Victory and Deliverance from Persecution

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Are all the foes of Zion fools

Author: Isaac Watts
Tune: SONG 67
Published in 39 hymnals

Printable scores: PDF, Noteworthy Composer
Audio files: MIDI

Representative Text

1 Are all the foes of Zion fools,
Who thus devour her saints?
Do they not know her Saviour rules,
And pities her complaints?

2 They shall be seiz'd with sad surprise;
For God's revenging arm
Shall crush the hand that dares arise,
To do his children harm.

3 In vain the sons of Satan boast
Of armies in array;
When God has first despis'd their host,
They fall an easy prey.

4 Oh for a word from Zion's King,
Her captives to restore!
The joyful saints thy praise shall sing,
And Isr'el weep no more.

Source: Church Hymn Book: consisting of newly composed hymns with the addition of hymns and psalms, from other authors, carefully adapted for the use of public worship, and many other occasions (1st ed.) #P.LIII

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Author: Isaac Watts

Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary… Go to person page >

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First Line:	Are all the foes of Zion fools
Title:	Victory and Deliverance from Persecution
Author:	Isaac Watts
Meter:	8.6.8.6
Language:	English
Copyright:	Public Domain

Psalm 53
(hymns)

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Tune

SONG 67

SONG 67 was published as a setting for Psalm 1 in Edmund Prys's Welsh Llyfr y Psalmau (1621). Erik Routley (PHH 31) suggests that the tune should be ascribed to Prys. Orlando Gibbons (PHH 167) supplied a new bass line for the melody when it was published with a number of his own tunes in George With…

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