Text: | Twofold Amen |
Tune: | [Amen] |
Composer (attributed to): | Johann G. Naumann, 1741-1801 |
Text Information | |
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First Line: | Amen |
Title: | Twofold Amen |
Language: | English |
Publication Date: | 1987 |
Topic: | Doxologies; Responses; Songs for Children: Hymns |
Tune Information | |
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Name: | [Amen] |
Composer (attributed to): | Johann G. Naumann, 1741-1801 |
"Amen" is a Hebrew expression that means "so be it" or "let it be true." The word connotes a sense of certainty and a conviction of truthfulness. The Old Testament Hebrew people used "amen" to affirm the rightness of God's judgments (see Deut. 27:15-26). But "amen" is also the New Testament believers' affirmation of God's promises, and the concluding acclamation to orthodox Christian praise and prayer (see 1 Cor. 14:16 and Rev. 5:14; 7:12).
"Amen" is familiar as the final word of prayers, a word of faith that portrays the strong conviction that God answers prayer. It is similarly used in some hymns, especially in select hymns of petition and certain hymns of profession of faith. Some hymnals still provide an "amen" for each hymn--a practice that arose in the nineteenth century when church choirs sang much of the service music and congregations added only their spoken or sung "amen." This practice is not followed in most modern hymnals.
Liturgical Use:
As sung acclamations to spoken prayers and benedictions; congregations may want to sing the various settings at different times of the church year.
--Psalter Hymnal Handbook
“Twofold Amen”
This "Dresden Amen" is often attributed to Johann G. Naumann (1741-1801), a composer of operas and church music at the royal court in Dresden, Germany. The tune was used by Felix Mendelssohn (PHH 279) in his Reformation Symphony and by Richard Wagner in Parsifal.
--Psalter Hymnal Handbook