis, 1882. 22. Lo! They were, and they are, and shall be. St. Michael and All Angels. Written in 1875 for The Scottish Guardian, in which it was given in 1875. 23. Lord Christ, my Master dear. For Church Workers. Written for the Sunday School Teachers of St. Paul's, Haggerston, 1885, and given in his Hymns, 1886. 24. Lord of the harvest, it is right and meet. Missions, Thanksgiving. Written for the Second Day of Intercession for Foreign Missions, 1871, and published in The Knight of Intercession, 1872. In the 1889 Appendix to Hymns Ancient & Modern it is somewhat altered. 25. Most true, most High; O Trinity. Holy Trinity. A translation of Thomas á Kempis's "O vera summa Trinitas" made for the Rev. S. Kettlewell's Thomas á Kempis, 1882. 26. My Saviour! I behold Thy life. Passiontide. Published in his Lyra Fidelium, 1866, on Article iv. of the Apostles' Creed, "Suffered under Pontius Pilate, was Crucified, Dead, and Buried." 27. Need hath the golden city none. Evening. Written at Windsor in 1869, and was published in the Monthly Packet in 1870. Also in The Knight of Intercession, 1872. 28. None else but Thee for evermore. God the Father. The opening hymn of his Lyra Fidelium, 1866, on Article i. of the Apostles' Creed, "I believe in God the Father Almighty, Maker of Heaven and Earth." 29. 0 joy, the purest, noblest. Evening. A translation in two parts of Thomas á Kempis's "O qualis quantaque laetitia" made for the Rev. S. Kettlewell's Thomas á Kempis, 1882. Pt. ii. begins "State of divinest splendour!" 30. 0 Thou by Whom the saints abide. Litany of the Holy Spirit. Written for a Confirmation at Haggerston, 1875, and included in the 3rd edition of The Knight of Intercession, 1875. 31. 0 Thou Whose love paternal. Holy Matrimony. Written at Windsor in 1863. 32. On Olivet a little band. Ascension. Published in his Lyra Fidelium, 1866, on Article vi. of the Apostles’ Creed, “He ascended into Heaven," &c. 33. Peace: legacy of mystic power. Peace . Written in 1882 for The Society of St. Katharine for Invalids, and published in the Monthly Packet, 1884. 34. Remember Me, show forth My death. Holy Communion. Written at Windsor for the Monthly Packet, in 1870; and included in The Knight of Intercession, 1872. 35. The Son forsook the Father's home. Christmas. Published in his Lyra Fidelium, 1866, on Art. iii. of the Apostles' Creed, “Who was conceived by the Holy Ghost, Born of the Virgin Mary." 36. The old year's long campaign is o'er. The New Year. Written at Windsor in 1868, and published in The Knight of Intercession, 1872. 37. The whole creation groans and cries. Travail of the Creation. Written at Windsor for the Monthly Packet, 1869, and included in The Knight of Intercession, 1872. 38. The world is sad with hopes that die. Everlasting Life. Published in his Lyra Fidelium, 1866, on Art. xii. of the Apostles' Creed, "The Life Everlasting." 39. Their names are names of Kings. Saints Days. Written at Windsor for the Monthly Packet in 1869, and included in The Knight of Intercession, 1872. 40. There is an ancient river. The Spiritual River. Written at Windsor for the Monthly Packet, in 1870; and given in The Knight of Intercession, 1872. 41. Thou Who hast charged Thine elder sons. For School Teachers. Written in 1881 for St. Katharine's Training College for Mistresses; and subsequently adapted for use by teachers of both sexes. 42. Thou Who didst love us when our woes began. Temperance. Written for the Church of England Temperance Society Magazine, 1866. 43. Through midnight gloom from Macedon. Missions. Written for the First Day of Intercession for Foreign Missions, 1871. 44. Unchanging God, hear from eternal heaven. On behalf of the Jews. Written for the East London Mission to the Jews, 1885. It is included in an abridged form in the 1889 Appendix to Hymns Ancient & Modern. 45. While the Shepherds kept their vigil. Christmas Carol. Written at Windsor in 1868. 46. Winter in his heart of gloom. The Resurrection of the Body. Published in his Lyra Fidelium, 1866, on Article xi. of the Apostles' Creed, "The Resurrection of the Body." 47. Wistful are our waiting eyes. The Judgment. Published in his Lyra Fidelium, 1866, on Art. vii. of the Apostles' Creed, "From thence He shall come to judge the quick and the dead." 48. Ye faithful few of Israel's captive days. Holy Scriptures. Written at Windsor for the Monthly Packet, in 1869. Some of Mr. Stone's finer hymns, including "Round the Sacred City gather;" "The Church's One Foundation;" "Weary of earth and laden with my sin," and others, are annotated under their respective first lines. These, together with the 48 above, are given in his Hymns, 1886, some of the translations being recast. Additional translations from Thomas á Kempis are also noted under his name. Another hymn, inseparably associated with Mr. Stone's name is:— 49. Lord of our Soul's salvation. National Thanksgiving. This was ordered by command of Her Majesty the Queen to be sung at the Thanksgiving for the recovery of H. R. H. The Prince of Wales, on Feb. 27, 1872. In its original form it was in 7 stanzas of 8 lines, and was thus sung throughout the country. Owing however to the necessary restrictions as to time in the Cathedral service, a selection of four verses only--the First, a combination of the 2nd and 4th, the 6th, and the 7th--was adapted by the author for use in St. Paul's." The full text was included in The Knight of Intercession, 1872. Mr. Stone's hymns vary considerably in metre and subject, and thus present a pleasing variety not always found in the compositions of popular hymnwriters. His best hymns are well designed and clearly expressed. The tone is essentially dogmatic and hopeful. The absence of rich poetic thought and graceful fancy is more than atoned for by a masterly condensation of Scripture facts and of Church teaching given tersely and with great vigour. His changes and antitheses are frequently abrupt, in many instances too much so for congregational purposes, and his vocabulary is somewhat limited. His rhythm, except where broken either by long or by compound words, is rarely at fault, and his rhyme is usually perfect. A few of his hymns are plaintive and pathetic, as the tender "Weary of earth and laden with my sin;" others are richly musical, as "Lord of the harvest! it is right and meet:" but the greater part are strongly outspoken utterances of a manly faith, where dogma, prayer, and praise are interwoven with much skill. Usually the keynote of his song is Hope. He died Nov. 19, 1900. -- John Julian, Dictionary of Hymnology (1907) ===================== Stone, S. J. , p. 1095, i. Of his hymns noted there the following appeared in Mission Life, 1872, vol. iii., pt. ii., pp. 685-88. No. 11, "Far off our brethren's voices," for Church Missionary Hymn Book, Colonial Missions, and No. 12, "Give the word, Eternal King," and No. 43, "Through midnight gloom from Macedon," for "Foreign Missions." In addition the following are also in common use:— 1. Awake, 0 Lord, the zeal of those who stand. Intercession for the Clergy. In the Church Missionary Hymn Book, 1899. 2. England, by thine own Saint Alban. St. Alban. In C. W. A. Brooke's Additional Hymns, 1903. 3. Our God of love Who reigns above. For Children. Appeared in the Church Monthly, July 1899, and Hymns Ancient & Modern, 1904. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Mary Ann Thomson

1834 - 1923 Person Name: Mary A. Thomson Hymnal Number: 238 Author of "Publish glad tidings, tidings of peace" in Gloria Thomson, Mary Ann, wife of Mr. John Thomson, Librarian of the Free Library, Philadelphia, was born in London, England, December 5, 1834. She has written about forty hymns, which have appeared mostly in the Churchman, New York, and in the Living Church, Chicago. Four of her hymns are found in the Protestant Episcopal Hymnal, 1892. Of the origin of the missionary hymn by Mrs. Thomson which is found in our Hymnal she writes as follows: I wrote the greater part of the hymn, "O Zion, haste," in the year 1868. I had written many hymns before, and one night, while I was sitting up with one of my children who was ill of typhoid fever, I thought I should like to write a missionary hymn to the tune of the hymn beginning "Hark, hark, my soul, angelic songs are swelling," as I was fond of that tune; but as I could not then get a refrain I liked, I left the hymn unfinished, and about three years later I finished it by writing the refrain which now forms part of it. By some mistake 1891 is given instead of 1871 as the date of the hymn in the (Episcopal) Hymnal. I do not think it is ever sung to the tune for which I wrote it. Rev. John Anketell told me, and I am sure he is right, that it is better for a hymn to have a tune of its own, and I feel much indebted to the composer of the tune "Tidings" for writing so inspiring a tune to my words. Hymn Writers of the Church by Wilber F. Tillett and Charles S. Nutter, 1915 ================== Thomson, Mary Ann, wife of John Thomson, Librarian of the Free Library, Phila., was born in London, England, Dec. 5, 1834. She has written several hymns and poems. To 1895, eight of these appeared in The Churchman (New York); and thirty-four in The Living Church (Chicago). Of her hymns the following were included in The Hymnal, Revised and Enlarged .. . The P. E. Church, U.S.A., 1892 :— 1. Now the blessed Dayspring. [Annunciation B. V. M.] Begins with stanza ii. of "Through the sins and sorrows," which appeared in The Living Church, March 29, 1890. 2. O King of saints, we give Thee praise and glory. [All Saints.] First published in The Living Church, Nov. 8, 1890. In the first ed. of The Book of Praise, N.Y., 1894, it was attributed to Bp. W. W. How in error. 3. O Sion, haste, thy mission high fulfilling. [Missions.] No. 249 in The Hymnal, &c., 1892. 4. Saviour, for the little one. [Burial of a Child.] The Hymnal, &c., 1892, No. 247. Mrs. Thomson's Christmas Carol, "Lo! amid the shades of night," appeared, with music by B. Cecil Klein, in The Churchman, N.Y., Dec. 19, 1891, and separately at Phila. in 1892. --John Julian, Dictionary of Hymnology, New Supplement (1907)

John Bacchus Dykes

1823 - 1876 Person Name: Rev. John B. Dykes Hymnal Number: 4 Composer of "NICAEA" in Gloria As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Thomas T. Lynch

1818 - 1871 Person Name: Rev. Thomas T. Lynch Hymnal Number: 95 Author of "Gracious Spirit, dwell with me" in Gloria Lynch, Thomas Toke, was born at Dunmow, Essex, July 5, 1818, and educated at a school at Islington, in which he was afterwards an usher. For a few months he was a student at the Highbury Independent College; but withdrew, partly on account of failing health, and partly because his spirit was too free to submit to the routine of College life. From 1847 to 1849 he was Minister of a small charge at Highgate, and from 1849 to 1852 of a congregation in Mortimer Street, which subsequently migrated to Grafton Street, Fitzroy Square. From 1856 to 1859 he was laid aside by illness. In 1860 he resumed his ministry with his old congregation, in a room in Gower Street, where he remained until the opening of his new place of worship, in 1862, (Mornington Church), in Hampstead Road, London. He ministered there till his death, on the 9th of May, 1871. The influence of Lynch's ministry was great, and reached far beyond his own congregation (which was never large), since it included many students from the Theological Colleges of London, and thoughtful men from other churches, who were attracted to him by the freshness and spirituality of his preaching. His prose works were numerous, beginning with Thoughts on a Day, 1844, and concluding with The Mornington Lecture, 1870. Several of his works were published after his death. His Memoir, by W. White, was published in 1874. Lynch's hymns were published in:— The Rivulet: a Contribution to Sacred Song, London., Longman, 1855, 2nd ed., 1856. This was enlarged by an addition of 67 hymns in 1868. From the first edition of The Rivulet, 1855, the following hymns have come into common use:— 1. All faded is the glowing light. Second Advent. 2. Be Thy word with power fraught. Before Sermon. 3. Christ in His word draws near. Holy Scripture. 4. Dismiss me not Thy service, Lord. Work for Christ. 5. Gracious Spirit, dwell with me. Holy Spirit's presence desired. 6. How calmly the evening once more is descending. Evening. Sometimes "How calmly once more the night is descending." 7. I give myself to prayer. Prayer in Trouble. 8. Lord, on Thy returning day. Public Worship. 9. Lord, when in silent hours I muse. Resignation. 10. Love me, O Lord, forgivingly. Resignation. 11. Mountains by the darkness hidden. Resignation. 12. Now have we met that we may ask. Public Worship. 13. O, break my heart; but break it as a field. Penitence desired. 14. O Lord, Thou art not fickle. Sympathy. 15. O where is He that trod the sea. Christ Walking on the Sea. 16. Oft when of God we ask. Trust in Trial. 17. Rise, He calleth thee, arise. Blind Bartimaeus. 18. Say not, my soul, from whence. Resignation. 19. Where is thy God, my soul? Resignation and Hope. There are also from the 1856 and 1868 eds. the following:— 20. A thousand years have come and gone. Christmas. 21. Lift up your heads, rejoice; (1856.) Advent. 22. Praying by the river side. Holy Baptism. 23. The Lord is rich and merciful. Have Faith in God. 24. There is purpose in this waste. Easter. Lynch's hymns are marked by intense individuality, gracefulness and felicity of diction, picturesqueness, spiritual freshness, and the sadness of a powerful soul struggling with a weak and emaciated body. Although The Rivulet was published for use by his own congregation as a supplement to Watts, more than one half of the hymns were designed for private use only, but were not so distinguished in the work. Its publication caused one of the most bitter hymnological controversies known in the annals of modern Congregationalism. Time, however, and a criticism, broader and more just, have declared emphatically in favour of his hymns as valuable contributions to cultured sacred song. [Rev. W. Garrett Horder] --John Julian, Dictionary of Hymnology (1907) ================== Lynch, T. T., p. 705, ii. Other hymns by him in recent books are:— 1. My faith it is an oaken staff. Faith in Christ. In the Rivulet, 1855, p. 78. 2. Together for our country now we pray. National, In the Rivulet, 1868, p. 170. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Edmund H. Sears

1810 - 1876 Person Name: Rev. Edmund H. Sears Hymnal Number: 53 Author of "It came upon the midnight clear" in Gloria Edmund Hamilton Sears was born in Berkshire [County], Massachusetts, in 1810; graduated at Union College, Schenectady, in 1834, and at the Theological School of Harvard University, in 1837. He became pastor of the Unitarian Society in Wayland, Mass., in 1838; removed to Lancaster in 1840; but on account of ill health was obliged to retire from the active duties of the ministry in 1847; since then, residing in Wayland, he devoted himself to literature. He has published several works. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ======================= Sears, Edmund Hamilton, D.D., son of Joseph Sears, was born at Sandisfield, Berkshire County, Massachusetts, April 6, 1810, and educated at Union College, Schenectady, N.Y., where he graduated in 1834; and at the Theological School at Cambridge. In 1838 he became pastor of the First Church (Unitarian) at Wayland, Massachusetts; then at Lancaster in the same State, in 1840; again at Wayland, in 1847; and finally at Weston, Massachusetts, in 1865. He died at Weston, Jan. 14, 1876. He published:— (1) Regeneration, 1854; (2) Pictures of the Olden Time, 1857; (3) Athanasia, or Foregleams of Immortality, 1858, enlarged ed., 1872; (4) The Fourth Gospel the Heart of Christ; (5) Sermons and Songs of the Christian Life, 1875, in which his hymns are collected. Also co-editor of the Monthly Religious Magazine. Of his hymns the following are in common use:— 1. Calm on the listening ear of night. Christmas. This hymn was first published in its original form, in the Boston Observer, 1834; afterwards, in the Christian Register, in 1835; subsequently it was emended by the author, and, as thus emended, was reprinted entire in the Monthly Magazine, vol. xxxv. Its use is extensive. 2. It came upon the midnight clear. Christmas. "Rev. Dr. Morison writes to us, Sears's second Christmas hymn was sent to me as editor of the Christian Register, I think, in December, 1849. I was very much delighted with it, and before it came out in the Register, read it at a Christmas celebration of Dr. Lunt's Sunday School in Quincy. I always feel that, however poor my Christmas sermon may be, the reading and singing of this hymn are enough to make up for all deficiences.'" 3. Ho, ye that rest beneath the rock. Charitable Meetings on behalf of Children. Appeared in Longfellow and Johnson's Hymns of the Spirit, Boston, 1864, in 2 stanzas of 8 lines. Dr. Sears's two Christmas hymns rank with the best on that holy season in the English language. Although a member of the Unitarian body, his views were rather Swedenborgian than Unitarian. He held always to the absolute Divinity of Christ. [Rev. F. M. Bird, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

Daniel C. Roberts

1841 - 1907 Person Name: Rev. Daniel C. Roberts Hymnal Number: 250 Author of "God of our fathers, whose almighty hand" in Gloria Daniel C. Roberts (b. Bridgehampton, Long Island, NY, 1841; d. Concord, NH, 1907) Educated at Kenyon College, Gambier, Ohio, served in the union army during the Civil War. He was ordained in the Episcopal Church as a priest in 1866 and ministered to several congregations in Vermont and Massachusetts. In 1878 he began a ministry at St. Paul Church in Concord, New Hampshire, that lasted for twenty-three years. Serving for many years president of the New Hampshire State Historical Society, Roberts once wrote, "I remain a country parson, known only within my small world," but his hymn "God of Our Fathers" brought him widespread recognition. Bert Polman ================= Roberts, Daniel C., D.D., of the Prot. Episcopal Church in America, b. at Bridge Hampton, L.I., Nov. 5, 1841, and graduated at Gambler College, 1857. After serving for a time as a private in the Civil War, he was ordained in 1866. He is at present (1905) Rector of Concord, N.H. His hymn, "God of our fathers, Whose almighty hand " (National Hymn), was written in 1876 for the "Centennial" Fourth of July celebration at Brandon, Vermont. In 1892 it was included in the Protestant Episcopal Hymnal, and again in Sursum Corda, 1898. [Rev. L. F. Benson, D.D.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Francis Scott Key

1779 - 1843 Person Name: Francis S. Key Hymnal Number: 249 Author of "O say can you see, by the dawn's early light" in Gloria Frances Scott Key USA 1779-1843. Born in Frederick County, MD, and educated at St. John’s College, Annapolis, MD, a devout Episcopalian, he practiced law in Washington, DC for four decades. He was U.S. District Attorney for the District of Columbia until his death. He argued some of his cases at the Supreme Court. Key served briefly in a Georgetown militia unit. He married Mary Tayloe Lloyd in 1802, and they had eleven children: Elizabeth, Maria, Francis, John, Anna. Edward, Daniel, Philip, Ellen, Maria, and Charles. He also wrote a few hymn lyrics. During the War of 1812, which Key was against, the British invaded the U.S. and burned the White House, Capitol Building, and Library of Congress. One of Key’s friends, Dr. William Beanes, accused of helping in the arrest of British soldiers, was taken prisoner by the British. With the permission of President James Madison, Keys went to Baltimore to try to secure his release with a prisoner exchange. Sailing on a sloup flying a flag of truce for several miles at sea, they found the Tonnant, the ship Beanes was held on, and finally negotiated the release, After showing the British letters from grateful wounded British troups that had been treated by Dr. Beanes. They tried to leave the area, but were temporarily prevented, as the British were bombarding Fort McHenry. Major George Armistead, Commander of Ft. McHenry, had asked that a large flag be made so British vessels could see it over the fort from a great distance. The flag made of cotton bunting was 24 x30 feet in size. When hoisted, it looked huge. Detained, and watching from a ship about eight miles away, Key saw the British fail to destroy the Fort, or even the flag flying over it. The British could not move in cfloser with their ships, as close-range bombardment from Americans had already sunk 22 vessels. After firing 1500 bomb shells, each weighing as much as 220 lbs. from a distance of several miles out the British gave up trying. Key penned his famous lines about the incident, then finished the poem in a hotel room later. The poem was printed in newspapers, and soon a popular drinking tune, “Anacreon in Heaven”, by John Stafford Smith, was chosen to accompany it, and people began referring to the song as “the star-spangled banner”. Four stanzas were written, but usually only one verse, the first, is sung. Key’s brother-in-law, Joseph Nicholson, noted that Key’s words fit the song, so he took the poem to a printer in Baltimore and had it printed. Two known copies of the printing have survived. His famous song was sung in 1897 at baseball opening day ceremonies in Philadelphia. In 1899 the U.S. Navy adopted the song. In 1916, President Woodrow Wilson announced that it should be played at all official events. In 1918 it was sung during the 7th inning of the World Series . It was adopted as the National Anthem in March 1931. During WWII it was sung at every baseball game. Key was a slave owner for years, but an opponent of slave trafficking. He eventually became a leader of the American Colonization Society which sent freed slaves to Africa, and he freed his slaves, even giving free legal representation to some seeking their freedom. He also represented owners of run-away slaves. In 1841 Key became a member of President Andrew Jackson’s “kitchen cabinet” a group of informal close advisors that did not hold public office but met with the president from time to time. In 1823 Key helped found the Virginia Theological Seminary. He supported the Episcopal Church for decades, taking an active roll in Christ Church and St. John’s Church in Georgetown, and Trinity Church in Washington, DC. He served as a lay rector for many years, leading services and visiting the sick. Of his many poems, religious themes were frequent, and most of his works were printed, collected and published in New York as “Poems” in 1857. Key died in Baltimore, MD, of pleurisy. Honors include: two bridges names after him (in Arlington, VA & Baltimore, MD), St. John’s College auditorium, Inducted in Songwriter’s Hall of Fame, Key Hall at University of MD, a residence hall at George Washington U, a high school in rural MD, a middle school in Houston, TX, elementary schools in several states, a mall in MD, a Baltimore minor league baseball team, A San Francisco monument (torn down in 2020 by a radical group after a $140,000 renovation), a WWII Liberty ship, and a U.S. Navy submarine. Special note: In 2001, after the 9/11 catastrophe in New York, Queen Elizabeth II allowed her guards at Buckingham Palace to play the song, and the next day, at St. Paul’s Cathedral, she joined in the singing of it at a memorial service. John Perry ================= Key, Francis Scott, was born in Frederick County, Maryland, 1779, and educated at St. John's College, Annapolis. He practised as a lawyer in Washington, District of Columbia, and was the United States District Attorney there till his death on Jan. 11, 1843. His poetical pieces, which were printed in various works, were collected and published in New York as Poems in 1857. His hymns in common use include:— 1. Before the lord we bow. National Thanksgiving. This Thanksgiving hymn for the 4th July was published in 1832, and was probably written for the celebration of that year. It is in use in Great Britain and America. 2. If life's pleasures charm [cheer] thee. The heart for God only. Appeared in The Christian Lyre, 1830. 3. Faith is the Christian's evidence. Faith. 4. Lord, with glowing heart I'll praise Thee. Praise for Pardon and Peace. Published in Dr. Mühlenberg's Church Poetry, 1823, the Prayer Book Collection, 1826, &c.; and altered as "Lord, with fervor I would praise Thee," in the Unitarian Hymns for the Church of Christ, Boston, 1853. In the Oberlin, Ohio, Manual of Praise, 1880, it begins with st. ii., "Praise, my soul, the God that sought thee." Of these hymns Nos. 1, 2, and 4 are in the Lyra Sacra Americana, 1868, together with the following:— 5. Behold the grant the King of kings. All things in Christ. 6. My God, my Father, may I dare. God, the Father. 7. When troubles, wave on wave, assail'd. Efficacy of Prayer. F. S. Key was also the author of "The Star Spangled Banner" (1814). For original text of his pieces see the Poems, 1857. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

William B. Bradbury

1816 - 1868 Hymnal Number: 117 Composer of "HE LEADETH ME" in Gloria William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

George Duffield

1818 - 1888 Person Name: Rev. George Duffield Hymnal Number: 209 Author of "Stand up, ye soldiers" in Gloria Duffield, George, Jr., D.D., son of the Rev. Dr. Duffield, a Presbyterian Minister, was born at Carlisle, Pennsylvania, Sept. 12, 1818, and graduated at Yale College, and at the Union Theological Seminary, New York. From 1840 to 1847 he was a Presbyterian Pastor at Brooklyn; 1847 to 1852, at Bloomfield, New Jersey; 1852 to 1861, at Philadelphia; 1861 to 1865, at Adrian, Michigan; 1865 to 1869, at Galesburg, Illinois; 1869, at Saginaw City, Michigan; and from 1869 at Ann Arbor and Lansing, Michigan. His hymns include;— 1. Blessed Saviour, Thee I love. Jesus only. One of four hymns contributed by him to Darius E. Jones's Temple Melodies, 1851. It is in 6 stanzas of 6 lines. In Dr. Hatfield's Church Hymnbook it is given in 3 stanzas. The remaining three hymns of the same date are:— 2. Parted for some anxious days. Family Hymn. 3. Praise to our heavenly Father, God. Family Union. 4. Slowly in sadness and in tears. Burial. 5. Stand up, stand up for Jesus. Soldiers of the Cross. The origin of this hymn is given in Lyra Sac. Americana, 1868, p. 298, as follows:— "I caught its inspiration from the dying words of that noble young clergyman, Rev. Dudley Atkins Tyng, rector of the Epiphany Church, Philadelphia, who died about 1854. His last words were, ‘Tell them to stand up for Jesus: now let us sing a hymn.' As he had been much persecuted in those pro-slavery days for his persistent course in pleading the cause of the oppressed, it was thought that these words had a peculiar significance in his mind; as if he had said, ‘Stand up for Jesus in the person of the downtrodden slave.' (Luke v. 18.)" Dr. Duffield gave it, in 1858, in manuscript to his Sunday School Superintendent, who published it on a small handbill for the children. In 1858 it was included in The Psalmist, in 6 stanzas of 8 lines. It was repeated in several collections and in Lyra Sac. Amer., 1868, from whence it passed, sometimes in an abbreviated form, into many English collections. [Rev. F. M. Bird, M.A.] - John Julian, Dictionary of Hymnology (1907) See also in: Hymn Writers of the Church