Glory to God ‎#823

823. Shall Tribulation or Distress

Instrument/Format Page ScanAccompanimentAlto SaxBassBassoonBulletin (harmony)Bulletin (melody)CelloClarinetFluteHornLarge PrintLead SheetOboePewProjection (harmony)Projection (melody)Tenor SaxTromboneTrumpetTubaViolaViolin

You have access to this FlexScore.
Download:

Are parts of this score outside of your desired range? Try transposing this FlexScore.

General Settings

Stanza Selection

Voice Selection

Text size

Text size:

-3 -2 -1 +0 +1 +2 +3 +4

Music size

Music size:

-8 -6 -4 -2 +0 +2 +4 +6 +8 +10

Transpose (Half Steps)

Transpose (Half Steps):

-12 -11 -10 -9 -8 -7 -6 -5 -4 -3 -2 -1 None 1 2 3 4 5 6 7 8 9 10 11 12

Capo

Capo:

None 1 2 3 4 5 6 7 8 9 10 11

Contacting server...

Contacting server...

$2.99 Purchase the FlexScore for this hymn instance (licensed for a single user) $11.99 Purchase all of the FlexScore instruments/formats for this hymn instance (licensed for all instrumentalists in your church or organization) $39.99 Purchase a Hymnary Pro subscription and get unlimited access to all public domain FlexScores for one year
	Questions? Check out the FAQ

A separate copy of this score must be purchased for each choir member. If this score will be projected or included in a bulletin, usage must be reported to a licensing agent (e.g. CCLI, OneLicense, etc).

This is a preview of your FlexScore.

Text Information

• First Line: Shall tribulation or distress
• Title: Shall Tribulation or Distress
• Author: Mary Louise Bringle (2006)
• Meter: 8.8.8.4.4.8.8
• Language: English
• Publication Date: 2013
• Scripture:
  Matthew 5:1-12
  ;
  Romans 8:31-39
  ;
  Romans 12:9-21
• Topic: Living and Dying in Christ; Love of God for Us
• Copyright: © 2006 GIA Publications, Inc.
• ONE LICENSE: 57612

Tune Information

• Name: ROMANS 8
• Composer: Sally Ann Morris (2006)
• Meter: 8.8.8.4.4.8.8
• Key: A♭ Major
• Copyright: © 2006 GIA Publications, Inc.

Text Information:

Reversing the usual pattern, the tune came first in this hymn; the tune name was assigned only after the text was written. The author first heard the repeated phrase “or/not even death” implied by the melody, which sent her to the passage from Romans 8:31–39 paraphrased here.