When Thou my righteous Judge shalt come

Representative Text

When Thou, my righteous Judge, shalt come
To fetch Thy ransomed people home,
Shall I among them stand?
Shall such a worthless worm as I,
Who sometimes am afraid to die,
Be found at Thy right hand?

I love to meet among them now,
Before Thy gracious feet to bow,
Though vilest of them all;
But can I bear the piercing thought:
What if my name should be left out,
When Thou for them shalt call?

Prevent, prevent it by Thy grace;
Be Thou, dear Lord, my hiding-place,
In this the accepted day:
Thy pardoning voice, O let me hear,
To still my unbelieving fear,
nor let me fall, I pray.

Let me among Thy saints be found,
Whene'er the archangel's trump shall sound
To see Thy smiling face;
Then loudest of the crowd I'll sing,
While heaven's resounding mansions ring
With shouts of sovereign grace.

Author: Selina Hastings, Countess of Huntingdon

Born: August 24, 1707, Astwell House, Nottinghamshire, England. Died: June 17, 1791, London, England. Buried: St. Helen’s Church, Ashby-de-la-Zouch, Leicester, England. Selena Huntingdon, née Shirley, Countess of, daughter of Washington, Earl Ferrers, was born Aug. 24, 1707; married to Theophilus Hastings, 9th Earl of Huntindon, June, 1728; and d. in London, June 17, 1701. At an early age she received serious religious impressions, which continued with her, and ruled her conduct through life. She was a member of the first Methodist Society, in Fetter Lane, London, and the first Methodist Conference was held at her house in June, 1744. Her sympathies, however, were with the Calvinism of G. Whitefield, and when the breach took plac… Go to person page >

Notes

O when my righteous Judge shall come. [The Judgment Day.] Miller's account of this hymn in his Singers and Songs, &c, 1869, p. 182, is:—

"It was in this fourth edition [of the Lady Huntingdon Hymn Book] that there appeared for the first time the striking and well-known hymn by the Countess ‘Oh! when my righteous Judge shall come.' . . . It is the second part of a piece on the Judgment Day which has a first part of five verses, beginning ‘We soon shall hear the midnight cry.'"

This statement by Miller is based upon information which he received from Daniel Sedgwick. On turning to D. Sedgwick's own copy of the edition of the Lady Huntingdon Hymn Book referred to by Miller, we find, first, two separate and distinct hymns numbered 146 and 147, and beginning respectively, "We soon shall hear the midnight cry” and "O when my righteous Judge shall come;" and, secondly, a note in pencil in Sedgwick's handwriting which reads, "Hymn 146 and 147 seem to be both by the same Author-—perhaps the Countess's." On turning to Sedgwick's copy of Miller's Singers and Songs, we find, written by Sedgwick opposite the words quoted by Miller as above, the following:—

" Upon the testimony of the Rev. Thomas Young of Canterbury this hymn was composed by Charles Wesley. None doubt it was wrote at the suggestion of the Countess by C. Wesley."

It is clear that these guesses of Sedgwick are worthless. The history of the hymn, so far as we have been able to trace it, is as follows:—
(1) In an enlarged edition of the Lady Huntingdon Collection, circa 1774, it was given, together with "We soon shall hear the midnight cry" (as Nos. 145 and 147), in 4 stanzas of 6 lines, and in common with all the rest of the hymns in the collection without signature. Both hymns were subsequently omitted from all official editions of the hymn-book, a fact which tells greatly against the guess that they were written by the Countess.
(2) We next find both hymns in the 1775 Appendix by L. Coughlan to J. Bazlee's Select Collection of Psalms & Hymns . . . for the Use of the Congregation of Cumberland Street ,[London] Chapel. [Lady Huntingdon.] They are numbered 295, 296.
(3) "We soon shall hear the midnight cry," is seldom found after this date; but its companion hymn, "0 when my righteous Judge shall come," appears in Rippon's Baptist Selection, 1787, No. 579, as "When Thou, my righteous Judge, shalt come." This was repeated in numerous hymn-books in Great Britain and America, and is the popular form of the hymn.
The most, therefore, that can be said with regard to its authorship is that it is "Anon. Lady Huntingdon’s Hymn Book, circa 1774: Rippon’s Baptist Selection 1787."

--John Julian, Dictionary of Hymnology (1907)

Timeline

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The Cyber Hymnal #7701
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Instances

Instances (301 - 400 of 440)
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The Christian Lyre #94

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The Christian Lyre #94

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The Christian Melodist #524

The Christian Minstrel #d211

The Christian Minstrel #d240

The Christians' Songster #d88

The Church and School #d157

The Church Hymn Book #d745

The Church Hymn Book #d418

The Church Hymnal #d320

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The Church Hymnal #190

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The Church Hymnary #961

The Church of God Selection of Spiritual Songs for the Church and Choir #d694

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The Church Praise Book #291

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The Clifton Chapel Collection of "Psalms, Hymns, and Spiritual Songs" #451

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The Cluster of Spiritual Songs, Divine Hymns and Sacred Poems #DCLVI

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The College Hymnal #479

The Congregation #d112

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The Congregational Hymn Book #489

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The Coronation Hymnal #316

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The Cyber Hymnal #7701

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The Devotional Hymn and Tune Book #S21

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The Devotional Hymn and Tune Book #95

The Devotional Hymn Book #d363

The Dover Selection of Spiritual Songs #d181

The Dover Selection of Spiritual Songs, with an Appendix of Choice Hymns #d175

The Ebenezer Selection of Hymns and Spiritual Songs, with an appendix Consisting of Miscellaneous Pieces. 6th ed. #d421

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The Evangelical Hymnal with Tunes #489

The Good Old Songs #d430

The Good Old Songs #124

The Gospel Hymnal #d481

The Gospel Praise Book #d332

The Halifax Selection of Hymns #d313

The Harmonia Sacra. 14th ed. #d241

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The Harp #1054

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The Harp. 2nd ed. #a1054

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The Hartford Selection of Hymns #CCCC

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The Heavenly Choir #138b

The Hymnal of the Reformed Church in the United States #d503

The Hymnist #d75

The Hymns for the Use of Evangelical Lutheran Congregations #d381

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The Jubilee Harp #466

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The Key-Stone Collection of Church Music #155

The Lesser Hymnal #d260

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The Manual of Praise for Sabbath and Social Worship #567

The Methodist Protestant Church Hymnal #d354

The Millennial Harp #d310

The Millennial Harp #d163

The New Christian Harp. 10th ed. #d186

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The New Christian Hymnal #96

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The New Congregational Hymn and Tune Book, for Public, Social and Private Worship #487

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The New Harmonia Sacra #170

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The New Jubilee Harp #98

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The New Jubilee Harp #98

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The New Laudes Domini #1162

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The New Sabbath School Hosanna #72b

The Old Baptist Hymn Book #d215

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The Otterbein Hymnal #506

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The People's Hymnal #506

The Pilgrim's Hymnal. #d152

The Praise Hymnal #475

The Prayer Meeting Hymn Book #d207

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The Presbyterian Hymnal #422

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The Presbyterian Hymnal #747

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The Presbyterian Hymnal #747

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The Presbyterian Juvenile Psalmodist #58

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The Primitive Baptist Hymnal #432

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The Primitive Methodist Church Hymnal #495

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The Psalmist #1143

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The Psalmist #1143

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The Psalmody #1156

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The Psalms and Hymns of Dr. Watts #1297

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The Reformed Church Hymnal #95

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The Reformed Methodist Pocket Hymnal #III.4

The Revival Helper #69

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The Sabbath Hymn and Tune Book #349a

The Sabbath Hymn Book. Baptist ed. #d823

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The Sabbath School Bell #98b

The Sabbath School Hosanna #d129

The Sabbath School Hymn Book #d202

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The Sacred Harp or Eclectic Harmony #111

The Sacred Harp #96

The Sacred Harp. New ed. #d60

The Sacred Lute #d246

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The Sacred Lyre #216

The Sacred Songster. 5th ed. #d127

The Sanctus #d183

The Service of Song for Baptist Churches #d702

The Service of Song for Baptist Churches #d444

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The Seventh-Day Adventist Hymn and Tune Book #897

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The Social and Sabbath School Hymn-Book. (5th ed.) #239

The Social Harp #d235

The Social Harp. Rev. #d284

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The Social Psalmist #334

The Soldier's Hymn Book. 2nd ed. #d176

The Song Evangel #d166

The Song Evangel #ad166

Pages

Exclude 436 pre-1979 instances
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