Glory to God ‎#101

101. No Wind at the Window

Instrument/Format Page ScanAccompanimentAlto SaxBassBassoonBulletin (harmony)Bulletin (melody)CelloClarinetFluteHornLarge PrintLead SheetOboePewProjection (harmony)Projection (melody)Tenor SaxTromboneTrumpetTubaViolaViolin

You have access to this FlexScore.
Download:

Are parts of this score outside of your desired range? Try transposing this FlexScore.

General Settings

Stanza Selection

Voice Selection

Text size

Text size:

-3 -2 -1 +0 +1 +2 +3 +4

Music size

Music size:

-8 -6 -4 -2 +0 +2 +4 +6 +8 +10

Transpose (Half Steps)

Transpose (Half Steps):

-12 -11 -10 -9 -8 -7 -6 -5 -4 -3 -2 -1 None 1 2 3 4 5 6 7 8 9 10 11 12

Capo

Capo:

None 1 2 3 4 5 6 7 8 9 10 11

Contacting server...

Contacting server...

$2.99 Purchase the FlexScore for this hymn instance (licensed for a single user) $11.99 Purchase all of the FlexScore instruments/formats for this hymn instance (licensed for all instrumentalists in your church or organization) $39.99 Purchase a Hymnary Pro subscription and get unlimited access to all public domain FlexScores for one year
	Questions? Check out the FAQ

A separate copy of this score must be purchased for each choir member. If this score will be projected or included in a bulletin, usage must be reported to a licensing agent (e.g. CCLI, OneLicense, etc).

This is a preview of your FlexScore.

Text Information

• First Line: No wind at the window, no knock on the door
• Title: No Wind at the Window
• Author: John L. Bell (1992)
• Meter: 11.11.11.11
• Language: English
• Publication Date: 2013
• Scripture:
  Luke 1:26-38
• Topic: Jesus Christ: Advent; Women
• Copyright: © 1992 WGRG, Iona Community (admin. GIA Publications, Inc.)
• ONE LICENSE: 01277

Tune Information

• Name: COLUMCILLE
• Arranger: John L. Bell (1992)
• Meter: 11.11.11.11
• Key: f♯ minor
• Source: Irish melody
• Copyright: © 1992 WGRG, Iona Community (admin. GIA Publications, Inc.)

Text Information:

This 20th-century retelling of the Annunciation (Luke 1:26–38) effectively incorporates characteristic features of the folksong style its Irish tune requires, especially in the lists of “no” and “both.” The tune is named for a many-talented Irish saint of the 6th century.