Christ's Dying Love

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How condescending and how kind

Author: Isaac Watts
Published in 191 hymnals

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Audio files: MIDI

Piano/Organ
	Mark Hayes: Hymns for the Intermediate P…

Choral
	The Grace of Christ's Sacrifice (Incorpo…

Instrumental
	The Peace of Christ

Representative Text

1 How condescending and how kind
Was God's eternal son!
Our misery reached His heavenly mind,
And pity brought Him down.

2 This was compassion like a God,
That when the Saviour knew
The price of pardon was His blood,
His pity ne'er withdrew.

3 Now, though He reigns exalted high,
His love is still as great:
Well He remembers Calvary,
Nor should His saints forget.

4 Here we receive repeated seals
Of Jesus' dying love:
Hard is the heart that never feels
One soft affection move.

5 Here let our hearts begin to melt,
While we His death record,
And with our joy for pardoned guilt,
Mourn that we pierced the Lord.

Amen.

Source: Book of Worship with Hymns and Tunes #138

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Author: Isaac Watts

Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary… Go to person page >

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First Line:	How condescending and how kind
Title:	Christ's Dying Love
Author:	Isaac Watts
Meter:	8.6.8.6
Language:	English
Copyright:	Public Domain

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Tune

HOLY TRINITY (Barnby)

CONDESCENSION (55221)

MANOAH (Greatorex)

MANOAH was first published in Henry W. Greatorex's Collection of Psalm and Hymn Tunes (1851). This anthology (later editions had alternate titles) contained one of the best tune collections of its era and included thirty-seven original compositions and arrangements by compiler Greatorex as well as m…

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