131

Christ, We Climb with You the Mountain

Scripture References

Thematically related:

Confessions and Statements of Faith References

Further Reflections on Confessions and Statements of Faith References

Stanza 4 prays for Christ to “help the church…share with you love’s cost and pain...” This prayer is remarkably similar to the call from Our World Belongs to God, paragraph 41 in which the mission of Christ’s church is a call to “embrace God’s mission…in the world.”

131

Christ, We Climb with You the Mountain

Words of Praise

A prayer especially mindful of children
Jesus, today we celebrate your transfiguration.
You remind us that you are powerful and holy.
We cannot completely understand you,
but you do teach us that you are our God and you love us.
We praise you, holy Lord!
We glorify you, almighty King!
We exalt you, Son of God!
Thank you for showing us who you are.
In your name we pray. Amen.
Additional Resources
[The Worship Sourcebook]
— Worship Sourcebook Edition Two

Additional Prayers

Holy God,
you revealed to the disciples
the everlasting glory of Jesus Christ.
Grant us, who have not seen and yet believe,
the gift of your Holy Spirit,
that we may boldly live the gospel
and shine with your transforming glory
as people changed and changing
through the redeeming presence of our Savior. Amen.
— Worship Sourcebook Edition Two
In splendor and majesty
your Word was revealed,
the hope of Israel,
transfigured in glory.
In splendor and majesty
he set his face toward Jerusalem,
choosing the way of suffering and death
that would be majestically transfigured
into the way of life and hope.
[The Worship Sourcebook]
— Worship Sourcebook Edition Two
The following is a guide for extemporaneous prayers for services that remember Jesus’ transfiguration.
The pattern provides a suggested text for the opening and closing of each part of
the prayer and calls for extemporaneous prayers of thanksgiving, petition, and intercession.
Jesus Christ,
glorified and risen Lord,
though you could have stayed on the mountain,
you chose to descend, knowing the agony that lay ahead to bring our salvation.
We thank you for your redemption, that can be seen even now in
creation . . .
the nations of the world . . .
world leaders . . .
our nation . . .
our community . . .
the church universal . . .
our church . . .
the life of . . .
our own lives . . .
Yet knowing that many in this world
are not willing to acknowledge you as God and Savior,
or are unable to pray,
we offer these prayers on their behalf:
for creation and its care . . .
for the nations of the world . . .
for our nation and its leaders . . .
for our community and those who govern . . .
for the church universal, its mission, and those who minister . . .
for this local congregation and its ministry . . .
for persons with particular needs . . .
We pray in the name of Jesus Christ,
our glorified and risen Lord. Amen.
[The Worship Sourcebook]
— Worship Sourcebook Edition Two
131

Christ, We Climb with You the Mountain

Tune Information

Name
IN BABILONE
Key
F Major
Meter
8.7.8.7 D
131

Christ, We Climb with You the Mountain

Hymn Story/Background

IN BABILONE is a traditional Dutch melody that appeared in Oude en Nieuwe Hollantse Boerenlities en Contradansen (Old and New Dutch Peasant Songs and Country Dances), c. 1710. Ralph Vaughan Williams discovered this tune as arranged by Julius Rontgen and included it in The English Hymnal (1906), from which it gained widespread use. 
— Bert Polman

Author Information

Herman G. Stuempfle Jr. (b. Clarion, Pennsylvania April 2, 1923; d. Gettysburg, Pensylvania, March 13, 2007) was educated at Susquehanna University (A.B., 1945), Lutheran Theological Seminary (B.D., 1946), Union Theological Seminary (S.T.M., 1967) and Southern California School of Theology at Claremont (Th. D., 1971). From 1947-1959, Rev. Stuempfle, served as pastor of parishes in Pennsylvania and Maryland. In 1959, he joined the staff of the Board of Missions of the United Lutheran Church in America. Throughout his 27-year career as Professor of Preaching at Lutheran Theological Seminary, Rev. Stuempfle also served as the school’s Dean (1971-1976) and as President (1976-1989).

In 2004, Dr. Stuempfle was named a Fellow of the Hymn Society in the United States and Canada. His work is found in an ever-growing number of hymnals. GIA has published five collections of his hymn texts: The Word Goes Forth (1993); Redeeming the Time (1997); Awake Our Hearts To Praise (2000); Wondrous Love Has Called Us (2006); and The Song of Faith Unsilenced (2013), published posthumously. Dr. Stuempfle died on March 13, 2007 after a long battle with ALS. 
— GIA Publications, Inc. (http://www.giamusic.com)

Composer Information

An important Dutch pianist, composer, conductor, scholar, and editor, Julius Rontgen (b. Leipzig, Germany, 1855; d. Utrecht, the Netherlands, 1932) studied music in Leipzig with well-known German teachers. In 1877 he moved to Amsterdam, where he first taught at the Amsterdam Conservatory. In 1886 he became conductor of the Society for the Advancement of Musical Art. He returned to the Conservatory as director in 1918, and then retired in 1924 to devote himself to composition. He was a friend of leading composers of his day, including Liszt, Brahms, and Grieg, and wrote a biography of Grieg. Rontgen's compositions include symphonies, chamber works, operas, and film scores.
— Bert Polman
Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
— Bert Polman
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