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1 How many pass the guilty night
In revelings and frantic mirth!
The creature is their sole delight,
Their happiness the things of earth;
For us suffice the season past:
We choose the better part at last.
2 We will not close our wakeful eyes,
We will not let our eyelids sleep,
But humbly lift them to the skies,
And all a solemn vigil keep;
So many nights on sin bestowed,
Can we not watch one hour for God!
3 We can, O Jesus, for thy sake,
Devote our every hour to thee;
Speak but the word, our souls shall wake,
And sing with cheerful melody:
Thy praise shall our glad tongues employ
And every heart shall dance for joy.
4 Blest object of our faith and love,
We listen for thy welcome voice;
Our persons and our works approve,
And bid us in thy strength rejoice;
Now let us hear the mighty cry,
And shout to find the Bridegroom nigh.
5 Shout in the midst of us, O King
Of saints, and let our joys abound;
Let us rejoice, give thanks, and sing,
And triumph in redemption found:
We ask in faith for every soul;
O let our glorious joy be full!
6 O may we all triumphant rise;
With joy upon our heads return;
And far above these nether skies,
By thee on eagles’ wings upborne,
Through all yon radiant circles move,
And gain the highest heaven of love.
Source: The Hymn Book of the Free Methodist Church #770
First Line: | How many pass the guilty night |
Title: | A Solemn Vigil |
Author: | Charles Wesley |
Meter: | 8.8.8.8.8.8 |
Language: | English |
Copyright: | Public Domain |
How many pass the guilty night. C.Wesley. [Watchnight.] Appeared in Hymns and Sacred Poems, 1742, p. 135, in 6 stanzas of 6 lines as the first of a series of "Hymns for the Watchnight." (Poetical Works, 1868-72, vol. ii. p. 193.) In 1830 it was given in the Supplement to the Wesleyan Hymn Book with alterations, and the omission of stanza iv. This was repeated in the revised edition, 1875. The opening line has undergone several changes, as: "How many pass this guilty night"; "How many pass this solemn night"; and "How many spend the guilty night." The original reading has by far the most extensive use.
--John Julian, Dictionary of Hymnology (1907)