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J. E. Landor

Hymnal Number: 349 Author of "When the King comes in, brother" in The Canadian Hymnal 19th Century

Etienne Nicolas Méhul

1763 - 1817 Person Name: Mehul Hymnal Number: 399 Composer of "[I heard a voice, the sweetest voice]" in The Canadian Hymnal

Emma H. Whitfield

Person Name: Mrs. Whitefield Hymnal Number: 283 Author of "Gentle, holy Jesus" in The Canadian Hymnal Whitfield, Emma, née Hooper, is the author of "Gentle, Holy Jesus" (Child's Prayer to the Saviour), which has passed into numerous collections for children. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Marcos Antônio da Fonseca Portugal

1762 - 1830 Person Name: M. Portogallo Hymnal Number: 51 Composer of "ADESTE FIDELES" in The Canadian Hymnal

Ira O. Hoffman

1867 - 1943 Hymnal Number: 431 Composer of "[O, the world must be conquer'd for Christ]" in The Canadian Hymnal Born: Circa 1867, Pennsylvania. Died: May 4, 1943, Cleveland, Ohio. Ira’s father was song writer Elisha Hoffman. His middle name was his mother’s maiden name. At age nine, he is said to have written the music for his father’s song "The Little Pilgrim;" as an adult, he was a composer, arranger, and music editor. His works include: Favorite Gospel Songs: A Tune Boo (music editor) (Jersey City, New Jersey: J. N. Davis, 1894) --www.hymntime.com/tch

Alfred Beirly

Hymnal Number: 175 Composer of "[Lo! the fields are white for harvest]" in The Canadian Hymnal Dr. Alfred Beirly was the author of many song books: Great Joy!, 1881 Crowning Glory No. 1, 1889 Sovereign Choir No. 1, A Book of Easy Anthems, 1889 Beirly’s Memorial Songs No. 1, 1892 Beirly’s Jubilee Choir Vol. 2, 1892 Beirly’s Song Triumph, 1892 Beirly’s Festal Days, 1894 Golden Grain Nos. 1 and 2 Combined, 1894 Beirly’s School Songs for Public or Private Schools, Academies and Colleges, No. 1, 1896 Beirly’s National Singer, 1898 The Concert Master, 1899 Emmanuel, a Sacred Oratorio, 1892 A Greater Chicago (The Woman’s Temple, date unknown) The Song Wonder, 1907 A New Harbor for Chicago, 1908 NN, Hymnary editor. Source: http://www.hymntime.com/tch/bio/b/e/i/beirly_a.htm

William Fawcett

1842 - 1901 Person Name: Rev. William Fawcett, D. D. Hymnal Number: 428 Author of ""For Jesus' sake" shall be our song" in The Canadian Hymnal Rev. William Fawcett, D.D. William Fawcett’s life of nearly three score years separates itself into three period of twenty years each, the first in Canada, the second in Iowa, the third in the Rock River Conference. The most important, of course, were those formative days in Canada where he was born in 1842. It was inevitable that he should preach. It was in the blood and he could no more escape it than he could the power of gravitation. After the completion of his studies in the Old Dominion the finger of providence seemed to beckon him westward and he cast in his lot with the growing state of Iowa, and in 1863 joined Upper Iowa Conference. His first appointment was on the Buckingham Circuit, and during the first year the young preacher travelled 4,800 miles on horseback. He was ordained deacon by Bishop Ames in September, 1863, and sent to Grundy Centre Circuit. After serving at West Union, Anamosa, Davenport and McGregor, he was assigned to Cedar Rapids where he built the beautiful St. Paul’s Church which stil holds him in loving remembrance. Soon Chicago Methodism sighted this new luminary and transferred the plane of his orbit from Dubuque to Grace Church. During his three year’s ministry, then the limit, his wife died. Next assigned to Park Avenue, Chicago, his five years pastorate culminated in the present handsome stone structure, his most fitting monument. On Feb. 22, 1886, he was united in marriage by Bishop Merrill to Mrs. Nellie Whipple, for ten years organist at Grace Church. Two sons were born to them, both dying in infancy. In 1890 he became pastor of First Church, Chicago, where he served for three years. His health at this time, which long before had been seriously impaired, made it necessary for him to give up active work, but after traveling and acting as associate pastor at South Park Avenue, he took up regular pastoral work at River Forest in 1896, where a devoted wife and a devoted church enabled him to make full proof of his ministry until his death. excerpts from Journal and Yearbook By Methodist Episcopal Church. Rock River Conference

P. P. Bliss

1838 - 1876 Hymnal Number: 13 Author of "Sing, oh sing, of my Redeemer" in The Canadian Hymnal Philip P. Bliss (b. Clearfield County, PA, 1838; d. Ashtabula, OH, 1876) left home as a young boy to make a living by working on farms and in lumber camps, all while trying to continue his schooling. He was converted at a revival meeting at age twelve. Bliss became an itinerant music teacher, making house calls on horseback during the winter, and during the summer attending the Normal Academy of Music in Genesco, New York. His first song was published in 1864, and in 1868 Dwight L. Moody advised him to become a singing evangelist. For the last two years of his life Bliss traveled with Major D. W. Whittle and led the music at revival meetings in the Midwest and Southern United States. Bliss and Ira D. Sankey published a popular series of hymn collections entitled Gospel Hymns. The first book of the series, Gospel Songs, was published in 1874. Bliss's tragic death at the age of thirty-eight happened near the end of 1876. Philip P. Bliss and his wife were traveling to Chicago to sing for the evangelistic services led by Daniel W. Whittle at Dwight L. Moody's Tabernacle. But a train wreck and fire en route claimed their lives. Bert Polman ================= Bliss, Philip, b. at Clearfield County, Pennsylvania, July 9, 1838. In 1864 he went to Chicago in the employ of Dr. George F. Root, the musician, where he was engaged in conducting musical Institutes, and in composing Sunday School melodies. Originally a Methodist, he became, about 1871, a choirman of the First Congregational Church, Chicago, and the Superintendent of its Sunday Schools. In 1874 he joined D. W. Whittle in evangelical work. To this cause he gave (although a poor man) the royalty of his Gospel Songs, which was worth some thirty thousand dollars. His death was sudden. It occurred in the railway disaster at Ashtabula, Ohio, Dec. 30, 1876. ... Some of his verses have obtained wide popularity in most English-speaking countries. The more widely known, and specially those which are found in collections in use in G. Britain, are in the following American works:— i. The Prize, 1870. 1. I should like to die. Death anticipated. This is one of his earliest compositions, and is unworthy of the position it holds. 2. Through the valley of the shadow I must go. Death anticipated. 3. Whosoever heareth, shout, shout the sound. Jesus the Way. Written during the winter of 1869-70 after hearing Mr. H. Moorhouse (from England) preach on St. John iii. 16. ii. The Charm, 1871. 4. Almost persuaded now to believe. Procrastination. This was suggested by the following passage in a sermon by the Rev. Mr. Brundnge, Bliss being present at its delivery:—" He who is almost persuaded is almost saved, but to be almost saved is to be entirely lost." 5. Ho! my comrades! see the signal. Faithfulness. 6. O! Jerusalem, the golden city, bright, &c. Heaven. 7. On what Foundation do [did] you build? Christ the Foundation. iii. The Song Tree, 1872. 8. Light in the darkness, sailor, day is at hand. Safety. This hymn, “The Life-Boat," has attained to great popularity. The incident upon which it is based, that of the rescue of a ship's crew by a life-boat, is given in detail by Mr. Sankey in his Sacred Songs, &c, No. 99 (large ed.). It is sometimes known by its refrain, "Pull for the shore," &c. iv. The Joy, 1873. 9. In me ye may have peace. Peace. 10. To die is gain. Death anticipated. v. Sunshine, 1873. 11. Down life's dark vale we wander. Death anticipated. 12. More holiness give me. For Holiness. 13. Only an armour-bearer. Soldiers of the Cross. 14. Standing by a purpose true. Faithfulness. 15. This loving Saviour stands patiently. Invitation. vi. Gospel Songs, 1874. 16. A long time I wandered. Peace and Joy. 17. Brightly beams our Father's mercy. Mercy. 18. Come, brethren, as we march along. Praise. 19. Free from the law, O happy condition. Redemption. 20. Have you on the Lord believed? Fullness of Grace. This hymn arose out of the following circumstances :—" A vast fortune was left in the hands of a minister for one of his poor parishioners. Fearing that it might be sqmandered if suddenly bestowed upon him, the wise minister sent him a little at a time, with a note saying, “This is thine; use it wisely; there is more to follow.” Hence also the refrain ‘More to follow,’ by which the hymn is known." 21. How much owest thou? Divine Claims. 22. I know not the hour when my Lord will come. Death anticipated. Suggested by reading the book, The Gates Ajar. 23. See the gentle Shepherd standing. The Good Shepherd. 24. Though the way be sometimes dreary. Divine Leading. 25. Will you meet me at the fountain? Fountain of Living Water. The incident out of which this hymn arose is thus stated in The Christian, No. 365, "At the Industrial Exposition at Chicago it was an everyday appointment to meet at the Central Fountain. Mr. P. P. Bliss, whose mind seemed always set on things above, caught up the words, and wrote this hymn, 'Meet me at the Fountain.'" vii. Gospel Hymns, No. 1, 1875. 26. One offer of salvation. The Name of Jesus. 27. Wandering afar from the dwellings of men. The Lepers. viii. The International Lesson Monthly, 1875. 28. Weary gleaner, whence comest thou? Duty. 29. The whole world was lost in the darkness of Sin. Light of the world. 30. Man of sorrows! what a name. Redemption. 31. The Spirit, O sinner, in mercy doth move. Holy Spirit. ix. Gospel Hymns, No. 2, 1876. 32. At the feet of Jesus. The good choice. 33. Come, sing the Gospel's joyful sound. Salvation. 34. Cut it down, cut it down. Justice and Mercy. 35. Do you see the Hebrew captive? Prayer. 36. Hallelujah, He is risen. Easier. Written in the spring of 1876 and first sung by Bliss on Easter afternoon, 1876, in the Court House Square, Augusta, Georgia, to 5900 people. 37. In Zion's rock abiding. Safety. 38. Repeat the story o'er and o'er. Grace and Peace. 39. Tenderly the Shepherd. The Good Shepherd. x. Gospel Hymns, No. 3, 1878. 40. Hear ye the glad good news from heaven. Faith and Salvation. 41. I will sing of my Redeemer. Praise. xi. Gospel Hymns, No. 4, 1881. 42. 'Tis known on earth and heaven too. More about Jesus. xii. Various. 43. Sing over again to me. Words of Life. This appeared in a paper entitled Words of Life, 1874, The following are undated:— 44. March to the battle-field. Duty and Victory. 45. There is sin in the camp. Hinderances. 46. 'Tis the promise of God. Praise. 47. While the silvery moon-beams, fall, New Birth. 48. God is always near me. Omnipresence. Two hymns," I am so glad that our Father in heaven," and " Sowing the seed by the daylight [dawnlight] fair," (sometimes given as " Sowing our seed in the morning fair ") are usually attributed to Mr. Bliss. In his Gospel Songs, Cincinnati, 1874, however, he lays claim to the music only. Mr. Sankey attributes this last to "E. A. Oakey." With the exception of No. 48, these hymns are given in Mr. Sankey's Sacred Songs & Solos, Pts. i. and ii. Their popularity is far beyond their literary merits, and is mainly due to the simple melodies to which they are wedded. As a writer of hymns of this class Mr. Bliss is second only to Mrs. Van Alstyne. Many anecdotes concerning hymns of this class are given in American Evangelists; an Account of their work in England and America, by the Rev. Elias Nason, Boston, U.S., Lathrop & Co., 1877. Mr. Bliss is usually known as "P. P. Bliss." This is found on the title-pages of his collections. On his own authority, however, we are enabled to say that his name originally stood thus : “Philipp Bliss.” Early in life he separated the final p from his Christian name, constituted it a capital P, and thus produced "P. P. Bliss." (For this article we are mainly indebted to Professor F. M. Bird, and Mr. H. P. Main.) -John Julian, Dictionary of Hymnology (1907) ======================== Bliss, Philip , p. 151, i. "Sowing the seed by the daylight fair" is in the Family Treasury , Edinburgh, 1861, pt. i., p. 84. It is said to be by Miss Emily Sullivan Oakey; born at Albany, N. York, Oct. 8, 1829, died May 11, 1883. Note also that Bliss's hymn, No. 43. on p. 150, ii., should read, "Sing them over again to me." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ===================== Bliss, P., p. 150, i. Two works have been brought to our notice, since the issue of our first edition of this Dictionary, which concern this author, viz.:— 1. Memoirs of Philip P. Bliss. Edited by D. W. Whittle. Contributions by Rev. E. P. Goodwin, Ira D. Sankey, and Geo. F. Root. Introduction by D. L. Moody. New York, &c.: A. S. Barnes & Co., 1877. 2. My Life and Sacred Songs. By Ira D. Sankey. With an Introduction by Theodore L. Cuyler, D.D). London: Hodder & Stoughton, and Morgan & Scott, 1906. These works have a special interest for those who use I. D. Sankey's Sacred Songs & Solos, and all of P. Bliss's publications. To Mr. Sankey's My Life, &c, we direct special attention for P. Bliss's hymns:— “Do you see the Hebrew captive kneeling?" p. 294. "Down life's dark vale we wander." p. 285. "Ho! my comrades, see the signal." p. 105. "'Tis the promise of God full salvation to give." p. 99. --John Julian, Dictionary of Hymnology, New Supplement (1907)

James Nicholson

1828 - 1896 Person Name: J. Nicholson Hymnal Number: 126 Author of "Whiter than snow, yes, whiter than snow" in The Canadian Hymnal James L Nicholson United Kingdom/USA 1828-1876. Born in Ireland, he emigrated to the United States around age 25. He lived in Philadelphia, PA, worked as a postal clerk, and was a member of the Wharton Street Methodist Episcopal Church there for about 20 years, where he taught Sunday school, led singing in church, and assisted in evangelical work. This was also hymn writer, William J Kirkpatrick’s, church. Around 1871 he moved to Washington, DC, and worked as a postal clerk there. In addition to his hymn writing, he also wrote several books, one on birds and their care, one on forensic medicine. He died in Washington, DC, but was buried in Philadelphia, PA. John Perry =============== Nicholson, James, an American Methodist minister, is the author of (1) "Dear [Lord] Jesus I long to be perfectly whole" (Holiness desired); and (2) "There's a beautiful land on high " (Heaven), both of which are in I. D. Sankey's Sacred Songs and Solos, 1878. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Thomas Tallis

1505 - 1585 Hymnal Number: 4 Composer of "TALLIS" in The Canadian Hymnal Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561). Bert Polman

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