My Starred Hymns
My FlexScores
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Search Results
Psalm 150
Author: Nahum Tate; Nicholas Brady Meter: 8.8.8.8 Appears in 75 hymnals First Line: Oh, praise the Lord in that blest place Lyrics: 1 Oh, praise the Lord in that blest Place
From whence his Goodness largely flows;
Praise him in Heav'n, where now his face
Unveil'd, in perfect glory shows.
2. Praise him for all his mighty acts,
Which he in our behalf has done;
His Kindness this return exacts,
With which our praise should equal run.
3. Let him the trumpet's warlike voice
Make rocks and hills his praise rebound;
Praise him with harp's melodious noise,
And gentle psalt'ry's silver sound.
4. Let youthful troops soft timbrels bring,
And some with graceful motion dance;
Let instruments of various strings,
With organs joined, his praise advance.
5. Let them with joyful hymns compose,
To cymbals set their songs of praise;
Cymbals of common use, and those
That loudly sound on solemn days.
6. Let all who vital breath enjoy,
The breath he does to them afford,
In just returns of praise employ;
Let ev'ry creature praise the Lord. Topics: Resurrection Scripture: Psalm 150 Used With Tune: DUKE STREET
Psalm 150
DUKE STREET
Meter: 8.8.8.8 Appears in 1,500 hymnals Composer and/or Arranger: John Hatton; Lowell Mason Tune Key: D Major Incipit: 13456 71765 Used With Text: Psalm 150
DUKE STREET
O praise the Lord in that blest Place
Hymnal: A New Version of the Psalms of David #CL (1760) Lyrics: 1 O praise the Lord in that blest Place
From whence his Goodness largely flows;
Praise him in Heav'n, where He his Face
Unveil'd, in perfect Glory shows.
2 Praise Him for all the mighty Acts,
Which He in our Behalf has done;
His Kindness this Return exacts,
With which our Praise should equal run.
3 Let the shrill Trumpet's warlike Voice
Make Rocks and Hills his Praise rebound;
Praise Him with Harp's melodious Noise,
And gentle Psalt'ry's silver Sound.
4 Let Virgin Troops soft Timbrels bring,
And some with graceful Motion dance;
Let Instruments of various Strings,
With Organs join'd, his Praise advance.
5 Let them who joyful Hymns compose,
To Cymbals set their Songs of Praise;
Cymbals of common Use, and those
That loudly sound on solemn Days.
8 Let all that vital Breath enjoy,
The Breath He does to them afford,
In just Returns of Praise employ;
Let ev'ry Creature praise the Lord. Scripture: Psalm 150 Languages: English
O praise the Lord in that blest Place
O praise the Lord in that blest place
Hymnal: A Collection of Psalms and Hymns for Publick Worship #P.XXXI (1789) Lyrics: 1 O praise the Lord in that blest place
From whence his goodness largely flows;
Praise him in heav'n, where he his face
Unveil'd, in perfect glory shows.
2 Praise him for all the mighty acts,
Which he in our behalf has done;
His Kindness this return exacts,
With which our praise should equal run.
3 Let the shrill trumpet's warlike voice
Make rocks and hills his praise rebound;
Praise him with harp's melodious noise,
And gentle psaltry's silver sound.
4 Let virgin troops soft timbrels bring,
And some with graceful motion dance;
Let instruments of various strings,
With organs join'd, his praise advance.
5 Let them who joyful hymns compose,
To cymbals set their songs of praise;
Cymbals of common use, and those
That loudly sound on solemn days.
6 Let all that vital breath enjoy,
The breath he does to them afford,
In just returns of praise employ;
Let every creature praise the Lord. Topics: Psalms of Thanksgiving Scripture: Psalm 150 Languages: English
O praise the Lord in that blest place
O praise the Lord in that blest place
Hymnal: A Selection of Psalms with occasional hymns (Charleston hymnal) #P.XLVI (1792) Lyrics: 1 O praise the Lord in that blest place,
From whence his goodness largely flows;
Praise him in heav'n, where he, his face
Unveil'd, in perfect glory shows.
2 Praise him for all the mighty acts,
Which he in or behalf has done,
His kindness this return exacts,
With which our praise should equal run.
3 Let the shrill trumpet's warlike voice
Make rocks and hills his praise rebound;
Praise him with harp's melodious noice,
And gentle psaltry's silver sound.
4 Let virgin troops soft timbrels bring,
And some with graceful motion dance;
Let instruments of various strings,
With organs join'd, his praise advance.
5 Let all that vital breath enjoy,
The breath he does to them afford,
In just returns of praise employ:
Let ev'ry creature praise the Lord. Scripture: Psalm 150 Languages: English
O praise the Lord in that blest place
John Warrington Hatton
1710 - 1793 Person Name: John Hatton Composer of "DUKE STREET" in Hymns and Devotions for Daily Worship John Warrington Hatton (b. Warrington, England, c. 1710; d, St. Helen's, Lancaster, England, 1793) was christened in Warrington, Lancashire, England. He supposedly lived on Duke Street in Lancashire, from where his famous tune name comes. Very little is known about Hatton, but he was most likely a Presbyterian, and the story goes that he was killed in a stagecoach accident.
Bert Polman
John Warrington Hatton
Lowell Mason
1792 - 1872 Arranger of "DUKE STREET" in Hymns and Devotions for Daily Worship Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man.
Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit.
The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank.
In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious.
Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them."
The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging.
Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage.
Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals.
As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 1869. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced.
Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College.
--Hall, J. H. (c1914). Biography of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
Lowell Mason
Nahum Tate
1652 - 1715 Paraphraser of "Psalm 150" in Hymns and Devotions for Daily Worship Nahum Tate was born in Dublin and graduated from Trinity College, Dublin, B.A. 1672. He lacked great talent but wrote much for the stage, adapting other men's work, really successful only in a version of King Lear. Although he collaborated with Dryden on several occasions, he was never fully in step with the intellectual life of his times, and spent most of his life in a futile pursuit of popular favor. Nonetheless, he was appointed poet laureate in 1692 and royal historiographer in 1702. He is now known only for the New Version of the Psalms of David, 1696, which he produced in collaboration with Nicholas Brady. Poverty stricken throughout much of his life, he died in the Mint at Southwark, where he had taken refuge from his creditors, on August 12, 1715.
--The Hymnal 1940 Companion
See also in:
Hymn Writers of the Church
Nahum Tate
