Redemption by Christ Alone

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Enslaved by sin and bound in chains

Author: Anne Steele
Tune: LES COMANDEMENS DE DIEU
Published in 58 hymnals

Printable scores: PDF, MusicXML
Audio files: MIDI

Piano/Organ
	Music for a Celebration, Set 4

Representative Text

1 Enslaved by sin and bound in chains,
Beneath its dreadful tyrant sway,
And doomed to everlasting pains
We wretched, guilty captives lay.

2 Nor gold nor gems could buy our peace,
Nor all the world's collected store
Suffice to purchase our release;
A thousand worlds were all too poor.

3 Jesus, the Lord, the mighty God,
An all-sufficient ransom paid.
O matchless price! His precious blood
For vile, rebellious traitors shed.

4 Jesus the sacrifice became
To rescue guilty souls from hell;
The spotless, bleeding, dying Lamb
Beneath avenging justice fell.

5 Amazing goodness! Love divine!
Oh, may our grateful hearts adore
The matchless grace nor yield to sin
Nor wear its cruel fetters more!

Source: Christian Worship (1993): a Lutheran hymnal #102

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Author: Anne Steele

Anne Steele was the daughter of Particular Baptist preacher and timber merchant William Steele. She spent her entire life in Broughton, Hampshire, near the southern coast of England, and devoted much of her time to writing. Some accounts of her life portray her as a lonely, melancholy invalid, but a revival of research in the last decade indicates that she had been more active and social than what was previously thought. She was theologically conversant with Dissenting ministers and "found herself at the centre of a literary circle that included family members from various generations, as well as local literati." She chose a life of singleness to focus on her craft. Before Christmas in 1742, she declined a marriage proposal from contemporar… Go to person page >

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First Line:	Enslaved by sin and bound in chains
Title:	Redemption by Christ Alone
Author:	Anne Steele
Meter:	8.8.8.8
Language:	English
Copyright:	Public Domain

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Tune

LES COMANDEMENS DE DIEU

LES COMMANDEMENS (French for "the commandments"), a rich and graceful tune in the Hypo-Ionian mode (major), was used in the Genevan Psalter (1547) for the Decalogue and for Psalm 140, and later in British psalters and in the Lutheran tradition. The first setting in the Psalter Hymnal derives from Cl…

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ROCKINGHAM (Mason)

AVIGNON

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