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Search Results

Text Identifier:"^dad_gloria_al_ungido$"

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Texts

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Dad gloria al Ungido

Author: James Montgomery; Juan Burghi Appears in 5 hymnals Topics: Jesucristo redentor Adviento; Adoración y alabanza; Worship and Praise; Christian Year Advent; Jesus Christ Used With Tune: ELLACOMBE

Tunes

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ROCKPORT

Appears in 10 hymnals Composer and/or Arranger: T. Tertius Noble, 1867-1953 Tune Key: f minor Incipit: 51132 15311 13217 Used With Text: Dad Gloria al Ungido
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ELLACOMBE

Appears in 617 hymnals Composer and/or Arranger: W. H. Monk; W. H. Monk Tune Sources: Gesangbuch der H.W.K. Hofkapelle, 1784 Tune Key: A Major Incipit: 51765 13455 67122 Used With Text: Dad gloria al Ungido

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Dad gloria al Ungido

Author: James Montgomery; Juan Burghi Hymnal: Mil Voces para Celebrar #81 (1996) Topics: Jesucristo redentor Adviento; Adoración y alabanza; Worship and Praise; Christian Year Advent; Jesus Christ Languages: Spanish Tune Title: ELLACOMBE

Dad gloria al Ungido

Author: James Montgomery; Juan Burghi Hymnal: Cáliz de Bendiciones #81 (1996) Topics: Jesucristo redentor Adviento; Adoración y alabanza; Worship and Praise; Christian Year Advent; Jesus Christ Languages: Spanish Tune Title: ELLACOMBE

Dad Gloria al Ungido

Author: James Montgomery, 1771-1854; J. Burghi Hymnal: Cántico Nuevo #87 (1962) Languages: Spanish Tune Title: ROCKPORT

People

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Authors, composers, editors, etc.

T. Tertius Noble

1867 - 1953 Person Name: T. Tertius Noble, 1867-1953 Composer of "ROCKPORT" in Cántico Nuevo Thomas Tertius Nobel (1867-1953) was born in Bath, England, educated at the Royal College of Music, and was a noted composer and organist. He served as a church or­gan­ist in Cam­bridge and Col­ches­ter. He moved to Ely Ca­thed­ral in 1892 as or­gan­ist and choir­mas­ter, and in 1898 to York Min­ster, where he found­ed the York Sym­pho­ny Or­ches­tra, di­rect­ed the York Mu­sic­al So­ci­e­ty, con­duct­ed the York Pa­geant, and re­vived the York Mu­sic­al Fes­tiv­al af­ter a lapse of 75 years. He be­came an hon­or­a­ry fel­low of the Roy­al Coll­ege of Or­gan­ists in 1905. In 1913, he moved to New York Ci­ty, where he was or­gan­ist at St. Tho­mas’ Epis­co­pal Church, and es­tab­lished its choir school and a boys’ choir. In ad­di­tion to com­pos­ing, he wrote about mu­sic ed­u­ca­tion, and helped ed­it the 1916 Pro­test­ant Epis­co­pal hym­nal, and served on the mu­sic com­mit­tee that pre­pared its 1940 suc­ces­sor. He wrote a wide range of mu­sic, but on­ly his serv­ices, an­thems and hymn tunes are still per­formed reg­u­lar­ly. Died: May 4, 1953, Rock­port, Mass­a­chu­setts. http://www.hymntime.com/tch/

William Henry Monk

1823 - 1889 Person Name: W. H. Monk Adapter of "ELLACOMBE" in Mil Voces para Celebrar William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

Wayne Andersen

Person Name: R. Wayne Andersen Translator (es. 4-5) of "Dad Gloria al Ungido" in El Himnario Bautista de la Gracia
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